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Ammerland - Jacob de Haan - Set of Clarinets

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kristal41
kristal41

The document is a musical score titled "Ammerland" that was arranged by Gino Gonçals. It is a piece for clarinet ensemble that takes the listener on a short musical journey through the beautiful rural region of Ammerland in Germany. Ammerland is known for its yellow rapeseed fields, green pastures, and large inland lake surrounded by alleyways of trees. The music aims to convey the natural beauty and bright colors of this unique landscape.

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(Jacob de Haan) ammerland Erleben Sie Impressionen aus einer traumhaften Gegend am Zwischenahner Meer! Das ländliche Ammerland verbindet gelbblühende Rapsfelder, saftige Wiesen und endlose Alleen mit dem besonderen Charme eines großen Binnensees. Lassen Sie sich entführen auf eine kurze musikalische Reise durch das schöne Ammerland. Freuen Sie sich am Wasser, an der Natur und den strahlenden Farben dieser einzigartigen Landschaft.
                     Clarinet in B 1 Clarinet in B 2 Clarinet in B 3 Clarinet in B 4 Clarinet in B 5 Bass Clarinet                         Andante Expresivo                                                                                                               B Cl. 1 B Cl. 2 B Cl. 3 B Cl. 4 B Cl. 5 B. Cl.                                                                                                                          AMMERLAND Jacob de Haan ©Gino Gonçals Arr. by Gino Gonçals (Cover of Clarinets, Aragón, S.XXI)
            B Cl. 1 B Cl. 2 B Cl. 3 B Cl. 4 B Cl. 5 B. Cl.                                                                               Poco rall....                           B Cl. 1 B Cl. 2 B Cl. 3 B Cl. 4 B Cl. 5 B. Cl.                   1 A tempo                                                                                       2 AMMERLAND
            B Cl. 1 B Cl. 2 B Cl. 3 B Cl. 4 B Cl. 5 B. Cl.                                                                                                                                   B Cl. 1 B Cl. 2 B Cl. 3 B Cl. 4 B Cl. 5 B. Cl.                                                                                                     Poco rall....     3 AMMERLAND
            B Cl. 1 B Cl. 2 B Cl. 3 B Cl. 4 B Cl. 5 B. Cl.                   2 A tempo                                                                                                   B Cl. 1 B Cl. 2 B Cl. 3 B Cl. 4 B Cl. 5 B. Cl.                                                            3             3              3              3                                          4 AMMERLAND
            B Cl. 1 B Cl. 2 B Cl. 3 B Cl. 4 B Cl. 5 B. Cl.                                                                                                Molto rall........             B Cl. 1 B Cl. 2 B Cl. 3 B Cl. 4 B Cl. 5 B. Cl.                                                  5 AMMERLAND
          Andante Expresivo                                                                     Poco rall....        1 A tempo                                                                          Poco rall....    2 A tempo                                                                                   Molto rall........         AMMERLAND Jacob de Haan ©Gino Gonçals Arr. by Gino Gonçals Clarinet 1ºB (Cover of Clarinets, Aragón, S.XXI)
          Andante Expresivo                                                                         Poco rall....       1 A tempo                                                                 Poco rall....    2 A tempo                             3                       Molto rall........      AMMERLAND Jacob de Haan ©Gino Gonçals Arr. by Gino Gonçals Clarinet 3ºB (Cover of Clarinets, Aragón, S.XXI)
          Andante Expresivo                                                                     Poco rall....        1 A tempo                                                                          Poco rall....         2 A tempo                                       3                       Molto rall........         AMMERLAND Jacob de Haan ©Gino Gonçals Arr. by Gino Gonçals Clarinet 2ºB (Cover of Clarinets, Aragón, S.XXI)
      Andante Expresivo                                                           Poco rall....       1 A tempo                                                   Poco rall....       2 A tempo                                        3                            Molto rall........            AMMERLAND Jacob de Haan ©Gino Gonçals Arr. by Gino GonçalsCarinet 4ºB (Cover of Clarinets, Aragón, S.XXI)
       Andante Expresivo                              Poco rall....       1 A tempo                                   Poco rall....   2 A tempo                            3               Molto rall........            AMMERLAND Jacob de Haan ©Gino Gonçals Arr. by Gino Gonçals Clarinet 5ºB (Cover of Clarinets, Aragón, S.XXI)
     Andante Expresivo                            Poco rall....   1 A tempo                                  Poco rall....      2 A tempo                                           Molto rall........       AMMERLAND Jacob de Haan ©Gino Gonçals Arr. by Gino Gonçals Clarinete Bass (Cover of Clarinets, Aragón, S.XXI)

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Ammerland - Jacob de Haan - Set of Clarinets

  • 1. (Jacob de Haan) ammerland Erleben Sie Impressionen aus einer traumhaften Gegend am Zwischenahner Meer! Das ländliche Ammerland verbindet gelbblühende Rapsfelder, saftige Wiesen und endlose Alleen mit dem besonderen Charme eines großen Binnensees. Lassen Sie sich entführen auf eine kurze musikalische Reise durch das schöne Ammerland. Freuen Sie sich am Wasser, an der Natur und den strahlenden Farben dieser einzigartigen Landschaft.
  • 2.                      Clarinet in B 1 Clarinet in B 2 Clarinet in B 3 Clarinet in B 4 Clarinet in B 5 Bass Clarinet                         Andante Expresivo                                                                                                               B Cl. 1 B Cl. 2 B Cl. 3 B Cl. 4 B Cl. 5 B. Cl.                                                                                                                          AMMERLAND Jacob de Haan ©Gino Gonçals Arr. by Gino Gonçals (Cover of Clarinets, Aragón, S.XXI)
  • 3.             B Cl. 1 B Cl. 2 B Cl. 3 B Cl. 4 B Cl. 5 B. Cl.                                                                               Poco rall....                           B Cl. 1 B Cl. 2 B Cl. 3 B Cl. 4 B Cl. 5 B. Cl.                   1 A tempo                                                                                       2 AMMERLAND
  • 4.             B Cl. 1 B Cl. 2 B Cl. 3 B Cl. 4 B Cl. 5 B. Cl.                                                                                                                                   B Cl. 1 B Cl. 2 B Cl. 3 B Cl. 4 B Cl. 5 B. Cl.                                                                                                     Poco rall....     3 AMMERLAND
  • 5.             B Cl. 1 B Cl. 2 B Cl. 3 B Cl. 4 B Cl. 5 B. Cl.                   2 A tempo                                                                                                   B Cl. 1 B Cl. 2 B Cl. 3 B Cl. 4 B Cl. 5 B. Cl.                                                            3             3              3              3                                          4 AMMERLAND
  • 6.             B Cl. 1 B Cl. 2 B Cl. 3 B Cl. 4 B Cl. 5 B. Cl.                                                                                                Molto rall........             B Cl. 1 B Cl. 2 B Cl. 3 B Cl. 4 B Cl. 5 B. Cl.                                                  5 AMMERLAND
  • 7.           Andante Expresivo                                                                     Poco rall....        1 A tempo                                                                          Poco rall....    2 A tempo                                                                                   Molto rall........         AMMERLAND Jacob de Haan ©Gino Gonçals Arr. by Gino Gonçals Clarinet 1ºB (Cover of Clarinets, Aragón, S.XXI)
  • 8.           Andante Expresivo                                                                         Poco rall....       1 A tempo                                                                 Poco rall....    2 A tempo                             3                       Molto rall........      AMMERLAND Jacob de Haan ©Gino Gonçals Arr. by Gino Gonçals Clarinet 3ºB (Cover of Clarinets, Aragón, S.XXI)
  • 9.           Andante Expresivo                                                                     Poco rall....        1 A tempo                                                                          Poco rall....         2 A tempo                                       3                       Molto rall........         AMMERLAND Jacob de Haan ©Gino Gonçals Arr. by Gino Gonçals Clarinet 2ºB (Cover of Clarinets, Aragón, S.XXI)
  • 10.       Andante Expresivo                                                           Poco rall....       1 A tempo                                                   Poco rall....       2 A tempo                                        3                            Molto rall........            AMMERLAND Jacob de Haan ©Gino Gonçals Arr. by Gino GonçalsCarinet 4ºB (Cover of Clarinets, Aragón, S.XXI)
  • 11.        Andante Expresivo                              Poco rall....       1 A tempo                                   Poco rall....   2 A tempo                            3               Molto rall........            AMMERLAND Jacob de Haan ©Gino Gonçals Arr. by Gino Gonçals Clarinet 5ºB (Cover of Clarinets, Aragón, S.XXI)
  • 12.      Andante Expresivo                            Poco rall....   1 A tempo                                  Poco rall....      2 A tempo                                           Molto rall........       AMMERLAND Jacob de Haan ©Gino Gonçals Arr. by Gino Gonçals Clarinete Bass (Cover of Clarinets, Aragón, S.XXI)