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CONSTRUCTION OF
DIGIPAK
I started off with a
plain dark solid
background, this was
something that I saw to
be a very common
convention with other
album covers from the
EDM genre.
Also I used the same
title from the music
video to create some
continuity between the
two different texts.
I then added a border
which was another
feature which seemed
to be common with
other album covers.
I then used the gradient
shape tool to create a
gradient that uses the
same colours as the video.
This gave the bright and
colourful aspect to the
cover to represent the
energy of dance music.
I wanted the gradient to
only fill the border and
logo and not to cover the
background so I used a
clipping mask against the
logo and border layers.
The basis of the cover
was finished and I now
needed to create the
face portrait to put as
the key signifier of the
cover.
I used this still from the
video’s footage as It had a
clear side portrait of the
model and was also on a
white backdrop so was
easy to edit out.
Once I had cut the
model out I
desaturated the image
to take out all the
colour as I needed to
do this to make the
next step effective.
I needed to place some
images over the top of the
portrait whilst still being
able to see where it was so
I reduced the opacity of
the layer slightly.
I placed shots of the hands
from the video over the
face to cover the shape of
the entire model. I varied
the size and colour of each
hand to give the image a
more random feel.
I now had all the hands
in place and made
some small
adjustments to ensure
there were no big gaps.
I used the difference
blending mode to be able
to see the model through
the images of the hands.
This worked well
however the
background of the
shots were clipping
outside of the shape of
the model.
I used the same
technique as I did for
the gradient fill on the
logo and border by
using a clipping mask
to delete the extra
images outside the
portraits outline.
The colours of the hands
had been inverted when
using the difference
blending mode so I used
and image invert to
change the hands back to
normal whilst giving the
portrait and inverted look
to give a more digital and
processed aesthetic.
The portrait was now
ready to be moved
onto the rest of the
cover.
The portrait was now
ready to be moved
onto the rest of the
cover.
The hands looked as if
the colours were
slightly different to the
rest of the cover so I
used the same gradient
as before with a hue
blending option to
colour them the same
as the gradient.
The final stage was to
add a noise filter to
match the same noise
filter that I had used in
the video. This helps
create a house style
between the two forms
of media.

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Construction of a Digipak Album Cover

  • 2. I started off with a plain dark solid background, this was something that I saw to be a very common convention with other album covers from the EDM genre.
  • 3. Also I used the same title from the music video to create some continuity between the two different texts. I then added a border which was another feature which seemed to be common with other album covers.
  • 4. I then used the gradient shape tool to create a gradient that uses the same colours as the video. This gave the bright and colourful aspect to the cover to represent the energy of dance music.
  • 5. I wanted the gradient to only fill the border and logo and not to cover the background so I used a clipping mask against the logo and border layers.
  • 6. The basis of the cover was finished and I now needed to create the face portrait to put as the key signifier of the cover.
  • 7. I used this still from the video’s footage as It had a clear side portrait of the model and was also on a white backdrop so was easy to edit out.
  • 8. Once I had cut the model out I desaturated the image to take out all the colour as I needed to do this to make the next step effective.
  • 9. I needed to place some images over the top of the portrait whilst still being able to see where it was so I reduced the opacity of the layer slightly.
  • 10. I placed shots of the hands from the video over the face to cover the shape of the entire model. I varied the size and colour of each hand to give the image a more random feel.
  • 11. I now had all the hands in place and made some small adjustments to ensure there were no big gaps.
  • 12. I used the difference blending mode to be able to see the model through the images of the hands.
  • 13. This worked well however the background of the shots were clipping outside of the shape of the model.
  • 14. I used the same technique as I did for the gradient fill on the logo and border by using a clipping mask to delete the extra images outside the portraits outline.
  • 15. The colours of the hands had been inverted when using the difference blending mode so I used and image invert to change the hands back to normal whilst giving the portrait and inverted look to give a more digital and processed aesthetic.
  • 16. The portrait was now ready to be moved onto the rest of the cover.
  • 17. The portrait was now ready to be moved onto the rest of the cover.
  • 18. The hands looked as if the colours were slightly different to the rest of the cover so I used the same gradient as before with a hue blending option to colour them the same as the gradient.
  • 19. The final stage was to add a noise filter to match the same noise filter that I had used in the video. This helps create a house style between the two forms of media.