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2 queen of the dolomites - jacob de haan - set of clarinets

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Kristal42 .
Kristal42 .

The document describes the Italian town of Cortina d'Ampezzo, known as the "Queen of the Dolomites". It is set against the backdrop of the dramatic peaks of the Dolomite mountains and is a popular holiday destination. The piece of music accompanying the text aims to musically depict the majestic mountains, calm mountain scenery, and lively town through changing themes.

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Queen of the dolomites (Jacob de Haan) The Italian Cortina d’Ampezzo—the ‘Queen of the Dolomites’—is one the most popular holiday destinations in the world. The fabulous alpine scene is set by peaks such those of the Tofane and Cristello soaring above the town. The meadows and woods of the Ampezzo basin attract countless sports enthusiasts and other visitors who simply want to relax in this chocolate-box scenery. The introductory theme of this composition echoes the majestic size of the so-called crown of mountains visible from Cortina. Then a lyrical theme sounds, reflecting the calm of the surrounding mountain panorama, and we also hear the houses of Cortina nestling in the valley below. Back in the village we hear the sounds of the lively Italian brass band entertaining the skiers who have returned from the ski lifts. Then the lyrical theme returns once more, but this time in tribute to the majestic ‘throne’ on which the village sits as Queen of the Dolomites. The piece ends with the regal sounds of the first theme, which affords us another spectacular view of the wonderful crown of mountains.
                                Cl.1 Cl.2 Cl.3 Cl.4 Cl.5 Cl.6 Cl.7 Cl.B                        3  Andante                                 3                                        3                                     3                                           3                 6                  6                   3                                          3                                      3   8                                                                          ©Gino Gonçals (Cover of Clarinets, Aragón, S.XXI) Jacob de Haan Arr. by Gino Gonçals QUEEN OF THE DOLOMITES
                11                    11                                                            rit....                                                          3    15      A tempo                 16                  16                   3                                          3                                        3   18                                                                            2 QUEEN OF THE DOLOMITES
                21                    21                rit....                                                         24 A tempo                                        26                    26                                                                   28                                                           3 QUEEN OF THE DOLOMITES
                31          31                                           32                                                                                               36              36                                                                                                                                                               40      4 QUEEN OF THE DOLOMITES
                41                            41                                                                                                                                                                           46                                     46      rit....                                                                                               48 Allegro Molto  accel.                                                                                                                                                                  5 QUEEN OF THE DOLOMITES
                51                                                      51                                                                                                                                                                                                                                                                                            54                                                                                                                                                     56                                                   56                                                                                                                                                                                                                                                                      rit.... 6 QUEEN OF THE DOLOMITES
                61               61                                       62 Meno mosso e maestoso                                                                                                                                                    66                             66                                                                                                                                                                                                                             7 QUEEN OF THE DOLOMITES
                71         71                                                                                                        72                                                                                                                                                                                                                       76                                       76                                                                                                                                              78                                                                                                 8 QUEEN OF THE DOLOMITES
                81        81                                                                                                                                                                                                                                                                       86                         86                                                                                                                                                                                                                           9 QUEEN OF THE DOLOMITES
                          91                                91                                                                         rit....                                                                                                 94 Allegro Molto                                                                                              96                                                  96                                                                                                                                                                                                                                                                        10 QUEEN OF THE DOLOMITES
                101                                   101                                                                                                      rit....                                                                                                                                                                                       105 Andante                  106                    106                                                                                                                                                      rit....                                           110 A tempo 11 QUEEN OF THE DOLOMITES
                111                                   111                                                                                                                                                  116                                  116                                                                 118                                                                                     12 QUEEN OF THE DOLOMITES
                121                121                                                                                       rit....                                                                                      3 125 A tempo                 126                                     126                   3                                           3                                                       3                                                           13 QUEEN OF THE DOLOMITES
                131                     131                                                                                      rit.                                                                                        14 QUEEN OF THE DOLOMITES
      Andante                          8                          rit.  15 A Tpo               18                          rit....     24 A Tpo  28  32                 40                                             rit....          48 Allegro Molto                                                                                  54                                             rit....    62 Meno mosso e maestoso                                  72                                                       78                                         86                   QUEEN OF THE DOLOMITES Jacob de Haan ©Gino Gonçals Arr. by Gino Gonçals Clarinete Mi  (Cover of Clarinets, Aragón, S.XXI)
                rit....             94 Allegro Molto                                                                                                            rit....           105 Andante                 rit....     110 A Tpo                                           118                                        rit....     125 A Tpo                                               rit.          2 QUEEN OF THE DOLOMITES
     Andante                          8                         rit.  15 A Tpo               18                          rit....    24 A Tpo  28  32                 40                                            rit....          48 Allegro Molto                                                                                  54                                             rit....    62 Meno mosso e maestoso                                  72                                                       78                                          86                   QUEEN OF THE DOLOMITES Jacob de Haan ©Gino Gonçals Arr. by Gino Gonçals Clarinete 1ºB (Cover of Clarinets, Aragón, S.XXI)
                rit....             94 Allegro Molto                                                                                                              rit....           105 Andante                  rit....     110 A Tpo                                            118                                         rit....      125 A Tpo                                                rit.          2 QUEEN OF THE DOLOMITES
     Andante                          8                             rit....         15 A Tpo               18                              rit....         24 A Tpo                         28                           32                                                  40                                      rit....             48 Allegro Molto                                                                                        54                                               rit....    62 Meno mosso e maestoso                             QUEEN OF THE DOLOMITES Jacob de Haan ©Gino Gonçals Clarinet 2ºB Arr. by Gino Gonçals (Cover of Clarinets, Aragón, S.XXI)
               72                                                            78                                  86                                 rit....         94 Allegro Molto                                                                                                   rit....           105 Andante                       rit....     110 A Tpo                                            118                                         rit....      125 A Tpo                                               rit.          2 QUEEN OF THE DOLOMITES
     Andante                                                                              rit.        24 A tempo                     32                   40                                        rit.            Allegro Molto   48                                         QUEEN OF THE DOLOMITES Jacob de Haan ©Gino Gonçals Arr. by Gino Gonçals Clarinet 3ºB (Cover of Clarinets, Aragón, S.XXI)
                              54                                                               rit.  Meno mosso e maestoso  62                                                              72                                    78                                                  86                           rit.        Allegro Molto    94                                                100         2 QUEEN OF THE DOLOMITES
                  Molto rall....            Andante  105                                   A tempo  110                                                   118                            rit.                  125  A tempo                         rit.             3 QUEEN OF THE DOLOMITES
     Andante                                                                                     rit.     24 A tempo                32                     40                                    rit.         Allegro Molto   48                                                    QUEEN OF THE DOLOMITES Jacob de Haan ©Gino Gonçals Clarinet 4ºB Arr. by Gino Gonçals (Cover of Clarinets, Aragón, S.XXI)
                  54                                                                      rit.  Meno mosso e maestoso  62                                                                        72                                        78                                                          86                                                         rit.          Allegro Molto   94                                  2 QUEEN OF THE DOLOMITES
                 100                          Molto rall....             Andante  105                              A tempo  110                                                     118                          rit.                125  A tempo                         rit.               3 QUEEN OF THE DOLOMITES
     Andante                            8                         rit....      15 A tempo                  18             rit....  24 A tempo   28    32   40                                    rit....             48 Allegro Molto                                                                      54                                                                            rit....           62 Meno mosso e maestoso                                                                   72                         QUEEN OF THE DOLOMITES Jacob de Haan ©Gino Gonçals Arr. by Gino Gonçals Clarinet 5ºB (Cover of Clarinets, Aragón, S.XXI)
         78                                   86                                            rit....               94 Allegro Molto                                                                               rit....              105 Andante                       rit....             110 A tempo                                                    118                          rit....                   125 A tempo                                          rit.              2 QUEEN OF THE DOLOMITES
       Andante                        8                 rit....        15   A tempo          18                 rit....   24 A tempo          28            32                   40             rit....           48 Allegro Molto                              54                                                                           rit....                  62 Meno mosso e maestoso                                                                                     72                                  QUEEN OF THE DOLOMITES Jacob de Haan ©Gino Gonçals Arr. by Gino Gonçals Clarinet 6ºB (Cover of Clarinets, Aragón, S.XXI)
                  78                                                                 86                                                      rit....         94 Allegro Molto                                                rit....              105 Andante                       rit....       110 A tempo                      118                 rit....         125 A tempo                             rit.              2 QUEEN OF THE DOLOMITES
       Andante                          8              rit....        15   A tempo          18            rit....   24 A tempo        28         32                       40           rit....          48 Allegro Molto                               54                                                          rit....          62 Meno mosso e maestoso                                                                                     72  QUEEN OF THE DOLOMITES Jacob de Haan ©Gino Gonçals Arr. by Gino Gonçals Clarinet 7º B (Cover of Clarinets, Aragón, S.XXI)
                                                  78                                                                     86                                                      rit....           94 Allegro Molto                                      rit....                                       105 Andante                            rit....     110 A tempo              118                   rit....    125 A tempo                             rit.              2 QUEEN OF THE DOLOMITES
                3  Andante              3             3             3             3             3             3               3 8              rit.                 3 15  A tempo             3             3             3 18               rit.         24 A tempo                                 28                                   32                                                                   40                                 rit.            48 Allegro Molto                                                                54                                             rit.          62 Meno mosso e maestoso                                                                     QUEEN OF THE DOLOMITES Jacob de Haan ©Gino Gonçals Arr. by Gino Gonçals Clarinet Bass (Cover of Clarinets, Aragón, S.XXI)
                  72                                                      78                                                                     86                                                      rit.                  94 Allegro Molto                                                                                           rit.           105 Andante                  rit.         110 A tempo             118                rit.                3 125 A tempo             3             3             3             rit.                 2 QUEEN OF THE DOLOMITES

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2 queen of the dolomites - jacob de haan - set of clarinets

  • 1. Queen of the dolomites (Jacob de Haan) The Italian Cortina d’Ampezzo—the ‘Queen of the Dolomites’—is one the most popular holiday destinations in the world. The fabulous alpine scene is set by peaks such those of the Tofane and Cristello soaring above the town. The meadows and woods of the Ampezzo basin attract countless sports enthusiasts and other visitors who simply want to relax in this chocolate-box scenery. The introductory theme of this composition echoes the majestic size of the so-called crown of mountains visible from Cortina. Then a lyrical theme sounds, reflecting the calm of the surrounding mountain panorama, and we also hear the houses of Cortina nestling in the valley below. Back in the village we hear the sounds of the lively Italian brass band entertaining the skiers who have returned from the ski lifts. Then the lyrical theme returns once more, but this time in tribute to the majestic ‘throne’ on which the village sits as Queen of the Dolomites. The piece ends with the regal sounds of the first theme, which affords us another spectacular view of the wonderful crown of mountains.
  • 2.                                 Cl.1 Cl.2 Cl.3 Cl.4 Cl.5 Cl.6 Cl.7 Cl.B                        3  Andante                                 3                                        3                                     3                                           3                 6                  6                   3                                          3                                      3   8                                                                          ©Gino Gonçals (Cover of Clarinets, Aragón, S.XXI) Jacob de Haan Arr. by Gino Gonçals QUEEN OF THE DOLOMITES
  • 3.                 11                    11                                                            rit....                                                          3    15      A tempo                 16                  16                   3                                          3                                        3   18                                                                            2 QUEEN OF THE DOLOMITES
  • 4.                 21                    21                rit....                                                         24 A tempo                                        26                    26                                                                   28                                                           3 QUEEN OF THE DOLOMITES
  • 5.                 31          31                                           32                                                                                               36              36                                                                                                                                                               40      4 QUEEN OF THE DOLOMITES
  • 6.                 41                            41                                                                                                                                                                           46                                     46      rit....                                                                                               48 Allegro Molto  accel.                                                                                                                                                                  5 QUEEN OF THE DOLOMITES
  • 7.                 51                                                      51                                                                                                                                                                                                                                                                                            54                                                                                                                                                     56                                                   56                                                                                                                                                                                                                                                                      rit.... 6 QUEEN OF THE DOLOMITES
  • 8.                 61               61                                       62 Meno mosso e maestoso                                                                                                                                                    66                             66                                                                                                                                                                                                                             7 QUEEN OF THE DOLOMITES
  • 9.                 71         71                                                                                                        72                                                                                                                                                                                                                       76                                       76                                                                                                                                              78                                                                                                 8 QUEEN OF THE DOLOMITES
  • 10.                 81        81                                                                                                                                                                                                                                                                       86                         86                                                                                                                                                                                                                           9 QUEEN OF THE DOLOMITES
  • 11.                           91                                91                                                                         rit....                                                                                                 94 Allegro Molto                                                                                              96                                                  96                                                                                                                                                                                                                                                                        10 QUEEN OF THE DOLOMITES
  • 12.                 101                                   101                                                                                                      rit....                                                                                                                                                                                       105 Andante                  106                    106                                                                                                                                                      rit....                                           110 A tempo 11 QUEEN OF THE DOLOMITES
  • 13.                 111                                   111                                                                                                                                                  116                                  116                                                                 118                                                                                     12 QUEEN OF THE DOLOMITES
  • 14.                 121                121                                                                                       rit....                                                                                      3 125 A tempo                 126                                     126                   3                                           3                                                       3                                                           13 QUEEN OF THE DOLOMITES
  • 15.                 131                     131                                                                                      rit.                                                                                        14 QUEEN OF THE DOLOMITES
  • 16.       Andante                          8                          rit.  15 A Tpo               18                          rit....     24 A Tpo  28  32                 40                                             rit....          48 Allegro Molto                                                                                  54                                             rit....    62 Meno mosso e maestoso                                  72                                                       78                                         86                   QUEEN OF THE DOLOMITES Jacob de Haan ©Gino Gonçals Arr. by Gino Gonçals Clarinete Mi  (Cover of Clarinets, Aragón, S.XXI)
  • 17.                 rit....             94 Allegro Molto                                                                                                            rit....           105 Andante                 rit....     110 A Tpo                                           118                                        rit....     125 A Tpo                                               rit.          2 QUEEN OF THE DOLOMITES
  • 18.      Andante                          8                         rit.  15 A Tpo               18                          rit....    24 A Tpo  28  32                 40                                            rit....          48 Allegro Molto                                                                                  54                                             rit....    62 Meno mosso e maestoso                                  72                                                       78                                          86                   QUEEN OF THE DOLOMITES Jacob de Haan ©Gino Gonçals Arr. by Gino Gonçals Clarinete 1ºB (Cover of Clarinets, Aragón, S.XXI)
  • 19.                 rit....             94 Allegro Molto                                                                                                              rit....           105 Andante                  rit....     110 A Tpo                                            118                                         rit....      125 A Tpo                                                rit.          2 QUEEN OF THE DOLOMITES
  • 20.      Andante                          8                             rit....         15 A Tpo               18                              rit....         24 A Tpo                         28                           32                                                  40                                      rit....             48 Allegro Molto                                                                                        54                                               rit....    62 Meno mosso e maestoso                             QUEEN OF THE DOLOMITES Jacob de Haan ©Gino Gonçals Clarinet 2ºB Arr. by Gino Gonçals (Cover of Clarinets, Aragón, S.XXI)
  • 21.                72                                                            78                                  86                                 rit....         94 Allegro Molto                                                                                                   rit....           105 Andante                       rit....     110 A Tpo                                            118                                         rit....      125 A Tpo                                               rit.          2 QUEEN OF THE DOLOMITES
  • 22.      Andante                                                                              rit.        24 A tempo                     32                   40                                        rit.            Allegro Molto   48                                         QUEEN OF THE DOLOMITES Jacob de Haan ©Gino Gonçals Arr. by Gino Gonçals Clarinet 3ºB (Cover of Clarinets, Aragón, S.XXI)
  • 23.                               54                                                               rit.  Meno mosso e maestoso  62                                                              72                                    78                                                  86                           rit.        Allegro Molto    94                                                100         2 QUEEN OF THE DOLOMITES
  • 24.                   Molto rall....            Andante  105                                   A tempo  110                                                   118                            rit.                  125  A tempo                         rit.             3 QUEEN OF THE DOLOMITES
  • 25.      Andante                                                                                     rit.     24 A tempo                32                     40                                    rit.         Allegro Molto   48                                                    QUEEN OF THE DOLOMITES Jacob de Haan ©Gino Gonçals Clarinet 4ºB Arr. by Gino Gonçals (Cover of Clarinets, Aragón, S.XXI)
  • 26.                   54                                                                      rit.  Meno mosso e maestoso  62                                                                        72                                        78                                                          86                                                         rit.          Allegro Molto   94                                  2 QUEEN OF THE DOLOMITES
  • 27.                  100                          Molto rall....             Andante  105                              A tempo  110                                                     118                          rit.                125  A tempo                         rit.               3 QUEEN OF THE DOLOMITES
  • 28.      Andante                            8                         rit....      15 A tempo                  18             rit....  24 A tempo   28    32   40                                    rit....             48 Allegro Molto                                                                      54                                                                            rit....           62 Meno mosso e maestoso                                                                   72                         QUEEN OF THE DOLOMITES Jacob de Haan ©Gino Gonçals Arr. by Gino Gonçals Clarinet 5ºB (Cover of Clarinets, Aragón, S.XXI)
  • 29.          78                                   86                                            rit....               94 Allegro Molto                                                                               rit....              105 Andante                       rit....             110 A tempo                                                    118                          rit....                   125 A tempo                                          rit.              2 QUEEN OF THE DOLOMITES
  • 30.        Andante                        8                 rit....        15   A tempo          18                 rit....   24 A tempo          28            32                   40             rit....           48 Allegro Molto                              54                                                                           rit....                  62 Meno mosso e maestoso                                                                                     72                                  QUEEN OF THE DOLOMITES Jacob de Haan ©Gino Gonçals Arr. by Gino Gonçals Clarinet 6ºB (Cover of Clarinets, Aragón, S.XXI)
  • 31.                   78                                                                 86                                                      rit....         94 Allegro Molto                                                rit....              105 Andante                       rit....       110 A tempo                      118                 rit....         125 A tempo                             rit.              2 QUEEN OF THE DOLOMITES
  • 32.        Andante                          8              rit....        15   A tempo          18            rit....   24 A tempo        28         32                       40           rit....          48 Allegro Molto                               54                                                          rit....          62 Meno mosso e maestoso                                                                                     72  QUEEN OF THE DOLOMITES Jacob de Haan ©Gino Gonçals Arr. by Gino Gonçals Clarinet 7º B (Cover of Clarinets, Aragón, S.XXI)
  • 33.                                                   78                                                                     86                                                      rit....           94 Allegro Molto                                      rit....                                       105 Andante                            rit....     110 A tempo              118                   rit....    125 A tempo                             rit.              2 QUEEN OF THE DOLOMITES
  • 34.                 3  Andante              3             3             3             3             3             3               3 8              rit.                 3 15  A tempo             3             3             3 18               rit.         24 A tempo                                 28                                   32                                                                   40                                 rit.            48 Allegro Molto                                                                54                                             rit.          62 Meno mosso e maestoso                                                                     QUEEN OF THE DOLOMITES Jacob de Haan ©Gino Gonçals Arr. by Gino Gonçals Clarinet Bass (Cover of Clarinets, Aragón, S.XXI)
  • 35.                   72                                                      78                                                                     86                                                      rit.                  94 Allegro Molto                                                                                           rit.           105 Andante                  rit.         110 A tempo             118                rit.                3 125 A tempo             3             3             3             rit.                 2 QUEEN OF THE DOLOMITES