2. About Kyle Cooper
Kyle Cooper is an American designer of motion picture title
sequences. Cooper worked as a creative director at R/GA
whilst working here, Cooper created the title sequence for the
film Seven which was an American crime film. Cooper wanted
to create title sequences that would raise the bar creatively.
In 1996, Cooper co-founded Imaginary Forces with Peter
Frankfurt and Chip Houghton. Peter Frankfurt is a German
politician of the Social Democratic Party. But then Cooper
decided it was time for him to focus on his creative work so in
2003 he founded Prologue which is a creative agency. Whilst
there Cooper works in a small team and concentrates on
creating more title sequences. Also in Cooper’s work with the
design title sequences he was often compared to Saul Bass.
Cooper has directed over 150 film title sequences and he has
revitalized the main title sequence as an at form. Kyle Cooper
created many title sequences like The Mummy, Spider Man,
Dawn of the Dead, A Nightmare on Elm Street, Seven and
3. Dawn of the Dead
This is one of the title sequences that Kyle Cooper has done. It came
out in 2004. This title sequence is cold and it is mesmerizing in the
allusions that are used and creates a terrifying national dread. Meaning
that this in the title sequence the audience believe that this is happening
all over the world in the film. Wired magazine stated that Cooper’s
credits operate as minifilms in their own way and they are always
different to each other. The magazine also explained that his title
sequences constantly stun and entertain audiences.
4. Nightwatch
This is another title sequence that Kyle Cooper has done and it was
released in 1997. this title sequence provides fuel for the flame of Cooper’s
obsession with eyes. In this title sequence Cooper cuts out the eyes of
photographs of young women that could be potential victims. The way that
he does this references the reduction of human to corpse and also in this
title sequence Cooper adds a layer of distance by putting the photos into
water which gives it a ripple effect when audiences watch it on screen.
Cooper also uses live action images from the TV coverage of the most