Scheduling
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The document discusses TV scheduling and programming on UK channels BBC1, BBC2, ITV1, Channel 4, and Channel 5. It defines the common scheduling segments of breakfast, daytime, lunchtime, children's, primetime, and post-watershed. It outlines the target audiences for each channel and programming genres. It provides data on the percentage of repeats for each channel and notes that Channels 4 and 5 have more imported shows to keep costs lower since they don't rely on advertising revenue like the other channels.
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The document discusses television scheduling and programming in the UK. It is split into segments by target audience such as breakfast, children's, and primetime. The most popular genres vary by segment but include kids shows, reality TV, comedies, dramas, and soaps. Terrestrial channels like BBC1 target everyone while BBC2 targets intellectuals and Channel 4 targets teens. The percentage of repeats varies from channel to channel, ranging from 2-8%. Watershed refers to the time after 9pm when less censored content can air. Importing shows is cheaper than producing original content for some channels. Strategic scheduling techniques include "hammocking," placing a new show between popular ones, and "pre-echo," air
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The document discusses television scheduling, including how TV programs are split into 5 segments based on the target audience and popular genres. It also describes the target audiences of the main terrestrial TV channels in the UK and the percentage of repeats shown on each channel. The "watershed" is defined as 9pm, after which less censored content can be shown. Finally, it mentions that Channel 4 and 5 import more shows because it is cheaper than producing original content.
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This document outlines different aspects of TV scheduling, including defining schedules as the arrangement of programs presented to audiences. It describes common scheduling segments such as breakfast, daytime, children's, and primetime programming. It also lists popular genres like drama, soap, reality, and sitcoms as well as the target audiences of different channels such as BBC ONE targeting everyone and Channel 4 focusing on teenagers. Key scheduling concepts covered are the watershed, hammocking, pre-echo, and inheritance.
TV Scheduling
There are 3 main types of TV scheduling strategies: inheritance, where a new program airs after a popular one to inherit some of its audience; pre-echo, where a program airs before a popular one in hopes viewers will tune in early and return for future airings; and hammocking, where a program airs between two popular ones to benefit from both audiences. Some channels also historically relied on channel loyalty, though viewers are less likely to stick to one channel all night now.
TV Scheduling
There are three main segments of TV scheduling: daytime, primetime, and watershed. Daytime targets unemployed people, late shifts or children. Primetime aims for families when most people are home. Watershed shows after 9pm can contain explicit content for adults and teens. The most popular genres are soaps, news and reality shows. Each channel targets different demographics - BBC One is broad, BBC Two targets 35-54, ITV is family-focused, Channel 4 targets 16-34 and Channel 5 targets 25-35. Channels 4 and 5 import more programs for variety. A watershed is usually 9pm, when explicit content can be shown. Strategies like pre-echo, inheritance and hammocking aim
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The document discusses television scheduling and programming in the UK. It is split into segments by target audience such as breakfast, children's, and primetime. The most popular genres vary by segment but include kids shows, reality TV, comedies, dramas, and soaps. Terrestrial channels like BBC1 target everyone while BBC2 targets intellectuals and Channel 4 targets teens. The percentage of repeats varies from channel to channel, ranging from 2-8%. Watershed refers to the time after 9pm when less censored content can air. Importing shows is cheaper than producing original content for some channels. Strategic scheduling techniques include "hammocking," placing a new show between popular ones, and "pre-echo," air
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The document discusses television scheduling, including how TV programs are split into 5 segments based on the target audience and popular genres. It also describes the target audiences of the main terrestrial TV channels in the UK and the percentage of repeats shown on each channel. The "watershed" is defined as 9pm, after which less censored content can be shown. Finally, it mentions that Channel 4 and 5 import more shows because it is cheaper than producing original content.
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There are 3 main types of TV scheduling strategies: inheritance, where a new program airs after a popular one to inherit some of its audience; pre-echo, where a program airs before a popular one in hopes viewers will tune in early and return for future airings; and hammocking, where a program airs between two popular ones to benefit from both audiences. Some channels also historically relied on channel loyalty, though viewers are less likely to stick to one channel all night now.
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TV schedules arrange and present media programs to audiences in different segments such as breakfast, daytime, children's, and prime time. Popular genres include drama, soap, reality, news, documentaries, and sitcoms. Channels target different audiences - BBC ONE targets everyone, BBC 2 targets a specific audience, and ITV 1 and Channel 5 also target everyone. The watershed at 9pm allows for programming with inappropriate themes or language. Strategic placement of programs, such as between two popular shows ("hammocking"), before a popular show ("pre-echo"), or after a successful show ("inheritance") allows new programs to gain audiences. Channel loyalty has decreased as viewers now surf between multiple channels if a program does not engage them.
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TV scheduling aims to gain the largest possible audience to demonstrate that public funds from the TV license are not being wasted. The BBC schedules fewer game shows with huge prizes compared to ITV, which funds programming through advertising. Programs are sometimes delayed a few minutes so viewers will catch the end of the previous show and be more likely to watch it again. Channel loyalty no longer exists due to audience fragmentation from digital television. Common scheduling techniques include pre-echo scheduling, where a new show airs before an established one to attract viewers, inheritance scheduling after popular shows, and hammocking between two established programs.
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The document discusses TV scheduling and programming on UK channels BBC1, BBC2, ITV1, Channel 4, and Channel 5. It defines the common scheduling segments of breakfast, daytime, lunchtime, children's, primetime, and post-watershed. It outlines the target audiences for each channel and programming genres. It provides data on the percentage of repeats for each channel and notes that Channels 4 and 5 have more imported shows to keep costs lower since they don't rely on advertising revenue like the other channels.
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The document discusses TV scheduling, defining it as the pattern in which programs are arranged for audiences. It notes the main segments TV schedules are divided into and the most popular genres. Each channel targets different audiences, with specifics given about BBC1, ITV1, Channel 4, and Channel 5. Percentages of repeats for each channel are provided. The watershed is defined as well as why some channels import shows. Placement strategies like hammocking, pre-echo, and inheritance are outlined.
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The document discusses TV scheduling in the UK, including the 5 sections of a scheduled day, target audiences for different time periods, popular genres, target audiences of the 5 main channels, percentage of repeats on channels, the watershed period, importing of shows, and definitions of scheduling terms. It provides information on programming in different dayparts from breakfast to post-watershed, the genres shown, who different channels target, and other scheduling considerations and terminology.
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The document discusses TV scheduling and target audiences for different time segments. It is broken into the following segments:
1) Children - Shows children's programming in the morning for kids and parents.
2) Breakfast - Aims news at adults in the morning as they prepare for work.
3) Daytime - Targets unemployed audiences with chat shows and lifestyle programs.
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5) Soaps - Shows many soap operas between 6:30-8pm across channels.
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Tv scheduling
The document discusses TV scheduling and target audiences for different time slots. It breaks down the day into morning, afternoon, evening and night segments with target audiences specified for each. The most popular genres are talk shows, comedy and reality shows. Each major channel targets different demographics and the percentage of repeats varies widely between channels from 10% to 50% due to production costs. The watershed occurs at 9pm when more explicit content is shown.
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TV schedules arrange and present media programs to audiences in different segments such as breakfast, daytime, children's, and prime time. Popular genres include drama, soap, reality, news, documentaries, and sitcoms. Channels target different audiences - BBC ONE targets everyone, BBC 2 targets a specific audience, and ITV 1 and Channel 5 also target everyone. The watershed at 9pm allows for programming with inappropriate themes or language. Strategic placement of programs, such as between two popular shows ("hammocking"), before a popular show ("pre-echo"), or after a successful show ("inheritance") allows new programs to gain audiences. Channel loyalty has decreased as viewers now surf between multiple channels if a program does not engage them.
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TV scheduling aims to gain the largest possible audience to demonstrate that public funds from the TV license are not being wasted. The BBC schedules fewer game shows with huge prizes compared to ITV, which funds programming through advertising. Programs are sometimes delayed a few minutes so viewers will catch the end of the previous show and be more likely to watch it again. Channel loyalty no longer exists due to audience fragmentation from digital television. Common scheduling techniques include pre-echo scheduling, inheritance scheduling, and hammocking, which aim to benefit new programs by placing them near popular existing programs.
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TV scheduling aims to gain the largest possible audience to demonstrate that public funds from the TV license are not being wasted. The BBC schedules fewer game shows with huge prizes compared to ITV, which funds programming through advertising. Programs are sometimes delayed a few minutes so viewers will catch the end of the previous show and be more likely to watch it again. Channel loyalty no longer exists due to audience fragmentation from digital television. Common scheduling techniques include pre-echo scheduling, where a new show airs before an established one to attract viewers, inheritance scheduling after popular shows, and hammocking between two established programs.
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This document discusses different types of broadcast stations and programming. It covers:
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3. Scheduling practices like dayparting that divide the day into time periods suited to different audiences and content types.
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This document discusses TV scheduling and programming strategies. It outlines the different daytime segments, the target audiences for each segment, and the most popular genres. It also describes the target audiences for different UK channels and notes that Channel 5 imports many of its programs. The document explains that the watershed is at 9pm and that BBC1 and ITV1 compete directly. It then discusses strategies for scheduling, such as avoiding direct competition between big shows, using popular shows to introduce new programs, and placing new programs between established ones to boost viewership.
Assignment 6 tv channal analysis
Channel 4 and Channel 5 target different audiences. Channel 4 targets adults aged 18-35 and produces a wide range of programming from comedies and dramas to documentaries and news. It commissions content from over 300 independent UK producers. In contrast, Channel 5 targets younger audiences aged 2-30 with many children's programs. It also produces reality shows like Celebrity Big Brother that appeal to younger viewers. Both channels have sister channels but Channel 4 owns more, including E4, Film4, and 4Music.
Scheduling
The document summarizes television scheduling and audiences in the UK. It discusses the target audiences for morning (ages 1-16), mid-day (ages 21+), and night time (ages 16+) television. It also outlines the most popular channels and genres, which include BBC One, ITV, Channel 4, dramas, sitcoms, and chat shows. The document defines television terms like watershed, hammocking, and pre-echo.
Scheduling[1]
This document discusses television scheduling and ratings. It explains that programmers schedule shows according to lifestyle factors like children's shows in the morning and prime time in the evenings. Ratings data is collected by BARB to determine viewer demographics and profiles for each show. Poor ratings can lead to shows being cancelled. Advertisers use ratings data to determine when and where to place ads. Programming and advertising aim to appeal to stereotypes to make shows easy to follow for audiences. However, television often simplifies or leaves out facts due to biases.
L5 tv comedy
BBC Three aims to attract younger audiences with innovative and high-quality programming produced in the UK. Bad Education fits this remit well through its comedic portrayal of school life, appealing strongly to its target 16-34 demographic. The series was strategically scheduled on Tuesday evenings post-watershed to reach its intended mature audience with more adult humor, in line with BBC Three's broader content.
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Presentation1dvb
The document summarizes feedback received about a documentary. It notes that the voiceover and images during interviews were cohesive, the voxpops helped break up the documentary, scrolling through an article should have been slower to allow reading, and some cutaways could have been lengthened to make viewing easier. The feedback was learned from audience questionnaires and helped identify ways to improve the documentary.
Questionnaire results
This document appears to be the results of a questionnaire that asks respondents about their demographic information like age and gender. It also asks questions about TV viewing habits such as favorite channels, times of day watched, and documentary preferences. Additionally, it inquires about chocolate preferences including frequency of consumption, favorite and least favorite kinds, and whether supermarket or handmade chocolate is preferred.
Questionnaire results
The document appears to be a questionnaire asking respondents for demographic information like age, gender, status and occupation. It also asks viewing habits such as most watched TV channel, preferred time of day to watch TV, how often TV is watched and expectations for when documentaries may air. Personal preferences are queried around chocolate, including favorite and disliked types as well as when chocolate is mainly consumed and whether supermarket or handmade chocolate is preferred.
Scheduling
The document discusses TV scheduling and programming on UK channels BBC1, BBC2, ITV1, Channel 4, and Channel 5. It defines the common scheduling segments of breakfast, daytime, lunchtime, children's, primetime, and post-watershed. It outlines the target audiences for each channel and programming genres. It provides data on the percentage of repeats for each channel and notes that Channels 4 and 5 have more imported shows to keep costs lower since they don't rely on advertising revenue like the other channels.
That thing
The documentary analyzes the cultural impact of the video game character Lara Croft. It uses a mixed documentary style with elements of narrative, interviews, and archive footage. Various filming techniques are used including close-ups, point-of-view shots, and superimposition. The documentary examines themes of sexuality, gaming culture, and the representation of women in media through the lens of Lara Croft's popularity and influence.
Evaluation Question 5
The document summarizes how the author attracted and addressed their intended audience for a music magazine. First, they ensured the magazine's style and content matched the target audience's interests through a questionnaire. Second, they used direct eye contact on the cover to engage readers. Third, they incorporated large fonts, white text on blue, and a contest to make the cover eye-catching.
Media question
The document reflects on learning from a preliminary task to a full product. The author learned to use Quark and Photoshop more effectively by spending more time with the programs and utilizing different tools. Specifically for Quark, the author found it was easy to use and important for producing quality media work. For Photoshop, the author learned to use various tools more accurately and felt the final image was of better quality than before.
Questionnaire Results
- The largest age group of respondents was 16 and under, fitting the target audience.
- NME was the most popular magazine.
- Blue and black were the most popular colors, so those colors will be prominently featured.
- People mainly buy magazines fortnightly, so the magazine will be published fortnightly.
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- 1. Scheduling September 9 th 2011
- 5. 7) Channels 4 and 5 have more imported shows than any of the other channels as it is cheaper because they don’t make money through advertising or through the TV licence. Placement of programmes when scheduling Hammoking: The strategic placement of a programme between two other programmes; positioning a new series between two well-established shows that appeal to the same target audience often gives the right viewers an opportunity to sample the new series. Pre-echo: Programmes placed on schedule to before a popular programme. Inheritance: Programmes placed after a successful programme in the hopes of inheriting some of its audience. 6) The definition of Watershed is; Watershed is when more adult and explicit shows are shown, this occurs at 9pm each night but it is said to be moving to 10pm.