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This document defines various camera shots and angles used in filmmaking. It provides examples of high and low camera angles that can emphasize subjects differently. It also defines different types of shots including bird's eye view shots from overhead, panning and tilting static camera movements, crane shots, steadycam, zooming, different depths of field, the rule of thirds composition, eye line matching, establishing shots, points of view shots, two shots, and over the shoulder shots.
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Photography
This document discusses different camera angles used in filmmaking including high angles, low angles, medium angles, bird's-eye views, tilted angles, close-ups, extreme close-ups, extreme wide shots, and mid shots. A high angle shoots from above looking down to make subjects appear smaller or weaker. A low angle shoots from below looking up to depict power or importance. A medium angle provides an objective viewpoint. A bird's-eye view is shot directly above for dramatic spatial perspectives. Tilted angles make scenes appear unnaturally slanted. Close-ups show facial expressions while extreme close-ups emphasize them further. Extreme wide shots show figures small in landscapes while mid shots show from head to waist.
Camera angles
Aerial shots are taken from above the scene to define the world and geography. Bird's-eye views look down on the action from above to show positions and motions. High angle shots make characters feel vulnerable by looking down on them. Eye level shots show a human perspective without looking up or down. Low angle shots make subjects appear dominant by looking up at them. Oblique or Dutch angles use a tilted camera to portray unease or provide a wider perspective.
Termonology camera
Camera techniques and shots have different connotations and purposes. High angle shots convey vulnerability while low angles portray power. Bird's eye views make people seem insignificant and set the scene. Canted angles suggest tension and imbalance. Pans and tilts show movement and fully reveal the scene. Tracking and dolly shots portray journeys. Cranes and mechanical shots achieve various heights. Steadicams provide smooth recordings. Zooms emphasize or dramatize objects. Shallow focus draws attention while deep focus shows full context. Establishing shots set the scene and different shot sizes focus on different levels of detail.
Media 14.01.2021
The document discusses camera angles and how they can influence the viewer's perception of a scene. It defines several common camera angles like low angle, high angle, hip level, knee level, ground level, shoulder level, and Dutch angle shots. The positioning of the camera in relation to the subjects, whether it looks up at them or down, can make the subjects appear more powerful or vulnerable and influence the emotions felt by the viewer.
Shot angles
The document discusses different camera shot angles and their purposes. A high angle shot looks down on a subject and can portray them as small or weak. A low angle looks up at a subject and implies they are powerful or important. Close up shots focus on facial expressions to show emotions, while extreme close ups zoom in on specific facial features. Wide shots capture a large scene or multiple subjects. Below the waist shots build tension by focusing on weapons before a fight.
Camera shots & angles
This document discusses different types of camera shots and angles used in filmmaking. It defines long shots, extreme long shots, medium shots, aerial shots, over the shoulder shots, close ups, high angles, eye level angles, low angles, and oblique angles. Each shot and angle has a different purpose, such as establishing setting, placing subjects in context, showing facial expressions, or conveying meaning through perspective. Understanding these techniques allows filmmakers to effectively frame scenes and guide viewer perspective.
Camera shots & angles
This document discusses different types of camera shots and angles used in filmmaking. It defines long shots, extreme long shots, medium shots, aerial shots, over-the-shoulder shots, close ups, high angles, eye level angles, low angles, and oblique angles. Each shot and angle has a different purpose, such as establishing setting, placing subjects in context, showing facial expressions, or conveying meaning through perspective. Understanding these techniques allows filmmakers to effectively frame scenes and guide viewer perspective.
Camera glossary
This document provides definitions for various camera techniques used in filmmaking. It describes different camera angles like high angle, low angle, bird's eye view, and worm's eye view used to convey power dynamics. It also outlines different types of camera movement such as pans, tilts, tracks, cranes, whips, zooms, and handheld shots. Additionally, it defines compositional techniques including depth of field, focus, eye line matches, and types of shots like long shots, close-ups, and establishing shots. Finally, it notes point-of-view and over the shoulder shots.
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Photography
This document discusses different camera angles used in filmmaking including high angles, low angles, medium angles, bird's-eye views, tilted angles, close-ups, extreme close-ups, extreme wide shots, and mid shots. A high angle shoots from above looking down to make subjects appear smaller or weaker. A low angle shoots from below looking up to depict power or importance. A medium angle provides an objective viewpoint. A bird's-eye view is shot directly above for dramatic spatial perspectives. Tilted angles make scenes appear unnaturally slanted. Close-ups show facial expressions while extreme close-ups emphasize them further. Extreme wide shots show figures small in landscapes while mid shots show from head to waist.
Camera angles
Aerial shots are taken from above the scene to define the world and geography. Bird's-eye views look down on the action from above to show positions and motions. High angle shots make characters feel vulnerable by looking down on them. Eye level shots show a human perspective without looking up or down. Low angle shots make subjects appear dominant by looking up at them. Oblique or Dutch angles use a tilted camera to portray unease or provide a wider perspective.
Termonology camera
Camera techniques and shots have different connotations and purposes. High angle shots convey vulnerability while low angles portray power. Bird's eye views make people seem insignificant and set the scene. Canted angles suggest tension and imbalance. Pans and tilts show movement and fully reveal the scene. Tracking and dolly shots portray journeys. Cranes and mechanical shots achieve various heights. Steadicams provide smooth recordings. Zooms emphasize or dramatize objects. Shallow focus draws attention while deep focus shows full context. Establishing shots set the scene and different shot sizes focus on different levels of detail.
Media 14.01.2021
The document discusses camera angles and how they can influence the viewer's perception of a scene. It defines several common camera angles like low angle, high angle, hip level, knee level, ground level, shoulder level, and Dutch angle shots. The positioning of the camera in relation to the subjects, whether it looks up at them or down, can make the subjects appear more powerful or vulnerable and influence the emotions felt by the viewer.
Shot angles
The document discusses different camera shot angles and their purposes. A high angle shot looks down on a subject and can portray them as small or weak. A low angle looks up at a subject and implies they are powerful or important. Close up shots focus on facial expressions to show emotions, while extreme close ups zoom in on specific facial features. Wide shots capture a large scene or multiple subjects. Below the waist shots build tension by focusing on weapons before a fight.
Camera shots & angles
This document discusses different types of camera shots and angles used in filmmaking. It defines long shots, extreme long shots, medium shots, aerial shots, over the shoulder shots, close ups, high angles, eye level angles, low angles, and oblique angles. Each shot and angle has a different purpose, such as establishing setting, placing subjects in context, showing facial expressions, or conveying meaning through perspective. Understanding these techniques allows filmmakers to effectively frame scenes and guide viewer perspective.
Camera shots & angles
This document discusses different types of camera shots and angles used in filmmaking. It defines long shots, extreme long shots, medium shots, aerial shots, over-the-shoulder shots, close ups, high angles, eye level angles, low angles, and oblique angles. Each shot and angle has a different purpose, such as establishing setting, placing subjects in context, showing facial expressions, or conveying meaning through perspective. Understanding these techniques allows filmmakers to effectively frame scenes and guide viewer perspective.
Camera glossary
This document provides definitions for various camera techniques used in filmmaking. It describes different camera angles like high angle, low angle, bird's eye view, and worm's eye view used to convey power dynamics. It also outlines different types of camera movement such as pans, tilts, tracks, cranes, whips, zooms, and handheld shots. Additionally, it defines compositional techniques including depth of field, focus, eye line matches, and types of shots like long shots, close-ups, and establishing shots. Finally, it notes point-of-view and over the shoulder shots.
Camera frames
This document defines and describes various camera shots including extreme close-up, big close-up, close-up, mid shot, long shot, extreme long shot, point-of-view shot, worm's eye view, bird's eye view, aerial, crane shot, high angle, and low angle shots. Each shot type is defined by the perspective and amount of the subject and background shown. Shots like extreme close-up focus tightly on details while long shots show more of the background, and shots like high angles and low angles influence the subject's perceived power.
Camera shots
This document defines and describes various camera shots and techniques used in filmmaking, including close-up shots to show emotions, high and low angle shots to manipulate a character's perceived power, bird's eye view and establishing shots to set a scene, panning and tilting to move the camera angle, tracking and dolly shots to move with characters, crane shots from high points, zooming in on important objects, handheld shots to convey motion, and different shot distances like long shots, medium shots, and close-ups. Proper techniques like maintaining eye lines and using the rule of thirds are also discussed.
Camera Angles and Shots
This document defines and describes various cinematography techniques including shot types (wide shot, medium shot, close-up, etc.), camera angles (high angle, low angle, etc.), and camera movement (static, pan, tilt, tracking, handheld). It provides examples of when each technique would be used and how it influences the audience's perspective.
Camera shot
The document describes various types of camera shots including close ups, long shots, aerial shots, establishing shots, point of view shots, two shots, over the shoulder shots, deep focus shots, shallow focus shots, pull focus shots, eye line match shots, extreme close ups, and medium shots. These shots are used to focus on characters' emotions, show relationships between objects and figures, depict what a character is looking at from their perspective, and control depth of field and continuity in filmed scenes.
Camera angles
This document describes various camera shots and angles used in filmmaking. It discusses static shots as well as moving shots such as zooms, pans, tilts, crane shots, tracking shots, and handheld shots. It also covers different camera angles including eye level, high angles, low angles, and canted angles that can be used to convey meaning. Dolly shots are also mentioned, including pushing shots, pull back reveals, and expanding and contracting dolly shots.
Camera Shots and Angles
This document provides descriptions of various camera shots and angles that can be used in video production to convey different effects. It lists shots such as aerial shots from above, canted shots with a tilted angle, close-ups to focus on details like emotions, establishing shots to set the scene, and hand-held shots for realism. Other shots mentioned include high and low angles to make subjects seem powerful or vulnerable, long and tight shots for context or focus, and point-of-view shots to involve the audience. Master shots are also discussed as a way to establish relationships within a scene.
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This document defines and describes various camera shot types including high angle shots, which point downwards onto subjects; low angle shots, which aim upwards to emphasize authority; point of view shots that show what a character sees; medium close-ups that show a character from the waist up; close-ups of a character's whole face or a single object; extreme close-ups that show a single facial feature or object detail; long shots that show a character's full body; over the shoulder shots seen over a character's shoulder during conversations; two shots that show two characters often during conversations; and establishing shots that introduce a location.
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This document defines and provides examples of different camera techniques used in filmmaking. It describes extreme close-ups that focus on a single facial feature, close-ups that show the head and shoulders of a character, and medium close-ups that include the torso and background. It also outlines full shots that show an entire body, establishing shots that set the location, point-of-view shots from a subject's perspective, and two shots that frame two characters. Additional techniques include over-the-shoulder shots, eye-level views, high and low camera angles, Dutch tilts, birds-eye views, and worm's-eye views.
Media camera angles presentation
The document describes various camera angles and shots that can be used in media, including mid shots to show background and focus on a subject from the waist up, long shots for establishing scenes, close ups to show expressions and reveal thoughts, and extreme close ups of small body parts or objects. It also discusses wide shots to set a scene, movement shots with a moving or static camera, zoom and pan shots, tilt shots to change vertical angles, and aerial shots from helicopters or planes for a bird's eye view.
Cinematography nadine
Basic description of various shots and angles used in film with examples taken from the film Hero (2002)
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The document discusses different camera shots, angles, and movements that can be used in filmmaking. It defines shots like two shots, establishing shots, long shots, mid shots, track shots, close ups, low angle shots, high angle shots, and tilt shots. Each shot type is used to convey different information to viewers, such as the relationships between characters, the setting of a scene, a character's emotions, or where something is located within a scene.
All them media shots
This document defines and describes various camera shots and techniques used in filmmaking. It provides definitions for different types of shots including aerial shots, close ups, establishing shots, hand-held shots, high and low angle shots, point-of-view shots, shallow and soft focus, tight and wide shots, tilts, tracks, pans, zooms and more. Each shot is explained in terms of how it is filmed and how it can be used to achieve different effects or perspectives.
Shot types camera shots
This document defines and describes different types of camera shots including establishing shots, point of view shots, extreme close ups, long shots, low angle shots, close ups, over the shoulder shots, high angle shots, two shots, and medium shots. Each shot type is defined in one to three sentences explaining how it is used and what perspective or information it provides about characters, setting, or relationships between characters.
Camera shots and angles
This document defines and describes different types of camera shots and angles used in filmmaking and television production. It explains establishing shots, which set the context of a scene, as well as extreme close-ups focused on a character's face. Other shots covered are close-ups, medium shots, long shots, and aerial shots from overhead. Additional techniques discussed are canting the camera angle, using deep focus, handheld shots, high and low camera angles, panning shots, following the rule of thirds, and wide shots.
Camera Glossary
The document defines various camera techniques used in filmmaking, including different angles (high angle, low angle, bird's eye view, canted angle, worm's eye view), types of camera movement (pan, tilt, track/dolly, crane/mechanical shot, zoom in/out, crash zoom, steadicam, handheld), composition techniques (deep focus, shallow focus, pull focus, eye line match), and common shot types (long shot, close up, medium shot, medium close up, medium long shot, extreme close up, point of view shot, establishing shot). These techniques are used to convey meaning, power dynamics, and information through the camera's perspective and framing of the scene.
Camera angles research
This document discusses different types of camera angles and shots used in filmmaking, including their purposes and effects. High angles make subjects seem insignificant while low angles convey power. A two shot frames two subjects. An over the shoulder shot emphasizes connection during conversations. Extreme close ups focus on small details like eyes. Medium shots show part of a subject from the waist up. Medium close ups are between medium and close up shots. Birds eye views provide a wider perspective from above. Tilted shots with an uneven horizon can indicate unease.
Cinematography
This document describes various cinematography shot types and camera movements. It defines shots based on distance from the subject like extreme long shots, long shots, medium shots, close-ups, and extreme close-ups. It also discusses subjective point of view shots, two shots, shot/reverse shots, dolly shots, hand-held shots, and camera angles and movements like pans, tilts, high angles, and low angles. The purpose is to explain how different shots and camera techniques are used to convey meaning, perspective, scale, drama, and the flow of a scene.
Camera terminology
This document defines various camera shots and angles used in filmmaking including:
- Extreme close-ups, close-ups, medium shots, long shots, and aerial shots from high, eye-level, and low angles.
- Specific shots like canted angles used to create disorientation, crab shots in confined spaces, establishing shots to set the scene, and hand-held shots for realism.
- Techniques like deep focus allowing objects near and far to be in focus, point-of-view shots from the subject's perspective, and pull focus changing the focus between objects.
Cameratechniquessummary
A shot is a continuous view filmed from one perspective. There are different types of shots based on camera framing, angles, and movement. Camera framing includes extreme long shots, long shots, medium shots, close-ups, and two shots. Camera angles consist of high-angle, low-angle, eye-level, bird's eye view, and others. Camera movements involve pans, tilts, cranes, dollies, tracks, zooms, and static shots with no movement. Shots are combined to form scenes that show the action in a location.
Glossary
This document defines various cinematography and camera techniques used in filmmaking, including different camera angles (high angle, low angle, bird's-eye view), camera movements (zoom, tilt, pan, track/dolly), camera rigs (crane/mechanical shot, steadi cam, handheld), focuses (deep focus, shallow focus), composition rules (rule of thirds), shot types (long shot, close up, medium shot, establishing shot, point of view, two shot, over the shoulder shot), and more.
Camera angles, shots, movement and positions
This document defines and describes various camera angles, shots, movements, and positions used in filmmaking. It provides definitions for establishing shots, low-angled shots, high-angled shots, close-ups, medium close-ups, extreme close-ups, long shots, medium long shots, two/three shots, aerial shots, point of view shots, panning, tilting, tracking, dollying, zooming in and out, handheld shots, focus pulling, canted angles, and the rule of thirds. The document establishes the context and purpose for each technique.
Movie Diferent Camera Angles Explained by Examples
Camera shots and angles are used to establish context, influence perception, and move the viewer's perspective. An establishing shot provides context by showing the location and time period. Low angle shots make objects seem powerful by looking up at them, while high angle shots look down and make objects seem smaller or vulnerable. Other shots include close-ups of parts of the body, medium close-ups from the chest up, extreme close-ups magnifying a body part, and long shots showing the full body from a distance. Camera movements like panning, tilting, tracking, and dollying change the viewer's perspective, and techniques like zooming, focus pulling, and canted angles influence perception.
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This document defines and describes various camera shots including extreme close-up, big close-up, close-up, mid shot, long shot, extreme long shot, point-of-view shot, worm's eye view, bird's eye view, aerial, crane shot, high angle, and low angle shots. Each shot type is defined by the perspective and amount of the subject and background shown. Shots like extreme close-up focus tightly on details while long shots show more of the background, and shots like high angles and low angles influence the subject's perceived power.
Camera shots
This document defines and describes various camera shots and techniques used in filmmaking, including close-up shots to show emotions, high and low angle shots to manipulate a character's perceived power, bird's eye view and establishing shots to set a scene, panning and tilting to move the camera angle, tracking and dolly shots to move with characters, crane shots from high points, zooming in on important objects, handheld shots to convey motion, and different shot distances like long shots, medium shots, and close-ups. Proper techniques like maintaining eye lines and using the rule of thirds are also discussed.
Camera Angles and Shots
This document defines and describes various cinematography techniques including shot types (wide shot, medium shot, close-up, etc.), camera angles (high angle, low angle, etc.), and camera movement (static, pan, tilt, tracking, handheld). It provides examples of when each technique would be used and how it influences the audience's perspective.
Camera shot
The document describes various types of camera shots including close ups, long shots, aerial shots, establishing shots, point of view shots, two shots, over the shoulder shots, deep focus shots, shallow focus shots, pull focus shots, eye line match shots, extreme close ups, and medium shots. These shots are used to focus on characters' emotions, show relationships between objects and figures, depict what a character is looking at from their perspective, and control depth of field and continuity in filmed scenes.
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This document describes various camera shots and angles used in filmmaking. It discusses static shots as well as moving shots such as zooms, pans, tilts, crane shots, tracking shots, and handheld shots. It also covers different camera angles including eye level, high angles, low angles, and canted angles that can be used to convey meaning. Dolly shots are also mentioned, including pushing shots, pull back reveals, and expanding and contracting dolly shots.
Camera Shots and Angles
This document provides descriptions of various camera shots and angles that can be used in video production to convey different effects. It lists shots such as aerial shots from above, canted shots with a tilted angle, close-ups to focus on details like emotions, establishing shots to set the scene, and hand-held shots for realism. Other shots mentioned include high and low angles to make subjects seem powerful or vulnerable, long and tight shots for context or focus, and point-of-view shots to involve the audience. Master shots are also discussed as a way to establish relationships within a scene.
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This document defines and describes various camera shot types including high angle shots, which point downwards onto subjects; low angle shots, which aim upwards to emphasize authority; point of view shots that show what a character sees; medium close-ups that show a character from the waist up; close-ups of a character's whole face or a single object; extreme close-ups that show a single facial feature or object detail; long shots that show a character's full body; over the shoulder shots seen over a character's shoulder during conversations; two shots that show two characters often during conversations; and establishing shots that introduce a location.
Summer task
This document defines and provides examples of different camera techniques used in filmmaking. It describes extreme close-ups that focus on a single facial feature, close-ups that show the head and shoulders of a character, and medium close-ups that include the torso and background. It also outlines full shots that show an entire body, establishing shots that set the location, point-of-view shots from a subject's perspective, and two shots that frame two characters. Additional techniques include over-the-shoulder shots, eye-level views, high and low camera angles, Dutch tilts, birds-eye views, and worm's-eye views.
Media camera angles presentation
The document describes various camera angles and shots that can be used in media, including mid shots to show background and focus on a subject from the waist up, long shots for establishing scenes, close ups to show expressions and reveal thoughts, and extreme close ups of small body parts or objects. It also discusses wide shots to set a scene, movement shots with a moving or static camera, zoom and pan shots, tilt shots to change vertical angles, and aerial shots from helicopters or planes for a bird's eye view.
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This document defines and describes various camera shots and techniques used in filmmaking. It provides definitions for different types of shots including aerial shots, close ups, establishing shots, hand-held shots, high and low angle shots, point-of-view shots, shallow and soft focus, tight and wide shots, tilts, tracks, pans, zooms and more. Each shot is explained in terms of how it is filmed and how it can be used to achieve different effects or perspectives.
Shot types camera shots
This document defines and describes different types of camera shots including establishing shots, point of view shots, extreme close ups, long shots, low angle shots, close ups, over the shoulder shots, high angle shots, two shots, and medium shots. Each shot type is defined in one to three sentences explaining how it is used and what perspective or information it provides about characters, setting, or relationships between characters.
Camera shots and angles
This document defines and describes different types of camera shots and angles used in filmmaking and television production. It explains establishing shots, which set the context of a scene, as well as extreme close-ups focused on a character's face. Other shots covered are close-ups, medium shots, long shots, and aerial shots from overhead. Additional techniques discussed are canting the camera angle, using deep focus, handheld shots, high and low camera angles, panning shots, following the rule of thirds, and wide shots.
Camera Glossary
The document defines various camera techniques used in filmmaking, including different angles (high angle, low angle, bird's eye view, canted angle, worm's eye view), types of camera movement (pan, tilt, track/dolly, crane/mechanical shot, zoom in/out, crash zoom, steadicam, handheld), composition techniques (deep focus, shallow focus, pull focus, eye line match), and common shot types (long shot, close up, medium shot, medium close up, medium long shot, extreme close up, point of view shot, establishing shot). These techniques are used to convey meaning, power dynamics, and information through the camera's perspective and framing of the scene.
Camera angles research
This document discusses different types of camera angles and shots used in filmmaking, including their purposes and effects. High angles make subjects seem insignificant while low angles convey power. A two shot frames two subjects. An over the shoulder shot emphasizes connection during conversations. Extreme close ups focus on small details like eyes. Medium shots show part of a subject from the waist up. Medium close ups are between medium and close up shots. Birds eye views provide a wider perspective from above. Tilted shots with an uneven horizon can indicate unease.
Cinematography
This document describes various cinematography shot types and camera movements. It defines shots based on distance from the subject like extreme long shots, long shots, medium shots, close-ups, and extreme close-ups. It also discusses subjective point of view shots, two shots, shot/reverse shots, dolly shots, hand-held shots, and camera angles and movements like pans, tilts, high angles, and low angles. The purpose is to explain how different shots and camera techniques are used to convey meaning, perspective, scale, drama, and the flow of a scene.
Camera terminology
This document defines various camera shots and angles used in filmmaking including:
- Extreme close-ups, close-ups, medium shots, long shots, and aerial shots from high, eye-level, and low angles.
- Specific shots like canted angles used to create disorientation, crab shots in confined spaces, establishing shots to set the scene, and hand-held shots for realism.
- Techniques like deep focus allowing objects near and far to be in focus, point-of-view shots from the subject's perspective, and pull focus changing the focus between objects.
Cameratechniquessummary
A shot is a continuous view filmed from one perspective. There are different types of shots based on camera framing, angles, and movement. Camera framing includes extreme long shots, long shots, medium shots, close-ups, and two shots. Camera angles consist of high-angle, low-angle, eye-level, bird's eye view, and others. Camera movements involve pans, tilts, cranes, dollies, tracks, zooms, and static shots with no movement. Shots are combined to form scenes that show the action in a location.
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Glossary
This document defines various cinematography and camera techniques used in filmmaking, including different camera angles (high angle, low angle, bird's-eye view), camera movements (zoom, tilt, pan, track/dolly), camera rigs (crane/mechanical shot, steadi cam, handheld), focuses (deep focus, shallow focus), composition rules (rule of thirds), shot types (long shot, close up, medium shot, establishing shot, point of view, two shot, over the shoulder shot), and more.
Camera angles, shots, movement and positions
This document defines and describes various camera angles, shots, movements, and positions used in filmmaking. It provides definitions for establishing shots, low-angled shots, high-angled shots, close-ups, medium close-ups, extreme close-ups, long shots, medium long shots, two/three shots, aerial shots, point of view shots, panning, tilting, tracking, dollying, zooming in and out, handheld shots, focus pulling, canted angles, and the rule of thirds. The document establishes the context and purpose for each technique.
Movie Diferent Camera Angles Explained by Examples
Camera shots and angles are used to establish context, influence perception, and move the viewer's perspective. An establishing shot provides context by showing the location and time period. Low angle shots make objects seem powerful by looking up at them, while high angle shots look down and make objects seem smaller or vulnerable. Other shots include close-ups of parts of the body, medium close-ups from the chest up, extreme close-ups magnifying a body part, and long shots showing the full body from a distance. Camera movements like panning, tilting, tracking, and dollying change the viewer's perspective, and techniques like zooming, focus pulling, and canted angles influence perception.
Media Glossary
This document defines and describes various camera angles, camera movements, compositional techniques, and shot types used in filmmaking. High/low angles and bird's eye/worm's eye views are defined based on the camera's position relative to the subject. Camera movements like pans, tilts, tracks/dollies, cranes/steadicams, and zooms/reverse zooms are also outlined. Compositional techniques covered include deep/shallow focus, pull focus, rule of thirds, and eye line matching. Common shot types like long shots, close ups, medium shots, point of view shots, and two shots are also defined.
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This document defines and explains various camera shots and techniques used in filmmaking. It describes different types of shots including high shots, low shots, pans, tilts, tracks, cranes, birds-eye views, steadicam, zooms, handheld, deep focus, shallow focus, rule of thirds, eyeline matches, long shots, close-ups, pull focus, aerial shots, medium close-ups, medium shots, establishing shots, point of view shots, extreme close-ups, over the shoulder shots, two shots, and canted frames. Each entry briefly explains how the shot is composed and what emotional effect or information it aims to convey.
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This document defines various camera angles, shots, and techniques used in filmmaking. It provides examples and purposes for different high and low camera angles. Additional terms explained include pan, tilt, track/dolly, crane/mechanical, steadicam, zoom/reverse zoom, hand held, deep focus, shallow focus, rule of thirds, eye line match, long shot, close up, pull focus, aerial shot, medium close up, medium shot, establishing shot, point of view, extreme close up, over the shoulder shot, two shot, and canted frame. Each entry describes how the technique is used and the effect it aims to achieve.
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The document describes various types of camera shots including close ups, long shots, and aerial shots. It provides examples of shots such as establishing shots, point of view shots, two shots, and over the shoulder shots. Additionally, it covers photographic techniques like deep focus, shallow focus, pull focus, eye line match, and extreme close ups as well as medium shots and medium long shots.
Camera glossary
This document provides definitions and examples of common camera techniques used in filmmaking. It describes different types of shots like high angle, low angle, bird's eye view, and canted shots and how they are used to convey meaning. It also defines different camera movements like pans, whips pans, tilts, dollies, cranes, and steadicams. Additionally, it covers techniques like zooming, depth of field, focus pulls, and establishing shots and how they are used to show importance or unease. The document serves as a useful reference for understanding different visual storytelling techniques in film.
Assignment 3 CAMSAM
This document provides information on various camera shots, angles, movements, and compositions used in filmmaking. It defines wide shots, long shots, mid shots, close ups, and extreme close ups. It also explains point of view shots, two shots, high angles, low angles, tilt, track, zoom, reverse zoom, deep focus, shallow focus, symmetry, and asymmetry. The document is intended to teach the technical aspects of filming techniques.
Camera shots & angles
Camera shots and angles can be used to convey different meanings and perspectives. Long shots provide context by showing a subject and their surroundings, while close-ups concentrate on specific details like facial expressions. Shot types also indicate distance from the subject, from extreme long shots taken far away to establish landscapes to medium shots that frame subjects from the knees up. Camera angles like high angles make subjects seem smaller while low angles imply dominance. Oblique tilted angles can suggest imbalance or a character's point of view.
Glossary
This document defines and describes various camera shots and techniques used in filmmaking, including close-ups, high and low angles, establishing shots, panning, tilting, tracking, zooming, focus techniques, and shots showing different perspectives or numbers of subjects. Close-ups show emotion or significance, while high and low angles convey power dynamics. Establishing and aerial shots provide context of the setting. Panning, tilting, tracking and zooming involve camera movement. Focus techniques emphasize important subjects. Shots like point of view and over the shoulder involve perspective.
Camera Glossary
This document defines and describes various camera shots and techniques used in filmmaking, including close-ups, high and low angles, establishing shots, panning, tilting, tracking, zooming, focus techniques, and shot sizes like long shots, medium shots, and close-ups. The purpose of these techniques is to convey emotion, establish settings, show power dynamics, and direct the audience's attention.
Camera glossary
This document defines and provides examples of various camera shots and techniques, including high angle shots, low angle shots, birds eye view, canted angle, pan, tilt, track/dolly motion, crane/mechanical shots, steadicam, zoom, reverse zoom, hand held shots, deep focus, shallow focus, rule of thirds, eye line match, long shots, close ups, pull focus, aerial shots, medium shots, point of view shots, over the shoulder shots, two shots, and whip pans. Each term is defined and an example image or use case is provided to illustrate the camera technique.
Shot types and angles
Shot types and angles in film can be used to convey different meanings and perspectives. Establishing shots provide context of when and where a scene takes place from a long distance. Medium shots are most common and show all the action, while medium close-ups and close-ups focus on faces and emotions. Point-of-view and over-the-shoulder shots put the audience in the scene. High and low angle shots manipulate perspective to make the subject appear powerful or vulnerable. Zooms, pans, tilts and tracking shots dynamically move the camera for different effects.
Camera angles
Aerial shots are taken from above the scene to define the world and geography. They show subjects as small and isolated. Bird's-eye views look down on the action to see positions and motions all at once. High angles make characters feel vulnerable by looking down on them. Eye level shots show a human perspective without looking up or down. Low angles make subjects appear dominant by looking up at them. Dutch/oblique angles tilt the camera to portray unease, madness, or allow more space in the frame.
camera shots glossary
This document defines and provides examples of various camera shots and angles used in filmmaking, including high angle, low angle, bird's eye view, pan, tilt, track/dolly, crane/mechanical shot, steadicam, zoom/reverse zoom, hand held, deep focus, shallow focus, rule of thirds, eyeline match, long shot, close up, pull focus, aerial shot, medium close up, medium shot, establishing shot, point of view, extreme close up, over the shoulder shot, two shot, and canted frame.
CAMERA SHOTS AND CINEMATOGRAPHY
This document discusses various camera shots and techniques used in cinematography. It describes shots like extreme close-ups, long shots, medium shots, and point-of-view shots and how they are used to convey different meanings or perspectives. It also covers camera movements like pans, tilts, tracking shots, dolly shots, and zooms and how they frame and follow the action. The various shots, angles, and camera movements allow filmmakers to establish settings, focus attention, and influence the audience's perspective in purposeful ways.
cinematography
The document defines and describes various camera shot types used in filmmaking. An establishing shot sets the scene by showing when and where a character is located. A long shot shows a person or object from far away to get their full body in frame, while a medium shot shows a person from the middle up and allows clearer views of facial expressions. A close-up shot focuses on facial expressions or important objects by showing little background. An extreme close-up can show details the naked eye would not see like tears or gritted teeth.
Tv Drama Key Vocab
This document defines key vocabulary for camera shots, angles, movement, and composition used in TV drama. It provides descriptions of common camera shots like establishing shots, close ups, and point of view shots. It also explains different camera angles like high angles and low angles. Various types of camera movement are outlined such as pans, tilts, tracks, dolly shots, and zooms. Finally, compositional techniques like the rule of thirds are mentioned.
Camera shots, angles, movement
A shot is a series of frames recorded during an uninterrupted period of filming. There are various types of shots defined by their camera distance, angle, and movement. Shots can be categorized as extreme long shots, long shots, mid shots, close-ups, point-of-view shots, and more. Camera angles are also used to convey meaning, such as high angles conveying inferiority and low angles conveying superiority. Camera movement techniques include panning for horizontal rotation, tilting for vertical rotation, zooming, and tracking with a dolly.
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Evaluation
The student felt they improved in planning for their movie project compared to the preliminary task by working independently, changing the genre to horror, creating a longer storyboard, and doing research. They also felt editing and construction went better as they knew how to use the equipment and editing software, being more confident in the shots needed and how to capture them. Overall, the student believes the work for the unit was very successful and fulfilled the requirements, though some minor changes could have been made.
Question 6
The equipment used for the project was a camera and tripod. The recording quality was not as high as expected but was improved using Final Cut Pro. Filming encountered problems with weather, as it was difficult to find a suitable day without rain or snow outside. Final Cut Pro was simple to use and gave the movie a professional finish, though more sound files would allow for more genres. Garage Band was too complicated and unable to create desired sounds. Overall, some technologies like camera quality and Garage Band could be improved, but Final Cut Pro is very useful for amateur movie makers.
Question 4 final
The document discusses targeting teenagers ages 15+ as the audience for a horror movie. Research was done into the British Board of Film Classification age ratings to determine the movie should be rated 15+. Teenagers are seen as a safe bet financially since they have disposable income and are likely to see a movie if released during a holiday with free time. To attract this audience, the document discusses conducting a survey to determine popular horror conventions. The results were mixed, so a paranormal-based movie was chosen incorporating elements of being stalked by a serial killer, kidnapping, demons and ghosts found appealing in the survey responses.
Pitch sheet
Two girls were walking to meet someone but one wanted to go home due to being cold, leaving the other girl alone as she continued walking. Unaware that she was being followed, the girl was then captured by demon hunters who had been tracking her due to evidence that she was possessed by a powerful demon. One of the demon hunters went to report the news of capturing the girl to the others.
Draft for question 4
My product is aimed at teenagers around 15 years old and older because the film contains violence and strong language. This age range also has more disposable income, giving the film a better chance of financial success.
Draft for question 5
The document describes a survey conducted to determine the public's favorite film elements to help create a horror movie. The results were analyzed and used to make the movie. A poster was then made to advertise the horror movie, using font and words like "coming soon" to target and tease the intended audience. Advertising to a target audience provides publicity and a better chance of financial success.
Question 3
Warner Brothers should distribute the filmmaker's movie because they are a successful US film company that has released many profitable horror movies, like I Am Legend and The Conjuring. Distributing with Warner Brothers would attract large audiences and ensure box office success, even though it may be more expensive than a smaller distributor. The filmmaker believes higher distribution costs would be offset by increased revenue from Warner Brothers promoting and releasing the film.
Draft for question 2
The film aims to sell to teenagers and portrays them as normal in casual clothing, though the opening has no dialogue, the actors speak like real teens using foul language and innuendos. It uses the female being killed stereotype but with a twist where the female attempts to fight back. The director does not intend to convey a specific message to the audience.
Draft for question 1
1) The author decided to make a horror movie and researched horror conventions like killers, victims, locations and styles. Houses and serial killers most appealed to them.
2) They analyzed the opening of Resident Evil for ideas and watched the titles of Pacific Rim to determine where to place their own titles.
3) A survey found serial killers were not the scariest convention, so the author decided to use serial killers to be different from the majority.
Evaluation
The student performed a solo and ensemble for their unit assessment. For their solo, they felt it went well overall but made some minor mistakes that affected their timing. Their technical skills have improved over the year. For the ensemble, they played bass and guitar and were impressed that it went better than expected, though they feel they could improve their skills and use more techniques if they performed it again.
Sound scape
The document discusses creating a sound scape for a movie. It will feature ambient sounds in the opening with no dialogue to build suspense, along with a victim's shriek. Guitar chords in the key of low C will be played to give the opening a dark edge.
Sound scape
The document discusses creating a sound scape for a movie. It will include ambient sounds and a guitar played in low C key for the opening scene, which builds suspense without dialogue. A shriek will be the only sound effect when the victim screams. Audio is an important part of film and many are famous for their music and sounds used in production.
Shots sheet
This document outlines 10 shots that will be used in a film to depict a killer murdering victims in a room. Shot 1 is a low angle tracking shot that follows the killer walking in a dark setting where their identity is obscured. Shot 2 is a tilt establishing shot that introduces the victims in the room under low key lighting to create a cold feeling. Shot 3 is a long shot showing the main victim tied against the wall. Shot 4 is a point of view shot through the eyes of the main victim showing the other two dead victims.
Risk assessment
This document outlines potential risks for a film shoot and describes how the filmmaker will prevent them. It includes risks such as illness or injury of cast members, broken equipment, bad weather interfering with outdoor filming, on-set injuries, and low battery life in the camera. The filmmaker takes responsibility for all risks and provides prevention strategies such as having replacement cast, safely storing equipment, checking the weather forecast, ensuring a safe working environment, and fully charging the camera battery.
Storyboard
The storyboard document outlines the camera shots that will be used to film a murder scene. It begins with a tilt up revealing bodies on the ground, including two dead and one alive victim bound at the hands and feet. Various shots are described to show the killer approaching and entering the building where the victim is located. The storyboard ends with shots of the killer throwing a knife, walking toward and hitting the victim, then pushing the victim to the ground while choking them.
Isolated
This 3 sentence summary describes the key events and shots in a film clip: The clip takes place in an abandoned house with low lighting where two bodies are found dead and one is still alive struggling to escape. As ominous diegetic music plays, the killer approaches the house and enters through a match cut, using cross cuts to build suspense of the killer's approaching. Upon entering, the killer strangles the last surviving victim, shown through a long shot of their shadows before the camera pans out, ending the clip.
Audience research analysis
The document analyzes survey responses from the public about their movie preferences to help determine the genre and content for a new film project. Most respondents liked horror movies and were open to gore and R-rated films. Common favorites included films like The Quiet Ones and The Shining, showing varied tastes. Film noir and thriller genres received few responses, indicating low popularity. Respondents also found serial killers the scariest subject matter.
Certificate research
The document discusses film certificates and their criteria to help determine a suitable certificate for the author's film. A U certificate is for all audiences and contains mild language and brief violence. PG allows bullying, racism, bad language and mild violence. 12A requires children under 12 be accompanied by an adult and contains nudity, language, and moderate violence. A 15 certificate includes strong violence, language, sexual content and references. An 18 certificate has no limits and contains strong violence, gore and discrimination. The author decides an 18 is suitable due to graphic content but notes it may limit their audience.
Pacific rim title sequence
The document lists the timing of title cards in the opening title sequence of the film Pacific Rim, including credits for the director, writers, producers, cast members, and studios. It provides the timing for title cards crediting Guillermo del Toro as director from 00:02 to 00:08, and then continues listing timing of title cards for screenplay writers, producers, cast members, and studios from 00:14 to 02:10.
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Chapter-1
Introduction to objective, scope and outcome the subject
Chapter 2
Introduction: Scope and Specialization of Civil Engineering, Role of civil Engineer in Society, Impact of infrastructural development on economy of country.
Chapter 3
Surveying: Object Principles & Types of Surveying; Site Plans, Plans & Maps; Scales & Unit of different Measurements.
Linear Measurements: Instruments used. Linear Measurement by Tape, Ranging out Survey Lines and overcoming Obstructions; Measurements on sloping ground; Tape corrections, conventional symbols. Angular Measurements: Instruments used; Introduction to Compass Surveying, Bearings and Longitude & Latitude of a Line, Introduction to total station.
Levelling: Instrument used Object of levelling, Methods of levelling in brief, and Contour maps.
Chapter 4
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Transportation: Introduction to Transportation Engineering; Traffic and Road Safety: Types and Characteristics of Various Modes of Transportation; Various Road Traffic Signs, Causes of Accidents and Road Safety Measures.
Chapter 6
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Water Pollution: Water Quality standards, Introduction to Treatment & Disposal of Waste Water. Reuse and Saving of Water, Rain Water Harvesting. Solid Waste Management: Classification of Solid Waste, Collection, Transportation and Disposal of Solid. Recycling of Solid Waste: Energy Recovery, Sanitary Landfill, On-Site Sanitation. Air & Noise Pollution: Primary and Secondary air pollutants, Harmful effects of Air Pollution, Control of Air Pollution. . Noise Pollution Harmful Effects of noise pollution, control of noise pollution, Global warming & Climate Change, Ozone depletion, Greenhouse effect
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glossary
- 1. Word Definition Example High/low angle An angle used to add emphasis to someone or something (low angle makes you look powerful and big, high angle makes you look small) Birds eye view A shot took directly overhead to show an area Pan Static camera movement from left to right
- 2. tilt Static camera movement up and down Crane/mechanical shot Crane used to get unusual shots Steadicam Camera is put on tripod for steadiness
- 3. Zoom/ reverse zoom Camera zooms in/out of selected item Deep focus Element at different depths are still in focus Shallow focus Used in close ups for the viewers to focus on the characters
- 4. Rule of thirds This is where the frame is divided into 9 sections Eye line match To show that characters are talking to/ looking at each other Long shot Shot taken from a distance
- 5. Medium shot Shot taken from waste up Medium close up Shot from shoulders up Close up Shot of face
- 6. Extreme close up Shot of certain facial features Pull focus Camera moves onto something/ someone else Ariel shot Shot taken from the sky
- 7. Establishing shot Establishes where the action is going to take place Point of view Shot is made to look like it is through the eyes of a person. Two shot A type of shot where the camera compasses two people. They do not need to be side by side
- 8. Canted frame Where the camera is tilted to give an uneasy feeling. Over the shoulder shot A shot of a person from the view of another person