SlideShare a Scribd company logo

Amparito Roca - Jaime Teixidor - Set of Clarinets.pdf

•
•
Kristal42 .
Kristal42 .

Amparito Roca - Jaime Teixidor - Set of Clarinets

Education
1 of 27
Download to read offline
AmpArito rocA ( Jaime Teixidor ) Amparito Roca es el nombre de un pasodoble compuesto en 1925 por el músico y compositor catalán Jaume Teixidor Dalmau (1884-1957). El nombre lo recibió en honor a una joven alumna suya, Amparo Roca (1912-1993), a quien daba clases de piano y era muy amiga de su hija María Teresa. Se trata de uno de los más conocidos pasodobles, tanto en España como en todo el mundo. Son numerosas las bandas musicales que lo hacen sonar en sus pasacalles de recogidas de músicos. También es uno de los pasodobles más habituales en el repertorio de múltiples orquestas de verbena que amenizan las fiestas de los pueblos de toda España.
                                Clarinet in B 1 Clarinet in B 2 Clarinet in B 3 Clarinet in B 4 Clarinet in B 5 Clarinet in B 6 Clarinet in B 7 Bass Clarinet                                                  Pasodoble                                                                                                                                                                                                                                                                                             Cl.1 Cl.2 Cl.3 Cl.4 Cl.5 Cl.6 Cl.7 B.Cl. 6                                          6          6                                                                                            5          5          5                                       5          5          5                                                                                                     AMPARITO ROCA J. TEXIDOR Gino Gonçals Arr. by Gino Gonçals (Cover of Clarinets, Aragón, S.XXI)
                Cl.1 Cl.2 Cl.3 Cl.4 Cl.5 Cl.6 Cl.7 B.Cl. 11           3 3 3           3 3 3                           11  11                                                                                                                                                                                                             Cl.1 Cl.2 Cl.3 Cl.4 Cl.5 Cl.6 Cl.7 B.Cl. 16                   16         16                                                                                                                                                                                                                               cresc. cresc. cresc. cresc. cresc. cresc. cresc. cresc. Amparito Roca
                Cl.1 Cl.2 Cl.3 Cl.4 Cl.5 Cl.6 Cl.7 B.Cl. 21                                21         21                                                                                                                                                                                                                          Cl.1 Cl.2 Cl.3 Cl.4 Cl.5 Cl.6 Cl.7 B.Cl. 26                   26         26                                                                                                                     cresc. cresc. cresc. cresc. cresc. cresc. cresc.                                                                                              3 Amparito Roca
                Cl.1 Cl.2 Cl.3 Cl.4 Cl.5 Cl.6 Cl.7 B.Cl. 31                      31      31                                                                              3      3                                                                                                                                                 Cl.1 Cl.2 Cl.3 Cl.4 Cl.5 Cl.6 Cl.7 B.Cl. 36         3                    36         36                           3                                                                                                                                                                                            Amparito Roca
                Cl.1 Cl.2 Cl.3 Cl.4 Cl.5 Cl.6 Cl.7 B.Cl. 41      3      3                 41         41                                                                                                                 3                                                     3                                                              Cl.1 Cl.2 Cl.3 Cl.4 Cl.5 Cl.6 Cl.7 B.Cl. 46               46          46                                                                                                                                                                                                                                         5 Amparito Roca
                Cl.1 Cl.2 Cl.3 Cl.4 Cl.5 Cl.6 Cl.7 B.Cl. 51                                       51         51                                                                                                                                                                                                                                                                         Cl.1 Cl.2 Cl.3 Cl.4 Cl.5 Cl.6 Cl.7 B.Cl. 56                             56   56                                                                                                                                                                                                                                                                  Amparito Roca
                        Cl.1 Cl.2 Cl.3 Cl.4 Cl.5 Cl.6 Cl.7 B.Cl. 61                                         61         61                          5          5           5                                       5          5          5                                                                                                                      Cl.1 Cl.2 Cl.3 Cl.4 Cl.5 Cl.6 Cl.7 B.Cl.   66                   66         66                   TRIO                                                                                                                                                                                         7 Amparito Roca
                Cl.1 Cl.2 Cl.3 Cl.4 Cl.5 Cl.6 Cl.7 B.Cl. 71                           71         71                                                                                                                                                                                                                       Cl.1 Cl.2 Cl.3 Cl.4 Cl.5 Cl.6 Cl.7 B.Cl. 76                          76         76                                                                                                                                                                                                              8 Amparito Roca
                Cl.1 Cl.2 Cl.3 Cl.4 Cl.5 Cl.6 Cl.7 B.Cl.   81                      81      81                                                                                                                                                                                                         Cl.1 Cl.2 Cl.3 Cl.4 Cl.5 Cl.6 Cl.7 B.Cl. 86                       86         86                                                                                                                                                                    3 3                                                 9 Amparito Roca
                Cl.1 Cl.2 Cl.3 Cl.4 Cl.5 Cl.6 Cl.7 B.Cl. 91        3 3                  91          91                       3 3                                                    3 3                                                3 3                                                  3 3                                                            Cl.1 Cl.2 Cl.3 Cl.4 Cl.5 Cl.6 Cl.7 B.Cl. 96                   96         96                                                                                                                                                                                            10 Amparito Roca
                Cl.1 Cl.2 Cl.3 Cl.4 Cl.5 Cl.6 Cl.7 B.Cl. 101                 101         101                                                                                                                                                                                                                Cl.1 Cl.2 Cl.3 Cl.4 Cl.5 Cl.6 Cl.7 B.Cl. 106                     106         106                                                                                                                                                                                                      11 Amparito Roca
                Cl.1 Cl.2 Cl.3 Cl.4 Cl.5 Cl.6 Cl.7 B.Cl. 111                        111         111                                                                                                                                                                                                  Cl.1 Cl.2 Cl.3 Cl.4 Cl.5 Cl.6 Cl.7 B.Cl. 116                116         116                                                                                                                                                                                                 12 Amparito Roca
                Cl.1 Cl.2 Cl.3 Cl.4 Cl.5 Cl.6 Cl.7 B.Cl. 121                   121          121                                                                                                                                                                                                                              Cl.1 Cl.2 Cl.3 Cl.4 Cl.5 Cl.6 Cl.7 B.Cl. 126                         126         126                                                                                                                                                                                                                                       13 Amparito Roca
                Cl.1 Cl.2 Cl.3 Cl.4 Cl.5 Cl.6 Cl.7 B.Cl. 131                                           131         131                                                                                                                                                                                                                                                                                                                                         Cl.1 Cl.2 Cl.3 Cl.4 Cl.5 Cl.6 Cl.7 B.Cl.   136                                               136             136                                                                                                                                                                                                                                      14 Amparito Roca
                Cl.1 Cl.2 Cl.3 Cl.4 Cl.5 Cl.6 Cl.7 B.Cl.   141                           141       141                                                                                                                                                                                                                         Cl.1 Cl.2 Cl.3 Cl.4 Cl.5 Cl.6 Cl.7 B.Cl. 146                       146          146                                                                                                                                                                                                  15 Amparito Roca
                Cl.1 Cl.2 Cl.3 Cl.4 Cl.5 Cl.6 Cl.7 B.Cl. 151                 151         151                                                                                                                                                                                                                Cl.1 Cl.2 Cl.3 Cl.4 Cl.5 Cl.6 Cl.7 B.Cl. 156                     156         156                                                                                                                                                                                               16 Amparito Roca
                Cl.1 Cl.2 Cl.3 Cl.4 Cl.5 Cl.6 Cl.7 B.Cl. 161                 161         161                                                                                                                                                                                                              Cl.1 Cl.2 Cl.3 Cl.4 Cl.5 Cl.6 Cl.7 B.Cl. 166                           166         166                                                                                                                                                                                                                17 Amparito Roca
                Cl.1 Cl.2 Cl.3 Cl.4 Cl.5 Cl.6 Cl.7 B.Cl. 171                               171         171                                                                                                                                                                                                                                                                   18 Amparito Roca
               Pasodoble                                                           5          5             3 3 3    12                                  cresc.             23                           cresc.                        3   34                3           3                 3               3   45       3                                                                          56                                                          5         5                  TRIO     67                                                    78                                                 89          3 3        3 3       3 3       3 3       3 3       3 3                  100                           112                    124                                                                             135                                                         146                                     157                                  168                                               AMPARITO ROCA J. TEXIDOR Gino Gonçals Arr. by Gino Gonçals (Cover of Clarinets, Aragón, S.XXI) Clarinet 1º
               Pasodoble                                                           5          5         3 3 3                                     cresc.                                       cresc.                        3                        3                                                                                                                                      5         5              TRIO                                                                                                                                                                                                                                                                                                                                                                                                                                                                            AMPARITO ROCA J. TEXIDOR Gino Gonçals Arr. by Gino Gonçals (Cover of Clarinets, Aragón, S.XXI) Clarinet 2º
               Pasodoble                                                     5    5                                      cresc.                        cresc.                                                                                                                                                                                                           5      5              TRIO                                                                                                                                                                                                                                                                                                                                                                                                                                                           AMPARITO ROCA J. TEXIDOR Gino Gonçals Arr. by Gino Gonçals (Cover of Clarinets, Aragón, S.XXI) Clarinet 3º
               Pasodoble                                                                                                             cresc.                                 cresc.                                                                                                                                                                                             TRIO                                                                                                                                                                                                                                                                                                                                                                                                      AMPARITO ROCA J. TEXIDOR Gino Gonçals Arr. by Gino Gonçals (Cover of Clarinets, Aragón, S.XXI) Clarinet 4º
     Pasodoble                                                                                                                                                                     cresc.                                                                    cresc.                                                                                                                                                                                                                                                                               TRIO                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                 AMPARITO ROCA J. TEXIDOR Gino Gonçals Arr. by Gino Gonçals (Cover of Clarinets, Aragón, S.XXI) Clarinet 5º
     Pasodoble                                                                                      13                                                                 cresc.                                  25                                 cresc.                                                                    37                                                                                                    49                                                                                     61                                    TRIO                                                    73                                                                                                85                                                                                                       97                                                                                                 109                                                                                                 121                                                                                                         133                                                                                                   144                                                                                      155                                                                                            166                                                                                      AMPARITO ROCA J. TEXIDOR Gino Gonçals Arr. by Gino Gonçals (Cover of Clarinets, Aragón, S.XXI) Clarinet 6º
      Pasodoble                                                                                     13                                                                 cresc.                                   25                                 cresc.                                                                 37                                                                                              49                                                                               61                                    TRIO                                                   73                                                                                                85                                                                                                   97                                                                                                 109                                                                                                121                                                                                                      133                                                                                                   144                                                                                     155                                                                                           166                                                                                          AMPARITO ROCA J. TEXIDOR Gino Gonçals Arr. by Gino Gonçals (Cover of Clarinets, Aragón, S.XXI) Clarinet 7º
      Pasodoble                                                                                                                                                                       cresc.                                                                                                                                                                                                                                                                                                                                                                          TRIO                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                     AMPARITO ROCA J. TEXIDOR Gino Gonçals Arr. by Gino Gonçals (Cover of Clarinets, Aragón, S.XXI) Clarinet Bass

Recommended

El arte de Cúchares - E. Pastor Celda - Set of Clarinets.pdf
El arte de Cúchares - E. Pastor Celda - Set of Clarinets.pdf El arte de Cúchares - E. Pastor Celda - Set of Clarinets.pdf
El arte de Cúchares - E. Pastor Celda - Set of Clarinets.pdfKristal42 .
 
La concha flamenca - P. Artola - Set of Clarinets.pdf
La concha flamenca - P. Artola - Set of Clarinets.pdf La concha flamenca - P. Artola - Set of Clarinets.pdf
La concha flamenca - P. Artola - Set of Clarinets.pdfKristal42 .
 
Si vas a Calatayud - R. Zarzoso - Set of Clarinets.pdf
Si vas a Calatayud - R. Zarzoso - Set of Clarinets.pdfSi vas a Calatayud - R. Zarzoso - Set of Clarinets.pdf
Si vas a Calatayud - R. Zarzoso - Set of Clarinets.pdfKristal42 .
 
Paquito Chocolatero - Gustavo Pastor - Set of Clarinets.pdf
Paquito Chocolatero - Gustavo Pastor - Set of Clarinets.pdfPaquito Chocolatero - Gustavo Pastor - Set of Clarinets.pdf
Paquito Chocolatero - Gustavo Pastor - Set of Clarinets.pdfKristal42 .
 
Pepe Antón - A. Carrillos - Set of Clarinets
Pepe Antón - A. Carrillos - Set of ClarinetsPepe Antón - A. Carrillos - Set of Clarinets
Pepe Antón - A. Carrillos - Set of ClarinetsKristal42 .
 
Bohemian Rhapsody - Queen - Set of Clarinets.pdf
Bohemian Rhapsody - Queen - Set of Clarinets.pdfBohemian Rhapsody - Queen - Set of Clarinets.pdf
Bohemian Rhapsody - Queen - Set of Clarinets.pdfKristal42 .
 
Lo cant del Valenciá - Pedro Sosa - Set of Clarinets.pdf
Lo cant del Valenciá - Pedro Sosa - Set of Clarinets.pdfLo cant del Valenciá - Pedro Sosa - Set of Clarinets.pdf
Lo cant del Valenciá - Pedro Sosa - Set of Clarinets.pdfKristal42 .
 
L'entrá de la murta- S. Giner - Set of Clarinets.pdf
L'entrá de la murta- S. Giner - Set of Clarinets.pdf L'entrá de la murta- S. Giner - Set of Clarinets.pdf
L'entrá de la murta- S. Giner - Set of Clarinets.pdfKristal42 .
 

Recommended

El arte de Cúchares - E. Pastor Celda - Set of Clarinets.pdf
El arte de Cúchares - E. Pastor Celda - Set of Clarinets.pdf El arte de Cúchares - E. Pastor Celda - Set of Clarinets.pdf
El arte de Cúchares - E. Pastor Celda - Set of Clarinets.pdfKristal42 .
 
La concha flamenca - P. Artola - Set of Clarinets.pdf
La concha flamenca - P. Artola - Set of Clarinets.pdf La concha flamenca - P. Artola - Set of Clarinets.pdf
La concha flamenca - P. Artola - Set of Clarinets.pdfKristal42 .
 
Si vas a Calatayud - R. Zarzoso - Set of Clarinets.pdf
Si vas a Calatayud - R. Zarzoso - Set of Clarinets.pdfSi vas a Calatayud - R. Zarzoso - Set of Clarinets.pdf
Si vas a Calatayud - R. Zarzoso - Set of Clarinets.pdfKristal42 .
 
Paquito Chocolatero - Gustavo Pastor - Set of Clarinets.pdf
Paquito Chocolatero - Gustavo Pastor - Set of Clarinets.pdfPaquito Chocolatero - Gustavo Pastor - Set of Clarinets.pdf
Paquito Chocolatero - Gustavo Pastor - Set of Clarinets.pdfKristal42 .
 
Pepe Antón - A. Carrillos - Set of Clarinets
Pepe Antón - A. Carrillos - Set of ClarinetsPepe Antón - A. Carrillos - Set of Clarinets
Pepe Antón - A. Carrillos - Set of ClarinetsKristal42 .
 
Bohemian Rhapsody - Queen - Set of Clarinets.pdf
Bohemian Rhapsody - Queen - Set of Clarinets.pdfBohemian Rhapsody - Queen - Set of Clarinets.pdf
Bohemian Rhapsody - Queen - Set of Clarinets.pdfKristal42 .
 
Lo cant del Valenciá - Pedro Sosa - Set of Clarinets.pdf
Lo cant del Valenciá - Pedro Sosa - Set of Clarinets.pdfLo cant del Valenciá - Pedro Sosa - Set of Clarinets.pdf
Lo cant del Valenciá - Pedro Sosa - Set of Clarinets.pdfKristal42 .
 
L'entrá de la murta- S. Giner - Set of Clarinets.pdf
L'entrá de la murta- S. Giner - Set of Clarinets.pdf L'entrá de la murta- S. Giner - Set of Clarinets.pdf
L'entrá de la murta- S. Giner - Set of Clarinets.pdfKristal42 .
 
Caravana - Pedro J. Francés - Set of Clarinets.pdf
Caravana - Pedro J. Francés - Set of Clarinets.pdfCaravana - Pedro J. Francés - Set of Clarinets.pdf
Caravana - Pedro J. Francés - Set of Clarinets.pdfKristal42 .
 
Segrelles - José P. Vilaplana - Set of Clarinets
Segrelles - José P. Vilaplana - Set of Clarinets Segrelles - José P. Vilaplana - Set of Clarinets
Segrelles - José P. Vilaplana - Set of ClarinetsKristal42 .
 
Reo de Muerte - Nicolas B. Barbero - Set of Clarinets.pdf
Reo de Muerte - Nicolas B. Barbero - Set of Clarinets.pdfReo de Muerte - Nicolas B. Barbero - Set of Clarinets.pdf
Reo de Muerte - Nicolas B. Barbero - Set of Clarinets.pdfKristal42 .
 
Suspiros de España - A. Alvarez - Set of Clarinets.pdf
Suspiros de España - A. Alvarez - Set of Clarinets.pdfSuspiros de España - A. Alvarez - Set of Clarinets.pdf
Suspiros de España - A. Alvarez - Set of Clarinets.pdfKristal42 .
 
Around the Whiskey Jar - Set of Clarinets.pdf
Around the Whiskey Jar - Set of Clarinets.pdfAround the Whiskey Jar - Set of Clarinets.pdf
Around the Whiskey Jar - Set of Clarinets.pdfKristal42 .
 
The Ghost Ship - José Alberto Pina - Set of Clarinets.pdf
The Ghost Ship - José Alberto Pina - Set of Clarinets.pdfThe Ghost Ship - José Alberto Pina - Set of Clarinets.pdf
The Ghost Ship - José Alberto Pina - Set of Clarinets.pdfKristal42 .
 
Carrascosa - Jaime Texidor Dalmau - Set of Clarinets.pdf
Carrascosa - Jaime Texidor Dalmau - Set of Clarinets.pdfCarrascosa - Jaime Texidor Dalmau - Set of Clarinets.pdf
Carrascosa - Jaime Texidor Dalmau - Set of Clarinets.pdfKristal42 .
 
Xabia - Salvador Salvá - Set of Clarinets.pdf
Xabia - Salvador Salvá - Set of Clarinets.pdfXabia - Salvador Salvá - Set of Clarinets.pdf
Xabia - Salvador Salvá - Set of Clarinets.pdfKristal42 .
 
Santiano - Hans Joachim Rogol - Set of Clarinets.pdf
Santiano - Hans Joachim Rogol - Set of Clarinets.pdfSantiano - Hans Joachim Rogol - Set of Clarinets.pdf
Santiano - Hans Joachim Rogol - Set of Clarinets.pdfKristal42 .
 
Pérez Barcelo - Bernabé Sanchis - Set of Clarinets.pdf
Pérez Barcelo - Bernabé Sanchis - Set of Clarinets.pdf Pérez Barcelo - Bernabé Sanchis - Set of Clarinets.pdf
Pérez Barcelo - Bernabé Sanchis - Set of Clarinets.pdfKristal42 .
 
Fet a Posta - Miguel Picó Biosca - Set of Clarinets.pdf
Fet a Posta - Miguel Picó Biosca - Set of Clarinets.pdfFet a Posta - Miguel Picó Biosca - Set of Clarinets.pdf
Fet a Posta - Miguel Picó Biosca - Set of Clarinets.pdfKristal42 .
 
Nuova Vita - Michael Geisler - Set of Clarinets
Nuova Vita - Michael Geisler - Set of ClarinetsNuova Vita - Michael Geisler - Set of Clarinets
Nuova Vita - Michael Geisler - Set of ClarinetsKristal42 .
 
Ateneo Musical - Mariano Puig - Set of Clarinets
Ateneo Musical - Mariano Puig - Set of Clarinets Ateneo Musical - Mariano Puig - Set of Clarinets
Ateneo Musical - Mariano Puig - Set of ClarinetsKristal42 .
 
1 dakota - jacob de haan - set of clarinets
1 dakota - jacob de haan - set of clarinets1 dakota - jacob de haan - set of clarinets
1 dakota - jacob de haan - set of clarinetsKristal42 .
 
2 queen of the dolomites - jacob de haan - set of clarinets
2 queen of the dolomites - jacob de haan - set of clarinets2 queen of the dolomites - jacob de haan - set of clarinets
2 queen of the dolomites - jacob de haan - set of clarinetsKristal42 .
 
3 river city - jacob de haan - set of clarinets
3 river city - jacob de haan - set of clarinets3 river city - jacob de haan - set of clarinets
3 river city - jacob de haan - set of clarinetsKristal42 .
 
4 yellow mountains - jacob de haan - set of clarinets 2
4 yellow mountains - jacob de haan - set of clarinets 24 yellow mountains - jacob de haan - set of clarinets 2
4 yellow mountains - jacob de haan - set of clarinets 2Kristal42 .
 
4 yellow mountains - jacob de haan - set of clarinets
4 yellow mountains - jacob de haan - set of clarinets4 yellow mountains - jacob de haan - set of clarinets
4 yellow mountains - jacob de haan - set of clarinetsKristal42 .
 
5 ammerland - jacob de haan - set of clarinets
5 ammerland - jacob de haan - set of clarinets5 ammerland - jacob de haan - set of clarinets
5 ammerland - jacob de haan - set of clarinetsKristal42 .
 
6 crazy music in the air - jacob de haan - set of clarinets
6 crazy music in the air - jacob de haan - set of clarinets6 crazy music in the air - jacob de haan - set of clarinets
6 crazy music in the air - jacob de haan - set of clarinetsKristal42 .
 

More Related Content

More from Kristal42 .

Caravana - Pedro J. Francés - Set of Clarinets.pdf
Caravana - Pedro J. Francés - Set of Clarinets.pdfCaravana - Pedro J. Francés - Set of Clarinets.pdf
Caravana - Pedro J. Francés - Set of Clarinets.pdfKristal42 .
 
Segrelles - José P. Vilaplana - Set of Clarinets
Segrelles - José P. Vilaplana - Set of Clarinets Segrelles - José P. Vilaplana - Set of Clarinets
Segrelles - José P. Vilaplana - Set of ClarinetsKristal42 .
 
Reo de Muerte - Nicolas B. Barbero - Set of Clarinets.pdf
Reo de Muerte - Nicolas B. Barbero - Set of Clarinets.pdfReo de Muerte - Nicolas B. Barbero - Set of Clarinets.pdf
Reo de Muerte - Nicolas B. Barbero - Set of Clarinets.pdfKristal42 .
 
Suspiros de España - A. Alvarez - Set of Clarinets.pdf
Suspiros de España - A. Alvarez - Set of Clarinets.pdfSuspiros de España - A. Alvarez - Set of Clarinets.pdf
Suspiros de España - A. Alvarez - Set of Clarinets.pdfKristal42 .
 
Around the Whiskey Jar - Set of Clarinets.pdf
Around the Whiskey Jar - Set of Clarinets.pdfAround the Whiskey Jar - Set of Clarinets.pdf
Around the Whiskey Jar - Set of Clarinets.pdfKristal42 .
 
The Ghost Ship - José Alberto Pina - Set of Clarinets.pdf
The Ghost Ship - José Alberto Pina - Set of Clarinets.pdfThe Ghost Ship - José Alberto Pina - Set of Clarinets.pdf
The Ghost Ship - José Alberto Pina - Set of Clarinets.pdfKristal42 .
 
Carrascosa - Jaime Texidor Dalmau - Set of Clarinets.pdf
Carrascosa - Jaime Texidor Dalmau - Set of Clarinets.pdfCarrascosa - Jaime Texidor Dalmau - Set of Clarinets.pdf
Carrascosa - Jaime Texidor Dalmau - Set of Clarinets.pdfKristal42 .
 
Xabia - Salvador Salvá - Set of Clarinets.pdf
Xabia - Salvador Salvá - Set of Clarinets.pdfXabia - Salvador Salvá - Set of Clarinets.pdf
Xabia - Salvador Salvá - Set of Clarinets.pdfKristal42 .
 
Santiano - Hans Joachim Rogol - Set of Clarinets.pdf
Santiano - Hans Joachim Rogol - Set of Clarinets.pdfSantiano - Hans Joachim Rogol - Set of Clarinets.pdf
Santiano - Hans Joachim Rogol - Set of Clarinets.pdfKristal42 .
 
Pérez Barcelo - Bernabé Sanchis - Set of Clarinets.pdf
Pérez Barcelo - Bernabé Sanchis - Set of Clarinets.pdf Pérez Barcelo - Bernabé Sanchis - Set of Clarinets.pdf
Pérez Barcelo - Bernabé Sanchis - Set of Clarinets.pdfKristal42 .
 
Fet a Posta - Miguel Picó Biosca - Set of Clarinets.pdf
Fet a Posta - Miguel Picó Biosca - Set of Clarinets.pdfFet a Posta - Miguel Picó Biosca - Set of Clarinets.pdf
Fet a Posta - Miguel Picó Biosca - Set of Clarinets.pdfKristal42 .
 
Nuova Vita - Michael Geisler - Set of Clarinets
Nuova Vita - Michael Geisler - Set of ClarinetsNuova Vita - Michael Geisler - Set of Clarinets
Nuova Vita - Michael Geisler - Set of ClarinetsKristal42 .
 
Ateneo Musical - Mariano Puig - Set of Clarinets
Ateneo Musical - Mariano Puig - Set of Clarinets Ateneo Musical - Mariano Puig - Set of Clarinets
Ateneo Musical - Mariano Puig - Set of ClarinetsKristal42 .
 
1 dakota - jacob de haan - set of clarinets
1 dakota - jacob de haan - set of clarinets1 dakota - jacob de haan - set of clarinets
1 dakota - jacob de haan - set of clarinetsKristal42 .
 
2 queen of the dolomites - jacob de haan - set of clarinets
2 queen of the dolomites - jacob de haan - set of clarinets2 queen of the dolomites - jacob de haan - set of clarinets
2 queen of the dolomites - jacob de haan - set of clarinetsKristal42 .
 
3 river city - jacob de haan - set of clarinets
3 river city - jacob de haan - set of clarinets3 river city - jacob de haan - set of clarinets
3 river city - jacob de haan - set of clarinetsKristal42 .
 
4 yellow mountains - jacob de haan - set of clarinets 2
4 yellow mountains - jacob de haan - set of clarinets 24 yellow mountains - jacob de haan - set of clarinets 2
4 yellow mountains - jacob de haan - set of clarinets 2Kristal42 .
 
4 yellow mountains - jacob de haan - set of clarinets
4 yellow mountains - jacob de haan - set of clarinets4 yellow mountains - jacob de haan - set of clarinets
4 yellow mountains - jacob de haan - set of clarinetsKristal42 .
 
5 ammerland - jacob de haan - set of clarinets
5 ammerland - jacob de haan - set of clarinets5 ammerland - jacob de haan - set of clarinets
5 ammerland - jacob de haan - set of clarinetsKristal42 .
 
6 crazy music in the air - jacob de haan - set of clarinets
6 crazy music in the air - jacob de haan - set of clarinets6 crazy music in the air - jacob de haan - set of clarinets
6 crazy music in the air - jacob de haan - set of clarinetsKristal42 .
 

More from Kristal42 . (20)

Caravana - Pedro J. Francés - Set of Clarinets.pdf
Caravana - Pedro J. Francés - Set of Clarinets.pdfCaravana - Pedro J. Francés - Set of Clarinets.pdf
Caravana - Pedro J. Francés - Set of Clarinets.pdf
 
Segrelles - José P. Vilaplana - Set of Clarinets
Segrelles - José P. Vilaplana - Set of Clarinets Segrelles - José P. Vilaplana - Set of Clarinets
Segrelles - José P. Vilaplana - Set of Clarinets
 
Reo de Muerte - Nicolas B. Barbero - Set of Clarinets.pdf
Reo de Muerte - Nicolas B. Barbero - Set of Clarinets.pdfReo de Muerte - Nicolas B. Barbero - Set of Clarinets.pdf
Reo de Muerte - Nicolas B. Barbero - Set of Clarinets.pdf
 
Suspiros de España - A. Alvarez - Set of Clarinets.pdf
Suspiros de España - A. Alvarez - Set of Clarinets.pdfSuspiros de España - A. Alvarez - Set of Clarinets.pdf
Suspiros de España - A. Alvarez - Set of Clarinets.pdf
 
Around the Whiskey Jar - Set of Clarinets.pdf
Around the Whiskey Jar - Set of Clarinets.pdfAround the Whiskey Jar - Set of Clarinets.pdf
Around the Whiskey Jar - Set of Clarinets.pdf
 
The Ghost Ship - José Alberto Pina - Set of Clarinets.pdf
The Ghost Ship - José Alberto Pina - Set of Clarinets.pdfThe Ghost Ship - José Alberto Pina - Set of Clarinets.pdf
The Ghost Ship - José Alberto Pina - Set of Clarinets.pdf
 
Carrascosa - Jaime Texidor Dalmau - Set of Clarinets.pdf
Carrascosa - Jaime Texidor Dalmau - Set of Clarinets.pdfCarrascosa - Jaime Texidor Dalmau - Set of Clarinets.pdf
Carrascosa - Jaime Texidor Dalmau - Set of Clarinets.pdf
 
Xabia - Salvador Salvá - Set of Clarinets.pdf
Xabia - Salvador Salvá - Set of Clarinets.pdfXabia - Salvador Salvá - Set of Clarinets.pdf
Xabia - Salvador Salvá - Set of Clarinets.pdf
 
Santiano - Hans Joachim Rogol - Set of Clarinets.pdf
Santiano - Hans Joachim Rogol - Set of Clarinets.pdfSantiano - Hans Joachim Rogol - Set of Clarinets.pdf
Santiano - Hans Joachim Rogol - Set of Clarinets.pdf
 
Pérez Barcelo - Bernabé Sanchis - Set of Clarinets.pdf
Pérez Barcelo - Bernabé Sanchis - Set of Clarinets.pdf Pérez Barcelo - Bernabé Sanchis - Set of Clarinets.pdf
Pérez Barcelo - Bernabé Sanchis - Set of Clarinets.pdf
 
Fet a Posta - Miguel Picó Biosca - Set of Clarinets.pdf
Fet a Posta - Miguel Picó Biosca - Set of Clarinets.pdfFet a Posta - Miguel Picó Biosca - Set of Clarinets.pdf
Fet a Posta - Miguel Picó Biosca - Set of Clarinets.pdf
 
Nuova Vita - Michael Geisler - Set of Clarinets
Nuova Vita - Michael Geisler - Set of ClarinetsNuova Vita - Michael Geisler - Set of Clarinets
Nuova Vita - Michael Geisler - Set of Clarinets
 
Ateneo Musical - Mariano Puig - Set of Clarinets
Ateneo Musical - Mariano Puig - Set of Clarinets Ateneo Musical - Mariano Puig - Set of Clarinets
Ateneo Musical - Mariano Puig - Set of Clarinets
 
1 dakota - jacob de haan - set of clarinets
1 dakota - jacob de haan - set of clarinets1 dakota - jacob de haan - set of clarinets
1 dakota - jacob de haan - set of clarinets
 
2 queen of the dolomites - jacob de haan - set of clarinets
2 queen of the dolomites - jacob de haan - set of clarinets2 queen of the dolomites - jacob de haan - set of clarinets
2 queen of the dolomites - jacob de haan - set of clarinets
 
3 river city - jacob de haan - set of clarinets
3 river city - jacob de haan - set of clarinets3 river city - jacob de haan - set of clarinets
3 river city - jacob de haan - set of clarinets
 
4 yellow mountains - jacob de haan - set of clarinets 2
4 yellow mountains - jacob de haan - set of clarinets 24 yellow mountains - jacob de haan - set of clarinets 2
4 yellow mountains - jacob de haan - set of clarinets 2
 
4 yellow mountains - jacob de haan - set of clarinets
4 yellow mountains - jacob de haan - set of clarinets4 yellow mountains - jacob de haan - set of clarinets
4 yellow mountains - jacob de haan - set of clarinets
 
5 ammerland - jacob de haan - set of clarinets
5 ammerland - jacob de haan - set of clarinets5 ammerland - jacob de haan - set of clarinets
5 ammerland - jacob de haan - set of clarinets
 
6 crazy music in the air - jacob de haan - set of clarinets
6 crazy music in the air - jacob de haan - set of clarinets6 crazy music in the air - jacob de haan - set of clarinets
6 crazy music in the air - jacob de haan - set of clarinets
 

Amparito Roca - Jaime Teixidor - Set of Clarinets.pdf

  • 1. AmpArito rocA ( Jaime Teixidor ) Amparito Roca es el nombre de un pasodoble compuesto en 1925 por el músico y compositor catalán Jaume Teixidor Dalmau (1884-1957). El nombre lo recibió en honor a una joven alumna suya, Amparo Roca (1912-1993), a quien daba clases de piano y era muy amiga de su hija María Teresa. Se trata de uno de los más conocidos pasodobles, tanto en España como en todo el mundo. Son numerosas las bandas musicales que lo hacen sonar en sus pasacalles de recogidas de músicos. También es uno de los pasodobles más habituales en el repertorio de múltiples orquestas de verbena que amenizan las fiestas de los pueblos de toda España.
  • 2.                                 Clarinet in B 1 Clarinet in B 2 Clarinet in B 3 Clarinet in B 4 Clarinet in B 5 Clarinet in B 6 Clarinet in B 7 Bass Clarinet                                                  Pasodoble                                                                                                                                                                                                                                                                                             Cl.1 Cl.2 Cl.3 Cl.4 Cl.5 Cl.6 Cl.7 B.Cl. 6                                          6          6                                                                                            5          5          5                                       5          5          5                                                                                                     AMPARITO ROCA J. TEXIDOR Gino Gonçals Arr. by Gino Gonçals (Cover of Clarinets, Aragón, S.XXI)
  • 3.                 Cl.1 Cl.2 Cl.3 Cl.4 Cl.5 Cl.6 Cl.7 B.Cl. 11           3 3 3           3 3 3                           11  11                                                                                                                                                                                                             Cl.1 Cl.2 Cl.3 Cl.4 Cl.5 Cl.6 Cl.7 B.Cl. 16                   16         16                                                                                                                                                                                                                               cresc. cresc. cresc. cresc. cresc. cresc. cresc. cresc. Amparito Roca
  • 4.                 Cl.1 Cl.2 Cl.3 Cl.4 Cl.5 Cl.6 Cl.7 B.Cl. 21                                21         21                                                                                                                                                                                                                          Cl.1 Cl.2 Cl.3 Cl.4 Cl.5 Cl.6 Cl.7 B.Cl. 26                   26         26                                                                                                                     cresc. cresc. cresc. cresc. cresc. cresc. cresc.                                                                                              3 Amparito Roca
  • 5.                 Cl.1 Cl.2 Cl.3 Cl.4 Cl.5 Cl.6 Cl.7 B.Cl. 31                      31      31                                                                              3      3                                                                                                                                                 Cl.1 Cl.2 Cl.3 Cl.4 Cl.5 Cl.6 Cl.7 B.Cl. 36         3                    36         36                           3                                                                                                                                                                                            Amparito Roca
  • 6.                 Cl.1 Cl.2 Cl.3 Cl.4 Cl.5 Cl.6 Cl.7 B.Cl. 41      3      3                 41         41                                                                                                                 3                                                     3                                                              Cl.1 Cl.2 Cl.3 Cl.4 Cl.5 Cl.6 Cl.7 B.Cl. 46               46          46                                                                                                                                                                                                                                         5 Amparito Roca
  • 7.                 Cl.1 Cl.2 Cl.3 Cl.4 Cl.5 Cl.6 Cl.7 B.Cl. 51                                       51         51                                                                                                                                                                                                                                                                         Cl.1 Cl.2 Cl.3 Cl.4 Cl.5 Cl.6 Cl.7 B.Cl. 56                             56   56                                                                                                                                                                                                                                                                  Amparito Roca
  • 8.                         Cl.1 Cl.2 Cl.3 Cl.4 Cl.5 Cl.6 Cl.7 B.Cl. 61                                         61         61                          5          5           5                                       5          5          5                                                                                                                      Cl.1 Cl.2 Cl.3 Cl.4 Cl.5 Cl.6 Cl.7 B.Cl.   66                   66         66                   TRIO                                                                                                                                                                                         7 Amparito Roca
  • 9.                 Cl.1 Cl.2 Cl.3 Cl.4 Cl.5 Cl.6 Cl.7 B.Cl. 71                           71         71                                                                                                                                                                                                                       Cl.1 Cl.2 Cl.3 Cl.4 Cl.5 Cl.6 Cl.7 B.Cl. 76                          76         76                                                                                                                                                                                                              8 Amparito Roca
  • 10.                 Cl.1 Cl.2 Cl.3 Cl.4 Cl.5 Cl.6 Cl.7 B.Cl.   81                      81      81                                                                                                                                                                                                         Cl.1 Cl.2 Cl.3 Cl.4 Cl.5 Cl.6 Cl.7 B.Cl. 86                       86         86                                                                                                                                                                    3 3                                                 9 Amparito Roca
  • 11.                 Cl.1 Cl.2 Cl.3 Cl.4 Cl.5 Cl.6 Cl.7 B.Cl. 91        3 3                  91          91                       3 3                                                    3 3                                                3 3                                                  3 3                                                            Cl.1 Cl.2 Cl.3 Cl.4 Cl.5 Cl.6 Cl.7 B.Cl. 96                   96         96                                                                                                                                                                                            10 Amparito Roca
  • 12.                 Cl.1 Cl.2 Cl.3 Cl.4 Cl.5 Cl.6 Cl.7 B.Cl. 101                 101         101                                                                                                                                                                                                                Cl.1 Cl.2 Cl.3 Cl.4 Cl.5 Cl.6 Cl.7 B.Cl. 106                     106         106                                                                                                                                                                                                      11 Amparito Roca
  • 13.                 Cl.1 Cl.2 Cl.3 Cl.4 Cl.5 Cl.6 Cl.7 B.Cl. 111                        111         111                                                                                                                                                                                                  Cl.1 Cl.2 Cl.3 Cl.4 Cl.5 Cl.6 Cl.7 B.Cl. 116                116         116                                                                                                                                                                                                 12 Amparito Roca
  • 14.                 Cl.1 Cl.2 Cl.3 Cl.4 Cl.5 Cl.6 Cl.7 B.Cl. 121                   121          121                                                                                                                                                                                                                              Cl.1 Cl.2 Cl.3 Cl.4 Cl.5 Cl.6 Cl.7 B.Cl. 126                         126         126                                                                                                                                                                                                                                       13 Amparito Roca
  • 15.                 Cl.1 Cl.2 Cl.3 Cl.4 Cl.5 Cl.6 Cl.7 B.Cl. 131                                           131         131                                                                                                                                                                                                                                                                                                                                         Cl.1 Cl.2 Cl.3 Cl.4 Cl.5 Cl.6 Cl.7 B.Cl.   136                                               136             136                                                                                                                                                                                                                                      14 Amparito Roca
  • 16.                 Cl.1 Cl.2 Cl.3 Cl.4 Cl.5 Cl.6 Cl.7 B.Cl.   141                           141       141                                                                                                                                                                                                                         Cl.1 Cl.2 Cl.3 Cl.4 Cl.5 Cl.6 Cl.7 B.Cl. 146                       146          146                                                                                                                                                                                                  15 Amparito Roca
  • 17.                 Cl.1 Cl.2 Cl.3 Cl.4 Cl.5 Cl.6 Cl.7 B.Cl. 151                 151         151                                                                                                                                                                                                                Cl.1 Cl.2 Cl.3 Cl.4 Cl.5 Cl.6 Cl.7 B.Cl. 156                     156         156                                                                                                                                                                                               16 Amparito Roca
  • 18.                 Cl.1 Cl.2 Cl.3 Cl.4 Cl.5 Cl.6 Cl.7 B.Cl. 161                 161         161                                                                                                                                                                                                              Cl.1 Cl.2 Cl.3 Cl.4 Cl.5 Cl.6 Cl.7 B.Cl. 166                           166         166                                                                                                                                                                                                                17 Amparito Roca
  • 19.                 Cl.1 Cl.2 Cl.3 Cl.4 Cl.5 Cl.6 Cl.7 B.Cl. 171                               171         171                                                                                                                                                                                                                                                                   18 Amparito Roca
  • 20.                Pasodoble                                                           5          5             3 3 3    12                                  cresc.             23                           cresc.                        3   34                3           3                 3               3   45       3                                                                          56                                                          5         5                  TRIO     67                                                    78                                                 89          3 3        3 3       3 3       3 3       3 3       3 3                  100                           112                    124                                                                             135                                                         146                                     157                                  168                                               AMPARITO ROCA J. TEXIDOR Gino Gonçals Arr. by Gino Gonçals (Cover of Clarinets, Aragón, S.XXI) Clarinet 1º
  • 21.                Pasodoble                                                           5          5         3 3 3                                     cresc.                                       cresc.                        3                        3                                                                                                                                      5         5              TRIO                                                                                                                                                                                                                                                                                                                                                                                                                                                                            AMPARITO ROCA J. TEXIDOR Gino Gonçals Arr. by Gino Gonçals (Cover of Clarinets, Aragón, S.XXI) Clarinet 2º
  • 22.                Pasodoble                                                     5    5                                      cresc.                        cresc.                                                                                                                                                                                                           5      5              TRIO                                                                                                                                                                                                                                                                                                                                                                                                                                                           AMPARITO ROCA J. TEXIDOR Gino Gonçals Arr. by Gino Gonçals (Cover of Clarinets, Aragón, S.XXI) Clarinet 3º
  • 23.                Pasodoble                                                                                                             cresc.                                 cresc.                                                                                                                                                                                             TRIO                                                                                                                                                                                                                                                                                                                                                                                                      AMPARITO ROCA J. TEXIDOR Gino Gonçals Arr. by Gino Gonçals (Cover of Clarinets, Aragón, S.XXI) Clarinet 4º
  • 24.      Pasodoble                                                                                                                                                                     cresc.                                                                    cresc.                                                                                                                                                                                                                                                                               TRIO                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                 AMPARITO ROCA J. TEXIDOR Gino Gonçals Arr. by Gino Gonçals (Cover of Clarinets, Aragón, S.XXI) Clarinet 5º
  • 25.      Pasodoble                                                                                      13                                                                 cresc.                                  25                                 cresc.                                                                    37                                                                                                    49                                                                                     61                                    TRIO                                                    73                                                                                                85                                                                                                       97                                                                                                 109                                                                                                 121                                                                                                         133                                                                                                   144                                                                                      155                                                                                            166                                                                                      AMPARITO ROCA J. TEXIDOR Gino Gonçals Arr. by Gino Gonçals (Cover of Clarinets, Aragón, S.XXI) Clarinet 6º
  • 26.       Pasodoble                                                                                     13                                                                 cresc.                                   25                                 cresc.                                                                 37                                                                                              49                                                                               61                                    TRIO                                                   73                                                                                                85                                                                                                   97                                                                                                 109                                                                                                121                                                                                                      133                                                                                                   144                                                                                     155                                                                                           166                                                                                          AMPARITO ROCA J. TEXIDOR Gino Gonçals Arr. by Gino Gonçals (Cover of Clarinets, Aragón, S.XXI) Clarinet 7º
  • 27.       Pasodoble                                                                                                                                                                       cresc.                                                                                                                                                                                                                                                                                                                                                                          TRIO                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                     AMPARITO ROCA J. TEXIDOR Gino Gonçals Arr. by Gino Gonçals (Cover of Clarinets, Aragón, S.XXI) Clarinet Bass