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Xàbia
Pasacalle
(Salvador Salva)
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©Gino Gonçals
(Cover of Clarinets, Aragón, S.XXI)
SALVADOR SALVÁ
Arr. by Gino Gonçals
XABIA
PASODOBLE
A mi querido amigo Gabriel de Loma
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2
Xabia
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64
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78
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6
Xabia
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85
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
 





 





  


  
 


 

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
  

   
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
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


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


  


  

 

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

 
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


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
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
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
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
 
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
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

  
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
  
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 





 



7
Xabia
















99

   

   
 


 


99
 


 


 


 






 








 


 


 

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

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
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
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  
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
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
 
 






 







 


 


 


 


 


 






 



















106


  


  
 


 


106
 


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
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   
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   
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   
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
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
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


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
 
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
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 





 



8
Xabia
















113




 


 


113
 


 


 


 





 





  


  



 



 



 



 


 
   

   







   
3



 


 


 


 

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 


 





 







   
3



 


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
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 





 





  


  
 


 


 


 


 


 





 




 
   

   
 


 


 


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

 


 





 



















120 
   
3



 


 


120
 


 


 


 





 




   
3



 


 


 


 


 


 





 





  


  
 


 


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
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


 
   

   
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

 
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   
3

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
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
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3

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  
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
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
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 





 



9
Xabia
















127

 

  

   
 


 


127
 


 


 


 





 




   
3
  


  

 


 


 


 


 


 





 
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


   
3



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
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
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3

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  
3

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
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
















134


  


  
 


 


134
 


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

 

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
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

 
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



 
 
 
 

 
 
 
 

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
 
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
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
 
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
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
   

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
 
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
 



 
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
 

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
 



 



 
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
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
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
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
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
 


 

 


©Gino Gonçals
(Cover of Clarinets, Aragón, S.XXI)
SALVADOR SALVÁ
Arr. by Gino Gonçals
XABIA
PASODOBLE
A mi querido amigo Gabriel de Loma
Clarinet 1º
  
               



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
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4
  
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   
3
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3
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3
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3
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3
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3
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3
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3
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3 3
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5
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a tempo
6  
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2
Xabia
 
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
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Allegro
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2
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cresc...
cresc...
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4




         
         
  
©Gino Gonçals
(Cover of Clarinets, Aragón, S.XXI)
SALVADOR SALVÁ
Arr. by Gino Gonçals
XABIA
PASODOBLE
A mi querido amigo Gabriel de Loma
Clarinet 2º



     
  
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5
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a tempo
6
 
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2
Xabia
 
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


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Allegro
 
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





















 


























































































  
 



 
 
 
 
 
 
 




 
 
 


 
 
 
 
 
    
5

1
   
 





 
        

5
  
   
   
         
5
  
     
         
5
    

    
       
5


      

   
 

   
   

 
 

      

    
   
   

 
 

 

2


   
        


cresc...


         
 

 

      



       
  
     
 
 

    
 
 






 


 







3


  





   

3
 


 

  
   
3

 
 



 
 






   
 
3
         

3
©Gino Gonçals
(Cover of Clarinets, Aragón, S.XXI)
SALVADOR SALVÁ
Arr. by Gino Gonçals
XABIA
PASODOBLE
A mi querido amigo Gabriel de Loma
Clarinet 3º
  
 
 
 

                


 



 
4

   
 

 

5


 
 
 
 
 
  


 


 
   

  
 
  
 
 
 
 


 
 
 
 

 

 





rit.


 
 


 


  
3
a tempo

6

   
3
 
 

 
   
3

   
3
 
 



  
3

   
3




 

   
3

   
3
  



  
3

   
3


 
 

 
  
3


   
3
 
 

   
3



   
3
 

 
   
3

    
   
3 3



 

 




 
2
Xabia
 

 




 
Allegro

 
 
 

        

3

    
   
3
       
  
     
 
3
         

3
 





 












 


















 








 
 







   
5

1

 

 





 
        

5
  
     
         
5
 
  

    
          

  
 
 
 
     
5



 


 


   

  
  

 



 
 


  
  

2


   
         
cresc...


     
 
   
  

       
 

      
        
 
     

 
 



  

 




3



 




  

3
 





 

 
3








 


 




   
 
3
       

3







  



 
 



 





 
 

     
4
 
      
©Gino Gonçals
(Cover of Clarinets, Aragón, S.XXI)
SALVADOR SALVÁ
Arr. by Gino Gonçals
XABIA
PASODOBLE
A mi querido amigo Gabriel de Loma
Clarinet 4º


  
         
      
  



 
     
   
    
 
    
  


      
         
  

    


 
         
         
  


   
  
  
         
    
 
  


 
         
        



 

 


 
5


 
  
 
 
 



   
 

  
 
  
 
 
 
 
 
 
 
 
  

 








 rit.










a tempo
6

 
 











  
 













  
 











  
  
 








 




 
 












   
 











  
 














   
3

    
   
3 3



 







 
2
Xabia
 

 


 
Allegro

 


 

      

3

    
 
3
    
 




     
 
3
      

3
 









 


 
 












 
    


 
 

1

 
 
  
 
  
 
  
 
  
 
  
 

 
 
 
  
 
  
 
  
 
  
 
  
 
  
 
  
 
  
 

 
 
 
  
 
  
 

 


 


 


 








 


 


 


 


 


 


  




 


 


 


 


 


 


 
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2
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3
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4

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
 
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
©Gino Gonçals
(Cover of Clarinets, Aragón, S.XXI)
SALVADOR SALVÁ
Arr. by Gino Gonçals
XABIA
PASODOBLE
A mi querido amigo Gabriel de Loma
Clarinet 5º


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5
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a tempo
6

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 
2
Xabia
 





 
Allegro


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   
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
 
 

1

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2
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
3

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4

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 


 


©Gino Gonçals
(Cover of Clarinets, Aragón, S.XXI)
SALVADOR SALVÁ
Arr. by Gino Gonçals
XABIA
PASODOBLE
A mi querido amigo Gabriel de Loma
Clarinet 6º
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2
Xabia
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Allegro
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1
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4
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©Gino Gonçals
(Cover of Clarinets, Aragón, S.XXI)
SALVADOR SALVÁ
Arr. by Gino Gonçals
XABIA
PASODOBLE
A mi querido amigo Gabriel de Loma
Clarinet 7º
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2
Xabia
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©Gino Gonçals
(Cover of Clarinets, Aragón, S.XXI)
SALVADOR SALVÁ
Arr. by Gino Gonçals
XABIA
PASODOBLE
A mi querido amigo Gabriel de Loma
Clarinet Bass
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  • 2.                                 Cl.1 Cl.2 Cl.3 Cl.4 Cl.5 Cl.6 Cl.7 Cl.B                                                                   Allegro                                                                                                                                                                                                     3      3                                                                                            3    3                    8                                             8                                                                                                                                                                                    3       3                                                                                                                3      3                                                                                             ©Gino Gonçals (Cover of Clarinets, Aragón, S.XXI) SALVADOR SALVÁ Arr. by Gino Gonçals XABIA PASODOBLE A mi querido amigo Gabriel de Loma
  • 3.                 15                              15                                                                                                                                                                                                                                                                   5           5                                          3                   3                        1                 22                   3                   3        22                                   3                   3                                                        3                   3                                                3                   3         5         5                                        3                   3                                           3                   3                                           3                   3                                 2 Xabia
  • 4.                 29                   3                   3              29                                    3                   3         5         5                                           3                   3                                          3                   3                                          3                   3                                                  3                   3                                                3                   3         5                                            36                   3                   3        36                                   3                   3                                          3                   3                                                                                    5       5                                                                                                                                                 3 Xabia
  • 5.                 43                             43                                                                                                                                                                                                                                                                                                                                                            50                     50                          2                                                                                                                                                             cresc... cresc... cresc... cresc... cresc... cresc... cresc... cresc...                                                                                                                                                    4 Xabia
  • 6.                 57                          57                                                                                                                                                                               3       3                                                                                             3       3                                                  64                               64                                                                                                                                                        3                                                                                                                                                    3      3                                                                                               5 Xabia
  • 7.                 71                          3      3         71                                                                                                                                                                                                                                     3       3                                                                                                                    3      3                                                      78                                               78                                                                                                                                                                                                                                                        4     6 Xabia
  • 8.                 85             85                                                                                                                                                                                                                                                                                         92             92                                                                                                                                                                                                                                                                         7 Xabia
  • 9.                 99                   99                                                                                                                                                                                                                                                                                             106                   106                                                                                                                                                                                                                                                                   8 Xabia
  • 10.                 113             113                                                                               3                                            3                                                                                                                                          120      3            120                              3                                                                                                                               3                                         3                                                                              9 Xabia
  • 11.                 127                     127                              3                                               3                                                                                                                                3                                          3                                                      134                   134                                                                                 3                                             3                                                                                                                                  3                                    10 Xabia
  • 12.                 141      3            141                                                                                                               3                                              3 3                                                                                                                                      5                    148                                148                                                                                                                                                                                                                                                                                                                                                    11 Xabia
  • 13.                 155                 155                                                                                                                                                                    rit.                                                           3                                   a tempo         3                                                  162                            162                                                                                           3                                         3                                                                                                                                                        3                                  12 Xabia
  • 14.                 169        3          169                                                                                                                                                    3                                            3                                                                                                                                                               176        3          176                               3                                                                                                                                                          3                                          3                                                                                     13 Xabia
  • 15.                 183                                    183                                  3                                         3                                                                                                                                                                  188          3      3         188                                      3 3           3 3                                                                                                                                                       14 Xabia
  • 16.                 Allegro                                                                                                                                                                                                                     3 1                   3                     3                   3                   3                   3                   3                   3                   3                     3                   3                   3                   3                   3                   3                   3                     3                   3                                                                            2         cresc...                               3          3                           3                                                                                                                            ©Gino Gonçals (Cover of Clarinets, Aragón, S.XXI) SALVADOR SALVÁ Arr. by Gino Gonçals XABIA PASODOBLE A mi querido amigo Gabriel de Loma Clarinet 1º
  • 17.                              4            3      3          3      3            3      3          3      3           3      3           3       3            3    3       3           3 3             5                                                                    rit.            a tempo 6                                                                                                                                                 2 Xabia
  • 18.                  Allegro                                                                                                                                                                                                                                3 1                    3                   3                   3                   3                     3                   3                   3                   3                   3                   3                   3                   3                     3                   3                   3                   3                   3                                                        2           cresc... cresc...                              3          3                        3                                                                                                                                                            4                            ©Gino Gonçals (Cover of Clarinets, Aragón, S.XXI) SALVADOR SALVÁ Arr. by Gino Gonçals XABIA PASODOBLE A mi querido amigo Gabriel de Loma Clarinet 2º
  • 19.                                                                                                                                                                  5                                                                           rit.           a tempo 6                                                                                                                                               2 Xabia
  • 20.                  Allegro                                                                                                                                                                                                                           5  1                        5                      5                    5                    5                                                              2                  cresc...                                                                               3                3               3                         3            3 ©Gino Gonçals (Cover of Clarinets, Aragón, S.XXI) SALVADOR SALVÁ Arr. by Gino Gonçals XABIA PASODOBLE A mi querido amigo Gabriel de Loma Clarinet 3º
  • 21.                                     4            5                                                                  rit.                3 a tempo  6      3            3      3           3      3            3      3          3      3             3       3          3        3          3           3 3               2 Xabia
  • 22.            Allegro                   3           3                    3            3                                                                   5  1                        5                    5                                       5                                          2                 cresc...                                                                        3              3             3                         3          3                                       4          ©Gino Gonçals (Cover of Clarinets, Aragón, S.XXI) SALVADOR SALVÁ Arr. by Gino Gonçals XABIA PASODOBLE A mi querido amigo Gabriel de Loma Clarinet 4º
  • 23.                                                                                                                                                                                  5                                                               rit.           a tempo 6                                                                                                                                 3           3 3               2 Xabia
  • 24.          Allegro                 3         3                    3         3                                              1                                                                                                                                                                                     2                          cresc...                                                                                                           3                                                                                                                                       4                                                                                                                            ©Gino Gonçals (Cover of Clarinets, Aragón, S.XXI) SALVADOR SALVÁ Arr. by Gino Gonçals XABIA PASODOBLE A mi querido amigo Gabriel de Loma Clarinet 5º
  • 25.                                                                                                                                                                                                                                                                                                                                                                                                      5                                                                                          rit.                 a tempo 6                                                                                                                                                                                                                                                                2 Xabia
  • 26.          Allegro                                                                 1                                                                                                                                                                                       2                  cresc...                                                                                                                   3                                                                                                                                 4                                                                                                            ©Gino Gonçals (Cover of Clarinets, Aragón, S.XXI) SALVADOR SALVÁ Arr. by Gino Gonçals XABIA PASODOBLE A mi querido amigo Gabriel de Loma Clarinet 6º
  • 27.                                                                                                                                                                                                                                                                                                                                                                                                                  5                                                                               rit.           a tempo 6                                                                                                                                                                                                                                                              2 Xabia
  • 28.           Allegro                                                                        1                                                                                                                                                                                              2                             cresc...                                                                                                                3                                                                                                                                               4                                                                                                    ©Gino Gonçals (Cover of Clarinets, Aragón, S.XXI) SALVADOR SALVÁ Arr. by Gino Gonçals XABIA PASODOBLE A mi querido amigo Gabriel de Loma Clarinet 7º
  • 29.                                                                                                                                                                                                                                                                                                                                                                                                                          5                                                                               rit.            a tempo                                                                                                                                                                                                                                                                  2 Xabia
  • 30.          Allegro                                                                                                1                                                                                                                                                                                                                   2                    cresc...                                                                                                            3                                                                                       4                                                                                                                                                                               ©Gino Gonçals (Cover of Clarinets, Aragón, S.XXI) SALVADOR SALVÁ Arr. by Gino Gonçals XABIA PASODOBLE A mi querido amigo Gabriel de Loma Clarinet Bass
  • 31.                                                                                                                                                                                                                                                                                                                                                                   5                                                                rit.            a tempo                                                                                                                                                                                                                                                           2 Xabia