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La concha flamenca - P. Artola - Set of Clarinets.pdf

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La concha flamenca - P. Artola - Set of Clarinets

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LA CONCHA FLAMENCA (Perfecto Artola Prats) Perfecto Artola Prats (Benasal, Castellón 30 de diciembre de 1904 - Málaga, 23 de octubre de 1992) fue un músico y compositor español. En 1923 se trasladó a Barcelona para la admisión en el ejército, uniéndose a la Banda del Regimiento Infantería Badajoz n.º 73 de Barcelona. Allí estudió en la Escuela Municipal de Música de Barcelona; al mismo tiempo estudió en el Real Conservatorio Superior de Música de Madrid. En los años 1933 y 1934 estudió en el Conservatorio Superior de Córdoba y finalizó sus estudios superiores en 1945 en Sevilla. En 1931 ingresa como clarinetista en la Banda Municipal de Málaga, convirtiéndose en su director en 1951 hasta su jubilación en 1979. Entre 1946 y 1979 fue profesor en la Escuela Municipal de Música de Málaga 1946 y en el Conservatorio Superior de Música de Málaga entre los años 1948 y 1976. En 1975 fue cofundador de la "Banda Juvenil de los Colegios Miraflores de los Ángeles y Gibraljaire de Málaga". Compuso más de 500 obras para banda, orquesta, piano, coro etc. Es especialmente recordado por sus marchas procesionales, siendo referente de la música procesional malagueña donde compuso casi 40 marchas.
                                Cl.1 Cl.2 Cl.3 Cl.4 Cl.5 Cl.6 Cl.7 Cl.B             3 3             3 3       Paso-doble         3      3                                                   3 3             3 3                                                           3 3             3 3                                                          6     3     3                    6                                     3 3              3 3                                                                                                3 3             3 3                                              3     3                                           ©Gino Gonçals (Cover of Clarinets, Aragón, S.XXI) P. ARTOLA Arr. by Gino Gonçals La Concha Flamenca
                11              3 3              3 3                    11                                                                                                                                                                     Sax Solo                                    16                    16                   express                                                                                                                                                                    2
                                  21                       21                              3                              1.                                                 2.                                                                                             26                         26                                                                                                                                                                             3
                31        3                   31                                                                                                                                 sax...              rit.                 36                               36                          a Tpo                                                                            accel. 4
                                  41         41    rit.                                                    a Tpo                                                                                     TUTTI                 46                         46                                                                                                                                                                                5
                                  51      3      3          51                1.                                              2.                                                                                                                                         56                  56                                                                                                                           3        3                             6
                61            61                                                                                           sax...              rit.                                                       a Tpo                 66                            66                                                    accel.             rit. 7
                71             71                                          a Tpo                                                                                                                                                                                                     76                                                    76                                       Trompeta express                                   8
                81                    81                                                                                                                                                                                                                                 86                       86                              3                                                                                                                                                                               9
                91        5                   91                                                                                                                                                                                                                    96      3                   96                                                                             3 3                                                    5 3                                                                                      10
                101                    101                                                                                                                                                                                                                                         106                    106                                                                                                                           un poco adlib 11
                111           111                                                                                    116             116          3 3                                3 6                                                                    12
                121         121    solo                                                                                                                                                       126                                126                            5                                                                                                                                                                                               13
                131       5                       131                                                                      3                                                                                                         5                                                            136                               136                          3                                                                                                                                                                                                    14
                141                            141                                                                                            3                                   146      3     146                         3                               5             3 3             3 3             3 3             3 3    15
                151                     3 3             3 3             3 3             3 3 151                                                                                                                                                                                                                      155                                          155                                                                                                                                                   16
                3 3 Paso-doble        3             3 3              3 3     3             3 3                 3 3      3            3 3         express  solo                                      3 1.      2.                             3          rit. solo             a Tpo                    accel.        rit.         a Tpo                  TUTTI                                 3 1.      2.                              3        solo       rit.     a Tpo                    accel.     rit.               a Tpo                                         Trompeta                           tutti                                                                                                                                                                                                                                  Clarinete                                                 ©Gino Gonçals (Cover of Clarinets, Aragón, S.XXI) P. ARTOLA Arr. by Gino Gonçals La Concha Flamenca Saxo Alto Mi (los solos deben hacer vibrato)
          3 3 Paso-doble        3       3 3        3 3     3          3 3          3 3     3         3 3          Sax Solo             express TUTTI                                 3 1.      2.                              3          solo sax...                                                       tutti                          Solo Trompeta                                    3                5                   3             3 3          5 3                                             un poco ad lib..                                                        3 3                    3 6     Solo Clarinete                                                  ©Gino Gonçals (Cover of Clarinets, Aragón, S.XXI) P. ARTOLA Arr. by Gino Gonçals La Concha Flamenca Trompeta B (los solos deben hacer vibrato)
                3 3 Paso-doble        3             3 3              3 3      3              3 3                 3 3     3              3 3        loco           Sax Solo                                  1.       2.                                                                                          express TUTTI                                 3 1.      2.                              3        sax...                                                                                                             Trompeta                       tutti                                                                                                                                                                               solo                                            5                    5          3             5          3                                 3 cresc...          3 accel.               3                   5                                                           ©Gino Gonçals (Cover of Clarinets, Aragón, S.XXI) P. ARTOLA Arr. by Gino Gonçals La Concha Flamenca Clarinet Pral (los solos deben hacer vibrato)
                3 3 Paso-doble        3             3 3              3 3      3              3 3                 3 3     3              3 3        loco           Sax Solo                                  1.       1.                                                                                          express TUTTI                                 3 1.      2.                             3        sax...                                                                                                                Trompeta                    tutti                                                                                                                                                                                Clarinete                                                                                                                                                                                                                                                    3 3             3 3                                                   (Cover of Clarinets, Aragón, S.XXI) P. ARTOLA Arr. by Gino Gonçals La Concha Flamenca Clarinet 1º B
                3 3 Paso-doble        3             3 3              3 3     3              3 3                 3 3     3              3 3                        Sax Solo                                           1.         2.                                                                                          sax...                    TUTTI                                 3 1.      2.                             3       sax...                                                                  Trompeta                                                                                                                                                                                                                                                 Clarinete                                                                                                                                                                                                                                                   3 3              3 3                                                (Cover of Clarinets, Aragón, S.XXI) P. ARTOLA Arr. by Gino Gonçals La Concha Flamenca Clarinet 2º B
     Paso-doble                                                    Sax Solo          1.  2.                                            TUTTI        1.    2.                                                                  Trompeta          Clarinete                3 3              3 3                                                  (Cover of Clarinets, Aragón, S.XXI) P. ARTOLA Arr. by Gino Gonçals La Concha Flamenca Clarinet 3º B
     Paso-doble                                                      Sax Solo             1.  2.                                             TUTTI              1.  2.                                                                     Trompeta          Clarinete                                                                                                                                                                                                                                                        3 3               3 3                                                 (Cover of Clarinets, Aragón, S.XXI) P. ARTOLA Arr. by Gino Gonçals La Concha Flamenca Clarinet 4ºB
     Paso-doble                                                                                                                   Sax Solo                                                     1.          2.                                                                                                                    TUTTI                                               1.          2.                                                                                                                                           Trompeta                                                                                                                                                                                                                                               Clarinete              3 3             3 3                                                        (Cover of Clarinets, Aragón, S.XXI) P. ARTOLA Arr. by Gino Gonçals La Concha Flamenca Clarinet 5º B
     Paso-doble                                                                                                            Sax Solo                                                1.         2.                                                                                       sax...                       TUTTI                                         1.         2.                                                                                                                       Trompeta                                                                                                                                                                                                                                               Clarinete                                                                                                                                                                                                                                                                                    (Cover of Clarinets, Aragón, S.XXI) P. ARTOLA Arr. by Gino Gonçals La Concha Flamenca Clarinet 6º B
     Paso-doble                                                                                                            Sax Solo                                                1.         2.                                                                                         sax...                    TUTTI                                            1.         2.                                                                                                                        Trompeta                                                                                                                                                                                                                                             Clarinete                                               (Cover of Clarinets, Aragón, S.XXI) P. ARTOLA Arr. by Gino Gonçals La Concha Flamenca Clarinet 7º B
     Paso-doble                                                                                 Sax Solo                                                1.         2.                                                                                                             TUTTI                                            1.         2.                                                                                                                                    Trompeta                                                                                                                                                                                                                                                                                                                                                                                                                                        (Cover of Clarinets, Aragón, S.XXI) P. ARTOLA Arr. by Gino Gonçals La Concha Flamenca Clarinet Bass

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La concha flamenca - P. Artola - Set of Clarinets.pdf

  • 1. LA CONCHA FLAMENCA (Perfecto Artola Prats) Perfecto Artola Prats (Benasal, Castellón 30 de diciembre de 1904 - Málaga, 23 de octubre de 1992) fue un músico y compositor español. En 1923 se trasladó a Barcelona para la admisión en el ejército, uniéndose a la Banda del Regimiento Infantería Badajoz n.º 73 de Barcelona. Allí estudió en la Escuela Municipal de Música de Barcelona; al mismo tiempo estudió en el Real Conservatorio Superior de Música de Madrid. En los años 1933 y 1934 estudió en el Conservatorio Superior de Córdoba y finalizó sus estudios superiores en 1945 en Sevilla. En 1931 ingresa como clarinetista en la Banda Municipal de Málaga, convirtiéndose en su director en 1951 hasta su jubilación en 1979. Entre 1946 y 1979 fue profesor en la Escuela Municipal de Música de Málaga 1946 y en el Conservatorio Superior de Música de Málaga entre los años 1948 y 1976. En 1975 fue cofundador de la "Banda Juvenil de los Colegios Miraflores de los Ángeles y Gibraljaire de Málaga". Compuso más de 500 obras para banda, orquesta, piano, coro etc. Es especialmente recordado por sus marchas procesionales, siendo referente de la música procesional malagueña donde compuso casi 40 marchas.
  • 2.                                 Cl.1 Cl.2 Cl.3 Cl.4 Cl.5 Cl.6 Cl.7 Cl.B             3 3             3 3       Paso-doble         3      3                                                   3 3             3 3                                                           3 3             3 3                                                          6     3     3                    6                                     3 3              3 3                                                                                                3 3             3 3                                              3     3                                           ©Gino Gonçals (Cover of Clarinets, Aragón, S.XXI) P. ARTOLA Arr. by Gino Gonçals La Concha Flamenca
  • 3.                 11              3 3              3 3                    11                                                                                                                                                                     Sax Solo                                    16                    16                   express                                                                                                                                                                    2
  • 4.                                   21                       21                              3                              1.                                                 2.                                                                                             26                         26                                                                                                                                                                             3
  • 5.                 31        3                   31                                                                                                                                 sax...              rit.                 36                               36                          a Tpo                                                                            accel. 4
  • 6.                                   41         41    rit.                                                    a Tpo                                                                                     TUTTI                 46                         46                                                                                                                                                                                5
  • 7.                                   51      3      3          51                1.                                              2.                                                                                                                                         56                  56                                                                                                                           3        3                             6
  • 8.                 61            61                                                                                           sax...              rit.                                                       a Tpo                 66                            66                                                    accel.             rit. 7
  • 9.                 71             71                                          a Tpo                                                                                                                                                                                                     76                                                    76                                       Trompeta express                                   8
  • 10.                 81                    81                                                                                                                                                                                                                                 86                       86                              3                                                                                                                                                                               9
  • 11.                 91        5                   91                                                                                                                                                                                                                    96      3                   96                                                                             3 3                                                    5 3                                                                                      10
  • 12.                 101                    101                                                                                                                                                                                                                                         106                    106                                                                                                                           un poco adlib 11
  • 13.                 111           111                                                                                    116             116          3 3                                3 6                                                                    12
  • 14.                 121         121    solo                                                                                                                                                       126                                126                            5                                                                                                                                                                                               13
  • 15.                 131       5                       131                                                                      3                                                                                                         5                                                            136                               136                          3                                                                                                                                                                                                    14
  • 16.                 141                            141                                                                                            3                                   146      3     146                         3                               5             3 3             3 3             3 3             3 3    15
  • 17.                 151                     3 3             3 3             3 3             3 3 151                                                                                                                                                                                                                      155                                          155                                                                                                                                                   16
  • 18.                 3 3 Paso-doble        3             3 3              3 3     3             3 3                 3 3      3            3 3         express  solo                                      3 1.      2.                             3          rit. solo             a Tpo                    accel.        rit.         a Tpo                  TUTTI                                 3 1.      2.                              3        solo       rit.     a Tpo                    accel.     rit.               a Tpo                                         Trompeta                           tutti                                                                                                                                                                                                                                  Clarinete                                                 ©Gino Gonçals (Cover of Clarinets, Aragón, S.XXI) P. ARTOLA Arr. by Gino Gonçals La Concha Flamenca Saxo Alto Mi (los solos deben hacer vibrato)
  • 19.           3 3 Paso-doble        3       3 3        3 3     3          3 3          3 3     3         3 3          Sax Solo             express TUTTI                                 3 1.      2.                              3          solo sax...                                                       tutti                          Solo Trompeta                                    3                5                   3             3 3          5 3                                             un poco ad lib..                                                        3 3                    3 6     Solo Clarinete                                                  ©Gino Gonçals (Cover of Clarinets, Aragón, S.XXI) P. ARTOLA Arr. by Gino Gonçals La Concha Flamenca Trompeta B (los solos deben hacer vibrato)
  • 20.                 3 3 Paso-doble        3             3 3              3 3      3              3 3                 3 3     3              3 3        loco           Sax Solo                                  1.       2.                                                                                          express TUTTI                                 3 1.      2.                              3        sax...                                                                                                             Trompeta                       tutti                                                                                                                                                                               solo                                            5                    5          3             5          3                                 3 cresc...          3 accel.               3                   5                                                           ©Gino Gonçals (Cover of Clarinets, Aragón, S.XXI) P. ARTOLA Arr. by Gino Gonçals La Concha Flamenca Clarinet Pral (los solos deben hacer vibrato)
  • 21.                 3 3 Paso-doble        3             3 3              3 3      3              3 3                 3 3     3              3 3        loco           Sax Solo                                  1.       1.                                                                                          express TUTTI                                 3 1.      2.                             3        sax...                                                                                                                Trompeta                    tutti                                                                                                                                                                                Clarinete                                                                                                                                                                                                                                                    3 3             3 3                                                   (Cover of Clarinets, Aragón, S.XXI) P. ARTOLA Arr. by Gino Gonçals La Concha Flamenca Clarinet 1º B
  • 22.                 3 3 Paso-doble        3             3 3              3 3     3              3 3                 3 3     3              3 3                        Sax Solo                                           1.         2.                                                                                          sax...                    TUTTI                                 3 1.      2.                             3       sax...                                                                  Trompeta                                                                                                                                                                                                                                                 Clarinete                                                                                                                                                                                                                                                   3 3              3 3                                                (Cover of Clarinets, Aragón, S.XXI) P. ARTOLA Arr. by Gino Gonçals La Concha Flamenca Clarinet 2º B
  • 23.      Paso-doble                                                    Sax Solo          1.  2.                                            TUTTI        1.    2.                                                                  Trompeta          Clarinete                3 3              3 3                                                  (Cover of Clarinets, Aragón, S.XXI) P. ARTOLA Arr. by Gino Gonçals La Concha Flamenca Clarinet 3º B
  • 24.      Paso-doble                                                      Sax Solo             1.  2.                                             TUTTI              1.  2.                                                                     Trompeta          Clarinete                                                                                                                                                                                                                                                        3 3               3 3                                                 (Cover of Clarinets, Aragón, S.XXI) P. ARTOLA Arr. by Gino Gonçals La Concha Flamenca Clarinet 4ºB
  • 25.      Paso-doble                                                                                                                   Sax Solo                                                     1.          2.                                                                                                                    TUTTI                                               1.          2.                                                                                                                                           Trompeta                                                                                                                                                                                                                                               Clarinete              3 3             3 3                                                        (Cover of Clarinets, Aragón, S.XXI) P. ARTOLA Arr. by Gino Gonçals La Concha Flamenca Clarinet 5º B
  • 26.      Paso-doble                                                                                                            Sax Solo                                                1.         2.                                                                                       sax...                       TUTTI                                         1.         2.                                                                                                                       Trompeta                                                                                                                                                                                                                                               Clarinete                                                                                                                                                                                                                                                                                    (Cover of Clarinets, Aragón, S.XXI) P. ARTOLA Arr. by Gino Gonçals La Concha Flamenca Clarinet 6º B
  • 27.      Paso-doble                                                                                                            Sax Solo                                                1.         2.                                                                                         sax...                    TUTTI                                            1.         2.                                                                                                                        Trompeta                                                                                                                                                                                                                                             Clarinete                                               (Cover of Clarinets, Aragón, S.XXI) P. ARTOLA Arr. by Gino Gonçals La Concha Flamenca Clarinet 7º B
  • 28.      Paso-doble                                                                                 Sax Solo                                                1.         2.                                                                                                             TUTTI                                            1.         2.                                                                                                                                    Trompeta                                                                                                                                                                                                                                                                                                                                                                                                                                        (Cover of Clarinets, Aragón, S.XXI) P. ARTOLA Arr. by Gino Gonçals La Concha Flamenca Clarinet Bass