TV Scheduling
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There are 3 main types of TV scheduling strategies: inheritance, where a new program airs after a popular one to inherit some of its audience; pre-echo, where a program airs before a popular one in hopes viewers will tune in early and return for future airings; and hammocking, where a program airs between two popular ones to benefit from both audiences. Some channels also historically relied on channel loyalty, though viewers are less likely to stick to one channel all night now.
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Tv scheduling pp
This document outlines different aspects of TV scheduling, including defining schedules as the arrangement of programs presented to audiences. It describes common scheduling segments such as breakfast, daytime, children's, and primetime programming. It also lists popular genres like drama, soap, reality, and sitcoms as well as the target audiences of different channels such as BBC ONE targeting everyone and Channel 4 focusing on teenagers. Key scheduling concepts covered are the watershed, hammocking, pre-echo, and inheritance.
Lesson 3 - scheduling A2 Media
The document discusses how digital technologies have impacted the TV industry. It explains how viewers can now watch TV programs whenever and wherever they want through on-demand services like Sky+, DVDs, the internet, and mobile devices. This has led to increased programming options but smaller and more fragmented audiences. While most TV viewing has splintered across various platforms, some event TV programming is still able to attract large live audiences. Social media also plays a role in generating buzz around certain shows.
Tv programming
TV programming involves carefully scheduling shows according to target demographics and competitor channels. There are various scheduling strategies like crossprogramming between shows, counterprogramming against opponents, and "dayparting" that divides the day into time slots with appropriate content. Common program types include fiction like soap operas and sitcoms, non-fiction like talk shows and reality TV, and live events like sports and news. Programs are categorized based on their subject matter and purpose, such as drama, education, religion, sports and more.
Tv scheduling part 2
This document discusses various techniques for TV scheduling and time management. It describes the watershed period after 9pm for adult programming, using pre-echo and inheritance to place shows before and after popular ones like soaps to gain viewers. Other techniques include hammocking between two popular shows, theming around topics, bridging with ads to keep viewers, and stacking similar shows to sweep viewers through a block of programming.
Tv scheduling pp
TV schedules arrange and present media programs to audiences in different segments such as breakfast, daytime, children's, and prime time. Popular genres include drama, soap, reality, news, documentaries, and sitcoms. Channels target different audiences - BBC ONE targets everyone, BBC 2 targets a specific audience, and ITV 1 and Channel 5 also target everyone. The watershed at 9pm allows for programming with inappropriate themes or language. Strategic placement of programs, such as between two popular shows ("hammocking"), before a popular show ("pre-echo"), or after a successful show ("inheritance") allows new programs to gain audiences. Channel loyalty has decreased as viewers now surf between multiple channels if a program does not engage them.
Tv scheduling
This document discusses TV scheduling and programming strategies. It outlines the different daytime segments, the target audiences for each segment, and the most popular genres. It also describes the target audiences for different UK channels and notes that Channel 5 imports many of its programs. The document explains that the watershed is at 9pm and that BBC1 and ITV1 compete directly. It then discusses strategies for scheduling, such as avoiding direct competition between big shows, using popular shows to introduce new programs, and placing new programs between established ones to boost viewership.
Scheduling
The document discusses TV scheduling, defining it as the pattern in which programs are arranged for audiences. It notes the main segments TV schedules are divided into and the most popular genres. Each channel targets different audiences, with specifics given about BBC1, ITV1, Channel 4, and Channel 5. Percentages of repeats for each channel are provided. The watershed is defined as well as why some channels import shows. Placement strategies like hammocking, pre-echo, and inheritance are outlined.
Lesson 3 - TV Comedy - Channels and scheduling
E4's branding emphasizes being "beautifully random, joyously daft and generally not taking things too seriously." OFCOM regulates all broadcasting channels in the UK to ensure they follow guidelines. Public service broadcasting (PSB) channels like the BBC are required to provide quality programming that reflects UK diversity and mixes genres, while avoiding repeated shows. Commercial channels primarily aim to attract large audiences to sell expensive advertising slots. Television scheduling strategies carefully plan what programs air when to target specific audiences.
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This document outlines different aspects of TV scheduling, including defining schedules as the arrangement of programs presented to audiences. It describes common scheduling segments such as breakfast, daytime, children's, and primetime programming. It also lists popular genres like drama, soap, reality, and sitcoms as well as the target audiences of different channels such as BBC ONE targeting everyone and Channel 4 focusing on teenagers. Key scheduling concepts covered are the watershed, hammocking, pre-echo, and inheritance.
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Tv programming
TV programming involves carefully scheduling shows according to target demographics and competitor channels. There are various scheduling strategies like crossprogramming between shows, counterprogramming against opponents, and "dayparting" that divides the day into time slots with appropriate content. Common program types include fiction like soap operas and sitcoms, non-fiction like talk shows and reality TV, and live events like sports and news. Programs are categorized based on their subject matter and purpose, such as drama, education, religion, sports and more.
Tv scheduling part 2
This document discusses various techniques for TV scheduling and time management. It describes the watershed period after 9pm for adult programming, using pre-echo and inheritance to place shows before and after popular ones like soaps to gain viewers. Other techniques include hammocking between two popular shows, theming around topics, bridging with ads to keep viewers, and stacking similar shows to sweep viewers through a block of programming.
Tv scheduling pp
TV schedules arrange and present media programs to audiences in different segments such as breakfast, daytime, children's, and prime time. Popular genres include drama, soap, reality, news, documentaries, and sitcoms. Channels target different audiences - BBC ONE targets everyone, BBC 2 targets a specific audience, and ITV 1 and Channel 5 also target everyone. The watershed at 9pm allows for programming with inappropriate themes or language. Strategic placement of programs, such as between two popular shows ("hammocking"), before a popular show ("pre-echo"), or after a successful show ("inheritance") allows new programs to gain audiences. Channel loyalty has decreased as viewers now surf between multiple channels if a program does not engage them.
Tv scheduling
This document discusses TV scheduling and programming strategies. It outlines the different daytime segments, the target audiences for each segment, and the most popular genres. It also describes the target audiences for different UK channels and notes that Channel 5 imports many of its programs. The document explains that the watershed is at 9pm and that BBC1 and ITV1 compete directly. It then discusses strategies for scheduling, such as avoiding direct competition between big shows, using popular shows to introduce new programs, and placing new programs between established ones to boost viewership.
Scheduling
The document discusses TV scheduling, defining it as the pattern in which programs are arranged for audiences. It notes the main segments TV schedules are divided into and the most popular genres. Each channel targets different audiences, with specifics given about BBC1, ITV1, Channel 4, and Channel 5. Percentages of repeats for each channel are provided. The watershed is defined as well as why some channels import shows. Placement strategies like hammocking, pre-echo, and inheritance are outlined.
Lesson 3 - TV Comedy - Channels and scheduling
E4's branding emphasizes being "beautifully random, joyously daft and generally not taking things too seriously." OFCOM regulates all broadcasting channels in the UK to ensure they follow guidelines. Public service broadcasting (PSB) channels like the BBC are required to provide quality programming that reflects UK diversity and mixes genres, while avoiding repeated shows. Commercial channels primarily aim to attract large audiences to sell expensive advertising slots. Television scheduling strategies carefully plan what programs air when to target specific audiences.
Lesson 2 channel identity
This document discusses the television industry and the impact of digital technologies. It explains how audiences now access TV through on-demand services like streaming, DVRs, and online platforms. This has led to an increase in programming options and fragmented audiences. However, some event and water-cooler shows still attract large live viewers. It also covers channel identities, scheduling techniques used to retain audiences, and how social media generates buzz. The effects of convergence and fragmentation in the industry are debated. Potential exam questions focus on analyzing these changes and their consequences.
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The document discusses TV scheduling in the UK, including the 5 sections of a scheduled day, target audiences for different time periods, popular genres, target audiences of the 5 main channels, percentage of repeats on channels, the watershed period, importing of shows, and definitions of scheduling terms. It provides information on programming in different dayparts from breakfast to post-watershed, the genres shown, who different channels target, and other scheduling considerations and terminology.
Tv scheduling
TV scheduling aims to gain the largest possible audience to demonstrate that public funds from the TV license are not being wasted. The BBC schedules fewer game shows with huge prizes compared to ITV, which funds programming through advertising. Programs are sometimes delayed a few minutes so viewers will catch the end of the previous show and be more likely to watch it again. Channel loyalty no longer exists due to audience fragmentation from digital television. Common scheduling techniques include pre-echo scheduling, where a new show airs before an established one to attract viewers, inheritance scheduling after popular shows, and hammocking between two established programs.
Tv scheduling
TV scheduling aims to gain the largest possible audience to demonstrate that public funds from the TV license are not being wasted. The BBC schedules fewer game shows with huge prizes compared to ITV, which funds programming through advertising. Programs are sometimes delayed a few minutes so viewers will catch the end of the previous show and be more likely to watch it again. Channel loyalty no longer exists due to audience fragmentation from digital television. Common scheduling techniques include pre-echo scheduling, inheritance scheduling, and hammocking, which aim to benefit new programs by placing them near popular existing programs.
Scheduling
The document discusses TV scheduling and programming on UK channels BBC1, BBC2, ITV1, Channel 4, and Channel 5. It defines the common scheduling segments of breakfast, daytime, lunchtime, children's, primetime, and post-watershed. It outlines the target audiences for each channel and programming genres. It provides data on the percentage of repeats for each channel and notes that Channels 4 and 5 have more imported shows to keep costs lower since they don't rely on advertising revenue like the other channels.
TV Scheduling
This document discusses various scheduling techniques used by television channels, including defining a watershed period after 9pm when more explicit content can be shown, hammocking which places a new show between two popular ones to help it find an audience, and theming where a channel dedicates days or weeks to a particular topic to attract viewers.
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This document discusses various scheduling techniques used by television channels to arrange programming. It describes the watershed, which identifies times when more explicit content can be broadcast. It also explains techniques like hammocking, pre-echo, inheritance, theming, bridging, and stacking - which involve placing similar programs together or positioning new shows around popular ones to retain audiences. The goal is to effectively schedule programs to appeal to target viewers and discourage channel switching.
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This document discusses TV scheduling and programming in the UK. It breaks down scheduling into time periods from 6am to 6pm and defines the target audiences for each period. It also examines the most popular genres and the target audiences of each major channel. It finds that BBC 1 and ITV 1 have only 2% repeats while BBC 2, Channel 4, and Five have 50% or more repeats. These latter channels also buy more programming from the US to save money. The document also defines terms like "hammocking", "pre-echo", and "inheritance" used in scheduling and notes that starting times may be delayed slightly to air advertisements.
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This document defines three scheduling strategies: inheritance, where a program airs after a popular one to retain the existing audience; pre-echo, where a program airs before a popular one to attract its anticipated audience; and hammocking, where a program is scheduled between two popular ones in the hopes that the audience will not change the channel during it. Diagrams show how inheritance and pre-echo strategies are used by ITV and hammocking by BBC in their scheduling.
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TV scheduling aims to gain the largest possible audience to demonstrate that public funds from the TV license are not being wasted. The BBC schedules fewer game shows with huge prizes compared to ITV, which funds programming through advertising. Programs are sometimes delayed a few minutes so viewers will catch the end of the previous show and be more likely to watch it again. Channel loyalty no longer exists due to audience fragmentation from digital television. Common scheduling techniques include pre-echo scheduling, where a new show airs before an established one to attract viewers, inheritance scheduling after popular shows, and hammocking between two established programs.
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TV scheduling aims to gain the largest possible audience to demonstrate that public funds from the TV license are not being wasted. The BBC schedules fewer game shows with huge prizes compared to ITV, which funds programming through advertising. Programs are sometimes delayed a few minutes so viewers will catch the end of the previous show and be more likely to watch it again. Channel loyalty no longer exists due to audience fragmentation from digital television. Common scheduling techniques include pre-echo scheduling, inheritance scheduling, and hammocking, which aim to benefit new programs by placing them near popular existing programs.
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This document discusses various scheduling techniques used by television channels to arrange programming. It describes the watershed, which identifies times when more explicit content can be broadcast. It also explains techniques like hammocking, pre-echo, inheritance, theming, bridging, and stacking - which involve placing similar programs together or positioning new shows around popular ones to retain audiences. The goal is to effectively schedule programs to appeal to target viewers and discourage channel switching.
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This document defines three scheduling strategies: inheritance, where a program airs after a popular one to retain the existing audience; pre-echo, where a program airs before a popular one to attract its anticipated audience; and hammocking, where a program is scheduled between two popular ones in the hopes that the audience will not change the channel during it. Diagrams show how inheritance and pre-echo strategies are used by ITV and hammocking by BBC in their scheduling.
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There are 3 main types of TV scheduling strategies: inheritance, where a new program airs after a popular one to inherit some of its audience; pre-echo, where a program airs before a popular one in hopes viewers will tune in early and return for future airings; and hammocking, where a program airs between two popular ones to benefit from both audiences. Some channels also once relied on channel loyalty, though viewers sticking to one channel all night is less common now.
Question 5
The magazine appeals to its target audience through the use of colors, images, and articles that were found to be popular with the audience based on research. Pink, blue, and yellow were favorite colors and were incorporated into the color scheme. The cover image uses direct address to engage the audience, while the cover lines promote popular artists. An article title uses a pun on a well-known song to appeal to the audience's sense of humor. The informal style and friendly tone throughout the magazine also aims to attract and address the intended readers.
Question 6
The document discusses the various technologies the author learned to use while constructing their media product. They gained experience using QuarkXPress to create pages, though they were familiar with Photoshop for the cover. They also became proficient in using Word, Paint, Blogger, Excel, Movie Maker, and a Dictaphone. Through the process, the author improved their photography skills for taking product photos.
Question 1
This document discusses how the student's magazine production conforms to the codes and conventions of real pop music magazines. The student followed conventions for the front cover such as using one main image relating to the feature article, a unique masthead across the top, cover lines advertising interior articles, and a simple color scheme. The contents page also adheres to conventions like using the same colors and including images and columnar formatting. For double page spreads, the student used a large bleed image, quotes, drop caps, bylines, headlines, and columns to present the article in a familiar style. Overall, the student designed the magazine to match real publications in format and stylistic choices.
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TV Scheduling
- 1. 3 Types of TV scheduling
- 2. Inheritance – scheduling a new programme after a popular programme in the hope it inherits some of the audience
- 3. Pre-Echo - scheduling a programme before a popular programme in the hope that people tune in earlier and see the end of the new programme and like it then watch it the next time it is on.
- 4. Hammocking – scheduling a programme between two popular programmes so it benefits from both
- 5. Some channels also sometimes rely on Channel Loyalty , which is when an audience will stick with one channel all night, although this is much less common in recent years.