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Nuova Vita - Michael Geisler - Set of Clarinets

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Nuova Vita - Michael Geisler - Set of Clarinets

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NUOVA VITA - Michael Geisler – La composición "Nuova Vita" describe las emociones y sentimientos que surgen con la creación de una nueva vida. El trabajo de concierto está escrito como A-B-A. Se inicia con elementos rítmicos y entrecortados, pero seguido con una agradable parte central más lenta que permite al oyente relajarse por un corto tiempo, antes del enérgico Da Capo y la parte final que cierran la obra con un sonido brillante.
                                Cl.1 Cl.2 Cl.3 Cl.4 Cl.5 Cl.6 Cl.7 Cl.B         Adagio                               solo                                        6              6                               solo  solo                                                                 ©Gino Gonçals (Cover of Clarinets, Aragón, S.XXI) Michael Geisler Arr. by Gino Gonçals Nuova Vita
                                                11                 11       Più mosso  A                                                                                                     6            6            6            6                             16                       16                                                                                                                                          solo                                       2 Nuova Vita
                        21                  21                     solo rit.                                                                                                                               B Allegro           solo                                                                 26                                            26       solo                                                                                                                                                                                                                                                                       3 Nuova Vita
        31                                                                 31                                                                                                                                                                                                                                     C                                                                          36                          36                                                                                                                                                                                                                                                                                                     4 Nuova Vita
        41                           41                                                                                                  D                                                                                                                                                                                                               46                                               46             D                                                                                                                                                                                           5 Nuova Vita
                        51                51                                                                     E                                                                                       6                                                                                                                                         56                        56                                                                                                                                                                                                                                                                                                                        6 Nuova Vita
                        61                                   61                                                                                                                                                                                                                                                                                                                                                                                                66                                    66                                                                                                                                                                                                                           solo          7 Nuova Vita
                71                               71       Andante molto expressivo  G                                                                                                                                                                    76                                76                                                                                         solo                                         H                                    8 Nuova Vita
                81                  81                                                                                                                                                                                    86          86                                        I                                                                                                 9 Nuova Vita
                91                               91                                                                                                                                                                                                                         J                       96                                                      96                                                                                                                                                                                                                                                                                           10 Nuova Vita
                100                                                    100                                                                                                                                                                                   rit.                                               105                    105                                                                                            Allegro           solo                                                                                                          solo                                                                        11 Nuova Vita
        110                               110                                                                                                                                                                                                                                                                                                                    115                                                        115                                                                                                    C                                                                                                                                                                                                      12 Nuova Vita
        120                       120                                                                                                                                                                                                                                                                                              D                                125                                              125                                                                                                                                                                                            D                                                          13 Nuova Vita
                                        130                                    130                                                                                                                                                                                 E                135                                135                                                 6                                                                                                                                                                                                                                                          14 Nuova Vita
        140                            140                                                                                                                                                                                                                                                                                                                                                               145                                    145                                                                                                                                                                                                                                                                                                                  15 Nuova Vita
                        150                                    150                                                                                                Andante Maestoso          K                                                                                                                                155                              155                                                                                                                                                                                                        16 Nuova Vita
        159                                    159                                                 rit.                                                                                       17 Nuova Vita
    Adagio            solo                     solo          9        Più mosso  A                    6          17                         solo rit.                 B Allegro  solo                                                             31                              C                   38                             50             E                   57                                   64                                               solo        Andante molto expressivo  G                               78     H  I                         ©Gino Gonçals (Cover of Clarinets, Aragón, S.XXI) Michael Geisler Arr. by Gino Gonçals Nuova Vita Clarinet E
 93                                    J                           97                                                                                   101                 rit.                     Allegro  solo                 108                                                                   115                                    122                                 134                         140                              146                                             152     Andante Maestoso                             158               rit.          2 Nuova Vita
     Adagio            solo           solo                            Più mosso  A                    6                                   solo     rit.            B Allegro  solo                                                                                         C                                        D                                                                                                      E                                                                                                 solo       Andante molto expressivo  G                                             H ©Gino Gonçals (Cover of Clarinets, Aragón, S.XXI) Michael Geisler Arr. by Gino Gonçals Nuova Vita Clarinet 1º
   I                                                          J                                                                                                                             rit.                     Allegro  solo                                                                                                                                                                                                                                                                                                                                     Andante Maestoso   K                                        rit.          2 Nuova Vita
     Adagio            solo            Più mosso  A                     6                     solo                rit.           B Allegro                 solo                                  C                                       D                                                                                                E                                                                                                 Andante molto expressivo  G      solo      H                    ©Gino Gonçals (Cover of Clarinets, Aragón, S.XXI) Michael Geisler Arr. by Gino Gonçals Nuova Vita Clarinet 2º
                   I                                                                J                                                                                                                              rit.              Allegro                  solo                                                                                                                                                                                                                                                              Andante Maestoso   K                                     rit.          2 Nuova Vita
     Adagio                                    Più mosso  A                         6                             rit.                      B Allegro                                                                                                                       C                                       D                                                                                                  E                                                                                                                                     Andante molto expressivo  G                  ©Gino Gonçals (Cover of Clarinets, Aragón, S.XXI) Michael Geis Arr. by Gino Gonç Nuova Vita Clarinet 3º
                                          H     I                                          J                                                 rit.                        Allegro                                                                                                                                                                                                                                                                                                                                                                                 Andante Maestoso   K                                               rit.             2 Nuova Vita
     Adagio                                 Più mosso  A                         6                                rit.                    B Allegro                                                                                                                                        C                        D                      D                           E      6                                                                                           Andante molto expressivo  G                                                            H      I  ©Gino Gonçals (Cover of Clarinets, Aragón, S.XXI) Michael Geisler Arr. by Gino Gonçals Nuova Vita Clarinet 4º
                                             J                                          rit.                     Allegro                                                                                                                                                                                                                     6                                                                                 Andante Maestoso   K                                                                    rit.       2 Nuova Vita
     Adagio                    Più mosso  A                                          rit.             B Allegro                                                                         C                                                                                                     D                                               E                                                                                                                                                                                                                                                   Andante molto expressivo  G                                                                    H                 ©Gino Gonçals (Cover of Clarinets, Aragón, S.XXI) Michael Geisler Arr. by Gino Gonçals Nuova Vita Clarinet 5º
                                         I                                              J                                                            rit.            Allegro                                                                                                                                                                                                                                                                                                                                                                                                                                                                     Andante Maestoso   K                                                        rit.             2 Nuova Vita
     Adagio                    Più mosso  A                                                                                 rit.         B Allegro                                                                          C                                                                                                   D                                             E                                                                                                                                                                                                                                Andante molto expressivo  G         H                                         ©Gino Gonçals (Cover of Clarinets, Aragón, S.XXI) Michael Geisler Arr. by Gino Gonçals Nuova Vita Clarinet 6º
                 I                                   J                                                                      rit.           Allegro                                                                                                                                                                                                                                                                                                                                                                                                                                                     Andante Maestoso   K                                                          rit.       2 Nuova Vita
     Adagio             Più mosso  A                                                    B Allegro                                                                C                                                                                                 D                                               E                                                                                                                                                                                                                               Andante expressivo  G           H                                         ©Gino Gonçals (Cover of Clarinets, Aragón, S.XXI) Michael Geisler Arr. by Gino Gonçals Nuova Vita Clarinet 7º
               I                                 J                                                             rit.           Allegro                                                                                                                                                                                                                                                                                                                                                                                                                                          Andante Maestoso   K                                                            rit.     2 Nuova Vita
     Adagio                        Più mosso  A                                    rit.         B Allegro                                                                 C                                                                                           D                                              D                                      E                                                                                                                                                                              Andante molto expressivo  G                                        H                              ©Gino Gonçals (Cover of Clarinets, Aragón, S.XXI) Michael Geisler Arr. by Gino Gonçals Nuova Vita Clarinet Bass
      I                                     J                                                                                      rit.           Allegro                                                                                                                                                                                                                                                                                                                                                                                                             Andante Maestoso   K                                                                                                  rit.           2 Nuova Vita

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Nuova Vita - Michael Geisler - Set of Clarinets

  • 1. NUOVA VITA - Michael Geisler – La composición "Nuova Vita" describe las emociones y sentimientos que surgen con la creación de una nueva vida. El trabajo de concierto está escrito como A-B-A. Se inicia con elementos rítmicos y entrecortados, pero seguido con una agradable parte central más lenta que permite al oyente relajarse por un corto tiempo, antes del enérgico Da Capo y la parte final que cierran la obra con un sonido brillante.
  • 2.                                 Cl.1 Cl.2 Cl.3 Cl.4 Cl.5 Cl.6 Cl.7 Cl.B         Adagio                               solo                                        6              6                               solo  solo                                                                 ©Gino Gonçals (Cover of Clarinets, Aragón, S.XXI) Michael Geisler Arr. by Gino Gonçals Nuova Vita
  • 3.                                                 11                 11       Più mosso  A                                                                                                     6            6            6            6                             16                       16                                                                                                                                          solo                                       2 Nuova Vita
  • 4.                         21                  21                     solo rit.                                                                                                                               B Allegro           solo                                                                 26                                            26       solo                                                                                                                                                                                                                                                                       3 Nuova Vita
  • 5.         31                                                                 31                                                                                                                                                                                                                                     C                                                                          36                          36                                                                                                                                                                                                                                                                                                     4 Nuova Vita
  • 6.         41                           41                                                                                                  D                                                                                                                                                                                                               46                                               46             D                                                                                                                                                                                           5 Nuova Vita
  • 7.                         51                51                                                                     E                                                                                       6                                                                                                                                         56                        56                                                                                                                                                                                                                                                                                                                        6 Nuova Vita
  • 8.                         61                                   61                                                                                                                                                                                                                                                                                                                                                                                                66                                    66                                                                                                                                                                                                                           solo          7 Nuova Vita
  • 9.                 71                               71       Andante molto expressivo  G                                                                                                                                                                    76                                76                                                                                         solo                                         H                                    8 Nuova Vita
  • 10.                 81                  81                                                                                                                                                                                    86          86                                        I                                                                                                 9 Nuova Vita
  • 11.                 91                               91                                                                                                                                                                                                                         J                       96                                                      96                                                                                                                                                                                                                                                                                           10 Nuova Vita
  • 12.                 100                                                    100                                                                                                                                                                                   rit.                                               105                    105                                                                                            Allegro           solo                                                                                                          solo                                                                        11 Nuova Vita
  • 13.         110                               110                                                                                                                                                                                                                                                                                                                    115                                                        115                                                                                                    C                                                                                                                                                                                                      12 Nuova Vita
  • 14.         120                       120                                                                                                                                                                                                                                                                                              D                                125                                              125                                                                                                                                                                                            D                                                          13 Nuova Vita
  • 15.                                         130                                    130                                                                                                                                                                                 E                135                                135                                                 6                                                                                                                                                                                                                                                          14 Nuova Vita
  • 16.         140                            140                                                                                                                                                                                                                                                                                                                                                               145                                    145                                                                                                                                                                                                                                                                                                                  15 Nuova Vita
  • 17.                         150                                    150                                                                                                Andante Maestoso          K                                                                                                                                155                              155                                                                                                                                                                                                        16 Nuova Vita
  • 18.         159                                    159                                                 rit.                                                                                       17 Nuova Vita
  • 19.     Adagio            solo                     solo          9        Più mosso  A                    6          17                         solo rit.                 B Allegro  solo                                                             31                              C                   38                             50             E                   57                                   64                                               solo        Andante molto expressivo  G                               78     H  I                         ©Gino Gonçals (Cover of Clarinets, Aragón, S.XXI) Michael Geisler Arr. by Gino Gonçals Nuova Vita Clarinet E
  • 20.  93                                    J                           97                                                                                   101                 rit.                     Allegro  solo                 108                                                                   115                                    122                                 134                         140                              146                                             152     Andante Maestoso                             158               rit.          2 Nuova Vita
  • 21.      Adagio            solo           solo                            Più mosso  A                    6                                   solo     rit.            B Allegro  solo                                                                                         C                                        D                                                                                                      E                                                                                                 solo       Andante molto expressivo  G                                             H ©Gino Gonçals (Cover of Clarinets, Aragón, S.XXI) Michael Geisler Arr. by Gino Gonçals Nuova Vita Clarinet 1º
  • 22.    I                                                          J                                                                                                                             rit.                     Allegro  solo                                                                                                                                                                                                                                                                                                                                     Andante Maestoso   K                                        rit.          2 Nuova Vita
  • 23.      Adagio            solo            Più mosso  A                     6                     solo                rit.           B Allegro                 solo                                  C                                       D                                                                                                E                                                                                                 Andante molto expressivo  G      solo      H                    ©Gino Gonçals (Cover of Clarinets, Aragón, S.XXI) Michael Geisler Arr. by Gino Gonçals Nuova Vita Clarinet 2º
  • 24.                    I                                                                J                                                                                                                              rit.              Allegro                  solo                                                                                                                                                                                                                                                              Andante Maestoso   K                                     rit.          2 Nuova Vita
  • 25.      Adagio                                    Più mosso  A                         6                             rit.                      B Allegro                                                                                                                       C                                       D                                                                                                  E                                                                                                                                     Andante molto expressivo  G                  ©Gino Gonçals (Cover of Clarinets, Aragón, S.XXI) Michael Geis Arr. by Gino Gonç Nuova Vita Clarinet 3º
  • 26.                                           H     I                                          J                                                 rit.                        Allegro                                                                                                                                                                                                                                                                                                                                                                                 Andante Maestoso   K                                               rit.             2 Nuova Vita
  • 27.      Adagio                                 Più mosso  A                         6                                rit.                    B Allegro                                                                                                                                        C                        D                      D                           E      6                                                                                           Andante molto expressivo  G                                                            H      I  ©Gino Gonçals (Cover of Clarinets, Aragón, S.XXI) Michael Geisler Arr. by Gino Gonçals Nuova Vita Clarinet 4º
  • 28.                                              J                                          rit.                     Allegro                                                                                                                                                                                                                     6                                                                                 Andante Maestoso   K                                                                    rit.       2 Nuova Vita
  • 29.      Adagio                    Più mosso  A                                          rit.             B Allegro                                                                         C                                                                                                     D                                               E                                                                                                                                                                                                                                                   Andante molto expressivo  G                                                                    H                 ©Gino Gonçals (Cover of Clarinets, Aragón, S.XXI) Michael Geisler Arr. by Gino Gonçals Nuova Vita Clarinet 5º
  • 30.                                          I                                              J                                                            rit.            Allegro                                                                                                                                                                                                                                                                                                                                                                                                                                                                     Andante Maestoso   K                                                        rit.             2 Nuova Vita
  • 31.      Adagio                    Più mosso  A                                                                                 rit.         B Allegro                                                                          C                                                                                                   D                                             E                                                                                                                                                                                                                                Andante molto expressivo  G         H                                         ©Gino Gonçals (Cover of Clarinets, Aragón, S.XXI) Michael Geisler Arr. by Gino Gonçals Nuova Vita Clarinet 6º
  • 32.                  I                                   J                                                                      rit.           Allegro                                                                                                                                                                                                                                                                                                                                                                                                                                                     Andante Maestoso   K                                                          rit.       2 Nuova Vita
  • 33.      Adagio             Più mosso  A                                                    B Allegro                                                                C                                                                                                 D                                               E                                                                                                                                                                                                                               Andante expressivo  G           H                                         ©Gino Gonçals (Cover of Clarinets, Aragón, S.XXI) Michael Geisler Arr. by Gino Gonçals Nuova Vita Clarinet 7º
  • 34.                I                                 J                                                             rit.           Allegro                                                                                                                                                                                                                                                                                                                                                                                                                                          Andante Maestoso   K                                                            rit.     2 Nuova Vita
  • 35.      Adagio                        Più mosso  A                                    rit.         B Allegro                                                                 C                                                                                           D                                              D                                      E                                                                                                                                                                              Andante molto expressivo  G                                        H                              ©Gino Gonçals (Cover of Clarinets, Aragón, S.XXI) Michael Geisler Arr. by Gino Gonçals Nuova Vita Clarinet Bass
  • 36.       I                                     J                                                                                      rit.           Allegro                                                                                                                                                                                                                                                                                                                                                                                                             Andante Maestoso   K                                                                                                  rit.           2 Nuova Vita