What&#x27;s it all for - John Ellis

Euscreen is a project funded by the European Commission to explore Europe's television heritage by making metadata and content accessible online through Europeana. The project involves archives, technology providers, research organizations and associate partners selecting content, making metadata interoperable using EBUcore and EDM standards, and providing different levels of access such as public viewing, commenting, exhibitions and derivative works.

EUscreen at IAMHIST Symposium

Untold Stories: an overview

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EUscreen MW2012 Demo

The document summarizes EUscreen, a Best Practice Network funded by the European Commission to provide access to Europe's television heritage. The network includes 27 partners such as archives and technology providers. It aims to contribute 35,000 television items to Europeana with consistent metadata based on EBUcore. The network develops tools to facilitate accessing, commenting on, embedding, and remixing television content from European archives.

Steven Stegers Moving Images in History Education

Content in Motion | Curating Europe’s Audiovisual Heritage Conference, December 3-4 2015; www.euscreenxl2015.eu The teaching of film literacy is an “uncommon and sporadic practice”. This was the answer of 62% of the 6,701 teachers who participated in a European-wide survey. Only 5% teachers answered it is a “widespread and common practice”. Why is the teaching of film literacy not more widespread? Especially since having access to equipment is no longer a barrier and film and television have a major impact on the way young people see and understand the world. This session tries to see why moving images are not used more and what can be done. It will do so by looking into current practices, presenting potential use cases, and identifying learning objectives that can only be reached by using moving images.

Elsa Coupard & Claude Mussou: Curating History with French Audiovisual Archives

Content in Motion | Curating Europe’s Audiovisual Heritage Conference, December 3-4 2015; www.euscreenxl2015.eu This session presents Jalons (Milestones), an online service aimed at the educational community, created by Ina in partnership with the French Ministry of Education. Ina (Institut national de l’audiovisuel) was created in 1975. It is one of the world's largest broadcast archives, with collections spanning over 60 years for TV and 80 years for radio. As many documents in these collections take part in the narrative of history in the last century and onward, they are indispensable for education and training.

Content in Motion | Curating Europe’s Audiovisual Heritage Conference, December 3-4 2015; www.euscreenxl2015.eu The presentation focuses on the challenges and opportunities of transmedia storytelling in media history. The massive digitization of historical sources and their online availability have a deep impact on the practice of doing history in the digital age and require new forms of historical research and storytelling. Drawing from studies in digital storytelling and multimedia narratives, this lecture aims at exploring new forms of non-linear historical storytelling online. In addition, it will address tensions between disciplinary traditions and a lack of scholarly recognition of new genres and formats of online scholarship.

Jean Christophe Meyer: Histoire Parallèle/Die Woche vor 50 Jahren – Lieu de m...

Content in Motion | Curating Europe’s Audiovisual Heritage Conference, December 3-4 2015; www.euscreenxl2015.eu This paper is aimed first at analyzing the initial public impact of Histoire Parallèle/Die Woche vor 50 Jahren, which aired weekly first on la Sept and then on French-German TV channel Arte from 1989 to 2001. The 55-minute show exploited newsreel material, systematically presenting it in the original full length after exactly 50 years after its initial release in movie theatres. It covered a period stretching from the beginning of World War II until the end of the Marshall Plan. It simultaneously illustrated contradictive perspectives of several nations at war with each other. This part of the show lasted for 40 minutes. Then, for the final quarter of an hour, the show’s mainstay host, historian Marc Ferro discussed the material presented with a guest, usually a scholar. Despite the fact that the show could never be sold to foreign channels or rebroadcast, it still arouses great interest. Therefore our paper intends to explore how and to what extent content curation may contribute to it becoming a transnational or European Lieu de mémoire.

Open Video and EUscreen

wvdheuvel

Digital Libraries and Europe

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Collections Trust is a UK organization that helps cultural heritage institutions manage their collections digitally. It has created platforms like Culture Grid that aggregate over 1.7 million images from museums and libraries. The EU has invested in digitizing European cultural heritage through initiatives like i2010 and Europeana, an online portal providing access to cultural works. Collections Trust coordinates UK involvement in Europeana and represents the UK in discussions around accelerating the rate of digitization.

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Maine_SharedCollections

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The document provides information about Europeana, a digital platform that aggregates and provides access to millions of books, paintings, films, museum objects and archival documents that have been digitized throughout Europe. It discusses Europeana's vision of making cultural heritage openly accessible online to promote cultural understanding. Key points include that Europeana receives content from over 2,200 providers, has over 26 million digitized objects, and uses an API to allow developers to build apps and websites that incorporate Europeana content.

Research and Development at Sound and Vision

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VIEW Journal of European Television History and Culture is an open access, peer-reviewed journal that provides an international platform for academic research and archival reflection on European television history and culture. The journal aims to bridge academics and archivists, television scholarship across Europe, and stimulate new forms of online storytelling and creative reuse of audiovisual material. It faces challenges in mediating a common language between disciplines, producing pan-European television histories, dealing with copyrights, and integrating new narrative formats. The journal is a multimedia platform that supports new approaches to television history like collaborative and history from below projects using archival audiovisual sources.

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The document discusses People's Collection Wales (PCW), an online platform that provides access to cultural heritage materials from Welsh museums, archives, and libraries. It was developed by CyMAL (Museums, Archives and Libraries Wales) to raise awareness of Welsh cultural identity and history. PCW aggregates digitized content from various cultural organizations and also allows local groups and individuals to contribute their own digital collections. It aims to provide online resources, learning materials, social networking, and virtual access to promote Welsh heritage.

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Slides for the presentation given at the MTSR 2016 conference in Gottingen, Germany for the paper "Exploring Audiovisual Archives through Aligned Thesauri" by Victor de Boer, Matthias Priem, Michiel Hildebrand, Nico Verplancke, Arjen de Vries, and Johan Oomen. In this paper, we present a case study where partial collections of two audiovisual archives (Netherlands Institute for Sound and Vision and VIAA) are connected by aligning their thesauri. We report on the conversion of one of the thesauri to SKOS and on the subsequent application of an interactive alignment tool CultuurLINK. Finally, we introduce an cross-collection browser which uses the produced alignment to allow users to explore connections between the two collections.

Open Images: Culture is lively, when it is reused!

The Netherlands Institute for Sound and Vision (NISV) manages over 70% of Dutch audiovisual heritage in its collection, including over a million hours of television, radio, music and film from 1898 to present. NISV aims to make as much of its collection publicly available online as possible under various open licenses, while obtaining permissions for material with third party rights. Its Open Images platform shares over 150 hours each of video and audio openly online, which has been reused over 160 million times on Wikipedia and elsewhere, though this represents only 0.03% of NISV's total collection.

Whelf Digital Strategy

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WHELF (Wales Higher Education Libraries Forum) is a collaboration between higher education libraries in Wales with the mission to influence policymakers, implement collaborative services, and raise the profile of HE libraries' work. Key WHELF projects include information literacy initiatives, e-book deals, a Welsh repository network, and an e-thesis harvesting service. WHELF is also developing a digitization strategy to create and share digital content from Welsh institutions in order to support learning and research. Separately, the National Library of Wales and other Welsh cultural institutions are involved in the People's Collection Wales project, a major digitization initiative funded by the Welsh Assembly government. WHELF aims to examine how its members can work together

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Presentation of the EuropeanaTV pilot as was shown at the Europeana Space conference in Venice, Italy at the Ca Foscari University October 16th. The EuropeanaTV pilot aims to create a toolkit for creative thinkers and developers to tinker with and design new applications that promote the (re)use of cultural heritage for TV in Europe. The toolkit aims not just to inspire but to directly assist in the creation of new applications. A EuropeanaTV Hackathon will be held in The Netherlands in April 2015. Stay tuned!

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This document discusses how Dutch cultural heritage institutions ("GLAMs") have successfully reached millions of people each month through Wikimedia projects like Wikipedia. It notes that 29 Dutch GLAMs contribute content like photos, artworks and recordings to Wikimedia Commons. Currently over 54,000 unique objects from Dutch GLAMs are reused over 110,000 Wikipedia pages, generating over 155 million page views in a single month. By openly sharing their digital collections, Dutch GLAMs have helped educate audiences of hundreds of millions about Dutch cultural heritage each year through Wikimedia.

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The document discusses annotation in the digital preservation lifecycle. It describes how an annotation environment can be used to import digital items, annotate them with descriptive, preservation and provenance metadata, and export the metadata in standard formats like ESE and EBU Core. The annotation environment supports features like a RESTful API and multiple XSLT import/export. Improvements discussed include adding batch processing, group creation, statistics, thesaurus integration and SKOS concept hierarchies.

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This document summarizes the mandatory metadata elements for the EUscreen digital archive project. It lists 18 mandatory elements including identifier, material type, item type, title, summary, keywords, genre, topic, and publisher/broadcaster. For each element it provides the name, definition, allowed values or format, and examples. The metadata scheme is based on EBUcore and is compatible with prior schemes like Video Active.

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This document summarizes a presentation about Europeana and the EUscreen project. Europeana is a digital library that aggregates cultural heritage from European institutions to provide a single access point. The EUscreen project contributes television archive content to Europeana by developing tools for metadata harvesting and normalization. It aims to provide 35,000 television objects to Europeana by 2012 to help users explore Europe's television heritage.

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EUscreen is a project funded by the European Commission to provide access to a collection of over 35,000 digitized television items from broadcasters and archives across Europe. The project involves 28 partners from 19 EU countries working to develop technical solutions to make the collections highly interoperable and accessible for various uses including education, research, cultural heritage, and open culture productions. The project will create an EUscreen portal integrated with Europeana to provide on-demand access to television content and associated metadata, and evaluate use cases through field trials with target user groups like educators, students, and researchers.

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EUscreen is a network of over 30 European audiovisual archives that provides access to television content and promotes the sharing of European broadcast heritage. It began in 2002 and has received over €15 million in funding over several projects to digitize and provide metadata for television content. Challenges include copyright issues and differing national laws, but the network provides standardized access and works to address these barriers. It aims to give educational and academic access to material that reflects Europe's shared cultural and historical experiences and the development of broadcasting. In the future, EUscreen hopes to add features like improved citation of materials, subtitles, universal playback capabilities, and links to other digital libraries and services.

EUscreen project presentation

EUscreen is a project funded by the EU to provide access to a collection of over 35,000 digitized television items from across Europe by 2011. The 27 partner organizations, including archives and broadcasters from 19 countries, will develop technical solutions to make the collections interoperable and accessible through the EUscreen portal and Europeana. The project aims to build a community around exploring and sharing European television heritage while developing educational and research resources.

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EUscreen is a consortium of 28 partners from 19 countries that received €4.3 million in funding from the European Commission to create a platform providing access to 30,000 items of television content from European broadcasters and archives. The project aims to improve access to audiovisual holdings in Europe, develop an interoperable platform, support content with metadata and contextual information, and establish a best practices network. Royal Holloway's role is to select content in historical topics, special collections, and comparative virtual exhibitions.

EUscreen Multimedia Presentation

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EUscreen is a project funded by the European Union to provide access to a collection of over 35,000 digitized television items from 27 partner organizations across Europe. The project aims to develop technical solutions to make the audiovisual collections interoperable and accessible on Europeana. It will launch an integrated portal in month 14 including the first batch of content and test user scenarios. The full collection and results of testing will be delivered by the end of the 36 month project.

Europeana Essentials - Latest

Europeana is a digital platform that provides access to over 31.5 million digitized items from European cultural heritage institutions. It aims to make cultural works openly accessible online. Content is aggregated from over 2,300 institutions and includes books, photographs, paintings, newspapers, and more. Europeana's goal is to engage people with cultural heritage through its website and by facilitating reuse of its data through APIs and hackathons.

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Talk given at COPEAM 2018. “Heritage and Media – Preserving the future through our past: an opportunity for growth and democracy?” Calviá - Mallorca, 10-12 May 2018 Hotel Meliá Calviá Beach Calle Violeta, 1 Calviá Beach - 07181 Mallorca, Spain Cultural heritage embraces resources inherited from the past and offers a great variety of opportunities to the present: monuments, sites and traditions, but also visual arts, cinema, TV and radio archives. In this framework, the Media of the Euro-Mediterranean region – both traditional and new ones – have to play their role, particularly given the challenges that such issue implies in terms of content production, audiovisual documents preservation and impact of the digital transition as a tool for the safeguard and enhancement of our common heritage.

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The HOPE project aims to aggregate online social and labor history collections from across Europe. It involves partnerships between 10 institutions in 8 countries. The objectives are to develop best practices for digitization, build a social history metadata aggregator and content repository, and create an upgraded labor history portal. HOPE will provide over 880,000 digitized objects like photographs, publications, and recordings to Europeana and other online access points. This will benefit both content providers through international cooperation and users by making collections more accessible.

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EUscreen is a network of 23 European audiovisual archives that provides access to television heritage collections through an online portal. Its mission is to support durable and contextualized access to Europe's television heritage through advocacy, training, and by promoting awareness of audiovisual heritage. The portal features metadata, video collections, exhibitions and contextualization tools. EUscreen also organizes conferences and workshops. It provides value as a distribution channel within Europeana, an access point for publishing data on the web, and as an expert hub for sharing best practices. The EUscreen Foundation governs the network and plans to maintain infrastructure, strengthen its expert role, promote open access, enable collaboration, and provide training.

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This document summarizes the Europeana project and EUscreen project. Europeana aggregates metadata from content providers and makes it searchable. It provides enriched data back to providers. The EUscreen project builds on prior work to provide access to digitized television content from across Europe. It aims to develop technical and community solutions to support interoperable audiovisual collections.

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As a result of digitisation of analogue holdings and working processes, more and more material from audiovisual archies is being made available online. This marks a transformative shift, as archives and users are now sharing the same information space. Once digital and part of an open network, objects from audiovisual archives can be shared, recommended, remixed, embedded, cited, referenced to and so on. It is a far cry from several years ago, when users were obliged to visit brick and mortar institutions to access collections. This shift towards digital enables archives to fulfil their pubic missions better; crossing geographical boundaries, using new channels for content distribution, engage with user groups and use new technologies to make work processes more efficient and allow for new access points to collections. It also introduces fundamental challenges, forcing audiovisual archives to [1] rethink their role and function in the value chain of media production and modern society at large, [2] assess which activities and competences are vital to succeed in a digital context. We envision the future audiovisual archives to be smart, connected and open; using smart technologies to optimise workflows for annotation and content distribution. Collaborating with third parties to co-design and co-develop new technologies in order to manifest themselves as frontrunners rather than followers. Being connected to other sources of information (other collections, contextual sources), to a variety of often niche user communities, researchers and the creative industries. To embrace the use of standards defined by external instances rather than by the cultural heritage communities themselves. Fully embrace ‘open’ as the default to have maximum impact in society: applying open licences for content delivery, using open source software and open standards wherever possible. Promote open access to publications and so on. This keynote examines how the public mission of archives (i.e. supporting a myriad of users to utilize collections to learn, experience and create) can be achieved in a digital context. It addresses the challenges related to the role and function of institutions and provides practical insights in how archives can establish a culture of innovation to manage challenges they face today. It addresses some of the major questions audiovisual archives are faced with today.

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The document discusses how to better utilize digital heritage resources in education. There is a large amount of digitized cultural artifacts but they are underused in classrooms. Ensuring resources are well-licensed, contextualized, high-quality, and discoverable can help educators incorporate them. Developing good educational tools and providing teacher training on digital skills and resources is also important to unlocking the potential of digital heritage in the classroom. The goal is to create an enabling environment where open content can be easily used to help students develop competencies through learning with digital cultural materials.

EUscreen Outcomes

The EUscreen project aimed to provide 35,000 television-related items to Europeana. It involved 27 partner organizations, including 19 archives. Funded by the European Commission, the project ran from 2009 to 2012 and worked to select, describe, and share television content while addressing challenges like copyright and multilingual support. Partners contributed items using a standardized metadata element set based on EBUcore and mapped to Europeana's data model. Tools were created to help with metadata mapping and annotation. The project portal and visualizations provided access to the collected television heritage materials.

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The document discusses plans for establishing a Flemish Institute for Archives and Access to Audiovisual Heritage (VIAA). It notes that a large portion of existing audiovisual material is at risk of being lost, and that the institute would work to preserve Flemish audiovisual heritage for current and future generations. Several past and ongoing projects are mentioned that researched archiving solutions. The document discusses recommendations for the institute's scope and business model, including its role in long-term archiving, digitization, access policies, and whether it should have a physical public space like at 'De Krook' in Ghent. Establishing the institute is seen as an important project that learns from past expertise and requires input from various stakeholders.

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This document provides the text of a farewell lecture given at Utrecht University about European digital television heritage and its potential to foster a sense of shared European identity and culture. The lecture discusses how digitization has enabled the creation of repositories like EUscreen that aggregate television content from across Europe. This allows for new opportunities to study television history from a comparative, cross-border perspective and help people engage with the diversity of Europe's cultural heritage. However, issues around copyright and the unequal digitization of archives across countries pose challenges. The lecture argues that television, through initiatives like EUscreen, can play an important role in developing a concept of "rooted Europolitanism," where people feel a dual identity and loyalty to both their local communities

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Content in Motion | Curating Europe’s Audiovisual Heritage Conference, December 3-4 2015; www.euscreenxl2015.eu The presentation explores Europeana’s framework for measuring impact (strategy2020.europeana.eu) and the role that curation can play in maximizing the impact of AV archives. Over the past six years Europeana has developed into a full-blown platform, servicing a network of thousands of libraries, archives and museums across Europe. The most visible expression of this collective endeavour is a portal, which allows users to discover material from every member state and every domain in Europe. Europeana is now entering a new phase of its existence, which will be even more focused on the impact we can have together on our industry, the creative economy and social innovation.

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