Lorenzo De Medici Influence

Lorenzo De Medici Influence
Without the guidance and support of Lorenzo Medici, a patron of the arts who lived in Florence
(1449–1492), the art and architecture of the fifteenth century and its influence on later art would not
be as great as it is today. Guided by the way he was raised, those he had around him, and what he
did for the art community, even as a young patron, de' Medici changed the time period itself.
Earning the title Lorenzo de' Magnifico for his success promoting and supporting artists, and not
because of his political leadership, Lorenzo Medici made an important contribution to the world of
art and architecture as one of the time's major patrons. Throughout this research paper, I will write
about several different aspects of de' Medici's life. First ... Show more content on Helpwriting.net ...
[2] In addition to improving the structure of the church, de' Medici also started to pay particular
attention to the collection of books within the Palazzo Medici. Interested in creating a foundation of
books for his own thinking and contribute to the library started by his grandfather, Cosimo I, de'
Medici sought to purchase an expanding number of books that eventually led to the expanded
collection and future bases of the Biblioteca Laurenziana. The library today contains "some of the
most ancient or unique manuscripts" from Greek antiquity, illustrating the appreciation de' Medici
had for classical antiquity from an early age. With these successes, de' Medici did not stop his
pursuit of enhancing spaces, and he because he wanted to "identify and foster new talents in which
he could invest money and energy, Lorenzo opened the sculpture garden in Piazza San Marco." The
creation of this public space, in addition to the more obvious contributions to his family's holdings,
gives the idea that de' Medici really wanted to create a sense of well being for the young minds of
writers and artists that surrounded him. de' Medici wanted them to have their
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Influences of the Medici Family During the Renaissance
The Renaissance was a very important time period in the world. Without the Renaissance many
things besides the art world would be different. Another thing would be the banking system. What
people consider art could be completely different. The Medici family really helped Florence become
the main city of the Renaissance. At one point, sienna would have been the main city because people
believed that just looking at their city was like art. Just looking at the city made someone shiver.
Siena had a few things that it could offer but nothing like what Florence had to offer. Although Siena
was an advanced city at the end of the Middle Ages Florence surpassed it to become the center of
the Renaissance mostly due to the Medici family. At one point during the Renaissance Siena was
supposed to be the center of the Renaissance. Florence eventually took it over to become the center
(travelrental). Sienna enjoyed architecture and that was mostly what people considered art during
this time period. Another reason was because Siena was a beautiful city with really pretty views.
Nobody during this time period really knew what real art was except for some really famous
painters (spitz 110). The architecture on the buildings of Sienna was absolutely outstanding. Many
people came to visit just so that they could see the outstanding detailed buildings. A visitor could not
walk down a street in Siena without seeing one marvelous building filled with design (courtauld).
Siena was a city that

The Renaissance And The Social Structure Of The Renaissance
During the Renaissance the social structure had been reshaped with the abandonment of the feudal
system, peasants gaining freedom and the slaves making another entry to the social structure. The
feudal ways of living in medieval Europe had been abandoned because of the Black Plague. Many
nobles had lost a vast amount of money due to the Black Plague leading to the freedom of many
peasants. The peasants were either given a block of land they could manage themselves or money to
move to the towns. Many peasants moved to the towns looking for jobs creating urbanisation and
economic growth in the towns. Slaves played a major role in many nobles lives. They acted as
concubines and maids for the nobles. Slaves purchased by merchants were used to create
handcrafted goods. Italian merchants realised how much money they could make importing slaves
rather than grain. The Italians imported many thousands of slaves from foreign countries.
"Unlimited importation of foreign salves (Honorshistory, 2017) HonorsHistory demonstrates that
without unlimited supply of slaves, the growth in slaves in Europe would not have increased. The
great amount of slaves meant merchants could purchase slaves to do the dirty work for there
businesses. After the great slave intake people started to think that slaves were to expensive and to
dangerous to have in there houses until they were only found in courts. The social structure had
radically changed throughout the renaissance and slaves had once again

Renaissance's Power And Changes During The Italian...
During the fourteenth–century, Italy went through a drastic cultural change known as the Italian
Renaissance. Self proclaimed humanists announced they were moving past the Middle Ages and
beginning a time of rebirth. Humanists were devoted to the resurrection of Roman art, literature,
architecture, and the love of education. The Italian Renaissance continued to spread through the
innovation of the printing press and with the help of wealthy Italian families like the Medici Family.
The Medici Family used their power and influence to progress artistry during the Renaissance.
Cosimo de Medici became the first ruler of Florence from the Medici Family and he and his
descendants ruled throughout most of the Italian Renaissance. They used their admiration and
acquired talents to aid the advancement of the Italian Renaissance, thus leading Western Europe to
engage in the revival of classical antiquity until The Renaissance's end in the seventeenth century.
Members of the Medici family emigrated to Florence from the Tuscan Village of Caffagilio around
the twelfth century. The Medici family rose to power in 1434, when Cosimo de Medici, Cosimo the
Elder, gained wealth and political power through commerce and banking. The Medici Family used
their newly attained influence to assist humanists and artists during the Renaissance while also
beginning a collection of the popular art. "When Cosimo I (1519–1574) moved the Florentine
administrative offices into a building known as the Uffizi,

How Did The Medici Family Influence The Renaissance
THE MEDICI FAMILY'S INFLUENCE
The Medici family were the most powerful citizens of Florence, leaders of the largest bank in
Europe, and through strategic marriage alliances, joined many of Europe's royal families. They
controlled Florence throughout much of the Renaissance, played a large part in the patronage of the
arts and the political development of the city. They faced many challenges, had both positive and
negative effects and they tried to have solutions to most of their problems which some did not work.
This is an example of the Common Themes Theory.
The Medici family had an economic problem of safety. The Pazzi conspiracy threatened the safety
of the Medici family. "Although it was a maxim of Medici policy to retain close ties with the Holy
See, relations between Lorenzo and Pope Sixtus were not always cordial. The Pontiff was very
displeased when Lorenzo's diplomacy achieved an alliance between Florence, Venice, and Milan,
for such a combination was more than a match for the armies of the Church. Sixtus felt thwarted in
his ambitions to expand the papal territory and uneasy ... Show more content on Helpwriting.net ...
Prior to the late fifteenth century in Florence, the losers of political conflicts routinely faced exile as
punishment for their perceived crimes. Following the Pazzi conspiracy of 1478, however, such
political criminals increasingly received death sentences rather than banishment (Baker). This is an
example of negative effect. The Medici family positive effects are seen through their patronage
support to most artist. According to our text (culture and values), "Cosimo's most significant
contribution to the advancement of Greek studies was the foundation and endowment of an academy
for the study of Plato" (Cunningham) Lorenzo continued the family tradition of art patronage by
supporting various projects and by adding to the Medici collection of ancient gems, other
antiquities, and

Machiavelli 's Principles Of Princedom
Machiavelli's Principles of Princedom When reading The Prince by Niccoló Machiavelli, one will
find a vast list of ways a prince should and should not act/rule. Many of the references Machiavelli
makes, expands from Europe to Egypt. The propositions in this book go back to the fifteenth century
and early sixteenth century. Starting with who Machiavelli is, the purpose of this paper is to explain
some of his philosophies on how an ideal prince rules and acts, along with the conditions of his time
era in Florence, to get a better understanding on how Machiavelli's Principles of Princedom are
correct. Niccolò di Bernardo dei Machiavelli was born, May 3, 1469, in Florence, Italy. He was a
diplomat for fourteen years during the Medici family 's exile. "When the Medici family returned to
power in 1512, Machiavelli was dismissed and briefly jailed. He then wrote The Prince, a handbook
for politicians on the use of ruthless, self–serving cunning, inspiring the term "Machiavellian" and
establishing Machiavelli as the 'father of modern political theory'" (Biography.com Editors). In 1494
when the Medici family fell Machiavelli became a diplomat in Italy's Florentine Republic. During
this time he "earned a reputation for deviousness, enjoying shocking his associates by appearing
more shameless than he truly was" (Biography.com Editors). In 1512 the Medici family came back
into power, tortured, jailed, and banished Machiavelli from any political involvement in Florence

Machiavelli's Views on Leadership- It Is Better to be...
According to Machiavelli's view of how to be an effective leader, a ruler should be one who is
feared but not hated. Machiavelli states that fear is better than love because love is unreliable. All of
the reasons that Machiavelli gives relate to how human nature controls men and drives them to
commit crimes in order to reach their goals and satisfy themselves.
Before the organization of Italy as a country, it was broken into city–states one of which Machiavelli
called home. He was a Florentine and was deeply concerned with how the political governments of
Italy worked because the city–states were almost constantly at war with each another. Machiavelli
wrote The Prince when the Republic of Florence fell and was replaced by an autocrat ... Show more
content on Helpwriting.net ...
A ruler needs to maintain a positive public image and please as many of the population as possible.
It is impossible to please everyone whether you are an effective or ineffective ruler, but maintaining
the support of the majority of the masses is of paramount concern in being a successful leader.
Machiavelli says that a ruler must be a combination of a fox and a lion. A ruler needs to have the
cunning mind of a fox but also needs to have the strength of a lion so that he can destroy anyone
who opposes him.
Machiavelli addresses the topic of whether it is safer to be cruel or loved. He states:
Upon this a question arises: whether it be better to be loved than feared or feared than loved? It may
be answered that one should wish to be both, but, because it is difficult to unite them in one person,
it is much safer to be feared than loved, when, of the two, either must be
dispensed with (Machiavelli 133–137)
He says that it is safer to be feared because the sole purpose of a ruler is to keep order. Machiavelli
is not saying that it is necessarily better to be feared, he is saying that it is safer because the people

Essay about Renaissance Figures
Renaissance Figures
Cosimo de' Medici, also known as Cosimo the Elder, lived from
1389––1464. He was the first Medici to rule Florence. He was exiled from Florence in 1433, but he
returned in 1434 and doubled his wealth through banking. He ended Florence's traditional alliance
with Venice and supported the Sforza family in Milan. His historical significance was being a patron
to such artists as Brunelleschi, Donatello, and
Ghiberti, and as the founder of the Medici Library.
?
Lorenzo de' Medici, also known as Lorenzo the Magnificent, lived from
1449––1492, and he was one of the towering figures of the Italian
Renaissance. He had little success in business, however, and his lavish entertainments depleted his
... Show more content on Helpwriting.net ...
An anti–ecclesiastical policy was adopted, and the subservient Thomas
Cranmer became archbishop of Canterbury. He immediately pronounced
Henry's marriage to Katharine invalid. Papal powers were transferred to the king, who became the
supreme head of the English church. The break with Rome was now complete, and the Church of
England was established.
The king dealt harshly with rebellions against the abolition of papal supremacy and the dissolution
of the monasteries. The end of Henry's reign saw a gradual move toward Protestantism. Henry
remained immensely popular, despite his advancement of personal desires under the guise of public
policy or moral right. His political insight, however, grew steadily better, and the power of
Parliament increased. He gave England a comparatively peaceful reign.
?
Girolamo Savonarola lived from 1452––1498. He was an Italian religious reformer, and a
Dominican. He became popular in Florence for his eloquent attacks on moral laxity and for his
predictions, some of them accurate. After the Medici were exiled (1494), he became spiritual ruler
of Florence and imposed a severe regime. He supported the invasion of Italy by Charles VIII of
France, hoping that Charles would help in forming a democratic government in Florence and
reforming the scandalously corrupt court of Pope Alexander VI. He was excommunicated
(1497) after ignoring the pope's order to stop preaching, Savonarola was

Art Object 's Historical Data Of Its Culture And Time Period
Kevin Puca
Professor Cheryl Knowles–Harrigan
Art Appreciation
FORMAL ANALYSIS of Crucifixion of St. Peter by
Michelangelo Buonarroti
Part VI – The Art Object's Historical Data of its Culture and Time Period
I. Overview of politics, economics, religion and ideology in Italy at the time Botticelli was working:
Introduction:
After the end to the rough and challenging middle ages came a new era of literature art and culture.
this period was known as the Renaissance. The Renaissance started in the early 14th century and
would go on to the 16th century.The renaissance started a social change all through the entire of
Europe and is seen as an extension between the medieval and cutting edge ages. Researchers
educated in writing alongside artists, subjects and schoolmasters, all with a capable hunger for
learning, got to be known as the scholarly development the humanists. They rediscovered Greek and
Latin messages and started to show Latin writing. The artist, history specialist and savant, Francesco
Petrarch (1304–1374) was one of the main lights of the development. The lessons of traditional
vestige, Greek and Roman figure, design and writing did not surface again until the begin of the
Renaissance in Italy. The beginnings of the Italian Renaissance fixated on Tuscany and on Florence
specifically. The Italians of the period viewed themselves as to be living in a brilliant age, better
than anything subsequent to the fall of the roman realm a thousand years prior, with

Catherine De Medici The Main Cause Of The Saint...
Was Catherine de Medici the main cause of The Saint Bartholomew's Massacre? Catherine was an
Italian woman who married a French King, Henry II. They had ten children of which three were
boys: Francis II, Charles IX and Henry III would later rule as king. Catherine enjoyed her role as
Queen and mother and had no involvement with the King's affairs. It wasn't until after the King's
death that she made her presence known. There are a few reason's why The Saint Bartholomew's
Day Massacre occurred. Could it have began with the Huguenots assuming the Spanish were
planning to destroy them, and decided to attack first. Catherine may not have had any intention on
starting the second war against the Huguenots but her being in the right place with the wrong person
did. It was only because of Catherine's visit to her daughter Queen Elizabeth of Spain while in the
presence of a catholic and military leader, Duke of Alba, did the Huguenots leaders think the
Spanish were plotting an attack against them. The Huguenots attempted and failed to kidnap King
Charles IX, which proved to be a bad decision that started the second war. This action caused
Catherine, as Regent to Charles IX, to drop her policy of tolerating the Huguenots and siding with
the Catholics. She issued an edict withdrawing all freedom of worship for Huguenots and ordered all
Huguenot ministers to leave the country (History). ... Show more content on Helpwriting.net ...
This was according to a Noble French Roman Catholic family. Yet, this was not the reason she
wanted Coligny arrested. His closeness and influence over her son Charles IX didn't sit well with
her. She feared his influence on her son would have France start a war with

Annotated Bibliography: Marie De Medici
Marie De Medici: Marie De Medici was the daughter of Francesco I and Grand Duke of Tuscany,
she was the wife of Henry IV and mother to her son Louis XIII. Marie's son Louis was sent to
Palazzo, Pitti,Florence to build a house that was similar to her home as a child. Marie focused on
decorating her palace in the 1620's. She hung lots of paintings and art by many artists on the history
of the Medici family. By 1630 Marie left France after a political struggle. Giovanni De Bicci De
Medici: Giovanni established political and financial power of the Medicis and was one of the richest
bankers in Italy because he was also the Medici bank founder. Giovanni was the first Medici to
really like the looks of art and decorate his house with it and support

How Did The Medici Family Influence The Renaissance
YOUR NAME
PROFESSOR'S NAME
NAME OF CLASS
DATE
The Influence of Medici Family During Renassaince Era
Boneish Bryan
The Medici family made a tremendous impact during on the world of art during the Renaissance
Era. They used their wealth to build more wealth and thus began to rule Florence. Their impact was
a positive one especially for aspiring artists. They encouraged artists to grow in their crafts and
become greater. The Medici family was heavily into politics which boosted their influence in Italy.
According to Young: Cosimo thus showed himself a cruel and merciless tyrant, in his subsequent
history he manifested extraordinary abilities; with results for which his country had every reason to
be grateful. It is indeed, short of marvellous how one who silent and taciturn by nature, had in his ...
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Under Lorenzo's influence he began writin ballads and short lyrics, some of which got out into the
streets in carnival time. They were sung in Florence for generations afterwards. Hardly an artist of
the High Renaissance was not honoured or subsidised by the Medici family. Artists such as
Donatello, Castagno, Masolino all flourished under Cosimo and Puero (Rowdon 166–68).
One famous artist that is well known today is Michelangelo. He was a young protege of Lorenzo the
Great. Upon Lorenzo's death, Michelangelo was inspired to create extravagent artwork. One of these
works are "Battle of Centaurs". Lorenzo gave good advice to artists that came up to attempt to be
one of his followers. Leonardo
Da Vinci was not a part of his court because Lorenzo liked works that were finished and at that time
Da Vinci seemed to be in an experimental type phase in his art career. So under Lorenzo's
suggestion, Da Vinci sought fame in Milan instead. It is not to say that his works were not good but
they simply were not to the taste

The Medici Influence and the Italian Renaissance Essay
A post Middle Age Italy was afflicted by medieval wars and the bubonic plague. A change was
needed to restore the vision of what Italy could become. This change was found within one family:
the Medici's, who helped to return the glory and influence to Florence. The Medici's saw the value
in contributing to the advancement of the greatest minds of the period. This was evident in their
patronage of leading Artists such as Michelangelo and of renowned Teachers such as Galileo. The
sphere of influence the Medici's enjoyed also extended to the political arena, which happened to be
heavily influenced by the Catholic Church at the time. The Medici's were able to capitalize on the
power of the Church and through this influence and the use of ... Show more content on
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(Medici) In the Florentine republic, where economic power was almost synonymous with political
power, achieving this financial feat made way for social distinction. (The Medici) With Giovanni's
death in 1429, there were those who tried to capitalize on the opportunity to displace the Medici
family from its place in the social and political landscape of the time. One such opportunity was
taken with the help of a wealthy rival, the Albizzi family, who put in motion a plot to have
Giovanni's son, Cosimo de Medici, arrested on accusations of treason and banished to Venice. This
did not happen without consequences. With Cosimo's exile he took with him a large source of
Florentine capital, the Medici Bank. The Pope intervened and restored the Medici's to power. Thus
began Cosimo's restoration of Florentine pride and the support of great artists that many admire
today. An example of the Medici support to artists involves The Dome of Santa Maria del Fiore. The
dome of the chapel was built so large that no architect knew how to complete the rooftop structure
and was a humiliating point in Florentine history. A contest to see who could develop a solution to
complete the dome was won by a Florentine engineer named Brunelleschi, who felt he had found
the solution. With the successful completion of the chapel, support from Cosimo de Medici and the
holy consecration performed by the Pope, a great structure was once again a source of pride to the
Florentines and the

The Renaissance: Importance And Influence In The Renaissance
A consideration of patronage obviously introduces questions about money. One of the defining
characteristics of Florentine society throughout the centuries was a deeply–rooted system of
patronage networks. Patronage was practiced as a social institution throughout early modern Europe,
peeking in importance between the 14th and 17th centuries. The Medici family controlled Florence
throughout much of the Renaissance and played a large part in the patronage of the arts and the
political development of the city. As a wealthy and influential family, Medici had virtually no choice
but to participate in public life which left its traces on buildings in Florence. Cosimo de' Medici
used his vast fortune of an estimated 150 000 gold florins (almost 30 ... Show more content on
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Its design was fully entrusted to Michelangelo when Medici pope Leo X gave him the commission
to design a façade in white Carrara marble in 1518. Michelangelo made a wooden model, which
shows how he adjusted the classical proportions of the facade, drawn to scale, after the ideal
proportions of the human body, to the greater height of the nave. The work remained unbuilt, and it
is also due to the patronage control. When the wooden model of the facade was presented to Leo X
and Cardinal Giulio de' Medici at 1518, it was the first visual evidence they had been given of the
enormous increase in the size of the project caused by raising of the side bays full height, extending
the facade a full bay's width on each side. It is interesting that Leo X and Cardinal Giulio should
have allowed the project to get out of hand and then have permitted Michelangelo to quarry marble
for it over a period of 18 months. Thus we can suggest the failure of the San Lorenzo facade should
be regarded as a failure in patronage, but not in the sense normally supposed. For the best
architectural patronage does not consist in giving the artist unlimited funds and license to do what he
wants, but rather in having a clear idea of the project and directing it with intelligence and
understanding. Michelangelo did, however, design and build the internal facade, seen from the nave
looking back toward the entrances. It comprises three doors between two pilasters with garlands of
oak and laurel and a balcony on two Corinthian columns. In recent years, the association of "Friends
of the Elettrice Palatina" and the Comune of Florence re–visited the question of completing the
outer facade according to Michelangelo's designs. To assist with the public debate, a computerized
reconstruction was projected onto the plain brick facade in February 2007. As yet, no decision has
been

Classical Iconography Within The Commissions Of Lorenzo De...
The Important Incorporation of Classical Iconography Within the Commissions of Lorenzo de'
Medici and Pope Julius II
Julius II and Lorenzo de' Medici arguably had not so dissimilar goals in their patronage. Patronage
was a tool for exerting political power, exemplifying personal magnificence, and invoking a sense of
civic duty. These patrons attempted to display different pieces of these attributes in different ways.
Lorenzo de' Medici, born into arguably the most prestigious family in Florence, grew up familiar
with the importance of the commissioning of artworks and public works projects. The
commissioning of these works allowed the banking family of the Medici's, who were not originally
of noble lineage, to display their magnificence in the public sphere. The commissioning also
allowed them a participation in the contribution expected by Florentines to the civil pride of the city
itself. The Medici family had to straddle a fine line in their patronage. Florence was a long–standing
republican society, and the Medici's patronage had to equally reflect their civic and religious duties
as well as their own personal interests. Lorenzo began his political and artistic education early,
understanding the importance and fragility of his family's dynasty.
As a youth, Lorenzo served upon a number of artistic and civil committees informing his taste as a
patron. His servitude upon these councils allowed him also early direct influence within Florence
that he would continue.

Medici Collectors
The Methods and Motives of the Medici Collectors
The Renaissance was an incredible period for artistic patronage. It seemed as though it was nearly
impossible for any well–to–do private individual to avoid some level of interaction with the art
world, whether they required art to furnish their lavish houses, or to create religious iconography, or
even to provide gifts for family and friends. For a royal family, or a member of the nobility, the need
for artistic patronage was considerably larger, given the office they held. 'Since an aura of personal
splendour was a requirement of state, the line between public and private artistic consumption was
often unclear. This was especially the case with the Medici, a family which long demonstrated ...
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In order to do this, Cosimo determined that he would 'express the triumphs and ambitions of his
dynasty through the grand architectural magnificence of his palazzi and other public works.' Cosimo
was, unlike other Medici, not a connoisseur, but he appreciated the propagandistic value of art, and
spent lavishly on glorifying himself and his family, while embellishing Florence at the same time.
Cosimo engaged court painters, and founded a new artists' academy, who began work on a repertory
of images that communicated Medici power and dynasty rule. The painters Pontormo and, perhaps
to a greater degree, Agnolo Bronzino, fashioned a specific court portrait style for the Medici, which
would be characterised by courtly grace, while bristling with complex allegory. The early years of
the Medici restoration developed propagandistic imagery and themes of dynasty and rule. These
themes created a context of a Medicean mythology that associated itself with Lorenzo il Magnifico's
rule later in the previous century. 'Imagery of the Medici restoration signified a cycle of birth, life,
death

Machiavelli Essay
The Prince
MAJOR THEME
Machiavelli had a true and abiding love for Florence. He wanted to make Florence great and also
find himself a job, as he lost his when the Medici family came into power. He dedicated his book on
political science, The Prince, to Lorenzo Medici in the hopes that Lorenzo would be impressed and
offer him a job. However, Lorenzo ignored the book and Machiavelli.
The Prince is a didactic examination of political power, how to achieve it, maintain it, and expand it.
Machiavelli does not take into consideration what is morally right, or amoral, only what is useful
and useless. The book is more like a technical manual, and technical manuals only state the facts.
The book defines what turns a mere man into a great ... Show more content on Helpwriting.net ...
As Isiah Berlin says in his essay, Machiavelli admired these heroes because they were high–minded,
tough, and tough enough to use brutality against the few, to help the public good of the princedom.
He especially admired Moses because he was worthy to talk to God. Moses had the opportunity to
create a new civilization with the Israelites because they were being treated badly by the Pharoah.
Therefore, Moses took advantage of their discontent with their new master and led them in a revolt.
Eventually creating a new civilization. Machiavelli admired Moses because of his strength of
character that carried him through the difficult trouble of gaining power.
3. Discuss Machiavelli&#8217;s opinions on the uses of cruelty to accomplish certain goals.
The Prince is about the ways to achieve political power, with no preference for the way in which it
is achieved. Machiavelli does not advocate unnecessary cruelty. His book is only about how to
obtain and keep a princedom. Machiavelli believes that cruelty is sometimes necessary to aquire
or/and keep political power. Machiavelli recognized that in the time he lived a political ruler would
have to use cruelty, he writes, &#8220;The new prince, above all princes, cannot possibly
avoid the name of cruelty';. He also states in Chapter VIII that cruelty may be useful sometimes in
achieving certain ends, but it would bring no glory.
1. What does

European Collectors Of The 16th And 17th Centuries
European Collectors of the 16th and 17th Centuries:
Perhaps two of the most noteworthy art collections in the 1500's were the collections of the Medici,
well know patrons of the arts and of many well–known artists; also the Habsburgs of Austria Known
then as the Holy Roman emperors who were known for having an eclectic collection ranging from
scientific tools and exotic stuffed animals to religious artefacts and Paintings. Then in the
seventeenth century in Britain another famous collector comes forth, Charles I who had a taste for
art that showed the divine right of kings and had a love for Rubens and Van Dyke's painting style. I
have selected these Rulers due to the fact that they were not only collectors but were also patrons of
artworks which shows a complete devotion to art, not in just admiring art from the past which had
become noteworthy through the popularity of the artist; but because the encouraged contemporary
artists, and as such had a lasting impact on art despite them not being directly behind the works.
The Medici family were the rulers of Florence during the Renaissance due to their influence in
banking. They were well known for their patronage to artists, some famous artist being Donatello,
Michelangelo, Raphael and Leonardo da Vinci. The vast commissions of artworks started out as
being for atonement for the sin of usury, however as the Renaissance moved on and art started to
reflect the change in attitude towards subject matter; going from the focus

Should Be For The Renee Sauce
should be for the Renée sauce could be described as a heroic age of advertising that the focus was
not on selling consumer goods it was unsettling beauty truth and wisdom the energy we still feel
behind the art arose from a coherent ideological program the Renée sauce wants to put painting in
the service of ideas to make these ideas palpable effective and life–changing one thing the Renée
sauce was constantly advertising 's philosophy philosophers were in the minds of many that is now
rather abstract and remote tickets to the Renée sauce but one of its most talented artist Raphael to
lend them a bit of life on the walls of the Vatican shows Aristotle and Plato and others as belonging
to a group of glamorous fascinating individuals for his ... Show more content on Helpwriting.net ...
terest in philosophy to you naturally start to engage with matters of life and death the move is a bit
Made by the best adverts of today to get you subliminally interested in buying a chocolate bar or an
SUV while charming you with a beautiful couple or sublime landscape only in the Renée sauce the
philosophical end goal evolved was worth the effort the Renée sauce concept of office advertising
for the great truths was underpinned by an ideology works out with the philosopher city of Regina
the figure Lorenzo de Medici and spoke to Michelangelo at dinner every day for many years which
he argued that will old preachers who love and love is attracted first to beauty so whatever we wish
people to love we must first make beautiful and beauty is first encountered as sexiness set the path
to the highest possible human ideals consider down a complex route first to sex then to beauty and
then to love with such a theory to hand an impact on the altar the Renée sauce cannot be
overestimated kachina was able to use what we might turn sexiness lost glamour and celebrity to
some of the most notable and high–minded intellectual ambitions rather than being relegated as they
often R&R in times to selling handbags of mobile phones never before since have so many big ideas
been so beautifully and often sexily treated a great artists to Chino Lorenzo de Medici was
fascinated by the idea of getting Botticelli to engage all sexuality in order to excite us about ideas
that they thought were most

The Library : A Turning Point For Architecture Essay
The Laurentian Library was commissioned and constructed by Michelangelo beginning in the early
1520's in Florence, Italy. The library was a turning point for architecture in how buildings were
artistically conceptualized. The library was built to house the 4,500 printed books and the the 11,000
family manuscripts of the Medici family. It was made for the Pope at the time, Pope Clement VII,
who was a Medici. The library was meant to display the Medici family's intelligence and to
celebrate knowledge. The library was built on top of an existing convent at the Church of San
Lorenzo. It was made up of two connecting parts, the vestibule with a staircase and a long reading
room. The design of the library, especially the vestibule, is one of his most exceptional architectural
achievements. Michelangelo had a vision to build a skylight in the vestibule, but this idea was shut
down, and clerestory windows where built into the west wall instead. The windows are framed with
pietra serena. Columns rest inside the walls, which appear to be supported on consoles. The texture
between these columns is like a taut skin stretched out between them. The dramatic vestibule is a
square area that is 48 feet high with a stone staircase that takes up most of the room. It is shocking
that the vestibule is almost half as tall as it is wide. The stairs were constructed in such a complex
way, and rarely has architecture ever portrayed such style that brings dynamic movement and drama.
It is said the

The On The House Of Medici
By looking at the political history of major world powers, we are clearly aware of the events of
legitimation crises: the House of Medici was confronted by the people under the influence of
religious Savonarola; American Civil War emerged from a conflict of ideologies of the North and
the South; Southeast Asian countries went through unsuccessful and even destructive
decolonization; Communist China was challenged by large–scale protests after the East European
upheaval. It is definitely a serious task for rulers to maintain a good standing as not to be
overthrown, but various sources of crises made it hard for the authority to predict outcomes and plot
countermeasures. The Prince discusses the charm of pure princely power, without the addition of
morality; Huntington introduces the "political gap" caused by modernization; Nisbet warns the
public of an increasingly more centralized authority; De Jasay investigates the nature of repression
and consent. The research findings of the aforementioned authors elicit me to better comprehend
potential priorities of governments.
1)A government may push forward the process of institutionalization in line with economic
development.
2)A government need to understand the core interests of people to gain consent.
3)A government should be decisive and flexible when encountering adversaries.
Huntington, in his work, equates modernity with stability and modernization with chaos. He argues
that during the process of modernization, drastic

Medici Family Influence
The Medici Family was an Italian banking family, they became a political dynasty and later on a
royal house, that family started to gather prominence under Cosimo de' Medici In the republic of
Florence in Italy during the 14th century. The family was from the Mugello region of the Tuscan
countryside, they were gradually rising until they fund the bank that was called the Medici Bank.
The Medici Bank was the largest in europe during the 15th century, we can see that the Medici
gained political power in florence, though officially the remained only citizens not monarchs. The
Medici Bank became so powerful that they dominated the city's government, they took over
Florence, Florence was under their family's power, they also created an environment ... Show more
content on Helpwriting.net ...
They worked really hard to get in power, it took them around 100 to the family get so high in wealth
and authority. To get there they also did a lot of bad things such as killing a lot of people and these
other people were their bank's rivals, but if they didn't they would be dead because their rivals you
have probably done the same, and after they did that they just became even more powerful like
super powerful. Even though they did a lot of bad things they still helped a lot of people and also the
renaissance. The Medicis Family also had a lot of connections to popes, lords and kings, so that
made them even more powerful and harder for anyone who would try to stop them and The Medicis
patronized a lot of artists which helped art to become such a big thing during the renaissance,
because of them people started to pay attention to the art and if that hadn't happened we would not
be where we are today with art.
The Cons of The Medicis:
They were very cruel and they would kill anyone standing in their way ( they probably read "the
prince")
They were so powerful that they made the catholic church give them 10% of each person's tax, that
is one reason why they were so

The Prince by Niccolo Machiavelli
Introduction
The Renaissance was the tumultuous rebirth of European literature and art. It started in Florence and
was 'funded by the Medici' (The Ascent to Money 2009) family. This is particularly significant as
Niccolò di Bernardo dei Machiavelli, was born into the nobility in the Republic of Florence on 3rd
May 1469. He was educated in Latin and then studied at the University of Florence. This fuelled his
interest in political theory and so the Medici. During his childhood, Lorenzo de Medici, Il
Magnifico, had vast power and influence over the fortunes of Florence fortunes. In awe of the
'magnificence of the Medicean ruler' Lorenzo, Machiavelli would later, dedicate The Prince to
Lorenzo's grandson. In 1494 the Medici were banished from Florence. Machiavelli served as a
public official for four years, being elected Chancellor and Secretary to the Second Chancery. When
the Medici returned to power in 1512 they dismissed him from his diplomatic post. Machiavelli was
indicted for conspiracy against the Medici, imprisoned and tortured, until the Medici pope, Leo X,
released him. He retired to his country house outside Florence, devoting his life to writing.
He wrote many political books. His brilliance and his innovative views have become the foundation
for modern political theory. The Discourses of Livy present a number of lessons focused on a
republic, such as its advantages, structure, and operation, including checks and balances in
government. It became an important

Niccolo Machiavelli Research Paper
Niccolo Machiavelli, the founder of modern political science, is most well known for his short book
The Prince which details what he believed to be the proper way to preserve authority. His views
were seen as violent and diabolical due to the misinterpretation of his works. His life can be broken
down into three parts; his early life, his time in office, and his death. During these three parts of his
life, Machiavelli experienced three large changes in Florence, Italy's political system,
Niccolo Machiavelli was born into a house of Florentine nobility on the third of May in the year
1496. During this time Florence was thriving under Italian power and Florence was divided into the
rulings of the strict Savonarola and the laid back Lorenzo. ... Show more content on Helpwriting.net
...
He was later suspected of conspiring against the rulers of Italy and was subjected to torture. After
his release by a new pope, Machiavelli devoted his life to literature. He was very poor and, in one
letter to Francesco Vettori, details his nightly actions and how this downfall in his life had affected
his moods and the way he sees himself. ""The evening being come, I return home and go to my
study; at the entrance I pull off my peasant–clothes, covered with dust and dirt, and put on my noble
court dress, and thus becomingly re–clothed I pass into the ancient courts of the men of old, where,
being lovingly received by them, I am fed with that food which is mine alone; where I do not
hesitate to speak with them, and to ask for the reason of their actions, and they in their benignity
answer me; and for four hours I feel no weariness, I forget every trouble, poverty does not dismay,
death does not terrify me; I am possessed entirely by those great men."(10 The Prince). His most
notable writing, The Prince, was not actually published by Machiavelli himself and was dedicated to
Lorenzo de Medici. The Prince was written to try to win over the favor of Lorenzo with the hopes of
Machiavelli being given a job. There is no record of Lorenzo ever reading the book or if he even
received it. In short, Machiavelli was not given a job. He died in Florence on the twenty–second of
June in

Medici Family Research Paper
The Medici family started their rise to power in the 1200's as a not very well known middle class
family. They were inferior to a multitude of families but eventually grew to be the most important
family in Florence and Italy at their peak. The Medici took advantage of the ciompi Rebellion in
1378 when Salvador de Medici tried profiting from the rebellion by attempting to become the
layman's leader. In 1393, Giovanni de Medici took ownership of the Roman branch of a bank owned
by one of his Florentine cousins. He moved the headquarters of his bank to Florence in 1397, the
official founding date for the Medici Bank. At the time, Rome was a source of funds, but Florence
offered more investment opportunities. The Medici set up a system of branch ... Show more content
on Helpwriting.net ...
His banking house trained and employed Giovanni and his elder brother Francesco, who eventually
became partners in the firm. After Vieri split his three banks, Giovanni took his to Florence and
seeked out Gentile di Baldassare Buoni as a partner. They raised 10,000 gold florins and began
operating in Florence, though Gentile soon left the firm. This move had certain advantages for a
bank, because as the predominant large banks of the 14th century which were based in Florence
such as the the Bardi, Acciaioli, Peruzzi families (Roover, 38). While Giovanni was in Florence he
was able to grow the bank and create several new branches. His branch in venice was very lucrative
due to investment opportunities. On March 25, 1402, the third branch of the Medici bank was
opened in Venice. It suffered from some initial mismanagement but eventually began profiting. It
was this branch that established the practice of having a general manager's remuneration be paid
through shares in the branch that he purchased with his investment. Also in 1402, the first Medici
factory was established for the production of woolen cloth, and then another in 1408. Where
Giovanni really helped the Medici family rise to power was in 1413. In 1413, Giovanni bet on the
return of the papacy to Rome after the great schism and the French Avignon Popes. Giovanni took
this educated leap of faith due to one of his influential

Essay The Life and Works of Niccolo Machiavelli
Niccoló Machiavelli is perhaps the greatest political thinker in history. He was a historian, musician,
a poet, and he wrote comedies. He liked poetry as much as he liked philosophy. Machiavelli wrote
and collected poems. His works, which are inspired by his life experiences, have been read by many
of the worlds greatest politicians. Niccoló Machiavelli's writing was influenced by the Medici
family, the Soderini government in Italy, and his own diplomatic career. His great work, The Prince,
is legendary for its impact in politics and its controversial proposals.
Niccoló Machiavelli was born on May 3, 1469, in Florence, Italy. This was during the golden ages
of Florence, a powerful point in its history. His parents were Bernardo ... Show more content on
Helpwriting.net ...
Machiavelli himself once said, "At an early age, I learned how to scrimp rather than to thrive" (King
3). This meant that Machiavelli was not born into wealth and instead of being given everything he
wanted; he had to work for it.
Machiavelli's father provided him with a rather sufficient education in religion, classics, and politics.
His father loved books. In fact, they had a library where he collected works by Greek and Roman
philosophers such as Cicero and Aristotle (Wagner 17). He also collected major studies of Italian
history. The books that his father collected provided Niccoló with a foundation of knowledge about
the ideas of noble Greek and Roman thinkers (Wagner 17). These books would also help shape
Niccoló's own writings decades later. When Machiavelli grew a little older, he studied at The Studio,
which was essentially a school. The Studio gave Machiavelli a solid grounding in rhetoric, grammar,
poetry, history, and moral philosophy (King 7). Three days after his 17th birthday, Machiavelli
began learning the elements of Latin under the Supervision of a local teacher known as Maestro
Matteo, who conducted lessons from a house near the Ponte Santa Trinitia (King 6).
Machiavelli desired and had a talent for government work ever since childhood. His intelligence and
passionate political interests were powerful reasons for the attention from Florentine politicians. For
this reason, he was once known as "Machia," a pun on

Dreams Of Avarice In Niall Ferguson's The Ascent Of Money
Dreams of Avarice In the first episode of The Ascent of Money, a man by the name of Niall
Ferguson was set out to explain how powerful money was. Money has the ability to turn you into a
powerful individual, but it can also crush you. Like Ferguson stated, "the power of finance is
everywhere we look and it affects all of our lives". Everyone needs to eat, everyone needs a place to
live, and everyone needs transportation to and from work and school. We all need money to provide
for products and services we use on a daily basis and that is what Ferguson is trying to get across.
We can't escape the the use of money. If we go back 500 years in history, we can look at one of the
preeminent societies in South America, the Inca Empire. The Inca's had no real concept of money,
but they did value rare metals such as gold and silver. The unit of value in the Inca Empire was
labor. Later, Francisco Pizarro and his team of Conquistadores came to South America in search one
of thing, money. After the Conquistadores defeated the Inca army at the Battle of Cajamarca they
headed over to Potosí, which is now a city in Bolivia, where they discovered the mountain of Cerro
Rico. Here, the Conquistadores had found the jackpot. Within their 250 years of rule the Spaniards
had extracted more than two billion ounces of silver. ... Show more content on Helpwriting.net ...
The members of the Medici bank also did their work sitting on benches and behind tables. The first
location was in Via dell Arte della Lana, also known as, Wool Guild Street. Since they were
confronted with different currencies they took out a commission for the conversion of the currency
instead of charging interest. Since no interest was applied, there was no sin. Little by little they
started expanding into areas such as Florence, Venice, and Rome. The Medici bank was doing
everything right. They soon grew to be a powerful financial unit in

Fortune And Power In Niccolo Machiavelli's The Prince
Book Report Paper: Fortune and Power in The Prince by Niccolo Machiavelli Niccolo Machiavelli
wrote the novel, The Prince, which was meant as a gift to Lorenzo de Medici, a ruling member of
the Medici family (Machiavelli, 1998). The novel addresses politics, but more over managerial skills
on how a prince should rule his state. Machiavelli goes on to describe ways in which are best
practices for a prince to rule and continue to be in power by using historical examples and using
metaphors to authenticate his advices. This novel is split up into four main sections that discusses:
different types of principalities or states, different types of armies and how a prince should perform
as a military leader, character and behavior of a prince, and ... Show more content on
Helpwriting.net ...
They do not know how to hold and they cannot hold that rank: they do not know how" (Machiavelli,
1998). In other words, it is the belief that princes or people who gain power through fortune are less
likely to be successful to remain in position due to the lack of experience to efficiently lead
(Machiavelli, 1998). Machiavelli also writes in the novel the comparison of fortune to a powerful
and flooding river that inflicts destruction of plants, houses, and valuable resources (Machiavelli,
1998). Granting there isn't anything that one can really do to stop a raging river already in progress,
there are things that can be done to make sure that the least amount of damage from such a river will
be made through building dams and barriers (Machiavelli, 1998). Also, fortune "demonstrates her
power where virtue has not been put in order to resist her and therefore turns her impetus where she
knows that dams and dykes have not been made to contain her" (Machiavelli, 1998). Similarly, as an
individual can avoid catastrophic damage from a raging river by building dams, a prince should
attempt or endeavor to expect that bad fortune is likely to occur and be prepared fight it when it
should arise (Machiavelli, 1998). Subsequently, as Machiavelli's view that fortune controls half of
one's life and the other

Amerigo Vespucci: Father Of The Powerful Medici Family
Vespucci was born on March 9, 1451 in Florence, Italy. His parents Ser Nastagio and Lisabetta Mini
were friends of the powerful Medici family. Vespucci's father was a notary in Florence and his
brothers studied in the University of Pisa. Vespucci on the other hand, received a rich education
from his paternal uncle since his father didn't want him to be interested in cosmography and
scholarship .
Amerigo Vespucci's uncle who was also an ambassador of Florence, sent his nephew on a brief
diplomatic mission to Paris where he served as an assistant for his older cousin.

Biography of Michelangelo Essay
Biography of Michelangelo The second of five brothers, Michelangelo was born on March 6, 1475,
at Caprese, in Tuscany, to Ludovico di Leonardo di Buonarotto Simoni and Francesca Neri. The
same day, his father noted down: "Today March 6, 1475, a child of the male sex has been born to me
and I have named him Michelangelo. He was born on Monday between 4 and 5 in the morning, at
Caprese, where I am the Podestà." Although born in the small village of Caprese, Michelangelo
always considered himself a "son of Florence," as did his father, "a Citizen of Florence."
His Childhood and Youth
Buonarroti's mother, Francesca Neri, was too sick and frail to nurse Michelangelo, so he was placed
with a wet nurse, in a family of stone cutters, ... Show more content on Helpwriting.net ...
In Michelangelo's personal diary he recounts his first two works: "My first work was a small bas–
relief, The Madonna of the Stairs. Mary, Mother of God, sits on the rock of the church. The child
curls back into her body. She foresees his death, and his return on the stairway to heaven. "My
second work, another small relief. My tutor read me the myth of the battle of the Lapiths against the
Centaurs. The wild forces of Life, locked in heroic combat. "Already at 16, my mind was a
battlefield: my love of pagan beauty, the male nude, at war with my religious faith. A polarity of
themes and forms...one spiritual, the other earthly, I've kept these carvings on the walls of my studio
to this very day."
His patron Lorenzo died in 1492; two years later Michelangelo fled Florence, when the Medici were
temporarily expelled.
His Studies of Anatomy
During the years he spent in the Garden of San Marco, Michelangelo began to study human
anatomy. In exchange for permission to study corpses, the prior of the church of Santo Spirito,
Niccolò Bichiellini, received a wooden Crucifix from Michelangelo. But his contact with the dead
bodies caused problems with his health, obliging him to interrupt his activities periodically.
The

Essay Raphael's Portrait Leo X with Cardinals Guilio de'...
In Nelson Minnich's religious interpretation of Raphael's famous portrait of Pope Leo X, Minnich
first begins with the very basics of the portrait; what is contained within its canvas and why it is
there. From small clues such as these, he is able to lay the foundation for which theories and
conclusions can be based. He first points out the location of the figures in the painting. Minnich
believes that they are in a large room, seated before a green cloth on the wall, or cloth of honor.
There is some speculation, however, as to exactly where this room is located. Several theorists, as
well as he, believe that the location is a room in the Vatican, perhaps the library. He points out that
there is reflection of a window in several objects ... Show more content on Helpwriting.net ...
Leo would have needed the glass to read the next item on the table, his bible. The bible is obviously
not an unlikely item, being that it is a portrait of a pope, but it is where the bible is opened to that is
of importance; St. John's Gospel. Minnich tells us that Leo's first baptismal name was Giovanni, a
name that came from this gospel. After inspecting the painting for obvious clues and symbols,
Minnich is ready to discuss the possible reasons for the paintings existence. The first being the
obvious, that it is merely a papal state portrait. He points out several reasons that this could be a
wrong assumption. The painting was kept in Florence and not in Rome, like most papal portraits. It
was much smaller than an average state portrait. And the most obvious objection was that there were
three people present in the painting, which is highly unusual for a portrait. Minnich then suggests
the possibility that Raphael was merely painting a family portrait. But then he quickly points out
that no other of Leo's relatives was involved. He also points out that the items involved, a bell, the
bible, are not usually in state portraits. With the state portrait theory clearly discredited, Minnich
tells readers of the theory that the painting is simply an occasional piece, saying that it was painted
just to be displayed at the wedding of the Medici and Valois houses in lieu of the pope and his two
relatives not being able to make the festivities. Minnich states that

Thriving Generations Of The House Of Medici
The Impact of the Thriving Generations of the House of Medici The Renaissance was an essential
time period in European history, which occurred roughly between 1300 and 1600 in Florence, Italy.
During this epoch, attributes of the Renaissance, such as Classical humanism and an upbringing of
political life spread throughout Western Europe. Moreover, out of the 50,000 people in Florence,
around 100 families have influenced the Renaissance's attributes; the most notable of these being the
Medici family (Fiero 377–378). Beginning with Giovanni di Bicci de' Medici's establishment of the
Medici Bank, the family acquired a significant amount of wealth, rising their power during the
fourteenth century. The bank expanded to the farthest corners of Europe, in which they obtained
political control over Florence and the Church. Apart from the political influence, out of the four
generations of the House of Medici, Cosimo, or "Cosimo the Elder," and Lorenzo, or "Lorenzo the
Magnificent," have influenced the components of Classical humanism, consisting of art,
architecture, and literature. Due to their gain of wealth from the hands of Giovanni di Bicci de'
Medici, the family was appointed succession over Florence, allowing them to contribute to the rise
of humanism and political ideals across Europe. Because Giovanni di Bicci de' Medici's
establishment of the Medici Bank has provided wealth under the Medici family name, the family
was able to take over the reign of Florence. The Medici

The Medici 's Influence On The Renaissance
Take a moment to visualize how drastically different your life would be in a feudalist society where
the nobles rule over the vast majority of the population. Even into the Renaissance, this prevalent
societal structure still existed with the elitists in control. However, there are several factors that
contributed to the demise of feudalism. One of these factors ironically being a powerful family of
bankers. Arguably the most prosperous family leading up to and throughout the renaissance, the
Medici's widespread influence changed countless aspects of life that we still benefit from today.
Even though the Medici family were wealthy bankers who controlled governments and economies,
history tells us the Medici family had a positive influence over the entire Renaissance because they
funded renowned artists and artisans associated with the Renaissance, supported education, and
enabled the merchant class to rise out of poverty through civic virtue and advancement of the
capitalist system.
In the same way as the merchant class would one day rise out of poverty, there was a turning point
for the Medici family that formed the foundation of this powerful family dynasty. It all began with
the italian man, Giovanni di Averardo. Commonly known as Bicci de' Medici, Giovanni, a
Florence–born man, proved early on to be a canny businessman ("Giovanni Di Averardo"). He
began his career as an apprentice to his uncle, who helped to form and develop Giovanni's skills at a
young age. By the age

The Power of The House of Medici Essay
The House of Medici, or the Medici family, was a very influential and extremely powerful family
during the time of the Renaissance in Italy. The Renaissance took place starting in the late 14th
century. During this time, the people started to take interest in and have an appreciation for the
classical times. The beginning of this powerful family really begins with Giovanni di Bicci deˈ
Medici. He was born in the year 1360 in Florence, Italy. Originally from the Tuscan hillside, the
Medici family immigrated to Florence during the 12th century. Giovanni di Bicci deˈ Medici was
the man who really got the family moving. He founded the Medici Bank and began using money to
gain influence. The Medici Bank eventually became the official bank of ... Show more content on
Helpwriting.net ...
Lorenzo was born in 1499 and was known as Lorenzo il Magnifico, the Magnificent. Lorenzo
continued with his grandfather's work and funded talented artists such as Michelangelo, Da Vinci,
and also a public art school. Lorenzo was definitely more concerned with his power, popularity, and
success rather than the banking business. He married a niece of a cardinal, and to keep his success
locked in, Lorenzo married off his daughter to Pope Leo VIII's son. Lorenzo also bought his son,
Giovanni, the role of Cardinal. Giovanni eventually became Pope Leo X. In doing all of this,
Lorenzo widened the Medici family's influence, but he also lessened their personal bank account.
Because the amount of money they had was getting smaller and smaller, the Medici power began to
weaken. Luckily, Cardinal Giovanni de Medici had become Pope Leo X in 1513. Giovanni, Pope
Leo X, was able to make the family wealthy again by selling the freedom from punishment of sins.
Starting now, the Medici family turned its attention from the banking business to the business of the
church. In 1523, Giulio, son of Giuliano and cousin of Giovanni, became Pope Clement VII. To
keep the family full of wealth, Giulio married off his cousin, Catherine, to the heir of the French
throne. The Medici family eventually had three French kings through this arrangement. Lorenzo had
a great–great–grandson named Cosimo I who was born in 1569. As the Grand Duke of

The Medici Family During the Renaissance Essays
Florence, Italy was a city just like any other during the Renaissance. It was city of 50,000 people,
less than there were in Paris and Venice but more than most other European cities. The busiest parts
of the city were the Ponte Vecchio, a place lined with markets and houses, the neighborhood of the
Orsanmichele and Mercato Vecchio, or the Old Market. Florence was a place of beauty and leisure.
A Venetian visitor once said, "There is in my opinion no region more sweeter than that wherein
Florence is a placed for Florence is situated in a plain surrounded on all sides by hills and
mountains...And the hills are fertile cultivated, pleasant..." (Unger, pg. 1). Florence was a very
prosperous city; it made fortunes off of wool and ... Show more content on Helpwriting.net ...
At first, Giovanni was not wealthy. His family had very little money. After his mother's death, due to
his current financial situation, Giovanni's cousin, Vieri di Cambio de' Medici employed Giovanni
and his brother, Francesco to work at his bank. In 1385, he was married off to Piccarda Bueri, who
was the mother of Cosimo and Lorenzo. Following his marriage, he took a risk and invested in his
cousin's bank. He moved to Rome to become an executive partner of Vieri's southern bank believing
he was now skilled enough to attain wealth by using the methods of his cousin. A few years later,
Giovanni established the first Medici bank in Florence with a branch in Rome. A couple years after
that, he opened a branch in Naples and Venice (Parks, XI). Baldassare Cossa, a pirate whose
ambition was to become Pope was one of Giovanni's first clients (PBS: Godfathers of the
Renaissance). With the help of Giovanni, Cossa got his wish and became Pope in 1410. His bank
flourished due to Baldassare Cossa's success in becoming Pope. Dealing with the papacy had
opened up new doors into the Church for Giovanni. It drastically increased the number of clients
Giovanni affiliated with. He didn't achieve much compared to his sons and grandchildren but
because established the first Medici Bank, he helped his family acquire great wealth and popularity.
Cosimo di Giovanni de' Medici Cosimo de' Medici, also known as "The Father of his Country", was
Giovanni's eldest son. From an

Relationship Between The Prince And Machiavelli
In understanding the relationship between The Prince and the Discourses from the perspective of the
Prince as a tool of deception, it is important to interpret it through the historical context of which
Machiavelli was living in. Machiavelli was born in Florence, which was the heart of the
Renaissance. Machiavelli had a long and complex relationship with the rulers, the Medici family.
Before the Medici obtained power, Machiavelli had an important role in politics as a high–ranking
official in the republic under the Soderini regime. In 1512, Spanish forces defeated the Florentine
Republic. As a result, the Soderini rule collapsed, the Medici rose to power, and Machiavelli lost his
political status. After the suspicion of plotting against Medici lords, Machiavelli was imprisoned and
tortured. He was eventually released from jail on the condition of house arrest, where he wrote The
Prince and the Discourses. Machiavelli dedicated The Prince to Lorenzo de Medici, nephew of the
de facto administrator of Florence in 1513.
It is believed that Machiavelli strategically dedicated The Prince to Lorenzo to secure employment,
which is a fair assumption. Although, scholar Stephen M. Fallon explains that Machiavelli also
intended to induce the downfall of the Medici in order to fulfill his purpose as a Republican.
Machiavelli was a Republican: he led a life as a Republican holding office and he wrote the
Discourses as a Republican. He admired Republican leaders, including Savonarola

A Day At The Crocker Art Museum
A Day at the Crocker Art Museum
Having lived in the Sacramento area for the last 10 years, last weekend was my first trip to the
Crocker Art Museum. The museum was slow when we first got there around 10:00 am, but within
an hour it started to pick up. I did not expect much from a museum in Sacramento, I was thinking
more like gold rush memorabilia or Sutter household items. In short, I love the place. It is so much
bigger and with more art than I imagined. My favorite part of the museum was the old part and not
the modern side. I did not get the meaning of quite a few of the modern paintings, ok, all of them.
One of the modern Art 's was just a shoe that was painted, my friend and I tried to figure out why
this was considered art and all we could come up with, is that it was an expensive shoe. I don 't even
know what to say about a single Apple computer box, it had to represent something expensive
because it was in a glass lock box.
I wanted to hear more about the story of the family, Judge, and Mrs. E. B. Crocker and how and why
they were so generous with their artwork. We first started in the new part of the house, where the
modern art is displayed, and then we proceeded to go to the older part, which is inside two old
houses, so I loved seeing all the old architecture and walking through all the rooms imagine what it
was like when people lived there. My favorite part of this whole visit was when, I was trying to find
out how the museum acquired all this artwork and

Biography Of Cosimo De ' Medici
Cosimo de' Medici was born on September 27, 1389 in Florence, Italy at the time his family was
middle class bankers. At a young age his father Giovanni, introduced his son to the family business
of banking. As Cosimo grew older, he took on more duties in the family business and eventually
became the head of the bank the family owned. When he was a young man he had an important
relationship with the Catholic Church, at this time the Church was the dominant religious faith of
Europe, the one most powerful men in Europe was the Pope. Cosimo recognized the important role
of the Catholic Church and made a friendship with the Pope. After this relationship the Medici
banks were handling most of the Church's financial accounts. Some ... Show more content on
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In 1539, Cosimo married Eleonora, who has daughter to the Spanish viceroy of Naples and they had
eleven children, seven sons and four daughters. Two of their sons, Giovanni and Garzia, died of
malaria in 1562, two years later Cosimo stepped down from his government post, and gave
Francesco reins over Florence. In 1569, Pope Pius V crowned Cosimo as Grand Duke of Tuscany, at
Vatican in the Sala Regia in Rome. Cosimo married his mistress, Camilla Martelli in 1570.
Cosimo traditionally has been accused of destroying Florentine liberties, these ancient liberties are
more of an illusion than a reality, he only had to make the formula of those he was evicting. To not
be taken by surprise like the Albizzi, he perfected the system by not changing in the law's actual
administration, but in the spirit of law he changed everything, it was a rule to fill high official
positions by drawing lots. The process was manipulated so that only the names of the men who
could be depended upon were drawn. The independent mood of the two municipal assemblies
neutralized by making an exceptional procedure the rule by dictatorial powers were now granted for
a fixed term that

The Art Of The Middle Age
The Museum in the Middle Age During the Middle Age when governed by Christianity, the
churches and monasteries played a role as a treasure storage for collections and exhibitions of
precious goods. Even the most of collected and produced objects or art works were the tools for
religious ceremony and the ornaments for the interior and exterior of church. The churches used a
collection and display of precious goods in a way to attracts the publics to the church unlike that
artworks were given secular values and they were considered as an aesthetic object only in the
ancient Greek and the Rome era. The collected artworks were exhibited and disclosed to the public
for the purpose of making people believe in God. Thus, the church in the Middle Age acted as a
modern museum in respect that it collected, displayed, supported and produced relics and art works.
Under the absolute power of the church, it was obvious that the representative art field in Middle
Age was concentrated on an architecture of religious building such as a church or monastery and a
sculpture or painting to decorate the building. The art works that used for buildings of church and
monastery and the ornaments of the buildings were mostly a sacred treasure, an altarpiece, a bible
manuscript for the Christian ceremony and the mural in catholic church that represents a bible story.
Such things were mainly installed or decorated inside of a church or monastery, which were
preserved in a special form along with

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