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5 ammerland - jacob de haan - set of clarinets

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Kristal42 .
Kristal42 .

The document is a musical score titled "Ammerland" by Jacob de Haan. It is an arrangement for clarinets by Gino Gonçals. The score depicts a short musical journey through the beautiful rural region of Ammerland in Germany, known for its yellow rapeseed fields, green meadows, and large inland lake. The music aims to convey impressions of the dreamlike scenery and natural beauty of this unique landscape.

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(Jacob de Haan) ammerland Erleben Sie Impressionen aus einer traumhaften Gegend am Zwischenahner Meer! Das ländliche Ammerland verbindet gelbblühende Rapsfelder, saftige Wiesen und endlose Alleen mit dem besonderen Charme eines großen Binnensees. Lassen Sie sich entführen auf eine kurze musikalische Reise durch das schöne Ammerland. Freuen Sie sich am Wasser, an der Natur und den strahlenden Farben dieser einzigartigen Landschaft.
                        Clarinet in B 1 Clarinet in B 2 Clarinet in B 3 Clarinet in B 4 Clarinet in B 5 Bass Clarinet                          Andante Expresivo                                                                                                                                  B Cl. 1 B Cl. 2 B Cl. 3 B Cl. 4 B Cl. 5 B. Cl.                                                                                                                                                 AMMERLAND Jacob de Haan ©Gino Gonçals Arr. by Gino Gonçals (Cover of Clarinets, Aragón, S.XXI)
            B Cl. 1 B Cl. 2 B Cl. 3 B Cl. 4 B Cl. 5 B. Cl.                                                                                       Poco rall....                               B Cl. 1 B Cl. 2 B Cl. 3 B Cl. 4 B Cl. 5 B. Cl.                     1 A tempo                                                                                                        2 AMMERLAND
            B Cl. 1 B Cl. 2 B Cl. 3 B Cl. 4 B Cl. 5 B. Cl.                                                                                                                                                       B Cl. 1 B Cl. 2 B Cl. 3 B Cl. 4 B Cl. 5 B. Cl.                                                                                                                            Poco rall....     3 AMMERLAND
            B Cl. 1 B Cl. 2 B Cl. 3 B Cl. 4 B Cl. 5 B. Cl.                     2 A tempo                                                                                                                B Cl. 1 B Cl. 2 B Cl. 3 B Cl. 4 B Cl. 5 B. Cl.                                                                   3             3              3              3                                                 4 AMMERLAND
            B Cl. 1 B Cl. 2 B Cl. 3 B Cl. 4 B Cl. 5 B. Cl.                                                                                                              Molto rall........             B Cl. 1 B Cl. 2 B Cl. 3 B Cl. 4 B Cl. 5 B. Cl.                                                     5 AMMERLAND
          Andante Expresivo                                                                              Poco rall....        1 A tempo                                                                                        Poco rall....    2 A tempo                                                                                           Molto rall........          AMMERLAND Jacob de Haan ©Gino Gonçals Arr. by Gino Gonçals Clarinet 1ºB (Cover of Clarinets, Aragón, S.XXI)
          Andante Expresivo                                                                                    Poco rall....         1 A tempo                                                                                Poco rall....     2 A tempo                                3                           Molto rall........      AMMERLAND Jacob de Haan ©Gino Gonçals Arr. by Gino Gonçals Clarinet 3ºB (Cover of Clarinets, Aragón, S.XXI)
          Andante Expresivo                                                                              Poco rall....        1 A tempo                                                                                        Poco rall....         2 A tempo                                          3                          Molto rall........          AMMERLAND Jacob de Haan ©Gino Gonçals Arr. by Gino Gonçals Clarinet 2ºB (Cover of Clarinets, Aragón, S.XXI)
       Andante Expresivo                                                                       Poco rall....         1 A tempo                                                              Poco rall....        2 A tempo                                            3                              Molto rall........             AMMERLAND Jacob de Haan ©Gino Gonçals Arr. by Gino Gonçals Carinet 4ºB (Cover of Clarinets, Aragón, S.XXI)
       Andante Expresivo                                    Poco rall....         1 A tempo                                       Poco rall....   2 A tempo                             3                 Molto rall........            AMMERLAND Jacob de Haan ©Gino Gonçals Arr. by Gino Gonçals Clarinet 5ºB (Cover of Clarinets, Aragón, S.XXI)
     Andante Expresivo                               Poco rall....   1 A tempo                                        Poco rall....       2 A tempo                                                      Molto rall........       AMMERLAND Jacob de Haan ©Gino Gonçals Arr. by Gino Gonçals Clarinete Bass (Cover of Clarinets, Aragón, S.XXI)

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5 ammerland - jacob de haan - set of clarinets

  • 1. (Jacob de Haan) ammerland Erleben Sie Impressionen aus einer traumhaften Gegend am Zwischenahner Meer! Das ländliche Ammerland verbindet gelbblühende Rapsfelder, saftige Wiesen und endlose Alleen mit dem besonderen Charme eines großen Binnensees. Lassen Sie sich entführen auf eine kurze musikalische Reise durch das schöne Ammerland. Freuen Sie sich am Wasser, an der Natur und den strahlenden Farben dieser einzigartigen Landschaft.
  • 2.                         Clarinet in B 1 Clarinet in B 2 Clarinet in B 3 Clarinet in B 4 Clarinet in B 5 Bass Clarinet                          Andante Expresivo                                                                                                                                  B Cl. 1 B Cl. 2 B Cl. 3 B Cl. 4 B Cl. 5 B. Cl.                                                                                                                                                 AMMERLAND Jacob de Haan ©Gino Gonçals Arr. by Gino Gonçals (Cover of Clarinets, Aragón, S.XXI)
  • 3.             B Cl. 1 B Cl. 2 B Cl. 3 B Cl. 4 B Cl. 5 B. Cl.                                                                                       Poco rall....                               B Cl. 1 B Cl. 2 B Cl. 3 B Cl. 4 B Cl. 5 B. Cl.                     1 A tempo                                                                                                        2 AMMERLAND
  • 4.             B Cl. 1 B Cl. 2 B Cl. 3 B Cl. 4 B Cl. 5 B. Cl.                                                                                                                                                       B Cl. 1 B Cl. 2 B Cl. 3 B Cl. 4 B Cl. 5 B. Cl.                                                                                                                            Poco rall....     3 AMMERLAND
  • 5.             B Cl. 1 B Cl. 2 B Cl. 3 B Cl. 4 B Cl. 5 B. Cl.                     2 A tempo                                                                                                                B Cl. 1 B Cl. 2 B Cl. 3 B Cl. 4 B Cl. 5 B. Cl.                                                                   3             3              3              3                                                 4 AMMERLAND
  • 6.             B Cl. 1 B Cl. 2 B Cl. 3 B Cl. 4 B Cl. 5 B. Cl.                                                                                                              Molto rall........             B Cl. 1 B Cl. 2 B Cl. 3 B Cl. 4 B Cl. 5 B. Cl.                                                     5 AMMERLAND
  • 7.           Andante Expresivo                                                                              Poco rall....        1 A tempo                                                                                        Poco rall....    2 A tempo                                                                                           Molto rall........          AMMERLAND Jacob de Haan ©Gino Gonçals Arr. by Gino Gonçals Clarinet 1ºB (Cover of Clarinets, Aragón, S.XXI)
  • 8.           Andante Expresivo                                                                                    Poco rall....         1 A tempo                                                                                Poco rall....     2 A tempo                                3                           Molto rall........      AMMERLAND Jacob de Haan ©Gino Gonçals Arr. by Gino Gonçals Clarinet 3ºB (Cover of Clarinets, Aragón, S.XXI)
  • 9.           Andante Expresivo                                                                              Poco rall....        1 A tempo                                                                                        Poco rall....         2 A tempo                                          3                          Molto rall........          AMMERLAND Jacob de Haan ©Gino Gonçals Arr. by Gino Gonçals Clarinet 2ºB (Cover of Clarinets, Aragón, S.XXI)
  • 10.        Andante Expresivo                                                                       Poco rall....         1 A tempo                                                              Poco rall....        2 A tempo                                            3                              Molto rall........             AMMERLAND Jacob de Haan ©Gino Gonçals Arr. by Gino Gonçals Carinet 4ºB (Cover of Clarinets, Aragón, S.XXI)
  • 11.        Andante Expresivo                                    Poco rall....         1 A tempo                                       Poco rall....   2 A tempo                             3                 Molto rall........            AMMERLAND Jacob de Haan ©Gino Gonçals Arr. by Gino Gonçals Clarinet 5ºB (Cover of Clarinets, Aragón, S.XXI)
  • 12.      Andante Expresivo                               Poco rall....   1 A tempo                                        Poco rall....       2 A tempo                                                      Molto rall........       AMMERLAND Jacob de Haan ©Gino Gonçals Arr. by Gino Gonçals Clarinete Bass (Cover of Clarinets, Aragón, S.XXI)