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Queen of the Dolomites - Jacob de Hann - Set of Clarinets

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kristal41

Queen of the Dolomites - Jacob de Hann - Set of Clarinets

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Queen of the dolomites (Jacob de Haan) The Italian Cortina d’Ampezzo—the ‘Queen of the Dolomites’—is one the most popular holiday destinations in the world. The fabulous alpine scene is set by peaks such those of the Tofane and Cristello soaring above the town. The meadows and woods of the Ampezzo basin attract countless sports enthusiasts and other visitors who simply want to relax in this chocolate-box scenery. The introductory theme of this composition echoes the majestic size of the so-called crown of mountains visible from Cortina. Then a lyrical theme sounds, reflecting the calm of the surrounding mountain panorama, and we also hear the houses of Cortina nestling in the valley below. Back in the village we hear the sounds of the lively Italian brass band entertaining the skiers who have returned from the ski lifts. Then the lyrical theme returns once more, but this time in tribute to the majestic ‘throne’ on which the village sits as Queen of the Dolomites. The piece ends with the regal sounds of the first theme, which affords us another spectacular view of the wonderful crown of mountains.
                     Clarinet in B 1 Clarinet in B 2 Clarinet in B 3 Clarinet in B 4 Clarinet in B 5 Bass Clarinet           3       3 Andante                    3       3                           3       3                         3                Cl.1 Cl.2 Cl.3 Cl.4 Cl.5 B.Cl.                          3                      3                            3                        3                     QUEEN OF THE DOLOMITES Jacob de Haan ©Gino Gonçals Arr. by Gino Gonçals (Cover of Clarinets, Aragón, S.XXI)
            Cl.1 Cl.2 Cl.3 Cl.4 Cl.5 B.Cl.                                                                                                                               Cl.1 Cl.2 Cl.3 Cl.4 Cl.5 B.Cl.                                                                                                           2 QUEEN OF THE DOLOMITES
            Cl.1 Cl.2 Cl.3 Cl.4 Cl.5 B.Cl.                                              rit.                              24 A tempo                                                           Cl.1 Cl.2 Cl.3 Cl.4 Cl.5 B.Cl.                                                                                                                                    32 3QUEEN OF THE DOLOMITES
            Cl.1 Cl.2 Cl.3 Cl.4 Cl.5 B.Cl.                                                                                                                                                 Cl.1 Cl.2 Cl.3 Cl.4 Cl.5 B.Cl.                                              40                                                                                       4 QUEEN OF THE DOLOMITES
                  Cl.1 Cl.2 Cl.3 Cl.4 Cl.5 B.Cl.                                                                                              rit.                                           Allegro Molto        48             Cl.1 Cl.2 Cl.3 Cl.4 Cl.5 B.Cl.                                                                                                                                                                                                                        5QUEEN OF THE DOLOMITES
            Cl.1 Cl.2 Cl.3 Cl.4 Cl.5 B.Cl.                                           54                                                                                                                                                                            Cl.1 Cl.2 Cl.3 Cl.4 Cl.5 B.Cl.                                               rit.             Meno mosso e maestoso    62                                          6 QUEEN OF THE DOLOMITES
            Cl.1 Cl.2 Cl.3 Cl.4 Cl.5 B.Cl.                                                                                                                                                     Cl.1 Cl.2 Cl.3 Cl.4 Cl.5 B.Cl.                                                       72                                                                                                  7QUEEN OF THE DOLOMITES
            Cl.1 Cl.2 Cl.3 Cl.4 Cl.5 B.Cl.                                             78                                                                                                       Cl.1 Cl.2 Cl.3 Cl.4 Cl.5 B.Cl.                                                                                                 86                          8 QUEEN OF THE DOLOMITES
            Cl.1 Cl.2 Cl.3 Cl.4 Cl.5 B.Cl.                                                                                                                                                       Cl.1 Cl.2 Cl.3 Cl.4 Cl.5 B.Cl.                   rit.                                  Allegro Molto        94                                                                                                        9QUEEN OF THE DOLOMITES
            Cl.1 Cl.2 Cl.3 Cl.4 Cl.5 B.Cl.                                                                                                     100                                                                                                         Cl.1 Cl.2 Cl.3 Cl.4 Cl.5 B.Cl.                                                 Molto rall....                                                                           Andante  105                                                                          10 QUEEN OF THE DOLOMITES
            Cl.1 Cl.2 Cl.3 Cl.4 Cl.5 B.Cl.                                               A tempo       110                                                                                                                 Cl.1 Cl.2 Cl.3 Cl.4 Cl.5 B.Cl.                                                                                      118                                                                 11QUEEN OF THE DOLOMITES
            Cl.1 Cl.2 Cl.3 Cl.4 Cl.5 B.Cl.                                                                                                 rit.                       125   A tempo             Cl.1 Cl.2 Cl.3 Cl.4 Cl.5 B.Cl.                                                                                        12 QUEEN OF THE DOLOMITES
            Cl.1 Cl.2 Cl.3 Cl.4 Cl.5 B.Cl.                                                                rit.                                                       13QUEEN OF THE DOLOMITES
    Andante                                                                                         rit.                24 A tempo                                              32                                             40                QUEEN OF THE DOLOMITES Jacob de Haan ©Gino Gonçals Arr. by Gino Gonçals Clarinete 1ºB (Cover of Clarinets, Aragón, S.XXI)
                       rit.           Allegro Molto   48                                                       54                              rit.  Meno mosso e maestoso 62                              72                              78                      86                          2QUEEN OF THE DOLOMITES
        rit.      Allegro Molto    94                                             100                        Molto rall....           Andante  105                       A tempo  110                                      118                                       rit.   125 A tempo                                        rit.         3QUEEN OF THE DOLOMITES
    Andante                                                                           rit.        24 A tempo                   32                 40                                     rit.         Allegro Molto   48                      QUEEN OF THE DOLOMITES Jacob de Haan ©Gino Gonçals Arr. by Gino Gonçals Clarinet 3ºB (Cover of Clarinets, Aragón, S.XXI)
               54                                      rit.  Meno mosso e maestoso 62                                        72                     78                               86                     rit.       Allegro Molto    94                                    100         2QUEEN OF THE DOLOMITES
                 Molto rall....      Andante  105                          A tempo  110                                              118                          rit.                 125  A tempo                       rit.           3QUEEN OF THE DOLOMITES
    Andante                                                                                       rit.              24 A tempo                                                32                                          40                              QUEEN OF THE DOLOMITES Jacob de Haan ©Gino Gonçals Clarinet 2ºB Arr. by Gino Gonçals (Cover of Clarinets, Aragón, S.XXI)
           rit.          Allegro Molto   48                                                  54                              rit.     Meno mosso e maestoso 62                        72                              78                               86                             rit.      Allegro Molto    94     2 QUEEN OF THE DOLOMITES
                           100                        Molto rall....           Andante 105                           A tempo  110                                      118                                 rit.         125 A tempo                                         rit.         3QUEEN OF THE DOLOMITES
    Andante                                                                                rit.     24 A tempo              32                   40                                 rit.        Allegro Molto   48                             QUEEN OF THE DOLOMITES Jacob de Haan ©Gino Gonçals Clarinet 4ºB Arr. by Gino Gonçals (Cover of Clarinets, Aragón, S.XXI)
          54                                            rit.  Meno mosso e maestoso 62                                         72                      78                                     86                                     rit.        Allegro Molto   94                     2QUEEN OF THE DOLOMITES
              100                        Molto rall....         Andante  105                     A tempo  110                                                118                        rit.               125  A tempo                       rit.             3QUEEN OF THE DOLOMITES
          3 Andante         3       3       3         3       3       3       3                                    rit.       24 A tempo                                   32                                   40                       rit.           Allegro Molto   48                             QUEEN OF THE DOLOMITES Jacob de Haan ©Gino Gonçals Arr. by Gino Gonçals Clarinet Bass (Cover of Clarinets, Aragón, S.XXI)
          54                               rit.      Meno mosso e maestoso   62                                             72                           78                                   86                                rit.       Allegro Molto   94                                     100                           Molto rall....                     Andante  105       2QUEEN OF THE DOLOMITES
          A tempo  110             118               rit.   125 A tempo               rit.             3QUEEN OF THE DOLOMITES
         3 Andante         3       3                                                                      rit.     24 A tempo                                     32                                   40                       rit.       Allegro Molto   48 QUEEN OF THE DOLOMITES Jacob de Haan ©Gino Gonçals Arr. by Gino Gonçals Clarinet 5ºB (Cover of Clarinets, Aragón, S.XXI)
                                       54                                            rit.     Meno mosso e maestoso   62                                               72                           78                                   86                                 2QUEEN OF THE DOLOMITES
       rit.       Allegro Molto   94                                 100                          Molto rall....                     Andante  105                  A tempo  110                    118                 rit.   125 A tempo                        rit.           3 QUEEN OF THE DOLOMITES

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Queen of the Dolomites - Jacob de Hann - Set of Clarinets

  • 1. Queen of the dolomites (Jacob de Haan) The Italian Cortina d’Ampezzo—the ‘Queen of the Dolomites’—is one the most popular holiday destinations in the world. The fabulous alpine scene is set by peaks such those of the Tofane and Cristello soaring above the town. The meadows and woods of the Ampezzo basin attract countless sports enthusiasts and other visitors who simply want to relax in this chocolate-box scenery. The introductory theme of this composition echoes the majestic size of the so-called crown of mountains visible from Cortina. Then a lyrical theme sounds, reflecting the calm of the surrounding mountain panorama, and we also hear the houses of Cortina nestling in the valley below. Back in the village we hear the sounds of the lively Italian brass band entertaining the skiers who have returned from the ski lifts. Then the lyrical theme returns once more, but this time in tribute to the majestic ‘throne’ on which the village sits as Queen of the Dolomites. The piece ends with the regal sounds of the first theme, which affords us another spectacular view of the wonderful crown of mountains.
  • 2.                      Clarinet in B 1 Clarinet in B 2 Clarinet in B 3 Clarinet in B 4 Clarinet in B 5 Bass Clarinet           3       3 Andante                    3       3                           3       3                         3                Cl.1 Cl.2 Cl.3 Cl.4 Cl.5 B.Cl.                          3                      3                            3                        3                     QUEEN OF THE DOLOMITES Jacob de Haan ©Gino Gonçals Arr. by Gino Gonçals (Cover of Clarinets, Aragón, S.XXI)
  • 3.             Cl.1 Cl.2 Cl.3 Cl.4 Cl.5 B.Cl.                                                                                                                               Cl.1 Cl.2 Cl.3 Cl.4 Cl.5 B.Cl.                                                                                                           2 QUEEN OF THE DOLOMITES
  • 4.             Cl.1 Cl.2 Cl.3 Cl.4 Cl.5 B.Cl.                                              rit.                              24 A tempo                                                           Cl.1 Cl.2 Cl.3 Cl.4 Cl.5 B.Cl.                                                                                                                                    32 3QUEEN OF THE DOLOMITES
  • 5.             Cl.1 Cl.2 Cl.3 Cl.4 Cl.5 B.Cl.                                                                                                                                                 Cl.1 Cl.2 Cl.3 Cl.4 Cl.5 B.Cl.                                              40                                                                                       4 QUEEN OF THE DOLOMITES
  • 6.                   Cl.1 Cl.2 Cl.3 Cl.4 Cl.5 B.Cl.                                                                                              rit.                                           Allegro Molto        48             Cl.1 Cl.2 Cl.3 Cl.4 Cl.5 B.Cl.                                                                                                                                                                                                                        5QUEEN OF THE DOLOMITES
  • 7.             Cl.1 Cl.2 Cl.3 Cl.4 Cl.5 B.Cl.                                           54                                                                                                                                                                            Cl.1 Cl.2 Cl.3 Cl.4 Cl.5 B.Cl.                                               rit.             Meno mosso e maestoso    62                                          6 QUEEN OF THE DOLOMITES
  • 8.             Cl.1 Cl.2 Cl.3 Cl.4 Cl.5 B.Cl.                                                                                                                                                     Cl.1 Cl.2 Cl.3 Cl.4 Cl.5 B.Cl.                                                       72                                                                                                  7QUEEN OF THE DOLOMITES
  • 9.             Cl.1 Cl.2 Cl.3 Cl.4 Cl.5 B.Cl.                                             78                                                                                                       Cl.1 Cl.2 Cl.3 Cl.4 Cl.5 B.Cl.                                                                                                 86                          8 QUEEN OF THE DOLOMITES
  • 10.             Cl.1 Cl.2 Cl.3 Cl.4 Cl.5 B.Cl.                                                                                                                                                       Cl.1 Cl.2 Cl.3 Cl.4 Cl.5 B.Cl.                   rit.                                  Allegro Molto        94                                                                                                        9QUEEN OF THE DOLOMITES
  • 11.             Cl.1 Cl.2 Cl.3 Cl.4 Cl.5 B.Cl.                                                                                                     100                                                                                                         Cl.1 Cl.2 Cl.3 Cl.4 Cl.5 B.Cl.                                                 Molto rall....                                                                           Andante  105                                                                          10 QUEEN OF THE DOLOMITES
  • 12.             Cl.1 Cl.2 Cl.3 Cl.4 Cl.5 B.Cl.                                               A tempo       110                                                                                                                 Cl.1 Cl.2 Cl.3 Cl.4 Cl.5 B.Cl.                                                                                      118                                                                 11QUEEN OF THE DOLOMITES
  • 13.             Cl.1 Cl.2 Cl.3 Cl.4 Cl.5 B.Cl.                                                                                                 rit.                       125   A tempo             Cl.1 Cl.2 Cl.3 Cl.4 Cl.5 B.Cl.                                                                                        12 QUEEN OF THE DOLOMITES
  • 14.             Cl.1 Cl.2 Cl.3 Cl.4 Cl.5 B.Cl.                                                                rit.                                                       13QUEEN OF THE DOLOMITES
  • 15.     Andante                                                                                         rit.                24 A tempo                                              32                                             40                QUEEN OF THE DOLOMITES Jacob de Haan ©Gino Gonçals Arr. by Gino Gonçals Clarinete 1ºB (Cover of Clarinets, Aragón, S.XXI)
  • 16.                        rit.           Allegro Molto   48                                                       54                              rit.  Meno mosso e maestoso 62                              72                              78                      86                          2QUEEN OF THE DOLOMITES
  • 17.         rit.      Allegro Molto    94                                             100                        Molto rall....           Andante  105                       A tempo  110                                      118                                       rit.   125 A tempo                                        rit.         3QUEEN OF THE DOLOMITES
  • 18.     Andante                                                                           rit.        24 A tempo                   32                 40                                     rit.         Allegro Molto   48                      QUEEN OF THE DOLOMITES Jacob de Haan ©Gino Gonçals Arr. by Gino Gonçals Clarinet 3ºB (Cover of Clarinets, Aragón, S.XXI)
  • 19.                54                                      rit.  Meno mosso e maestoso 62                                        72                     78                               86                     rit.       Allegro Molto    94                                    100         2QUEEN OF THE DOLOMITES
  • 20.                  Molto rall....      Andante  105                          A tempo  110                                              118                          rit.                 125  A tempo                       rit.           3QUEEN OF THE DOLOMITES
  • 21.     Andante                                                                                       rit.              24 A tempo                                                32                                          40                              QUEEN OF THE DOLOMITES Jacob de Haan ©Gino Gonçals Clarinet 2ºB Arr. by Gino Gonçals (Cover of Clarinets, Aragón, S.XXI)
  • 22.            rit.          Allegro Molto   48                                                  54                              rit.     Meno mosso e maestoso 62                        72                              78                               86                             rit.      Allegro Molto    94     2 QUEEN OF THE DOLOMITES
  • 23.                            100                        Molto rall....           Andante 105                           A tempo  110                                      118                                 rit.         125 A tempo                                         rit.         3QUEEN OF THE DOLOMITES
  • 24.     Andante                                                                                rit.     24 A tempo              32                   40                                 rit.        Allegro Molto   48                             QUEEN OF THE DOLOMITES Jacob de Haan ©Gino Gonçals Clarinet 4ºB Arr. by Gino Gonçals (Cover of Clarinets, Aragón, S.XXI)
  • 25.           54                                            rit.  Meno mosso e maestoso 62                                         72                      78                                     86                                     rit.        Allegro Molto   94                     2QUEEN OF THE DOLOMITES
  • 26.               100                        Molto rall....         Andante  105                     A tempo  110                                                118                        rit.               125  A tempo                       rit.             3QUEEN OF THE DOLOMITES
  • 27.           3 Andante         3       3       3         3       3       3       3                                    rit.       24 A tempo                                   32                                   40                       rit.           Allegro Molto   48                             QUEEN OF THE DOLOMITES Jacob de Haan ©Gino Gonçals Arr. by Gino Gonçals Clarinet Bass (Cover of Clarinets, Aragón, S.XXI)
  • 28.           54                               rit.      Meno mosso e maestoso   62                                             72                           78                                   86                                rit.       Allegro Molto   94                                     100                           Molto rall....                     Andante  105       2QUEEN OF THE DOLOMITES
  • 29.           A tempo  110             118               rit.   125 A tempo               rit.             3QUEEN OF THE DOLOMITES
  • 30.          3 Andante         3       3                                                                      rit.     24 A tempo                                     32                                   40                       rit.       Allegro Molto   48 QUEEN OF THE DOLOMITES Jacob de Haan ©Gino Gonçals Arr. by Gino Gonçals Clarinet 5ºB (Cover of Clarinets, Aragón, S.XXI)
  • 31.                                        54                                            rit.     Meno mosso e maestoso   62                                               72                           78                                   86                                 2QUEEN OF THE DOLOMITES
  • 32.        rit.       Allegro Molto   94                                 100                          Molto rall....                     Andante  105                  A tempo  110                    118                 rit.   125 A tempo                        rit.           3 QUEEN OF THE DOLOMITES