Tv scheduling
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TV schedules are broken into 3 segments: daytime, primetime, and watershed. Daytime shows target unemployed people, late shifts workers, and children. Primetime shows have the largest family audience. Watershed shows after 9pm can contain explicit content suitable for adults and teenagers. The most popular TV genres are soaps, news, and reality shows. Different channels target specific age demographics: BBC One targets a broad audience, BBC Two targets 35-54, ITV families, Channel 4 16-34, and Channel 5 targets 25-35 unlike BBC Two. Channels 4 and 5 import more programs to attract more varied audiences. A watershed is usually 9pm, when explicit content can air. Strategies like pre-
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Scheduling
The document discusses TV scheduling in the UK, including the 5 sections of a scheduled day, target audiences for different time periods, popular genres, target audiences of the 5 main channels, percentage of repeats on channels, the watershed period, importing of shows, and definitions of scheduling terms. It provides information on programming in different dayparts from breakfast to post-watershed, the genres shown, who different channels target, and other scheduling considerations and terminology.
Tv scheduling
This document discusses TV scheduling and programming strategies. It outlines the different daytime segments, the target audiences for each segment, and the most popular genres. It also describes the target audiences for different UK channels and notes that Channel 5 imports many of its programs. The document explains that the watershed is at 9pm and that BBC1 and ITV1 compete directly. It then discusses strategies for scheduling, such as avoiding direct competition between big shows, using popular shows to introduce new programs, and placing new programs between established ones to boost viewership.
Topic research
The document discusses the TV listings for channels E4, BBC Three, and ITV 2. It analyzes the target demographics and types of popular shows aired during different times of day. E4 and BBC Three primarily target 15-30 year olds with comedies during peak evening hours from 6-11pm, while saving costs by not broadcasting all day. ITV 2 targets housewives during the day but shifts to 15-30 year olds in the evenings with comedy and chat shows.
Tv scheduling
This document discusses TV scheduling and target audiences. It breaks down the day into 5 segments: 1) Breakfast 2) Daytime 3) Children TV 4) Prime 5) Post watershed. The target audiences for each are: 1) Children and people getting ready for work 2) Older people, stay at home parents, unemployed, students and young children 3) Children and possibly parents 4) Families 5) Adults and teenagers. It also discusses the most popular genres, target audiences of each UK channel, and why some channels have more imported programming.
Tv scheduling1
The document discusses TV scheduling and target audiences. It notes that the day is broken into segments including kids programming, early morning TV, afternoon TV, prime time and watershed. Prime time runs from 7-9pm and attracts the most viewers and advertisers. The target audience varies by time slot, such as children for kids shows, families for prime time and adults for watershed. It also discusses the audiences of different channels and repeats of shows.
Schulding
The document discusses television scheduling and programming in the UK. It is split into segments by target audience such as breakfast, children's, and primetime. The most popular genres vary by segment but include kids shows, reality TV, comedies, dramas, and soaps. Terrestrial channels like BBC1 target everyone while BBC2 targets intellectuals and Channel 4 targets teens. The percentage of repeats varies from channel to channel, ranging from 2-8%. Watershed refers to the time after 9pm when less censored content can air. Importing shows is cheaper than producing original content for some channels. Strategic scheduling techniques include "hammocking," placing a new show between popular ones, and "pre-echo," air
Lesson 2 - TV Comedy PSB
The document discusses different types of broadcasters in the UK including the BBC, Channel 4, and commercial stations. It explains that the BBC and Channel 4 have a public service broadcasting (PSB) remit where they aim to inform, educate, and entertain the public, while commercial stations solely aim to attract audiences to sell advertising. The BBC is publicly funded through television license fees, Channel 4 is publicly owned but commercially funded through advertising, and commercial stations are solely funded by advertising. There is ongoing controversy around funding models and whether the television license fee should continue.
BBC 2
BBC Two provides more intellectually stimulating programming than BBC One, focusing on art, drama, comedy and documentaries. It aims to appeal to audiences not served by other mainstream channels through diverse and unique content. Key to its identity are ambitious factual programs and passionate presenters sharing their knowledge to educate and interest viewers, particularly those aged 35-54. Our documentary fits this remit by allowing our presenter to creatively communicate something of local interest he is passionate about.
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Scheduling
The document discusses TV scheduling in the UK, including the 5 sections of a scheduled day, target audiences for different time periods, popular genres, target audiences of the 5 main channels, percentage of repeats on channels, the watershed period, importing of shows, and definitions of scheduling terms. It provides information on programming in different dayparts from breakfast to post-watershed, the genres shown, who different channels target, and other scheduling considerations and terminology.
Tv scheduling
This document discusses TV scheduling and programming strategies. It outlines the different daytime segments, the target audiences for each segment, and the most popular genres. It also describes the target audiences for different UK channels and notes that Channel 5 imports many of its programs. The document explains that the watershed is at 9pm and that BBC1 and ITV1 compete directly. It then discusses strategies for scheduling, such as avoiding direct competition between big shows, using popular shows to introduce new programs, and placing new programs between established ones to boost viewership.
Topic research
The document discusses the TV listings for channels E4, BBC Three, and ITV 2. It analyzes the target demographics and types of popular shows aired during different times of day. E4 and BBC Three primarily target 15-30 year olds with comedies during peak evening hours from 6-11pm, while saving costs by not broadcasting all day. ITV 2 targets housewives during the day but shifts to 15-30 year olds in the evenings with comedy and chat shows.
Tv scheduling
This document discusses TV scheduling and target audiences. It breaks down the day into 5 segments: 1) Breakfast 2) Daytime 3) Children TV 4) Prime 5) Post watershed. The target audiences for each are: 1) Children and people getting ready for work 2) Older people, stay at home parents, unemployed, students and young children 3) Children and possibly parents 4) Families 5) Adults and teenagers. It also discusses the most popular genres, target audiences of each UK channel, and why some channels have more imported programming.
Tv scheduling1
The document discusses TV scheduling and target audiences. It notes that the day is broken into segments including kids programming, early morning TV, afternoon TV, prime time and watershed. Prime time runs from 7-9pm and attracts the most viewers and advertisers. The target audience varies by time slot, such as children for kids shows, families for prime time and adults for watershed. It also discusses the audiences of different channels and repeats of shows.
Schulding
The document discusses television scheduling and programming in the UK. It is split into segments by target audience such as breakfast, children's, and primetime. The most popular genres vary by segment but include kids shows, reality TV, comedies, dramas, and soaps. Terrestrial channels like BBC1 target everyone while BBC2 targets intellectuals and Channel 4 targets teens. The percentage of repeats varies from channel to channel, ranging from 2-8%. Watershed refers to the time after 9pm when less censored content can air. Importing shows is cheaper than producing original content for some channels. Strategic scheduling techniques include "hammocking," placing a new show between popular ones, and "pre-echo," air
Lesson 2 - TV Comedy PSB
The document discusses different types of broadcasters in the UK including the BBC, Channel 4, and commercial stations. It explains that the BBC and Channel 4 have a public service broadcasting (PSB) remit where they aim to inform, educate, and entertain the public, while commercial stations solely aim to attract audiences to sell advertising. The BBC is publicly funded through television license fees, Channel 4 is publicly owned but commercially funded through advertising, and commercial stations are solely funded by advertising. There is ongoing controversy around funding models and whether the television license fee should continue.
BBC 2
BBC Two provides more intellectually stimulating programming than BBC One, focusing on art, drama, comedy and documentaries. It aims to appeal to audiences not served by other mainstream channels through diverse and unique content. Key to its identity are ambitious factual programs and passionate presenters sharing their knowledge to educate and interest viewers, particularly those aged 35-54. Our documentary fits this remit by allowing our presenter to creatively communicate something of local interest he is passionate about.
Bbc 2
BBC Two provides more intellectually stimulating programming than BBC One, focusing on art, drama, comedy and documentaries. It aims to appeal to audiences not served by other mainstream channels through diverse and unique content. Key to its identity are ambitious factual programs and passionate presenters sharing their knowledge to educate and interest viewers, particularly those aged 35-54. Our documentary fits this remit by allowing our presenter to creatively communicate something of local interest he is passionate about.
Radio and radio stations
Radio remains a popular advertising medium because people listen in many situations, like driving or showering. Commercial radio stations target specific demographics - Heart appeals to ages 25-44, Capital targets 18-34, and Classic FM targets ages 30+. Local radio stations could advertise a local short film screening. The filmmakers' short film would be a good fit for local stations like Nova Radio or Bristol University Radio that reach the target audience of students and those interested in short films.
Bbc1 and mbb
The document discusses the BBC, its flagship channel BBC1, and the scheduling of the sitcom Mrs Brown's Boys. BBC1 aims to provide high quality entertainment to a broad mainstream audience as a public service broadcaster funded by television licenses. Mrs Brown's Boys was scheduled on BBC1 in a prime time Monday night slot and repeated on Saturdays due to its popularity, attracting over 7 million viewers. The scheduling followed techniques like "zoning" to keep audiences of similar genres tuned in consecutive time slots.
Scheduling
The document discusses scheduling strategies for television channels in the UK. It outlines the typical audience segments throughout the day and the most popular genres across terrestrial channels. It also provides information on the target audiences for each of the five main channels and the percentage of repeats they air. The document concludes by defining several scheduling techniques used to attract audiences, such as hammocking, pre-echo, and inheritance.
BBC Information
The document discusses the BBC channel BBC Three and provides background information on its target audience of 16-34 year olds, programming, and some of its popular and award-winning comedy and drama shows from over the years such as Bad Education, Little Britain, Two Pints of Lager and a Packet of Crisps, Russell Howard's Good News, Gavin & Stacey, and Being Human. It notes that BBC Three faced competition from other channels for younger audiences and provides viewing statistics for the channel prior to its move to a online-only format in 2016.
ITV Genre Research
ITV aims to attract diverse audiences through their programming schedule and channel offerings. They target different demographics and psychographics depending on the time of day. In the mornings, ITV shows appeal to high income businessmen and women. Mid-day shows target unemployed or lower income viewers. Evening programs entertain older retired people as well as younger and middle-aged women through soap operas and talent shows. ITV also uses its other channels like ITV2 to focus on specific audiences, such as teenagers for shows featuring celebrities and reality television.
TV Choice Magazine
TV Choice magazine was chosen to host a double page spread because it is a popular nationwide magazine sold to 1.2 million weekly readers from a broad age range and social classes. The magazine's visually appealing and youthful layout would complement their documentary well. A double page spread in TV Choice would reach a large percentage of readers as those pages feature programs predicted to be popular.
Scheduling
This document discusses television audience demographics and scheduling strategies. It is divided into sections that identify the target audiences for different time slots, popular genres, channels' target demographics, the use of repeats, and definitions of television industry terms like watershed, counterprogramming, marathons, stunting, zoning, hammocking, pre-echoes, inheritance, and stripping. The key audiences are children, adults, the elderly, and unemployed individuals. Popular genres include soaps, drama, reality, and comedy. Channels like BBC and ITV target broad audiences while MTV targets teens. Watershed refers to content not suitable for children airing after 9pm.
Assignment 6
This document provides information about the BBC One and Channel 4 TV channels in the UK. It discusses the sister channels of BBC One like BBC Two, BBC Three, BBC Four, BBC News and CBeebies. It also outlines the target audience and types of shows found on BBC One. For Channel 4, it lists the sister channels and compares it to other channels, noting its mainstream programming appeals to all ages. It analyzes the types of documentaries shown on both channels and how they compare between the two stations.
ITV Genre Research
ITV targets different demographics and psychographics throughout the day with their programming. In the mornings, shows like Good Morning Britain target high income businessmen and women. Mid-day shows appeal to lower demographics like the unemployed or those aged 35-40. Evening programs entertain older generations with soaps and appeal to younger audiences and women with talent shows. ITV uses this segmentation, called "dayparting", to ensure they attract a diverse range of audiences throughout the day to watch various genres of shows and advertisements.
Scheduling
This document discusses television audience targeting and scheduling. It is divided into sections on the target audiences for different dayparts, popular genres, terrestrial channels' target audiences, the use of repeats and imports, and definitions of scheduling terms. The target audiences vary throughout the day from children and families in early evening to a broader audience in mid evening to adults in late evening. Popular genres include soaps, drama, comedy, and news which attract wide audiences. Each channel has its own target demographics, with BBC catering to older audiences and MTV targeting teens. Repeats fill schedules and allow viewers to catch up on missed shows. The watershed is after 9pm when content becomes unsuitable for children.
Understanding
Commercial radio stations generate revenue through advertisements to fund operations. There are over 300 commercial radio stations in the UK that primarily broadcast through FM frequencies and DAB, including national stations like Classic FM, Absolute Radio, and talkSPORT. Public service broadcasting (PSB) through the BBC aims to serve the public through entertainment and information on television and radio stations, which have remits targeting different audiences. New technologies like online radio have revolutionized the industry by allowing listeners to access stations anytime through the internet.
Radio stations
Radio broadcasting involves the one-way transmission of audio signals over radio waves or other transmission mediums to reach a wide audience. The BBC operates numerous national, regional, and local radio stations in the UK that broadcast news, entertainment, and discussion programming. Funding for the BBC's domestic radio, television, and online services comes primarily from television license fees paid by UK households.
BBC TV
This document provides information about two local media companies - Big Centre TV and Kaleidoscope TV. Big Centre TV is a local TV channel for parts of central England that was launched in 2015. It is owned by Kaleidoscope TV Ltd and broadcasts from a studio school, utilizing state-of-the-art facilities. The channel offers local news, sports and entertainment programming. The document also provides details on the management team and founding of Kaleidoscope TV Ltd. Additionally, it compares Big Centre TV to the BBC, describing the BBC as the world's leading public service broadcaster, funded by the television license fee.
Profile of Big Centre TV
Kaleidoscope is the parent company of Big Centre TV, a local television station serving Birmingham, Wolverhampton, Walsall, Solihull and the Black Country. It launched on February 28, 2015 on Freeview Channel 8 and Virgin Media Channel 159. The channel faced significant criticism for technical issues like poor sound quality and cameras as well as criticisms that its programming was dull. Viewers and local newspapers panned the new channel and gave it negative reviews for its uninspired launch and slow-moving content. While the channel aimed to provide 41 hours of local content weekly, it struggled out of the gate to engage audiences.
Scheduling a2 media pp
This document discusses various topics related to television scheduling, including the different time segments of TV (breakfast, daytime, etc.), their target audiences, popular genres, which channels different audiences watch, the percentage of schedules taken up by repeats, channels with imported shows, watershed rules, and other scheduling techniques like counterprogramming, marathoning, stunting, zoning, hammocking, pre-echo, inheritance, and stripping.
Research radio station
BBC Radio 1 broadcasts popular music and targets listeners aged 15-29 in the UK and internationally. It has historically had large audiences but numbers have declined in the 2000s. However, the station has succeeded in targeting younger audiences by developing its online presence and changing its content to be more cross-gender. The Chris Moyles Breakfast Show was very popular. The document proposes advertising a documentary on social media's impact on four Radio 1 shows - The Breakfast Show, Scott Mills Radio Show, Greg James Radio Show and The Internet Takeover show. It recommends advertising during The Internet Takeover show which features famous YouTubers and targets a similar demographic to the documentary's audience.
Lesson 2 channel identity
This document discusses the television industry and the impact of digital technologies. It explains how audiences now access TV through on-demand services like streaming, DVRs, and online platforms. This has led to an increase in programming options and fragmented audiences. However, some event and water-cooler shows still attract large live viewers. It also covers channel identities, scheduling techniques used to retain audiences, and how social media generates buzz. The effects of convergence and fragmentation in the industry are debated. Potential exam questions focus on analyzing these changes and their consequences.
Analysis of hanif kureishi’s “my son the fanatic” and “my beautiful laundret...
Analysis of hanif kureishi’s “my son the fanatic” and “my beautiful laundret...Muhammad Aqeel Hayder
The purpose of this study is to identify and describe postmodernist themes in two short stories written by Hanif Kureishi, My Son the Fanatic and My Beautiful Launderette. As postmodern era embodies some distinctive themes and techniques for instance fragmentation, pastiche, metafiction, minimalism, tecnoculture, hyperreality and intertextuality etc this paper will explore such themes and techniques in above mentioned literary works. Snsd
El documento ofrece consejos de seguridad para el uso de redes sociales, incluyendo tener precaución con los enlaces, mantener actualizado el sistema operativo y aplicaciones, no ingresar a sitios de dudosa reputación, dudar de las descargas de aplicaciones, y usar contraseñas seguras almacenadas de forma segura.
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BBC Two provides more intellectually stimulating programming than BBC One, focusing on art, drama, comedy and documentaries. It aims to appeal to audiences not served by other mainstream channels through diverse and unique content. Key to its identity are ambitious factual programs and passionate presenters sharing their knowledge to educate and interest viewers, particularly those aged 35-54. Our documentary fits this remit by allowing our presenter to creatively communicate something of local interest he is passionate about.
Radio and radio stations
Radio remains a popular advertising medium because people listen in many situations, like driving or showering. Commercial radio stations target specific demographics - Heart appeals to ages 25-44, Capital targets 18-34, and Classic FM targets ages 30+. Local radio stations could advertise a local short film screening. The filmmakers' short film would be a good fit for local stations like Nova Radio or Bristol University Radio that reach the target audience of students and those interested in short films.
Bbc1 and mbb
The document discusses the BBC, its flagship channel BBC1, and the scheduling of the sitcom Mrs Brown's Boys. BBC1 aims to provide high quality entertainment to a broad mainstream audience as a public service broadcaster funded by television licenses. Mrs Brown's Boys was scheduled on BBC1 in a prime time Monday night slot and repeated on Saturdays due to its popularity, attracting over 7 million viewers. The scheduling followed techniques like "zoning" to keep audiences of similar genres tuned in consecutive time slots.
Scheduling
The document discusses scheduling strategies for television channels in the UK. It outlines the typical audience segments throughout the day and the most popular genres across terrestrial channels. It also provides information on the target audiences for each of the five main channels and the percentage of repeats they air. The document concludes by defining several scheduling techniques used to attract audiences, such as hammocking, pre-echo, and inheritance.
BBC Information
The document discusses the BBC channel BBC Three and provides background information on its target audience of 16-34 year olds, programming, and some of its popular and award-winning comedy and drama shows from over the years such as Bad Education, Little Britain, Two Pints of Lager and a Packet of Crisps, Russell Howard's Good News, Gavin & Stacey, and Being Human. It notes that BBC Three faced competition from other channels for younger audiences and provides viewing statistics for the channel prior to its move to a online-only format in 2016.
ITV Genre Research
ITV aims to attract diverse audiences through their programming schedule and channel offerings. They target different demographics and psychographics depending on the time of day. In the mornings, ITV shows appeal to high income businessmen and women. Mid-day shows target unemployed or lower income viewers. Evening programs entertain older retired people as well as younger and middle-aged women through soap operas and talent shows. ITV also uses its other channels like ITV2 to focus on specific audiences, such as teenagers for shows featuring celebrities and reality television.
TV Choice Magazine
TV Choice magazine was chosen to host a double page spread because it is a popular nationwide magazine sold to 1.2 million weekly readers from a broad age range and social classes. The magazine's visually appealing and youthful layout would complement their documentary well. A double page spread in TV Choice would reach a large percentage of readers as those pages feature programs predicted to be popular.
Scheduling
This document discusses television audience demographics and scheduling strategies. It is divided into sections that identify the target audiences for different time slots, popular genres, channels' target demographics, the use of repeats, and definitions of television industry terms like watershed, counterprogramming, marathons, stunting, zoning, hammocking, pre-echoes, inheritance, and stripping. The key audiences are children, adults, the elderly, and unemployed individuals. Popular genres include soaps, drama, reality, and comedy. Channels like BBC and ITV target broad audiences while MTV targets teens. Watershed refers to content not suitable for children airing after 9pm.
Assignment 6
This document provides information about the BBC One and Channel 4 TV channels in the UK. It discusses the sister channels of BBC One like BBC Two, BBC Three, BBC Four, BBC News and CBeebies. It also outlines the target audience and types of shows found on BBC One. For Channel 4, it lists the sister channels and compares it to other channels, noting its mainstream programming appeals to all ages. It analyzes the types of documentaries shown on both channels and how they compare between the two stations.
ITV Genre Research
ITV targets different demographics and psychographics throughout the day with their programming. In the mornings, shows like Good Morning Britain target high income businessmen and women. Mid-day shows appeal to lower demographics like the unemployed or those aged 35-40. Evening programs entertain older generations with soaps and appeal to younger audiences and women with talent shows. ITV uses this segmentation, called "dayparting", to ensure they attract a diverse range of audiences throughout the day to watch various genres of shows and advertisements.
Scheduling
This document discusses television audience targeting and scheduling. It is divided into sections on the target audiences for different dayparts, popular genres, terrestrial channels' target audiences, the use of repeats and imports, and definitions of scheduling terms. The target audiences vary throughout the day from children and families in early evening to a broader audience in mid evening to adults in late evening. Popular genres include soaps, drama, comedy, and news which attract wide audiences. Each channel has its own target demographics, with BBC catering to older audiences and MTV targeting teens. Repeats fill schedules and allow viewers to catch up on missed shows. The watershed is after 9pm when content becomes unsuitable for children.
Understanding
Commercial radio stations generate revenue through advertisements to fund operations. There are over 300 commercial radio stations in the UK that primarily broadcast through FM frequencies and DAB, including national stations like Classic FM, Absolute Radio, and talkSPORT. Public service broadcasting (PSB) through the BBC aims to serve the public through entertainment and information on television and radio stations, which have remits targeting different audiences. New technologies like online radio have revolutionized the industry by allowing listeners to access stations anytime through the internet.
Radio stations
Radio broadcasting involves the one-way transmission of audio signals over radio waves or other transmission mediums to reach a wide audience. The BBC operates numerous national, regional, and local radio stations in the UK that broadcast news, entertainment, and discussion programming. Funding for the BBC's domestic radio, television, and online services comes primarily from television license fees paid by UK households.
BBC TV
This document provides information about two local media companies - Big Centre TV and Kaleidoscope TV. Big Centre TV is a local TV channel for parts of central England that was launched in 2015. It is owned by Kaleidoscope TV Ltd and broadcasts from a studio school, utilizing state-of-the-art facilities. The channel offers local news, sports and entertainment programming. The document also provides details on the management team and founding of Kaleidoscope TV Ltd. Additionally, it compares Big Centre TV to the BBC, describing the BBC as the world's leading public service broadcaster, funded by the television license fee.
Profile of Big Centre TV
Kaleidoscope is the parent company of Big Centre TV, a local television station serving Birmingham, Wolverhampton, Walsall, Solihull and the Black Country. It launched on February 28, 2015 on Freeview Channel 8 and Virgin Media Channel 159. The channel faced significant criticism for technical issues like poor sound quality and cameras as well as criticisms that its programming was dull. Viewers and local newspapers panned the new channel and gave it negative reviews for its uninspired launch and slow-moving content. While the channel aimed to provide 41 hours of local content weekly, it struggled out of the gate to engage audiences.
Scheduling a2 media pp
This document discusses various topics related to television scheduling, including the different time segments of TV (breakfast, daytime, etc.), their target audiences, popular genres, which channels different audiences watch, the percentage of schedules taken up by repeats, channels with imported shows, watershed rules, and other scheduling techniques like counterprogramming, marathoning, stunting, zoning, hammocking, pre-echo, inheritance, and stripping.
Research radio station
BBC Radio 1 broadcasts popular music and targets listeners aged 15-29 in the UK and internationally. It has historically had large audiences but numbers have declined in the 2000s. However, the station has succeeded in targeting younger audiences by developing its online presence and changing its content to be more cross-gender. The Chris Moyles Breakfast Show was very popular. The document proposes advertising a documentary on social media's impact on four Radio 1 shows - The Breakfast Show, Scott Mills Radio Show, Greg James Radio Show and The Internet Takeover show. It recommends advertising during The Internet Takeover show which features famous YouTubers and targets a similar demographic to the documentary's audience.
Lesson 2 channel identity
This document discusses the television industry and the impact of digital technologies. It explains how audiences now access TV through on-demand services like streaming, DVRs, and online platforms. This has led to an increase in programming options and fragmented audiences. However, some event and water-cooler shows still attract large live viewers. It also covers channel identities, scheduling techniques used to retain audiences, and how social media generates buzz. The effects of convergence and fragmentation in the industry are debated. Potential exam questions focus on analyzing these changes and their consequences.
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TV Scheduling
There are three main segments of TV scheduling: daytime, primetime, and watershed. Daytime targets unemployed people, late shifts or children. Primetime aims for families when most people are home. Watershed shows after 9pm can contain explicit content for adults and teens. The most popular genres are soaps, news and reality shows. Each channel targets different demographics - BBC One is broad, BBC Two targets 35-54, ITV is family-focused, Channel 4 targets 16-34 and Channel 5 targets 25-35. Channels 4 and 5 import more programs for variety. A watershed is usually 9pm, when explicit content can be shown. Strategies like pre-echo, inheritance and hammocking aim
Tv scheduling part 1
The document discusses TV scheduling and target audiences for different time segments. It is broken into the following segments:
1) Children - Shows children's programming in the morning for kids and parents.
2) Breakfast - Aims news at adults in the morning as they prepare for work.
3) Daytime - Targets unemployed audiences with chat shows and lifestyle programs.
4) Student - Aims game shows and quizzes at students after school.
5) Soaps - Shows many soap operas between 6:30-8pm across channels.
6) Adults - Features more mature programming after 9pm past the watershed restriction.
The most popular genres are
Scheduling a2 media pp
This document discusses various topics related to television scheduling, including the different time segments of TV (breakfast, daytime, etc.), their target audiences, popular genres, which channels different audiences watch, the use of repeats, imported shows, watershed rules, and scheduling techniques like counterprogramming, marathons, stunting, zoning, hammocking, pre-echo, inheritance, and stripping. It provides details on who typically watches certain time slots and channels, and how scheduling is used to attract and maintain audiences.
Scheduling
The document discusses TV scheduling and programming on UK channels BBC1, BBC2, ITV1, Channel 4, and Channel 5. It defines the common scheduling segments of breakfast, daytime, lunchtime, children's, primetime, and post-watershed. It outlines the target audiences for each channel and programming genres. It provides data on the percentage of repeats for each channel and notes that Channels 4 and 5 have more imported shows to keep costs lower since they don't rely on advertising revenue like the other channels.
Scheduling
The document discusses TV scheduling and programming on UK channels BBC1, BBC2, ITV1, Channel 4, and Channel 5. It defines the common scheduling segments of breakfast, daytime, lunchtime, children's, primetime, and post-watershed. It outlines the target audiences for each channel and programming genres. It provides data on the percentage of repeats for each channel and notes that Channels 4 and 5 have more imported shows to keep costs lower since they don't rely on advertising revenue like the other channels.
Scheduling
The document discusses TV scheduling and programming on UK channels BBC1, BBC2, ITV1, Channel 4, and Channel 5. It defines the common scheduling segments of breakfast, daytime, lunchtime, children's, primetime, and post-watershed. It outlines the target audiences for each channel and programming genres. It provides data on the percentage of repeats for each channel and notes that Channels 4 and 5 have more imported shows to keep costs lower since they don't rely on advertising revenue like the other channels.
Scheduling
The document summarizes television scheduling and audiences in the UK. It discusses the target audiences for morning (ages 1-16), mid-day (ages 21+), and night time (ages 16+) television. It also outlines the most popular channels and genres, which include BBC One, ITV, Channel 4, dramas, sitcoms, and chat shows. The document defines television terms like watershed, hammocking, and pre-echo.
Tv scheduling pp
This document outlines different aspects of TV scheduling, including defining schedules as the arrangement of programs presented to audiences. It describes common scheduling segments such as breakfast, daytime, children's, and primetime programming. It also lists popular genres like drama, soap, reality, and sitcoms as well as the target audiences of different channels such as BBC ONE targeting everyone and Channel 4 focusing on teenagers. Key scheduling concepts covered are the watershed, hammocking, pre-echo, and inheritance.
Tv scheduling pp
TV schedules arrange and present media programs to audiences in different segments such as breakfast, daytime, children's, and prime time. Popular genres include drama, soap, reality, news, documentaries, and sitcoms. Channels target different audiences - BBC ONE targets everyone, BBC 2 targets a specific audience, and ITV 1 and Channel 5 also target everyone. The watershed at 9pm allows for programming with inappropriate themes or language. Strategic placement of programs, such as between two popular shows ("hammocking"), before a popular show ("pre-echo"), or after a successful show ("inheritance") allows new programs to gain audiences. Channel loyalty has decreased as viewers now surf between multiple channels if a program does not engage them.
Tv scheduling
TV scheduling consists of 5 categories: breakfast, daytime, afternoon, prime time, and watershed. Breakfast shows news and children's programs. Daytime fills gaps with news and soaps for young adults. Afternoon has children's shows and soaps until early evening. Prime time offers sitcoms, family shows, and soaps. Past watershed, content can include nudity or strong language for adult audiences. Popular UK channels include BBC One, BBC Two, ITV, Channel 4, and Channel 5, which target different audiences throughout the day using repeats, imports, and scheduling techniques like hammocking and inheritance.
Assignment 7 – tv channel research! complete (1)
Channel 4, ITV, and Channel 5 are analyzed and compared. Channel 4 airs a variety of shows from cartoons to sitcoms to news. ITV also airs sitcoms, documentaries, and game shows. Channel 5 focuses on reality TV, soaps, and documentaries. Channel 5's documentaries cover sensitive topics more openly than the other channels. The documentarian concludes they would choose Channel 5 to air their documentary due to its willingness to discuss controversial issues and varied documentary topics.
Lesson 3 - TV Comedy - Channels and scheduling
E4's branding emphasizes being "beautifully random, joyously daft and generally not taking things too seriously." OFCOM regulates all broadcasting channels in the UK to ensure they follow guidelines. Public service broadcasting (PSB) channels like the BBC are required to provide quality programming that reflects UK diversity and mixes genres, while avoiding repeated shows. Commercial channels primarily aim to attract large audiences to sell expensive advertising slots. Television scheduling strategies carefully plan what programs air when to target specific audiences.
Tv scheduling
This document discusses TV scheduling and target audiences. It is broken into several questions:
1. TV programming is broken into segments by time of day, each targeting different audiences. Popular genres are reality TV, soaps, dramas and game shows.
2. The major channels - BBC1, BBC2, ITV, C4, C5 - each target different audiences based on age and interests. Examples of typical programs are given for each channel.
3. Channel 5 imports most of its shows from other countries due to lower budgets. Schedulers use techniques like inheritance, pre-echo and hammocking to retain audiences across multiple channels.
Assignment 6
This document provides information about the BBC One and Channel 4 TV channels in the UK. It discusses the sister channels of BBC One such as BBC Two, BBC Three, BBC Four, BBC News and CBeebies. It also discusses the difference between the main and sister channels. The document also provides information about Channel 4's sister channels such as Film4, E4, More4 and 4music. It discusses some of the most successful TV shows on Channel 4 and the target audiences of both BBC One and Channel 4. It compares how these two channels approach documentaries compared to other channels.
The BBC Insitution
The BBC's mission is to inform, educate, and entertain audiences with programming and services. Their vision is to be the most creative organization in the world. The BBC values include trust, putting audiences first, delivering quality and value, creativity, respecting diversity, collaboration, and upholding their Royal Charter. Their most viewed channels attract generally older audiences, while children's channels attract younger viewers. ITV channels skew older, while Channel 4 and 5 audiences match the general population. Sky channels vary with some skewing male and others female. The BBC produces popular science, nature, and history documentaries.
The BBC Insitution
The BBC's mission is to inform, educate, and entertain audiences with programming and services. Their vision is to be the most creative organization in the world. The BBC values include trust, putting audiences first, delivering quality and value, creativity, respecting diversity, and collaboration. Their channels attract a variety of audiences with BBC One and Two skewing older, while channels like BBC Three attract younger viewers. ITV channels also skew older while Channel 4 and 5 attract audiences representative of the general population.
Tv scheduling
The document discusses TV scheduling and programming segments. It is broken into the following segments:
1) Early morning from 6-9am targets retired people and children.
2) Afternoon from 4-7pm targets children and young people.
3) Evenings from 7pm onward targets young adults and adults.
It also discusses the target audiences of different channels, the percentage of repeats shown, channels that air more imported programs, and terms like "watershed", "pre-echo", "inheritance", and "hammocking" used in scheduling.
Scheduling
The document discusses television scheduling, including how TV programs are split into 5 segments based on the target audience and popular genres. It also describes the target audiences of the main terrestrial TV channels in the UK and the percentage of repeats shown on each channel. The "watershed" is defined as 9pm, after which less censored content can be shown. Finally, it mentions that Channel 4 and 5 import more shows because it is cheaper than producing original content.
Tv comedy 4a
The document compares the scheduling of two television programmes on different channels. Citizen Khan airs on BBC1 on Fridays at 9:00pm, after the watershed. It is scheduled in prime time and uses strategies like inheritance, hammocking and zoning to attract and retain a mass audience. The Big Bang Theory airs on E4 daily in a stripped schedule at prime time. It uses zoning and pairing to target E4's niche audience with imported entertainment programming.
Don’t tell the bride group work
This document summarizes information about BBC Three, a British television channel targeted at 16-34 year olds. Some key points:
- BBC Three was established in 2003 to bring younger audiences to public service broadcasting through a mixed genre schedule of UK content and new UK talent.
- It is owned and vertically integrated by the BBC. Cross promotion between BBC properties is used to help audiences find content.
- The channel is regulated by Ofcom and represented online through BBC iPlayer. Plans are in place for it to become an online-only channel in 2015.
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Codes and conventions of newspaper advertisements
Newspaper advertisements have specific codes and conventions - they must be A4 landscape format, include a dominant image to convey meaning, use a witty slogan to explain the image, and provide scheduling details like day, date and time in colored text with the channel logo prominently displayed.
Evaluation question 4
The document discusses the various media technologies used at different stages of creating a documentary project. Adobe Premiere Pro was used to edit video clips, add sound, adjust audio levels, and apply effects. Photoshop was utilized to design a newspaper advertisement. Blogger hosted documents, photos and videos related to the media work. A Sony HD camera and tripod captured quality footage, while a clip mic recorded clear interviews. Tagul created an interactive tag cloud with information. Prezi and PowerPoint/SlideShare helped present research, while YouTube shared the final documentary and provided archive footage.
Evaluation question 2
The documentary title "BBC: Behind the Scenes" was consistently displayed across the documentary's opening titles, newspaper advertisement, and radio advertisement to clearly link the three media products. The same person provided the voiceover for the documentary and radio advertisement. The radio advertisement also included clips from interviews in the documentary. The campaign slogan "See what its like to sit on the sofa" was used on the newspaper advertisement and in the radio advertisement. While the radio advertisement briefly explained what the documentary was about, all of the media provided the same key information about the documentary title, broadcast channel, and time.
Evaluation question 3
The document summarizes audience feedback from questionnaires about a documentary. The feedback showed that the documentary was rated highly for being informative, entertaining, and having good technical quality, as it received mostly 4s or 5s out of 5 in those categories. The feedback was more mixed for how eye-catching and how well it obeyed typical documentary conventions the documentary was, as different parts of the audience found different sections more or less interesting or conventional. The creator thinks asking other media students for feedback would provide more detailed and constructive criticism.
Evaluation question 1
Our documentary follows the typical conventions of real media products by including archive footage and a voiceover narration. When filming interviews, we considered the mise-en-scene and framed the shots using the rule of thirds. However, some shots broke conventions by having the subject look out of frame. We included basic graphics with a font similar to BBC products to inform viewers of titles and names. The documentary also followed a linear structure over its short runtime.
Types of documentaries
There are 7 types of documentaries: docusoaps, reality TV, fly on the wall, mixed, self reflective, docudrama, and fully narrated. Docusoaps follow individuals or groups over a long period of time, like Airport or Educating Yorkshire. Reality TV shows real life drama for entertainment and information. Fly on the wall documentaries film subjects unaware they are being filmed. Mixed documentaries use interviews, footage, and narration to tell a story. Self reflective documentaries have subjects acknowledge the camera directly. Docudramas reconstruct past events. Fully narrated documentaries have narration throughout to explain the footage.
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The document outlines conventions for radio trailers, including using a 30-40 second length, voiceovers that narrate the program and ask thought-provoking questions, and including clips from the program and dynamic editing. It also notes voiceovers usually get louder in the middle and fade out at the end, and that trailers typically include the time, date, channel and a strap line to identify the program for listeners.
Bbc move to manc research
The BBC moved 850 staff from London to Salford in 2011 at a cost of £11 million to cover relocation expenses. Staff were given financial incentives worth 10% of their salary to encourage relocation. While the BBC claimed benefits like improved productions and reputation from the move, it was criticized for excessive relocation payments like £150,000 to buy a £1 million home. The National Audit Office also said the BBC's recording of exceptions for higher payments was inadequate. The BBC spent £2 million on flights between Manchester and London in the first two years after the move.
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This document provides details on a planned documentary about behind the scenes at the BBC. It will film interviews at the BBC's flagship building in Media City, Salford Quays. The documentary aims to interview presenters like Susanna Reid and Bill Turnbull, as well as camera operators, editors, and catering and security staff. It will have a non-linear narrative structure made up of interviews and footage. Resources needed include a video camera, transportation, and interview questions. The target audience is ages 25 and up.
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This documentary will provide a behind-the-scenes look at the BBC by interviewing staff from presenters to catering at the BBC's Media City facility in Salford Quays. Primary research will involve arranging interviews with Susanna Reid, Bill Turnbull and other staff, and determining filming locations and logistics. Secondary research will cover the history of the BBC's move to Salford, staffing levels and costs, viewership data, and equipment expenses. The narrative will be non-linear and consist of interviews, news reports, cutaway shots, music, and actual footage. Required resources include a video camera, transportation, and interview questions.
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The documentary summarizes the making of the film Jaws, focusing on the challenges faced during production. Interviews with the cast and crew discuss how the film started as a novel and became a blockbuster, changing Hollywood. Problems included technical issues creating the mechanical shark prop and an actress breaking a rib during filming. Despite difficulties, the documentary shows how the film was ultimately a massive success despite initial doubts during production.
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conventions of a documentary
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This document provides details for a mixed documentary about behind the scenes at the BBC, including interviews with presenters Susana Reid and Bill Turnbull as well as camera, editing, and other staff. The documentary will film at BBC's Media City building in Salford Quays and include archived news reports and music from bands like The 1975. It will have a non-linear narrative structure composed of interviews and archive footage. Content will include interviews, news reports, stylized shots, and music, and resource requirements are one video camera, transportation, and scripted interview questions.
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Tv scheduling
- 1. There are 3 segments in which TV schedules are broken down into which are: •Daytime •Primetime •Watershed TV Scheduling is governed by target audience and is all about getting the biggest audience possible. The target audience for daytime shows are perhaps people who are unemployed or work late shifts or young children. Primetime shows have the largest target audience of families as a lot of people are home from work or school at this time. Watershed shows are for adults or teenagers as they are shown after 9pm and can show explicit content.
- 2. The most popular genres on television are: •Soaps •News •Reality The target audience for each terrestrial channel is: •BBC One - Broad mainstream audience •BBC Two - 35-54 year-olds •ITV - Family audience •Channel 4 - 16-34 •Channel 5 - 25-35 which is the opposite of BBC Two Channels 4 and 5 have more imported programs in their schedules which give them the chance to earn more viewers as they have more variety on their channels.
- 3. A watershed is the time in the evening, which is usually 9pm, when television shows that may contain explicit content are shown and are not suitable for children. Pre-echo - scheduling a program before a popular program or an established program with hope that the audience will tune in next time. Inheritance - scheduling a new show after a popular or established program. Hammocking - scheduling a new program between two popular/established shows.