'Discriminated Users: Engaging the Elderly with Online Audio-visual Heritage' by Daniela Treveri Gennari (Oxford Brookes University), Silvia Dibeltulo (Oxford Brookes University), Sarah Culhane (University of Bristol) - apresentation held at EUscreenXL Rome Conference 'From Audience to User: Engaging with Audiovisual Heritage Online' (http://blog.euscreen.eu/conference-programme).
Meeting the User on location by Gunnar Liestøl, University of Oslo - a presentation held at EUscreenXL Rome Conference 'From Audience to User: Engaging with Audiovisual Heritage Online' (http://blog.euscreen.eu/conference-programme).
Cross-border Extended Collective Licensing: A Solution to Online Disseminatio...EUscreen
Presentation by Johan Axhamn about cross-border extended collective licensing as a possible solution to the online dissemination of Europe’s cultural heritage at the Second EUscreen International Conference on Use and Creativity, which took place at the National Library of Sweden, Stockholm, on September 15-16, 2011.
Creating Online Access to European Archival TVEUscreen
Presentation by Erwin Verbruggen (NISV) at the NECS Conference 2012 in Lisbon, Portugal, in the panel 'Unstable Histories: The Problem of Seeing and Understanding 'Old' Television in the Digital Age'.
Meeting the User on location by Gunnar Liestøl, University of Oslo - a presentation held at EUscreenXL Rome Conference 'From Audience to User: Engaging with Audiovisual Heritage Online' (http://blog.euscreen.eu/conference-programme).
Cross-border Extended Collective Licensing: A Solution to Online Disseminatio...EUscreen
Presentation by Johan Axhamn about cross-border extended collective licensing as a possible solution to the online dissemination of Europe’s cultural heritage at the Second EUscreen International Conference on Use and Creativity, which took place at the National Library of Sweden, Stockholm, on September 15-16, 2011.
Creating Online Access to European Archival TVEUscreen
Presentation by Erwin Verbruggen (NISV) at the NECS Conference 2012 in Lisbon, Portugal, in the panel 'Unstable Histories: The Problem of Seeing and Understanding 'Old' Television in the Digital Age'.
Presentation about EUscreen at the IAMHIST Symposium on 25 February 2019 at Centre National de l'Audiovisuel, Luxembourg. Presenters - Johan Oomen (the Netherlands Institute for Sound and Vision) and Maja Drabczyk (FINA).
Steven Stegers Moving Images in History EducationEUscreen
Content in Motion | Curating Europe’s Audiovisual Heritage Conference, December 3-4 2015; www.euscreenxl2015.eu
The teaching of film literacy is an “uncommon and sporadic practice”. This was the answer of 62% of the 6,701 teachers who participated in a European-wide survey. Only 5% teachers answered it is a “widespread and common practice”. Why is the teaching of film literacy not more widespread? Especially since having access to equipment is no longer a barrier and film and television have a major impact on the way young people see and understand the world. This session tries to see why moving images are not used more and what can be done. It will do so by looking into current practices, presenting potential use cases, and identifying learning objectives that can only be reached by using moving images.
Andreas Fickers: Transmedia Storytelling and Media HistoryEUscreen
Content in Motion | Curating Europe’s Audiovisual Heritage Conference, December 3-4 2015; www.euscreenxl2015.eu
The presentation focuses on the challenges and opportunities of transmedia storytelling in media history.
The massive digitization of historical sources and their online availability have a deep impact on the practice of doing history in the digital age and require new forms of historical research and storytelling. Drawing from studies in digital storytelling and multimedia narratives, this lecture aims at exploring new forms of non-linear historical storytelling online. In addition, it will address tensions between disciplinary traditions and a lack of scholarly recognition of new genres and formats of online scholarship.
Dean Jansen: Community-Driven Video Accessibility | Content in MotionEUscreen
Content in Motion | Curating Europe’s Audiovisual Heritage Conference, December 3-4 2015; www.euscreenxl2015.eu
The presentation looks at the story of Amara – the world’s most popular crowdsourcing platform for subtitling video. The software was born out of a desire to see video become more accessible. This is made possible through the use of captions, for viewers with hearing loss, as well as subtitles, for anyone who doesn't speak the language a video was recorded in.
Amara is developed and maintained by a mission-driven nonprofit organization, the Participatory Culture Foundation. The platform has grown from a simple DIY tool into a complex ecosystem. Amara currently integrates volunteer and community-based approaches to subtitling, as well as professional services (for sustainability purposes).
Amara is used in many ways by individuals and organizations alike. Some people volunteer by captioning videos upon request, but there are also larger communities that gather around a specific organization or video publisher and translate videos – some into dozens of languages. Additionally, organizations including TED, the US National Archives, and Vimeo, have all used Amara to make video more broadly accessible.
Elsa Coupard & Claude Mussou: Curating History with French Audiovisual ArchivesEUscreen
Content in Motion | Curating Europe’s Audiovisual Heritage Conference, December 3-4 2015; www.euscreenxl2015.eu
This session presents Jalons (Milestones), an online service aimed at the educational community, created by Ina in partnership with the French Ministry of Education.
Ina (Institut national de l’audiovisuel) was created in 1975. It is one of the world's largest broadcast archives, with collections spanning over 60 years for TV and 80 years for radio. As many documents in these collections take part in the narrative of history in the last century and onward, they are indispensable for education and training.
Jean Christophe Meyer: Histoire Parallèle/Die Woche vor 50 Jahren – Lieu de m...EUscreen
Content in Motion | Curating Europe’s Audiovisual Heritage Conference, December 3-4 2015; www.euscreenxl2015.eu
This paper is aimed first at analyzing the initial public impact of Histoire Parallèle/Die Woche vor 50 Jahren, which aired weekly first on la Sept and then on French-German TV channel Arte from 1989 to 2001.
The 55-minute show exploited newsreel material, systematically presenting it in the original full length after exactly 50 years after its initial release in movie theatres. It covered a period stretching from the beginning of World War II until the end of the Marshall Plan. It simultaneously illustrated contradictive perspectives of several nations at war with each other. This part of the show lasted for 40 minutes. Then, for the final quarter of an hour, the show’s mainstay host, historian Marc Ferro discussed the material presented with a guest, usually a scholar. Despite the fact that the show could never be sold to foreign channels or rebroadcast, it still arouses great interest. Therefore our paper intends to explore how and to what extent content curation may contribute to it becoming a transnational or European Lieu de mémoire.
Harry Verwayen, The More You Give The More You GetEUscreen
Content in Motion | Curating Europe’s Audiovisual Heritage Conference, December 3-4 2015; www.euscreenxl2015.eu
The presentation explores Europeana’s framework for measuring impact (strategy2020.europeana.eu) and the role that curation can play in maximizing the impact of AV archives.
Over the past six years Europeana has developed into a full-blown platform, servicing a network of thousands of libraries, archives and museums across Europe. The most visible expression of this collective endeavour is a portal, which allows users to discover material from every member state and every domain in Europe. Europeana is now entering a new phase of its existence, which will be even more focused on the impact we can have together on our industry, the creative economy and social innovation.
Workshop on Contextualisation: How can AV contextualization practices benefit...EUscreen
Workshop: Focus on Contextualization by Berber Hagedoorn (Utrecht University), Daniel Ockeloen (Noterik BV), Mariana Salgado (Aalto University School of Art and Design), Willemien Sanders (Utrecht University), Eleonora Mazzoli (Utrecht University) - a workshop held at EUscreenXL Rome Conference 'From Audience to User: Engaging with Audiovisual Heritage Online' (http://blog.euscreen.eu/conference-programme).
Quality and quantity: opening up the archivesEUscreen
Quality and quantity: opening up the archives by Katja Bargum (YLE) - a presentation held at EUscreenXL Rome Conference 'From Audience to User: Engaging with Audiovisual Heritage Online' (http://blog.euscreen.eu/conference-programme).
Audiovisual material. What do teachers want?EUscreen
Audiovisual material. What do teachers want? by Karen Vander Plaetse (VIAA) - a presentation held at EUscreenXL Rome Conference 'From Audience to User: Engaging with Audiovisual Heritage Online' (http://blog.euscreen.eu/conference-programme).
'London's Screen Archives' by Rebekah Polding - a presentation held at EUscreenXL Rome Conference 'From Audience to User: Engaging with Audiovisual Heritage Online' (http://blog.euscreen.eu/conference-programme).
'New EUscreen Portal' by Sian Barber (Queen’s University Belfast), Kamila Lewandowska (National Audiovisual Institute) and Rutger Rozendal (Noterik) - a presentation held at EUscreenXL Rome Conference 'From Audience to User: Engaging with Audiovisual Heritage Online' (http://blog.euscreen.eu/conference-programme).
LinkedTV. Engaging TV viewers with AudioVisual heritage on second screens EUscreen
'LinkedTV. Engaging TV viewers with AudioVisual heritage on second screens' by Lyndon Nixon (MODUL University, Vienna) and Lotte Belice Baltussen (Sound and Vision, Hilversum) - a presentation held at EUscreenXL Rome Conference 'From Audience to User: Engaging with Audiovisual Heritage Online' (http://blog.euscreen.eu/conference-programme).
NInA. Ways of engaging users. Focus: Audiovisual CollectionsEUscreen
'Ways of engaging users. Focus: Audiovisual Collections' by Michał Merczyński, director of National Audiovisual Institute of Poland (NInA) - presentation held at EUscreenXL Rome Conference 'From Audience to User: Engaging with Audiovisual Heritage Online' (http://blog.euscreen.eu/conference-programme). A story on Institute's online and offline activities aimed at creating context and making access to AV archives more user-friendly.
EUscreenXL @BAAC 2014 Annual Conference in RigaEUscreen
"Going EUscreenXL: on the joys and challenges of participating in a pan-European AV heritage project" by Maria Drabczyk (NInA), Kamila Lewandowska (NInA), Eve-Marie Oesterlen (BUFVC)
The perfect Sundabet Slot mudah menang Promo new member Animated PDF for your conversation. Discover and Share the best GIFs on Tenor
Admin Ramah Cantik Aktif 24 Jam Nonstop siap melayani pemain member Sundabet login via apk sundabet rtp daftar slot gacor daftar
Presentation about EUscreen at the IAMHIST Symposium on 25 February 2019 at Centre National de l'Audiovisuel, Luxembourg. Presenters - Johan Oomen (the Netherlands Institute for Sound and Vision) and Maja Drabczyk (FINA).
Steven Stegers Moving Images in History EducationEUscreen
Content in Motion | Curating Europe’s Audiovisual Heritage Conference, December 3-4 2015; www.euscreenxl2015.eu
The teaching of film literacy is an “uncommon and sporadic practice”. This was the answer of 62% of the 6,701 teachers who participated in a European-wide survey. Only 5% teachers answered it is a “widespread and common practice”. Why is the teaching of film literacy not more widespread? Especially since having access to equipment is no longer a barrier and film and television have a major impact on the way young people see and understand the world. This session tries to see why moving images are not used more and what can be done. It will do so by looking into current practices, presenting potential use cases, and identifying learning objectives that can only be reached by using moving images.
Andreas Fickers: Transmedia Storytelling and Media HistoryEUscreen
Content in Motion | Curating Europe’s Audiovisual Heritage Conference, December 3-4 2015; www.euscreenxl2015.eu
The presentation focuses on the challenges and opportunities of transmedia storytelling in media history.
The massive digitization of historical sources and their online availability have a deep impact on the practice of doing history in the digital age and require new forms of historical research and storytelling. Drawing from studies in digital storytelling and multimedia narratives, this lecture aims at exploring new forms of non-linear historical storytelling online. In addition, it will address tensions between disciplinary traditions and a lack of scholarly recognition of new genres and formats of online scholarship.
Dean Jansen: Community-Driven Video Accessibility | Content in MotionEUscreen
Content in Motion | Curating Europe’s Audiovisual Heritage Conference, December 3-4 2015; www.euscreenxl2015.eu
The presentation looks at the story of Amara – the world’s most popular crowdsourcing platform for subtitling video. The software was born out of a desire to see video become more accessible. This is made possible through the use of captions, for viewers with hearing loss, as well as subtitles, for anyone who doesn't speak the language a video was recorded in.
Amara is developed and maintained by a mission-driven nonprofit organization, the Participatory Culture Foundation. The platform has grown from a simple DIY tool into a complex ecosystem. Amara currently integrates volunteer and community-based approaches to subtitling, as well as professional services (for sustainability purposes).
Amara is used in many ways by individuals and organizations alike. Some people volunteer by captioning videos upon request, but there are also larger communities that gather around a specific organization or video publisher and translate videos – some into dozens of languages. Additionally, organizations including TED, the US National Archives, and Vimeo, have all used Amara to make video more broadly accessible.
Elsa Coupard & Claude Mussou: Curating History with French Audiovisual ArchivesEUscreen
Content in Motion | Curating Europe’s Audiovisual Heritage Conference, December 3-4 2015; www.euscreenxl2015.eu
This session presents Jalons (Milestones), an online service aimed at the educational community, created by Ina in partnership with the French Ministry of Education.
Ina (Institut national de l’audiovisuel) was created in 1975. It is one of the world's largest broadcast archives, with collections spanning over 60 years for TV and 80 years for radio. As many documents in these collections take part in the narrative of history in the last century and onward, they are indispensable for education and training.
Jean Christophe Meyer: Histoire Parallèle/Die Woche vor 50 Jahren – Lieu de m...EUscreen
Content in Motion | Curating Europe’s Audiovisual Heritage Conference, December 3-4 2015; www.euscreenxl2015.eu
This paper is aimed first at analyzing the initial public impact of Histoire Parallèle/Die Woche vor 50 Jahren, which aired weekly first on la Sept and then on French-German TV channel Arte from 1989 to 2001.
The 55-minute show exploited newsreel material, systematically presenting it in the original full length after exactly 50 years after its initial release in movie theatres. It covered a period stretching from the beginning of World War II until the end of the Marshall Plan. It simultaneously illustrated contradictive perspectives of several nations at war with each other. This part of the show lasted for 40 minutes. Then, for the final quarter of an hour, the show’s mainstay host, historian Marc Ferro discussed the material presented with a guest, usually a scholar. Despite the fact that the show could never be sold to foreign channels or rebroadcast, it still arouses great interest. Therefore our paper intends to explore how and to what extent content curation may contribute to it becoming a transnational or European Lieu de mémoire.
Harry Verwayen, The More You Give The More You GetEUscreen
Content in Motion | Curating Europe’s Audiovisual Heritage Conference, December 3-4 2015; www.euscreenxl2015.eu
The presentation explores Europeana’s framework for measuring impact (strategy2020.europeana.eu) and the role that curation can play in maximizing the impact of AV archives.
Over the past six years Europeana has developed into a full-blown platform, servicing a network of thousands of libraries, archives and museums across Europe. The most visible expression of this collective endeavour is a portal, which allows users to discover material from every member state and every domain in Europe. Europeana is now entering a new phase of its existence, which will be even more focused on the impact we can have together on our industry, the creative economy and social innovation.
Workshop on Contextualisation: How can AV contextualization practices benefit...EUscreen
Workshop: Focus on Contextualization by Berber Hagedoorn (Utrecht University), Daniel Ockeloen (Noterik BV), Mariana Salgado (Aalto University School of Art and Design), Willemien Sanders (Utrecht University), Eleonora Mazzoli (Utrecht University) - a workshop held at EUscreenXL Rome Conference 'From Audience to User: Engaging with Audiovisual Heritage Online' (http://blog.euscreen.eu/conference-programme).
Quality and quantity: opening up the archivesEUscreen
Quality and quantity: opening up the archives by Katja Bargum (YLE) - a presentation held at EUscreenXL Rome Conference 'From Audience to User: Engaging with Audiovisual Heritage Online' (http://blog.euscreen.eu/conference-programme).
Audiovisual material. What do teachers want?EUscreen
Audiovisual material. What do teachers want? by Karen Vander Plaetse (VIAA) - a presentation held at EUscreenXL Rome Conference 'From Audience to User: Engaging with Audiovisual Heritage Online' (http://blog.euscreen.eu/conference-programme).
'London's Screen Archives' by Rebekah Polding - a presentation held at EUscreenXL Rome Conference 'From Audience to User: Engaging with Audiovisual Heritage Online' (http://blog.euscreen.eu/conference-programme).
'New EUscreen Portal' by Sian Barber (Queen’s University Belfast), Kamila Lewandowska (National Audiovisual Institute) and Rutger Rozendal (Noterik) - a presentation held at EUscreenXL Rome Conference 'From Audience to User: Engaging with Audiovisual Heritage Online' (http://blog.euscreen.eu/conference-programme).
LinkedTV. Engaging TV viewers with AudioVisual heritage on second screens EUscreen
'LinkedTV. Engaging TV viewers with AudioVisual heritage on second screens' by Lyndon Nixon (MODUL University, Vienna) and Lotte Belice Baltussen (Sound and Vision, Hilversum) - a presentation held at EUscreenXL Rome Conference 'From Audience to User: Engaging with Audiovisual Heritage Online' (http://blog.euscreen.eu/conference-programme).
NInA. Ways of engaging users. Focus: Audiovisual CollectionsEUscreen
'Ways of engaging users. Focus: Audiovisual Collections' by Michał Merczyński, director of National Audiovisual Institute of Poland (NInA) - presentation held at EUscreenXL Rome Conference 'From Audience to User: Engaging with Audiovisual Heritage Online' (http://blog.euscreen.eu/conference-programme). A story on Institute's online and offline activities aimed at creating context and making access to AV archives more user-friendly.
EUscreenXL @BAAC 2014 Annual Conference in RigaEUscreen
"Going EUscreenXL: on the joys and challenges of participating in a pan-European AV heritage project" by Maria Drabczyk (NInA), Kamila Lewandowska (NInA), Eve-Marie Oesterlen (BUFVC)
The perfect Sundabet Slot mudah menang Promo new member Animated PDF for your conversation. Discover and Share the best GIFs on Tenor
Admin Ramah Cantik Aktif 24 Jam Nonstop siap melayani pemain member Sundabet login via apk sundabet rtp daftar slot gacor daftar
2137ad Merindol Colony Interiors where refugee try to build a seemengly norm...luforfor
This are the interiors of the Merindol Colony in 2137ad after the Climate Change Collapse and the Apocalipse Wars. Merindol is a small Colony in the Italian Alps where there are around 4000 humans. The Colony values mainly around meritocracy and selection by effort.
Explore the multifaceted world of Muntadher Saleh, an Iraqi polymath renowned for his expertise in visual art, writing, design, and pharmacy. This SlideShare delves into his innovative contributions across various disciplines, showcasing his unique ability to blend traditional themes with modern aesthetics. Learn about his impactful artworks, thought-provoking literary pieces, and his vision as a Neo-Pop artist dedicated to raising awareness about Iraq's cultural heritage. Discover why Muntadher Saleh is celebrated as "The Last Polymath" and how his multidisciplinary talents continue to inspire and influence.
The Legacy of Breton In A New Age by Master Terrance LindallBBaez1
Brave Destiny 2003 for the Future for Technocratic Surrealmageddon Destiny for Andre Breton Legacy in Agenda 21 Technocratic Great Reset for Prison Planet Earth Galactica! The Prophecy of the Surreal Blasphemous Desires from the Paradise Lost Governments!
2137ad - Characters that live in Merindol and are at the center of main storiesluforfor
Kurgan is a russian expatriate that is secretly in love with Sonia Contado. Henry is a british soldier that took refuge in Merindol Colony in 2137ad. He is the lover of Sonia Contado.
thGAP - BAbyss in Moderno!! Transgenic Human Germline Alternatives ProjectMarc Dusseiller Dusjagr
thGAP - Transgenic Human Germline Alternatives Project, presents an evening of input lectures, discussions and a performative workshop on artistic interventions for future scenarios of human genetic and inheritable modifications.
To begin our lecturers, Marc Dusseiller aka "dusjagr" and Rodrigo Martin Iglesias, will give an overview of their transdisciplinary practices, including the history of hackteria, a global network for sharing knowledge to involve artists in hands-on and Do-It-With-Others (DIWO) working with the lifesciences, and reflections on future scenarios from the 8-bit computer games of the 80ies to current real-world endeavous of genetically modifiying the human species.
We will then follow up with discussions and hands-on experiments on working with embryos, ovums, gametes, genetic materials from code to slime, in a creative and playful workshop setup, where all paticipant can collaborate on artistic interventions into the germline of a post-human future.
Discriminated Users: Engaging the Elderly with Online Audio-visual Heritage
1. DISCRIMINATED USERS:
ENGAGING THE ELDERLY
WITH ONLINE AUDIO-VISUAL
HERITAGE
Daniela Treveri Gennari
Oxford Brookes University
Silvia Dibeltulo
Oxford Brookes University
Sarah Culhane
University of Bristol
2.
3.
4. FACEBOOK GROUPS
Spettatori cinematografici romani degli
anni ‘50 – created in April 2012
Italian Cinema Audiences –
created in March 2014
5. PERCENTAGE OF PEOPLE WHO
HAVE NEVER USED THE
INTERNET*
*These figures reflect data from
2011
11. Elena: ‘As always I’m sorry for the odd misspelling (it’s the fault of the small smart
phone and my eyesight, I know how to punctuate (for example I need to teach myself
the accents) but I still need to learn’ [sic]
Elena, June 16th 2014
13. I VECCHI E I NUOVI
CINEMA DI ROMA
‘Hello everyone, I am a student from Sapienza too
and I am seeking information on the former Cinema
Preneste, could you please help me?’
Alessandro, May 2nd
2014
14. “FACEBOOK IS A
WINDOW ON THE
WORLD…IN THE
SILENCE OF THE
EVENING, WHEN I
GO TO BED…I
START TALKING TO
PEOPLE ON
FACEBOOK…” Elena
16. CONCLUSIONS
•Collaboration between old and young
generations
•Create an online space
•Engage older users by:
- Providing an online context for both digital
natives and immigrants
- Seeking feedback
- Rewarding active participation
17. THANK YOU!
Website: http://italiancinemaaudiences.org/
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Follow us @cinema_memories