The challenges of making Europe's newspapers available onlineLIBER Europe
tPresentation from WLIC2013. Reports on a survey conducted by the Europeana Newspaper project of digitised newspaper collections in LIBER (European research) libraries.
The Effect of ARIADNE: A Success Story Why ARIADNE Counts ariadnenetwork
ARIADNE Final Event, Florence, 16 December 2016
These slides are also complimented by a series of short slides. "ARIADNE - Success stories from partners and the research community"
Europeana Creative WP4 Pilots progress (Year 1) Vienna 28.01.2014Lizzy Komen
A presentation on the progress of the Pilots workpackage as part of the Europeana Creative project, given at the All Partner meeting in Vienna, 28 January 2014
http://www.dish2011.nl/sessions/re-use-of-audiovisual-collections
The core aim of the EUscreen project is to develop a highly interoperable platform that allows the multicultural and multilingual exploration of European television content and metadata from 20 EU member states, integrated into and harmonized with Europeana. The EUscreen portal (http://www.euscreen.eu) will make publicly available a wide collection of >30.000 items of television programming of the consortium content providers throughout Europe. EUscreen is a Best Practice Network and funded by eContentPlus programme of the European Commission.
During Dish2009, EUscreen was also part of the programme with a presentation about Open video and enabling open cultural productions within the project. This presentation was mainly based on our initial ideas about open cultural productions. Now, two years later, we propose to present the results so far and to share our experiences and lessons learned, not only about open cultural experiences, but from a broader perspective: the design of a public participation platform for various creative use activities.
The presentation focuses on combining policy-driven and user-driven aspects, and discusses how to incorporate them in the design of a public participation platform like EUscreen. The EUscreen portal aims to offer digital tools for multiple uses and creative activities of identified user groups: education and research, cultural heritage institutions, media professionals and the general public. In many cases these solutions require special agreements and granting specific rights for the portal users. In order for EUscreen to design and provide functionalities that enable not only viewing the content through the portal, but also e.g. sharing and enriching the video content, it is necessary to understand what requirements and consequences the EUscreen video collection sets for the portal in practice. The audiovisual content offered by EUscreen's Content Providers have very different restrictions and permissions, therefore the design of the portal should take this into account and provide flexible, easy-to-understand tools for creative activities that can accommodate for the variation in the content IPR.
Through the EUscreen case, this presentation aims to discuss the challenges and opportunities to design a public participation platform for various creative use activities, and puts special attention to discuss the chosen strategies and approach taken.
Publishing Europe's Television History on the WebEUscreen
This presentation focuses on the role of Linked Open Data in the content ingestion for the EUscreen platform, a portal that offers free access to videos, stills, texts and rich metadata, covering major events in Europe (and beyond) as well as providing insights into how people in Europe have lived for over the last sixty years.
This presentation was given at the International Workshop on Semantic Digital Archives, (TPDL 2011, Berlin) by Nikolaos Simou, Technical University of Athens (NTUA).
The challenges of making Europe's newspapers available onlineLIBER Europe
tPresentation from WLIC2013. Reports on a survey conducted by the Europeana Newspaper project of digitised newspaper collections in LIBER (European research) libraries.
The Effect of ARIADNE: A Success Story Why ARIADNE Counts ariadnenetwork
ARIADNE Final Event, Florence, 16 December 2016
These slides are also complimented by a series of short slides. "ARIADNE - Success stories from partners and the research community"
Europeana Creative WP4 Pilots progress (Year 1) Vienna 28.01.2014Lizzy Komen
A presentation on the progress of the Pilots workpackage as part of the Europeana Creative project, given at the All Partner meeting in Vienna, 28 January 2014
http://www.dish2011.nl/sessions/re-use-of-audiovisual-collections
The core aim of the EUscreen project is to develop a highly interoperable platform that allows the multicultural and multilingual exploration of European television content and metadata from 20 EU member states, integrated into and harmonized with Europeana. The EUscreen portal (http://www.euscreen.eu) will make publicly available a wide collection of >30.000 items of television programming of the consortium content providers throughout Europe. EUscreen is a Best Practice Network and funded by eContentPlus programme of the European Commission.
During Dish2009, EUscreen was also part of the programme with a presentation about Open video and enabling open cultural productions within the project. This presentation was mainly based on our initial ideas about open cultural productions. Now, two years later, we propose to present the results so far and to share our experiences and lessons learned, not only about open cultural experiences, but from a broader perspective: the design of a public participation platform for various creative use activities.
The presentation focuses on combining policy-driven and user-driven aspects, and discusses how to incorporate them in the design of a public participation platform like EUscreen. The EUscreen portal aims to offer digital tools for multiple uses and creative activities of identified user groups: education and research, cultural heritage institutions, media professionals and the general public. In many cases these solutions require special agreements and granting specific rights for the portal users. In order for EUscreen to design and provide functionalities that enable not only viewing the content through the portal, but also e.g. sharing and enriching the video content, it is necessary to understand what requirements and consequences the EUscreen video collection sets for the portal in practice. The audiovisual content offered by EUscreen's Content Providers have very different restrictions and permissions, therefore the design of the portal should take this into account and provide flexible, easy-to-understand tools for creative activities that can accommodate for the variation in the content IPR.
Through the EUscreen case, this presentation aims to discuss the challenges and opportunities to design a public participation platform for various creative use activities, and puts special attention to discuss the chosen strategies and approach taken.
Publishing Europe's Television History on the WebEUscreen
This presentation focuses on the role of Linked Open Data in the content ingestion for the EUscreen platform, a portal that offers free access to videos, stills, texts and rich metadata, covering major events in Europe (and beyond) as well as providing insights into how people in Europe have lived for over the last sixty years.
This presentation was given at the International Workshop on Semantic Digital Archives, (TPDL 2011, Berlin) by Nikolaos Simou, Technical University of Athens (NTUA).
A Case of Cosmopolitan Memory? The Israeli-Palestinian Conflict and the Globa...EUscreen
Presentation by Jérôme Bourdon about global media and the Israeli-Palestinian conflict at the Second EUscreen International Conference on Use and Creativity, which took place at the National Library of Sweden, Stockholm, on September 15-16, 2011.
EUscreenXL @BAAC 2014 Annual Conference in RigaEUscreen
"Going EUscreenXL: on the joys and challenges of participating in a pan-European AV heritage project" by Maria Drabczyk (NInA), Kamila Lewandowska (NInA), Eve-Marie Oesterlen (BUFVC)
EUscreenXL @BAAC 2014 Annual Conference in RigaMaja Drabczyk
views
"Going EUscreenXL: on the joys and challenges of participating in a pan-European AV heritage project" by Maria Drabczyk (NInA), Kamila Lewandowska (NInA), Eve-Marie Oesterlen (BUFVC) presented at BAAC Anual Conference in Riga
Europeana and EUscreen. Joint AMIA/IASA Conference. Philadelphia- November 6,...Johan Oomen
The EUscreen project aims to promote the use of television content to explore Europe's rich and diverse cultural history.
It will create access to over 30,000 items of programme content and information, and by developing a number of interactive functionalities and dynamic links with Europeana it will prove valuable to the widest range of cultural, educational and recreational users.
EUscreen started in October 2009 and the project consortium, which includes 28 partner institutions from around Europe, is being co-ordinated by Utrecht University.
LoCloud EVA / Minerva Workshop 2015
Workshop organised by LoCloud as part of XIIth Annual International Conference for Professionals in Cultural Heritage,
Presentation by Holly Wright, Archaeology Data Service, United Kingdom
Jerusalem, Israel
8 November 2015
The EUscreen project aims to promote the use of television content to explore Europe's rich and diverse cultural history.
It will create access to over 30,000 items of programme content and information, and by developing a number of interactive functionalities and dynamic links with Europeana it will prove valuable to the widest range of cultural, educational and recreational users.
EUscreen started in October 2009 and the project consortium, which includes 27 partner institutions from around Europe, is being co-ordinated by Utrecht University.
More information about the project can be found on www.euscreen.eu
Presentation about EUscreen at the IAMHIST Symposium on 25 February 2019 at Centre National de l'Audiovisuel, Luxembourg. Presenters - Johan Oomen (the Netherlands Institute for Sound and Vision) and Maja Drabczyk (FINA).
Steven Stegers Moving Images in History EducationEUscreen
Content in Motion | Curating Europe’s Audiovisual Heritage Conference, December 3-4 2015; www.euscreenxl2015.eu
The teaching of film literacy is an “uncommon and sporadic practice”. This was the answer of 62% of the 6,701 teachers who participated in a European-wide survey. Only 5% teachers answered it is a “widespread and common practice”. Why is the teaching of film literacy not more widespread? Especially since having access to equipment is no longer a barrier and film and television have a major impact on the way young people see and understand the world. This session tries to see why moving images are not used more and what can be done. It will do so by looking into current practices, presenting potential use cases, and identifying learning objectives that can only be reached by using moving images.
Andreas Fickers: Transmedia Storytelling and Media HistoryEUscreen
Content in Motion | Curating Europe’s Audiovisual Heritage Conference, December 3-4 2015; www.euscreenxl2015.eu
The presentation focuses on the challenges and opportunities of transmedia storytelling in media history.
The massive digitization of historical sources and their online availability have a deep impact on the practice of doing history in the digital age and require new forms of historical research and storytelling. Drawing from studies in digital storytelling and multimedia narratives, this lecture aims at exploring new forms of non-linear historical storytelling online. In addition, it will address tensions between disciplinary traditions and a lack of scholarly recognition of new genres and formats of online scholarship.
Dean Jansen: Community-Driven Video Accessibility | Content in MotionEUscreen
Content in Motion | Curating Europe’s Audiovisual Heritage Conference, December 3-4 2015; www.euscreenxl2015.eu
The presentation looks at the story of Amara – the world’s most popular crowdsourcing platform for subtitling video. The software was born out of a desire to see video become more accessible. This is made possible through the use of captions, for viewers with hearing loss, as well as subtitles, for anyone who doesn't speak the language a video was recorded in.
Amara is developed and maintained by a mission-driven nonprofit organization, the Participatory Culture Foundation. The platform has grown from a simple DIY tool into a complex ecosystem. Amara currently integrates volunteer and community-based approaches to subtitling, as well as professional services (for sustainability purposes).
Amara is used in many ways by individuals and organizations alike. Some people volunteer by captioning videos upon request, but there are also larger communities that gather around a specific organization or video publisher and translate videos – some into dozens of languages. Additionally, organizations including TED, the US National Archives, and Vimeo, have all used Amara to make video more broadly accessible.
Elsa Coupard & Claude Mussou: Curating History with French Audiovisual ArchivesEUscreen
Content in Motion | Curating Europe’s Audiovisual Heritage Conference, December 3-4 2015; www.euscreenxl2015.eu
This session presents Jalons (Milestones), an online service aimed at the educational community, created by Ina in partnership with the French Ministry of Education.
Ina (Institut national de l’audiovisuel) was created in 1975. It is one of the world's largest broadcast archives, with collections spanning over 60 years for TV and 80 years for radio. As many documents in these collections take part in the narrative of history in the last century and onward, they are indispensable for education and training.
Jean Christophe Meyer: Histoire Parallèle/Die Woche vor 50 Jahren – Lieu de m...EUscreen
Content in Motion | Curating Europe’s Audiovisual Heritage Conference, December 3-4 2015; www.euscreenxl2015.eu
This paper is aimed first at analyzing the initial public impact of Histoire Parallèle/Die Woche vor 50 Jahren, which aired weekly first on la Sept and then on French-German TV channel Arte from 1989 to 2001.
The 55-minute show exploited newsreel material, systematically presenting it in the original full length after exactly 50 years after its initial release in movie theatres. It covered a period stretching from the beginning of World War II until the end of the Marshall Plan. It simultaneously illustrated contradictive perspectives of several nations at war with each other. This part of the show lasted for 40 minutes. Then, for the final quarter of an hour, the show’s mainstay host, historian Marc Ferro discussed the material presented with a guest, usually a scholar. Despite the fact that the show could never be sold to foreign channels or rebroadcast, it still arouses great interest. Therefore our paper intends to explore how and to what extent content curation may contribute to it becoming a transnational or European Lieu de mémoire.
Harry Verwayen, The More You Give The More You GetEUscreen
Content in Motion | Curating Europe’s Audiovisual Heritage Conference, December 3-4 2015; www.euscreenxl2015.eu
The presentation explores Europeana’s framework for measuring impact (strategy2020.europeana.eu) and the role that curation can play in maximizing the impact of AV archives.
Over the past six years Europeana has developed into a full-blown platform, servicing a network of thousands of libraries, archives and museums across Europe. The most visible expression of this collective endeavour is a portal, which allows users to discover material from every member state and every domain in Europe. Europeana is now entering a new phase of its existence, which will be even more focused on the impact we can have together on our industry, the creative economy and social innovation.
Meeting the User on location by Gunnar Liestøl, University of Oslo - a presentation held at EUscreenXL Rome Conference 'From Audience to User: Engaging with Audiovisual Heritage Online' (http://blog.euscreen.eu/conference-programme).
Workshop on Contextualisation: How can AV contextualization practices benefit...EUscreen
Workshop: Focus on Contextualization by Berber Hagedoorn (Utrecht University), Daniel Ockeloen (Noterik BV), Mariana Salgado (Aalto University School of Art and Design), Willemien Sanders (Utrecht University), Eleonora Mazzoli (Utrecht University) - a workshop held at EUscreenXL Rome Conference 'From Audience to User: Engaging with Audiovisual Heritage Online' (http://blog.euscreen.eu/conference-programme).
Quality and quantity: opening up the archivesEUscreen
Quality and quantity: opening up the archives by Katja Bargum (YLE) - a presentation held at EUscreenXL Rome Conference 'From Audience to User: Engaging with Audiovisual Heritage Online' (http://blog.euscreen.eu/conference-programme).
Audiovisual material. What do teachers want?EUscreen
Audiovisual material. What do teachers want? by Karen Vander Plaetse (VIAA) - a presentation held at EUscreenXL Rome Conference 'From Audience to User: Engaging with Audiovisual Heritage Online' (http://blog.euscreen.eu/conference-programme).
'London's Screen Archives' by Rebekah Polding - a presentation held at EUscreenXL Rome Conference 'From Audience to User: Engaging with Audiovisual Heritage Online' (http://blog.euscreen.eu/conference-programme).
Discriminated Users: Engaging the Elderly with Online Audio-visual HeritageEUscreen
'Discriminated Users: Engaging the Elderly with Online Audio-visual Heritage' by Daniela Treveri Gennari (Oxford Brookes University), Silvia Dibeltulo (Oxford Brookes University), Sarah Culhane (University of Bristol) - apresentation held at EUscreenXL Rome Conference 'From Audience to User: Engaging with Audiovisual Heritage Online' (http://blog.euscreen.eu/conference-programme).
'New EUscreen Portal' by Sian Barber (Queen’s University Belfast), Kamila Lewandowska (National Audiovisual Institute) and Rutger Rozendal (Noterik) - a presentation held at EUscreenXL Rome Conference 'From Audience to User: Engaging with Audiovisual Heritage Online' (http://blog.euscreen.eu/conference-programme).
LinkedTV. Engaging TV viewers with AudioVisual heritage on second screens EUscreen
'LinkedTV. Engaging TV viewers with AudioVisual heritage on second screens' by Lyndon Nixon (MODUL University, Vienna) and Lotte Belice Baltussen (Sound and Vision, Hilversum) - a presentation held at EUscreenXL Rome Conference 'From Audience to User: Engaging with Audiovisual Heritage Online' (http://blog.euscreen.eu/conference-programme).
NInA. Ways of engaging users. Focus: Audiovisual CollectionsEUscreen
'Ways of engaging users. Focus: Audiovisual Collections' by Michał Merczyński, director of National Audiovisual Institute of Poland (NInA) - presentation held at EUscreenXL Rome Conference 'From Audience to User: Engaging with Audiovisual Heritage Online' (http://blog.euscreen.eu/conference-programme). A story on Institute's online and offline activities aimed at creating context and making access to AV archives more user-friendly.
First Steps with Globus Compute Multi-User EndpointsGlobus
In this presentation we will share our experiences around getting started with the Globus Compute multi-user endpoint. Working with the Pharmacology group at the University of Auckland, we have previously written an application using Globus Compute that can offload computationally expensive steps in the researcher's workflows, which they wish to manage from their familiar Windows environments, onto the NeSI (New Zealand eScience Infrastructure) cluster. Some of the challenges we have encountered were that each researcher had to set up and manage their own single-user globus compute endpoint and that the workloads had varying resource requirements (CPUs, memory and wall time) between different runs. We hope that the multi-user endpoint will help to address these challenges and share an update on our progress here.
Check out the webinar slides to learn more about how XfilesPro transforms Salesforce document management by leveraging its world-class applications. For more details, please connect with sales@xfilespro.com
If you want to watch the on-demand webinar, please click here: https://www.xfilespro.com/webinars/salesforce-document-management-2-0-smarter-faster-better/
Unleash Unlimited Potential with One-Time Purchase
BoxLang is more than just a language; it's a community. By choosing a Visionary License, you're not just investing in your success, you're actively contributing to the ongoing development and support of BoxLang.
We describe the deployment and use of Globus Compute for remote computation. This content is aimed at researchers who wish to compute on remote resources using a unified programming interface, as well as system administrators who will deploy and operate Globus Compute services on their research computing infrastructure.
Accelerate Enterprise Software Engineering with PlatformlessWSO2
Key takeaways:
Challenges of building platforms and the benefits of platformless.
Key principles of platformless, including API-first, cloud-native middleware, platform engineering, and developer experience.
How Choreo enables the platformless experience.
How key concepts like application architecture, domain-driven design, zero trust, and cell-based architecture are inherently a part of Choreo.
Demo of an end-to-end app built and deployed on Choreo.
Your Digital Assistant.
Making complex approach simple. Straightforward process saves time. No more waiting to connect with people that matter to you. Safety first is not a cliché - Securely protect information in cloud storage to prevent any third party from accessing data.
Would you rather make your visitors feel burdened by making them wait? Or choose VizMan for a stress-free experience? VizMan is an automated visitor management system that works for any industries not limited to factories, societies, government institutes, and warehouses. A new age contactless way of logging information of visitors, employees, packages, and vehicles. VizMan is a digital logbook so it deters unnecessary use of paper or space since there is no requirement of bundles of registers that is left to collect dust in a corner of a room. Visitor’s essential details, helps in scheduling meetings for visitors and employees, and assists in supervising the attendance of the employees. With VizMan, visitors don’t need to wait for hours in long queues. VizMan handles visitors with the value they deserve because we know time is important to you.
Feasible Features
One Subscription, Four Modules – Admin, Employee, Receptionist, and Gatekeeper ensures confidentiality and prevents data from being manipulated
User Friendly – can be easily used on Android, iOS, and Web Interface
Multiple Accessibility – Log in through any device from any place at any time
One app for all industries – a Visitor Management System that works for any organisation.
Stress-free Sign-up
Visitor is registered and checked-in by the Receptionist
Host gets a notification, where they opt to Approve the meeting
Host notifies the Receptionist of the end of the meeting
Visitor is checked-out by the Receptionist
Host enters notes and remarks of the meeting
Customizable Components
Scheduling Meetings – Host can invite visitors for meetings and also approve, reject and reschedule meetings
Single/Bulk invites – Invitations can be sent individually to a visitor or collectively to many visitors
VIP Visitors – Additional security of data for VIP visitors to avoid misuse of information
Courier Management – Keeps a check on deliveries like commodities being delivered in and out of establishments
Alerts & Notifications – Get notified on SMS, email, and application
Parking Management – Manage availability of parking space
Individual log-in – Every user has their own log-in id
Visitor/Meeting Analytics – Evaluate notes and remarks of the meeting stored in the system
Visitor Management System is a secure and user friendly database manager that records, filters, tracks the visitors to your organization.
"Secure Your Premises with VizMan (VMS) – Get It Now"
Exploring Innovations in Data Repository Solutions - Insights from the U.S. G...Globus
The U.S. Geological Survey (USGS) has made substantial investments in meeting evolving scientific, technical, and policy driven demands on storing, managing, and delivering data. As these demands continue to grow in complexity and scale, the USGS must continue to explore innovative solutions to improve its management, curation, sharing, delivering, and preservation approaches for large-scale research data. Supporting these needs, the USGS has partnered with the University of Chicago-Globus to research and develop advanced repository components and workflows leveraging its current investment in Globus. The primary outcome of this partnership includes the development of a prototype enterprise repository, driven by USGS Data Release requirements, through exploration and implementation of the entire suite of the Globus platform offerings, including Globus Flow, Globus Auth, Globus Transfer, and Globus Search. This presentation will provide insights into this research partnership, introduce the unique requirements and challenges being addressed and provide relevant project progress.
In software engineering, the right architecture is essential for robust, scalable platforms. Wix has undergone a pivotal shift from event sourcing to a CRUD-based model for its microservices. This talk will chart the course of this pivotal journey.
Event sourcing, which records state changes as immutable events, provided robust auditing and "time travel" debugging for Wix Stores' microservices. Despite its benefits, the complexity it introduced in state management slowed development. Wix responded by adopting a simpler, unified CRUD model. This talk will explore the challenges of event sourcing and the advantages of Wix's new "CRUD on steroids" approach, which streamlines API integration and domain event management while preserving data integrity and system resilience.
Participants will gain valuable insights into Wix's strategies for ensuring atomicity in database updates and event production, as well as caching, materialization, and performance optimization techniques within a distributed system.
Join us to discover how Wix has mastered the art of balancing simplicity and extensibility, and learn how the re-adoption of the modest CRUD has turbocharged their development velocity, resilience, and scalability in a high-growth environment.
Climate Science Flows: Enabling Petabyte-Scale Climate Analysis with the Eart...Globus
The Earth System Grid Federation (ESGF) is a global network of data servers that archives and distributes the planet’s largest collection of Earth system model output for thousands of climate and environmental scientists worldwide. Many of these petabyte-scale data archives are located in proximity to large high-performance computing (HPC) or cloud computing resources, but the primary workflow for data users consists of transferring data, and applying computations on a different system. As a part of the ESGF 2.0 US project (funded by the United States Department of Energy Office of Science), we developed pre-defined data workflows, which can be run on-demand, capable of applying many data reduction and data analysis to the large ESGF data archives, transferring only the resultant analysis (ex. visualizations, smaller data files). In this talk, we will showcase a few of these workflows, highlighting how Globus Flows can be used for petabyte-scale climate analysis.
Cyaniclab : Software Development Agency Portfolio.pdfCyanic lab
CyanicLab, an offshore custom software development company based in Sweden,India, Finland, is your go-to partner for startup development and innovative web design solutions. Our expert team specializes in crafting cutting-edge software tailored to meet the unique needs of startups and established enterprises alike. From conceptualization to execution, we offer comprehensive services including web and mobile app development, UI/UX design, and ongoing software maintenance. Ready to elevate your business? Contact CyanicLab today and let us propel your vision to success with our top-notch IT solutions.
OpenFOAM solver for Helmholtz equation, helmholtzFoam / helmholtzBubbleFoamtakuyayamamoto1800
In this slide, we show the simulation example and the way to compile this solver.
In this solver, the Helmholtz equation can be solved by helmholtzFoam. Also, the Helmholtz equation with uniformly dispersed bubbles can be simulated by helmholtzBubbleFoam.
How to Position Your Globus Data Portal for Success Ten Good PracticesGlobus
Science gateways allow science and engineering communities to access shared data, software, computing services, and instruments. Science gateways have gained a lot of traction in the last twenty years, as evidenced by projects such as the Science Gateways Community Institute (SGCI) and the Center of Excellence on Science Gateways (SGX3) in the US, The Australian Research Data Commons (ARDC) and its platforms in Australia, and the projects around Virtual Research Environments in Europe. A few mature frameworks have evolved with their different strengths and foci and have been taken up by a larger community such as the Globus Data Portal, Hubzero, Tapis, and Galaxy. However, even when gateways are built on successful frameworks, they continue to face the challenges of ongoing maintenance costs and how to meet the ever-expanding needs of the community they serve with enhanced features. It is not uncommon that gateways with compelling use cases are nonetheless unable to get past the prototype phase and become a full production service, or if they do, they don't survive more than a couple of years. While there is no guaranteed pathway to success, it seems likely that for any gateway there is a need for a strong community and/or solid funding streams to create and sustain its success. With over twenty years of examples to draw from, this presentation goes into detail for ten factors common to successful and enduring gateways that effectively serve as best practices for any new or developing gateway.
top nidhi software solution freedownloadvrstrong314
This presentation emphasizes the importance of data security and legal compliance for Nidhi companies in India. It highlights how online Nidhi software solutions, like Vector Nidhi Software, offer advanced features tailored to these needs. Key aspects include encryption, access controls, and audit trails to ensure data security. The software complies with regulatory guidelines from the MCA and RBI and adheres to Nidhi Rules, 2014. With customizable, user-friendly interfaces and real-time features, these Nidhi software solutions enhance efficiency, support growth, and provide exceptional member services. The presentation concludes with contact information for further inquiries.
In 2015, I used to write extensions for Joomla, WordPress, phpBB3, etc and I ...Juraj Vysvader
In 2015, I used to write extensions for Joomla, WordPress, phpBB3, etc and I didn't get rich from it but it did have 63K downloads (powered possible tens of thousands of websites).
How Recreation Management Software Can Streamline Your Operations.pptxwottaspaceseo
Recreation management software streamlines operations by automating key tasks such as scheduling, registration, and payment processing, reducing manual workload and errors. It provides centralized management of facilities, classes, and events, ensuring efficient resource allocation and facility usage. The software offers user-friendly online portals for easy access to bookings and program information, enhancing customer experience. Real-time reporting and data analytics deliver insights into attendance and preferences, aiding in strategic decision-making. Additionally, effective communication tools keep participants and staff informed with timely updates. Overall, recreation management software enhances efficiency, improves service delivery, and boosts customer satisfaction.
Globus Compute wth IRI Workflows - GlobusWorld 2024Globus
As part of the DOE Integrated Research Infrastructure (IRI) program, NERSC at Lawrence Berkeley National Lab and ALCF at Argonne National Lab are working closely with General Atomics on accelerating the computing requirements of the DIII-D experiment. As part of the work the team is investigating ways to speedup the time to solution for many different parts of the DIII-D workflow including how they run jobs on HPC systems. One of these routes is looking at Globus Compute as a way to replace the current method for managing tasks and we describe a brief proof of concept showing how Globus Compute could help to schedule jobs and be a tool to connect compute at different facilities.
Understanding Globus Data Transfers with NetSageGlobus
NetSage is an open privacy-aware network measurement, analysis, and visualization service designed to help end-users visualize and reason about large data transfers. NetSage traditionally has used a combination of passive measurements, including SNMP and flow data, as well as active measurements, mainly perfSONAR, to provide longitudinal network performance data visualization. It has been deployed by dozens of networks world wide, and is supported domestically by the Engagement and Performance Operations Center (EPOC), NSF #2328479. We have recently expanded the NetSage data sources to include logs for Globus data transfers, following the same privacy-preserving approach as for Flow data. Using the logs for the Texas Advanced Computing Center (TACC) as an example, this talk will walk through several different example use cases that NetSage can answer, including: Who is using Globus to share data with my institution, and what kind of performance are they able to achieve? How many transfers has Globus supported for us? Which sites are we sharing the most data with, and how is that changing over time? How is my site using Globus to move data internally, and what kind of performance do we see for those transfers? What percentage of data transfers at my institution used Globus, and how did the overall data transfer performance compare to the Globus users?
A Comprehensive Look at Generative AI in Retail App Testing.pdfkalichargn70th171
Traditional software testing methods are being challenged in retail, where customer expectations and technological advancements continually shape the landscape. Enter generative AI—a transformative subset of artificial intelligence technologies poised to revolutionize software testing.
A Comprehensive Look at Generative AI in Retail App Testing.pdf
EUscreenXL: The Pan-European Audiovisual Aggregator for Europeana
1. This project is cofinanced by
the European Commission
Final conference
November 19, 2014
Hotel Europe, Sarajevo
EUscreenXL: the pan-
European audiovisual
aggregator for Europeana
Erwin Verbruggen
Netherlands Institute for
Sound and Vision
7. Based on EBUcore
Mapped to the Europeana Data Model
MAPPING TOOL ANNOTATION TOOL
2/8/13
Massive uploads
Schema Mapping Service
Quality Control
Europeana Preview Services
Item and
Group Level Annotation
Connection with
EUscreen Thesauri
Search and Browsing Services
Metadata
11. WP2 Aggregating and
Enriching Content
WP3
Contextualisation,
User Engagement
and Evaluation
WP6 Dissemination,
Exploitation and
Sustainability (NInA)
WP1 Project
Management and
Quality Assurance
WP4 Integration and
Cloud-based Services
Platform
WP5 Network
Expansion and Pan-
European Policies
Project Structure
22. Initiate Cloud-enabled
technologies for storing,
indexing, and linking
metadata
Make use of
technical and
archival expertise
Join the Network
Boost the
visibility of your
content
Get your content
contextualized through
historical and cultural
experts
Develop new tools for
automatic metadata
enrichment
23. Join the Network
From Audience to User: New Ways of
Engaging with Audiovisual Heritage Online
30-31 October, Rome, Italy
24. Regional Workshop
for Content Partners
Technical Workshop
for Content Partners
Strategic Workshop on IPR
Regulations for Audiovisual Heritage
Workshops
The EUscreenXL project brings together twenty-nine audiovisual archives, technical and research partners from twenty-two different European countries.
The project consortium consists of leading audiovisual archives, excellent media scholars, skilled technical service providers and the European Broadcasting Union.
19 of them provides also content.
Thera are also 12 Assosiate Partners supporting the developments of EUscreenXL.
EUscreenXL is a three-year project co-founded in 2013 under the European Commission CIP ICT-PSP Programme.
The project makes Europe’s audiovisual history freely accessible to a broad audience. It brings online 40 000 audiovisual materials, and will soon add another 20 000 to those already presented on the EUscreen portal.
It aims to connect Europe’s online audiovisual heritage to Europeana by aggregating a comprehensive body of professional audiovisual content and making it accessible through Europeana, providing it with about 1.000.000 metadata records and giving access to digital content held by European providers.
It is also a network of twenty-nine partners – excellent academics and professionals in the AV sector.
In EUscreen made Europe’s television history accessible through its multilingual portal.
More than 40.000 video clips, documents, photographs and audio recordings from over 20 audiovisual archives across Europe are freely accessible online.
In EUscreenXL we thoroughly extend this operational Euscreen platform
The portal already supports:
multi-faceted search
A multi-lingual thesaurus
Metadata and annotations provided in two languages
And linked the collection to Europeana
EUscreenXL represents a twin-track ingestion approach:
1. ‘Core Collection’ 60.000 enriched moving image content on EUscreen portal
2. ‘Aggregation’1.000.000 aggregated metadata records of digitised AV content
EUscreen portal gives public access to thousands of items of film and television clips in 17 different languages.
The project makes also 1 000 000 metadata records available for Europeana users.
The EUscreen portal enables educators, researchers and media professionals to find audiovisual content from across Europe.
This resource encourages everyone to revisit their own past by exploring material from the very beginnings of television history.
EUscreen brings together clips and programmes about politics, fashion, music, lifestyle, cooking, culture and more from the early 20th century to the present day.
It allows you to freely explore the most significant events in the 20th and 21st century.
Website statistics have been analysed in order to monitor user experience and meet their needs and expectations with regard to the portal.
The statistics show that new visitors visit the website mostly through the item pages (pages with the videos), most of the users are returning ones, hence more emphasis should be put on attracting potential new audiences e.g. by creating new interactive tools enabling further reuse of the content by scholars, students and other intrested parties.
It also showed that most of the users access euscreen.eu directly (50%) or through social media (21%).
16% of users are directed to the portal via Google search. One of the constantly increasing major traffic source is also Europeana.
Given the earlier-mentioned facts and figures recent months have seen an increased focus on a redesign of the EUscreen portal. This work has been ongoing since October 2013 when a special group dedicated to portal re-development (task force) was created. The task force’s main objective is to improve the look and feel of the portal and ensure that materials on the portal are displayed in an informative and appealing manner.
The new version of the portal will be released in October 2014 during EUscreenXL conference in Rome. The new, re-developed EUscreen portal will offer users different tools which will allow to reuse the content, e.g. create virtual exhibitions or facilitate the use of videos, photos etc. in the classroom.
For the first time EUscreen portal will become also available on mobile devices.
The project is also about providing information about the news and events in the audiovisual sector. The EUscreenXL blog is an information hub for audiovisual archive professionals, academics and the public at large interested in the audiovisual world. To receive information about the audiovisual sector follow our blog or join our bi-monthly newsletter.
VIEW, Journal of European Television History and Culture is the first peer-reviewed multimedia e-journal in the field of television studies. Offering an international platform for outstanding academic research on television, the journal has an interdisciplinary profile and acts both as a platform for critical reflection on the cultural, social and political role of television in Europe’s past and present as well as a multi-media platform for the circulation and use of digitized audiovisual material.
The journal’s main aim is to function as a showcase for a creative and innovative use of digitized television material in scholarly work, and to inspire a fruitful discussion between audiovisual heritage institutions (especially television archives) and a broader community of television experts and amateurs.
There are two issues published per year.
As an example of richness of the content gathered on euscreen.eu, 23 exhibitions have been produced in 2012. Curators, archivists and researchers on the project have selected content to develop exhibitions around specific themes. Virtual Exhibitions include light hearted explorations of food and culture while others offer a more detailed exploration of an issue such as the Velvet Revolution or the development of Romania. They cover historical events, political debates and everyday life in Europe.
VE have been short-listed for FIAT/IFTA Award in 2013.
EUscreenXL sees a strong potential for its future dissemination activities performed in collaboration with third parties institutions, including creative sector representatives. The project has decided to start opening its archives more to general public (and at the same time try out a business model pilot) by joining a multinational Freedom Express project. The project is organised by European Network Remembrance and Solidarity and high-profile European institutions (Europeana amongst them) and is designed as a reminder of the fundamental meaning of the revolutions of 1989 for the identity of Europeans living on both sides of the former Iron Curtain. The travelling exhibition, called Freedom Express will be shown in Warsaw, Budapest, Brussels, the Hague and Berlin in Autumn and Winter 2014.
EUscreen is contributing to the exhibition by preparing a short minute video collage made out of the content from 6 EUscreen partners – CT, RTV SLO, DW, NAVA and NinA, illustrating the ground-breaking events of 1989 and the period of Soviet domination in Central and Eastern Europe.
Participation in an international project of this scale gives EUscreen unique opportunity of being present in an exceptional international media campaign involving leading institutions and media representatives from the region as well as prooves the capability of the Euscreen Network to perform joint actions.
As announced already at the end of the EUscreen project in 2012, the consortium has worked towards a scenario where operational costs could be covered without support from the EU. As a result the EUscreen Foundation (Stichting EUscreen) has been officially set up under the Dutch law on August 30 2013 in Utrecht. The Foundation formalizes the status of EUscreen as a network. All partners that participated in Video Active and EUscreen and in EUscreenXL are automatically a member of the EUscreen Foundation. The objects of the Foundation are to collect and make available television content of the cultural history of Europe, in order to increase the knowledge of and involvement in the European cultural heritage for purposes such as education, creative reuse and comparative scientific research.
As a network we aim at expending and are always willing to welcome new members. There are multiple benefits from joining in. These are as follows (please read from the slide).
Invitation to the EUscreenXL Conference.
The conference will take place on October 30-31 2014 in Casa del Cinema in Villa Borghese, Rome (Italy).
During the two-day event we would like to discuss the current challenges of audiovisual archives and broadcasters encounter when engaging users. The formulas for a functional web presence, approaches to different types of users and set-up of sustainable communities with online content will become our focus. This conference aims to lift the veil on knowing how and why users interact with digital resources.
EUscreenXL understand its great potential of being a network and a unique platform for exchange of expertise and professional experience between European partners. One of the benefits are most definitely face to face meetings.
Already several workshops took place – some of them focused on the technical aspects of the cooperation within the project while others addressed legal and user-oriented issues. On May 13, EUscreenXL and the Europeana Foundation organized a strategic workshop on the impact of copyright and ensuing issues for audiovisual archive collections. In this dedicated workshop, EUscreenXL presented its research on IPR and linked it to the most current events in EU policy on copyright. The focal point of the workshop was a dedicated exercise in which we aimed to outline and prioritise the policy actions to be undertaken for the audiovisual domain on a European level.