1. unit 19 writing for creative
media
Different types of writing produced in
the creative media sector

2. Pr1 different types of writing
There are so many different types of writing in the creative media sector for example:
• Advertising
• Broadcast TV
• Film
• News
• News media
• Comic books
• Short story
• Poetry
• Writing for the radio
• Novel
• Life writing
• Writing for children
• Script writing
• Documentary script
• Game story
• Web content
• Non-fiction writing
• etc.

3. Newspaper journalism
• Newspaper journalism research and write stories
for national regional and local press. As well as news and politics
they report on sports arts and culture science and business. They
also cover national and local eventsentertainment and human
interest stories. Traditionally junior reporters write up stories
allocated to them by the news desk. They pass these to the news
editor who in turn hands them to subeditors. Other roles
includecorrespondents who are specialists in one field
or location and feature writers who cover topics in
greater depthoften using a more personal style. On smaller
newspapers many journalists have to multitask they may work
onlayout photography and sub editing as well as stories. Newspaper
journalism is becoming increasinglymultiplatform making IT
web and broadcast skills highly valued.

4. Broadcast journalism
Broadcast journalism is the field of news and journals which are broadcast that is
published by electrical methods instead of the older methods such as printed newspapers
and posters. Broadcast methods include radio via air cable and internet television via air
cable and internet and especially recently the internet generally. Such media disperse
picture static and moving visual text or sounds. Scripts for speaking to be broadcast tend to
be written differently from text to be read by the public. For instance the former is
generally less complex and more conversational . Radio and television are designed to be
seen and heard sooner and more often than is a daily or weekly newspaper.

5. Magazine journalism
Magazine journalists research and write news articles and features for a wide variety of
periodicals including consumer titles business journals and trade publications.
Magazines have a defined readership and focus on a specialist area or interest.
Magazine journalism can cover a range of disciplines such as writing subediting and
designing, increasingly magazines are also being produced for other media especially
the web. Knowledge of the concise writing style needed for the internet and search
engine optimisation are very useful skills.

6. Documentary scripting

7. television scripting
Television is a unique and popular form of enterainment.as very
project on the entertainment industry, there are some standard
rules to follow, and a few tips to reach success. In the same way
as other disciplines, the more experience you have writing
television scripts, the more possibilities of success your
television show will have. With the help of this article, hopefully
you will be able write a detailed, suspenseful, and great script.

8. Film script
• The world of film is very very competitive. You may have the best movie idea of all time but if your script isn’t
formatted correctly there’s a high chance it will never even get read. Follow these steps to maximize your chances
of seeing your writing on the big screen.
• Film Scripting
• Look up books on screen writing at your local library. Many former filmmakers have written books to help people
in your situation.
• Try to develop the story so that it progresses naturally. Many first time screenwriters feel that every second should
be more exciting than the last others jump suddenly between excitement and no excitement at all.
• Make sure your plot progresses gradually so that the excitement builds to a climax.
• Participate in script writing forums. You can learn tips and trade ideas with fellow writers and you might even get
some contacts and interest in your work.
• Your hook concept or main point of interest should be presented within the first ten pages. The first ten pages are
what get the producer to read further.
• Consider purchasing script writing software. Several programs are available that will guide you through the
formatting or even convert an already written script into the correct layout.
• Take creative writing courses. Screen writing is just as difficult and time consuming as other forms of writing and
will be even more difficult if had little writing practice in school.

9. Radio scripting

10. fiction

11. Game story
• Introduction
• As questions go, this is not a bad one: Do games tell stories? Answering this should tell us both how to study
games and who should study them. The affirmative answer suggests that games are easily studied from within
existing paradigms. The negative implies that we must start afresh.
• But the answer depends, of course, on how you define any of the words involved. In this article, I will be
examining some of the different ways to discuss this. Lest this turns into a battle of words (i.e. who has the right to
define "narrative"), my agenda is not to save or protect any specific term, the basic point of this article is rather
that we should allow ourselves to make distinctions.
• The operation of framing something as something else works by taking some notions of the source domain
(narratives) and applying them to the target domain (games). This is not neutral; it emphasises some traits and
suppresses others. Unlike this, the act of comparing furthers the understanding of differences and similarities, and
may bare hidden assumptions.
• The article begins by examining some standard arguments for games being narrative. There are at least three
common arguments: 1) We use narratives for everything. 2) Most games feature narrative introductions and back-
stories. 3) Games share some traits with narratives.
• The article then explores three important reasons for describing games as being non-narrative: 1) Games are not
part of the narrative media ecology formed by movies, novels, and theatre. 2) Time in games works differently
than in narratives. 3) The relation between the reader/viewer and the story world is different than the relation
between the player and the game world.
• The article works with fairly traditional definitions of stories and narratives, so as a final point I will consider
whether various experimental narratives of the 20th century can in some reconcile games and narratives.

12. Advertising copy

13. Web content