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Yellow Mountains - Jacob de Haan - Set of Clarinets

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Yellow Mountains - Jacob de Haan - Set of Clarinets

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YELLOW MOUNTAINS (Jacob de Haan) In October 1997, Jacob de Haan visited the Swiss village of St. Moritz, where he worked as a conductor with a symphonic wind band. The Mountains around St. Moritz were covered in marvelous autumn colors. The Colors, the quietness and nature itself inspired Jacob de Haan to compose this lyrical composition.
                   Clarinet in B 1 Clarinet in B 2 Clarinet in B 3 Clarinet in B 4 Bass Clarinet                    Andante espressivo                                                            Molto rit.           B Cl. 1 B Cl. 2 B Cl. 3 B Cl. 4 B. Cl.                    A tempo                                                                 Molto rit.                       A tempo      YELLOW MOUNTAINS Jacob de Haan ©Gino Gonçals Arr. by Gino Gonçals (Cover of Clarinets, Aragón, S.XXI)
          B Cl. 1 B Cl. 2 B Cl. 3 B Cl. 4 B. Cl.                                                                    Molto rit.                    A tempo                                           B Cl. 1 B Cl. 2 B Cl. 3 B Cl. 4 B. Cl.                                           poco rit..                    A tempo                      2YELLOW MOUNTAINS
          B Cl. 1 B Cl. 2 B Cl. 3 B Cl. 4 B. Cl.                                                                                                     B Cl. 1 B Cl. 2 B Cl. 3 B Cl. 4 B. Cl.              Molto rit.                       A tempo                                                            3 YELLOW MOUNTAINS
          B Cl. 1 B Cl. 2 B Cl. 3 B Cl. 4 B. Cl.                                                                                  B Cl. 1 B Cl. 2 B Cl. 3 B Cl. 4 B. Cl.                                                                                                  4YELLOW MOUNTAINS
          B Cl. 1 B Cl. 2 B Cl. 3 B Cl. 4 B. Cl.                                                     Molto rit. poco rit..                       A tempo                                 B Cl. 1 B Cl. 2 B Cl. 3 B Cl. 4 B. Cl.                                                                                            5 YELLOW MOUNTAINS
          B Cl. 1 B Cl. 2 B Cl. 3 B Cl. 4 B. Cl.                              49                                                           Molto rit.           B Cl. 1 B Cl. 2 B Cl. 3 B Cl. 4 B. Cl.                    A tempo                                         Molto rit.           6YELLOW MOUNTAINS
          Andante espressivo                 Molto rit.        A tempo   6              Molto rit.        A tempo              12     Molto rit.        A tempo              poco rit..    A tempo    18                Molto rit.   25      A tempo                            31                                    37                    poco rit..         A tempo          43                                       49            Molto rit.       53        A tempo              Molto rit.   YELLOW MOUNTAINS Jacob de Haan ©Gino Gonçals Arr. by Gino Gonçals Clarinete 1ºB (Cover of Clarinets, Aragón, S.XXI)
         Andante espressivo                Molto rit.          A tempo   6             Molto rit.             A tempo           12     Molto rit.       A tempo              poco rit..    17        A tempo                             23        Molto rit.            A tempo                  29                                  35                          poco rit..   41      A tempo                     47        49         Molto rit.   53   A tempo       Molto rit.   YELLOW MOUNTAINS Jacob de Haan ©Gino Gonçals Clarinet 2ºB Arr. by Gino Gonçals (Cover of Clarinets, Aragón, S.XXI)
     Andante espressivo        Molto rit.       A tempo     7    Molto rit.                A tempo                   Molto rit.    13   A tempo       poco rit..             A tempo         19                            Molto rit.       25     A tempo                        31                         37                 poco rit..       A tempo        43                                49             Molto rit.   A tempo        Molto rit.   YELLOW MOUNTAINS Jacob de Haan ©Gino Gonçals Arr. by Gino Gonçals Clarinet 3ºB (Cover of Clarinets, Aragón, S.XXI)
     Andante espressivo           Molto rit. A tempo       7     Molto rit.   A tempo                      Molto rit.   A tempo      14      poco rit..             A tempo         20          Molto rit.       A tempo     27                    34                           40     poco rit..   A tempo                47        49                 Molto rit.   53       A tempo        Molto rit.   YELLOW MOUNTAINS Jacob de Haan ©Gino Gonçals Arr. by Gino Gonçals Clarinet 4ºB (Cover of Clarinets, Aragón, S.XXI)
      Andante espressivo         Molto rit.   A tempo     7     Molto rit.   A tempo           Molto rit.   A tempo     14         poco rit..    A tempo            20                Molto rit.    A tempo     27                        40  poco rit..    A tempo                 47           49         Molto rit.   53    A tempo       Molto rit.   YELLOW MOUNTAINS Jacob de Haan ©Gino Gonçals Arr. by Gino Gonçals Clarinet Bass (Cover of Clarinets, Aragón, S.XXI)

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Yellow Mountains - Jacob de Haan - Set of Clarinets

  • 1. YELLOW MOUNTAINS (Jacob de Haan) In October 1997, Jacob de Haan visited the Swiss village of St. Moritz, where he worked as a conductor with a symphonic wind band. The Mountains around St. Moritz were covered in marvelous autumn colors. The Colors, the quietness and nature itself inspired Jacob de Haan to compose this lyrical composition.
  • 2.                    Clarinet in B 1 Clarinet in B 2 Clarinet in B 3 Clarinet in B 4 Bass Clarinet                    Andante espressivo                                                            Molto rit.           B Cl. 1 B Cl. 2 B Cl. 3 B Cl. 4 B. Cl.                    A tempo                                                                 Molto rit.                       A tempo      YELLOW MOUNTAINS Jacob de Haan ©Gino Gonçals Arr. by Gino Gonçals (Cover of Clarinets, Aragón, S.XXI)
  • 3.           B Cl. 1 B Cl. 2 B Cl. 3 B Cl. 4 B. Cl.                                                                    Molto rit.                    A tempo                                           B Cl. 1 B Cl. 2 B Cl. 3 B Cl. 4 B. Cl.                                           poco rit..                    A tempo                      2YELLOW MOUNTAINS
  • 4.           B Cl. 1 B Cl. 2 B Cl. 3 B Cl. 4 B. Cl.                                                                                                     B Cl. 1 B Cl. 2 B Cl. 3 B Cl. 4 B. Cl.              Molto rit.                       A tempo                                                            3 YELLOW MOUNTAINS
  • 5.           B Cl. 1 B Cl. 2 B Cl. 3 B Cl. 4 B. Cl.                                                                                  B Cl. 1 B Cl. 2 B Cl. 3 B Cl. 4 B. Cl.                                                                                                  4YELLOW MOUNTAINS
  • 6.           B Cl. 1 B Cl. 2 B Cl. 3 B Cl. 4 B. Cl.                                                     Molto rit. poco rit..                       A tempo                                 B Cl. 1 B Cl. 2 B Cl. 3 B Cl. 4 B. Cl.                                                                                            5 YELLOW MOUNTAINS
  • 7.           B Cl. 1 B Cl. 2 B Cl. 3 B Cl. 4 B. Cl.                              49                                                           Molto rit.           B Cl. 1 B Cl. 2 B Cl. 3 B Cl. 4 B. Cl.                    A tempo                                         Molto rit.           6YELLOW MOUNTAINS
  • 8.           Andante espressivo                 Molto rit.        A tempo   6              Molto rit.        A tempo              12     Molto rit.        A tempo              poco rit..    A tempo    18                Molto rit.   25      A tempo                            31                                    37                    poco rit..         A tempo          43                                       49            Molto rit.       53        A tempo              Molto rit.   YELLOW MOUNTAINS Jacob de Haan ©Gino Gonçals Arr. by Gino Gonçals Clarinete 1ºB (Cover of Clarinets, Aragón, S.XXI)
  • 9.          Andante espressivo                Molto rit.          A tempo   6             Molto rit.             A tempo           12     Molto rit.       A tempo              poco rit..    17        A tempo                             23        Molto rit.            A tempo                  29                                  35                          poco rit..   41      A tempo                     47        49         Molto rit.   53   A tempo       Molto rit.   YELLOW MOUNTAINS Jacob de Haan ©Gino Gonçals Clarinet 2ºB Arr. by Gino Gonçals (Cover of Clarinets, Aragón, S.XXI)
  • 10.      Andante espressivo        Molto rit.       A tempo     7    Molto rit.                A tempo                   Molto rit.    13   A tempo       poco rit..             A tempo         19                            Molto rit.       25     A tempo                        31                         37                 poco rit..       A tempo        43                                49             Molto rit.   A tempo        Molto rit.   YELLOW MOUNTAINS Jacob de Haan ©Gino Gonçals Arr. by Gino Gonçals Clarinet 3ºB (Cover of Clarinets, Aragón, S.XXI)
  • 11.      Andante espressivo           Molto rit. A tempo       7     Molto rit.   A tempo                      Molto rit.   A tempo      14      poco rit..             A tempo         20          Molto rit.       A tempo     27                    34                           40     poco rit..   A tempo                47        49                 Molto rit.   53       A tempo        Molto rit.   YELLOW MOUNTAINS Jacob de Haan ©Gino Gonçals Arr. by Gino Gonçals Clarinet 4ºB (Cover of Clarinets, Aragón, S.XXI)
  • 12.       Andante espressivo         Molto rit.   A tempo     7     Molto rit.   A tempo           Molto rit.   A tempo     14         poco rit..    A tempo            20                Molto rit.    A tempo     27                        40  poco rit..    A tempo                 47           49         Molto rit.   53    A tempo       Molto rit.   YELLOW MOUNTAINS Jacob de Haan ©Gino Gonçals Arr. by Gino Gonçals Clarinet Bass (Cover of Clarinets, Aragón, S.XXI)