Schulding
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The document discusses television scheduling and programming in the UK. It is split into segments by target audience such as breakfast, children's, and primetime. The most popular genres vary by segment but include kids shows, reality TV, comedies, dramas, and soaps. Terrestrial channels like BBC1 target everyone while BBC2 targets intellectuals and Channel 4 targets teens. The percentage of repeats varies from channel to channel, ranging from 2-8%. Watershed refers to the time after 9pm when less censored content can air. Importing shows is cheaper than producing original content for some channels. Strategic scheduling techniques include "hammocking," placing a new show between popular ones, and "pre-echo," air
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Scheduling
The document discusses television scheduling, including how TV programs are split into 5 segments based on the target audience and popular genres. It also describes the target audiences of the main terrestrial TV channels in the UK and the percentage of repeats shown on each channel. The "watershed" is defined as 9pm, after which less censored content can be shown. Finally, it mentions that Channel 4 and 5 import more shows because it is cheaper than producing original content.
Scheduling
The document discusses TV scheduling and programming on UK channels BBC1, BBC2, ITV1, Channel 4, and Channel 5. It defines the common scheduling segments of breakfast, daytime, lunchtime, children's, primetime, and post-watershed. It outlines the target audiences for each channel and programming genres. It provides data on the percentage of repeats for each channel and notes that Channels 4 and 5 have more imported shows to keep costs lower since they don't rely on advertising revenue like the other channels.
TV Scheduling
There are three main segments of TV scheduling: daytime, primetime, and watershed. Daytime targets unemployed people, late shifts or children. Primetime aims for families when most people are home. Watershed shows after 9pm can contain explicit content for adults and teens. The most popular genres are soaps, news and reality shows. Each channel targets different demographics - BBC One is broad, BBC Two targets 35-54, ITV is family-focused, Channel 4 targets 16-34 and Channel 5 targets 25-35. Channels 4 and 5 import more programs for variety. A watershed is usually 9pm, when explicit content can be shown. Strategies like pre-echo, inheritance and hammocking aim
Tv scheduling
TV schedules are broken into 3 segments: daytime, primetime, and watershed. Daytime shows target unemployed people, late shifts workers, and children. Primetime shows have the largest family audience. Watershed shows after 9pm can contain explicit content suitable for adults and teenagers. The most popular TV genres are soaps, news, and reality shows. Different channels target specific age demographics: BBC One targets a broad audience, BBC Two targets 35-54, ITV families, Channel 4 16-34, and Channel 5 targets 25-35 unlike BBC Two. Channels 4 and 5 import more programs to attract more varied audiences. A watershed is usually 9pm, when explicit content can air. Strategies like pre-
Unit 8 Presentation
The document discusses several aspects of the radio industry in Britain. It outlines that major media companies own most regional and national radio stations, with emap owning over 70 stations. It also discusses public service broadcasting done by the BBC without commercial costs. New technologies like mobile and internet radio are allowing people to listen on more devices and catch up on shows. The roles of various professional bodies in radio are also outlined, with Ofcom regulating content and MCPS collecting music royalties.
Tv scheduling
TV scheduling aims to gain the largest possible audience to demonstrate that public funds from the TV license are not being wasted. The BBC schedules fewer game shows with huge prizes compared to ITV, which funds programming through advertising. Programs are sometimes delayed a few minutes so viewers will catch the end of the previous show and be more likely to watch it again. Channel loyalty no longer exists due to audience fragmentation from digital television. Common scheduling techniques include pre-echo scheduling, where a new show airs before an established one to attract viewers, inheritance scheduling after popular shows, and hammocking between two established programs.
Tv scheduling
TV scheduling aims to gain the largest possible audience to demonstrate that public funds from the TV license are not being wasted. The BBC schedules fewer game shows with huge prizes compared to ITV, which funds programming through advertising. Programs are sometimes delayed a few minutes so viewers will catch the end of the previous show and be more likely to watch it again. Channel loyalty no longer exists due to audience fragmentation from digital television. Common scheduling techniques include pre-echo scheduling, inheritance scheduling, and hammocking, which aim to benefit new programs by placing them near popular existing programs.
Bbc1 and mbb
The document discusses the BBC, its flagship channel BBC1, and the scheduling of the sitcom Mrs Brown's Boys. BBC1 aims to provide high quality entertainment to a broad mainstream audience as a public service broadcaster funded by television licenses. Mrs Brown's Boys was scheduled on BBC1 in a prime time Monday night slot and repeated on Saturdays due to its popularity, attracting over 7 million viewers. The scheduling followed techniques like "zoning" to keep audiences of similar genres tuned in consecutive time slots.
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Scheduling
The document discusses television scheduling, including how TV programs are split into 5 segments based on the target audience and popular genres. It also describes the target audiences of the main terrestrial TV channels in the UK and the percentage of repeats shown on each channel. The "watershed" is defined as 9pm, after which less censored content can be shown. Finally, it mentions that Channel 4 and 5 import more shows because it is cheaper than producing original content.
Scheduling
The document discusses TV scheduling and programming on UK channels BBC1, BBC2, ITV1, Channel 4, and Channel 5. It defines the common scheduling segments of breakfast, daytime, lunchtime, children's, primetime, and post-watershed. It outlines the target audiences for each channel and programming genres. It provides data on the percentage of repeats for each channel and notes that Channels 4 and 5 have more imported shows to keep costs lower since they don't rely on advertising revenue like the other channels.
TV Scheduling
There are three main segments of TV scheduling: daytime, primetime, and watershed. Daytime targets unemployed people, late shifts or children. Primetime aims for families when most people are home. Watershed shows after 9pm can contain explicit content for adults and teens. The most popular genres are soaps, news and reality shows. Each channel targets different demographics - BBC One is broad, BBC Two targets 35-54, ITV is family-focused, Channel 4 targets 16-34 and Channel 5 targets 25-35. Channels 4 and 5 import more programs for variety. A watershed is usually 9pm, when explicit content can be shown. Strategies like pre-echo, inheritance and hammocking aim
Tv scheduling
TV schedules are broken into 3 segments: daytime, primetime, and watershed. Daytime shows target unemployed people, late shifts workers, and children. Primetime shows have the largest family audience. Watershed shows after 9pm can contain explicit content suitable for adults and teenagers. The most popular TV genres are soaps, news, and reality shows. Different channels target specific age demographics: BBC One targets a broad audience, BBC Two targets 35-54, ITV families, Channel 4 16-34, and Channel 5 targets 25-35 unlike BBC Two. Channels 4 and 5 import more programs to attract more varied audiences. A watershed is usually 9pm, when explicit content can air. Strategies like pre-
Unit 8 Presentation
The document discusses several aspects of the radio industry in Britain. It outlines that major media companies own most regional and national radio stations, with emap owning over 70 stations. It also discusses public service broadcasting done by the BBC without commercial costs. New technologies like mobile and internet radio are allowing people to listen on more devices and catch up on shows. The roles of various professional bodies in radio are also outlined, with Ofcom regulating content and MCPS collecting music royalties.
Tv scheduling
TV scheduling aims to gain the largest possible audience to demonstrate that public funds from the TV license are not being wasted. The BBC schedules fewer game shows with huge prizes compared to ITV, which funds programming through advertising. Programs are sometimes delayed a few minutes so viewers will catch the end of the previous show and be more likely to watch it again. Channel loyalty no longer exists due to audience fragmentation from digital television. Common scheduling techniques include pre-echo scheduling, where a new show airs before an established one to attract viewers, inheritance scheduling after popular shows, and hammocking between two established programs.
Tv scheduling
TV scheduling aims to gain the largest possible audience to demonstrate that public funds from the TV license are not being wasted. The BBC schedules fewer game shows with huge prizes compared to ITV, which funds programming through advertising. Programs are sometimes delayed a few minutes so viewers will catch the end of the previous show and be more likely to watch it again. Channel loyalty no longer exists due to audience fragmentation from digital television. Common scheduling techniques include pre-echo scheduling, inheritance scheduling, and hammocking, which aim to benefit new programs by placing them near popular existing programs.
Bbc1 and mbb
The document discusses the BBC, its flagship channel BBC1, and the scheduling of the sitcom Mrs Brown's Boys. BBC1 aims to provide high quality entertainment to a broad mainstream audience as a public service broadcaster funded by television licenses. Mrs Brown's Boys was scheduled on BBC1 in a prime time Monday night slot and repeated on Saturdays due to its popularity, attracting over 7 million viewers. The scheduling followed techniques like "zoning" to keep audiences of similar genres tuned in consecutive time slots.
Documentary analysis of 'that thing
This document provides a technical analysis of the documentary "That Thing...Lara Croft" summarizing its themes, narrative structure, camerawork, sound editing, and graphics. The documentary examines the representation and sexualization of women in gaming culture through a single narrative strand using interviews, narration, and archival footage. Camera angles, lighting, and editing techniques like quick cuts and superimposition are used to keep viewer attention while linking different elements. Sound effects from games and 90s music accompany the narrator and interviews. Lower third graphics identify interviewees and provide context for archived material.
contents page
The document describes the steps taken to layout and design the contents page for a music magazine, including setting up a column layout using text boxes and lines, adding a title with a drop shadow, inserting text into boxes using the content tool, adding and positioning pictures using the picture and item tools, and finishing by adding page numbers to the pictures.
Feedback
We showed people a documentary, radio trailer, and print ad and had them complete a questionnaire about what they thought. We recorded them watching and took pictures. The questionnaire asked if they understood the documentary, what they enjoyed most, what could change, if it was easy to watch, how it compared to other documentaries, if the ad attracted them to watch, if they would improve anything, if the ad was eye-catching, if the radio ad made them want to watch and why, if the music fit the documentary's subject, and if all three products made them want to watch and why.
question 2
The media product represents particular social groups in several ways. It uses an indie style model on the front cover in colors preferred by the target audience. The language is simple and easy to understand to engage rather than bore readers. Throughout the contents, the color theme continues alongside resized images to catch readers' eyes. Articles feature indie bands and singers for readers to relate to using comprehendible language.
double page spread
The document describes the process of creating a double page spread for a music magazine, including adding text from a word document, moving the text around the page until it fits, adding a picture using the picture tool and importing the image, and then moving the picture into the desired position using the move tool.
Question 6
The document discusses the technologies and programs used to create a music magazine. It describes using Photoshop and QuarkXPress to do professional layout work. A Nikon D40 camera was used to take photos that could then be easily uploaded and cropped. In summary, the document discusses how using these programs and cameras allows one person to do work that previously required more people, saving time and money for productions.
Q1
This document discusses the codes and conventions that were followed in creating a documentary. It examines the use of graphics, archive footage, camera techniques, narrative structure, and adherence to mise-en-scene. It also discusses how the codes and conventions were applied to related promotional materials like a radio advertisement and print advertisement to maintain consistency across the produced works. Overall, it reflects on how the documentary and other products aimed to properly utilize standard codes and conventions to effectively convey meaning and engage the audience.
Presentation1
The document contains the results of a survey about preferences for an indie music magazine. The majority of respondents were female aged 16-20 years old. Kings of Leon was the most liked artist listed. The top three words associated with "indie" were music, clothes, and guitars. Red, blue, and black were the most preferred colors. Readers would be willing to pay £2-£2.50 per month and last read a music magazine one month ago. Q magazine was considered the best style. People preferred the magazine to be published monthly. No respondents were currently subscribed to a music magazine.
Bptp capital city_research_report
THIS RESEARCH REPORT IS PROVIDED BY INDIAN PROPERTY REVIEW ON REAL ESTATE PROJECT , PURI PRANAYAM LOCATED AT SEC- 82 -85, FARIDABAD. FOR MORE DETAILS www.indianpropertyreview.com , OR CONTACT AT: 9810084344 , 011-47079900
The maketing of meat loaf
The documentary analyzes the marketing of musician Meat Loaf through a non-linear narrative structure. It uses interviews, music videos, news broadcasts and other archival materials. The documentary employs a variety of camera techniques like close-ups, point-of-view shots, and handheld camera work. It also uses editing techniques like dissolves, fast cuts, and ellipitical editing to explore themes of the music industry and image creation.
Big fat gypsy wedding
This document discusses gypsy weddings, including topics like money, lifestyle choices, religion, and family. It also mentions filming techniques used like close-ups, quick cuts, and elliptical editing. Footage would include home videos from families and dress makers to show aspects of gypsy wedding culture like traveler music, church bells, churches, caravans, and wedding shops.
Pop
The document discusses various editing styles used in documentaries such as chromakey layering, cuts, fast and slow motion. It also covers common camera techniques like pans, zooms, and tracking. Additionally, it mentions elements like voiceovers, interviews, photographs, and narration that are used to tell visual stories and anchor themes in documentaries.
Question 3
IPC Media would be the best institution to distribute a new music magazine product because they already produce over 60 iconic media brands that collectively reach over 26 million UK adults through print and 14 million users online each month. Their portfolio includes something for everyone with a focus on men, mass market women and upmarket women. While Bauer Media is a market leader in women's magazines and TV guides in Germany, IPC Media has more experience with music magazines as they currently produce NME, which is similar in style to the new proposed magazine.
Questionnaire results
The questionnaire results showed that the majority of respondents were female aged 13 to 17. Most respondents were single and spent 1 to 4 hours watching television per day, most commonly on Channel 4 in the evenings. Respondents preferred male voices for documentaries and last watched a documentary varied in time. The most popular ways to advertise a documentary were social media sites like Facebook and YouTube, accessed most often on smartphones and tablets. People started using social media in their teens.
Scheduling
The document discusses TV scheduling and programming on UK channels BBC1, BBC2, ITV1, Channel 4, and Channel 5. It defines the common scheduling segments of breakfast, daytime, lunchtime, children's, primetime, and post-watershed. It outlines the target audiences for each channel and programming genres. It provides data on the percentage of repeats for each channel and notes that Channels 4 and 5 have more imported shows to keep costs lower since they don't rely on advertising revenue like the other channels.
Scheduling
The document discusses TV scheduling and programming on UK channels BBC1, BBC2, ITV1, Channel 4, and Channel 5. It defines the common scheduling segments of breakfast, daytime, lunchtime, children's, primetime, and post-watershed. It outlines the target audiences for each channel and programming genres. It provides data on the percentage of repeats for each channel and notes that Channels 4 and 5 have more imported shows to keep costs lower since they don't rely on advertising revenue like the other channels.
Scheduling
The document discusses TV scheduling, defining it as the pattern in which programs are arranged for audiences. It notes the main segments TV schedules are divided into and the most popular genres. Each channel targets different audiences, with specifics given about BBC1, ITV1, Channel 4, and Channel 5. Percentages of repeats for each channel are provided. The watershed is defined as well as why some channels import shows. Placement strategies like hammocking, pre-echo, and inheritance are outlined.
Scheduling
The document discusses TV scheduling in the UK, including the 5 sections of a scheduled day, target audiences for different time periods, popular genres, target audiences of the 5 main channels, percentage of repeats on channels, the watershed period, importing of shows, and definitions of scheduling terms. It provides information on programming in different dayparts from breakfast to post-watershed, the genres shown, who different channels target, and other scheduling considerations and terminology.
Scheduling
This document discusses television audience targeting and scheduling. It is divided into sections on the target audiences for different dayparts, popular genres, terrestrial channels' target audiences, the use of repeats and imports, and definitions of scheduling terms. The target audiences vary throughout the day from children and families in early evening to a broader audience in mid evening to adults in late evening. Popular genres include soaps, drama, comedy, and news which attract wide audiences. Each channel has its own target demographics, with BBC catering to older audiences and MTV targeting teens. Repeats fill schedules and allow viewers to catch up on missed shows. The watershed is after 9pm when content becomes unsuitable for children.
Scheduling
This document discusses television audience demographics and scheduling strategies. It is divided into sections that identify the target audiences for different time slots, popular genres, channels' target demographics, the use of repeats, and definitions of television industry terms like watershed, counterprogramming, marathons, stunting, zoning, hammocking, pre-echoes, inheritance, and stripping. The key audiences are children, adults, the elderly, and unemployed individuals. Popular genres include soaps, drama, reality, and comedy. Channels like BBC and ITV target broad audiences while MTV targets teens. Watershed refers to content not suitable for children airing after 9pm.
Tv scheduling pp
TV schedules arrange and present media programs to audiences in different segments such as breakfast, daytime, children's, and prime time. Popular genres include drama, soap, reality, news, documentaries, and sitcoms. Channels target different audiences - BBC ONE targets everyone, BBC 2 targets a specific audience, and ITV 1 and Channel 5 also target everyone. The watershed at 9pm allows for programming with inappropriate themes or language. Strategic placement of programs, such as between two popular shows ("hammocking"), before a popular show ("pre-echo"), or after a successful show ("inheritance") allows new programs to gain audiences. Channel loyalty has decreased as viewers now surf between multiple channels if a program does not engage them.
Tv scheduling
This document discusses TV scheduling and target audiences. It is broken into several questions:
1. TV programming is broken into segments by time of day, each targeting different audiences. Popular genres are reality TV, soaps, dramas and game shows.
2. The major channels - BBC1, BBC2, ITV, C4, C5 - each target different audiences based on age and interests. Examples of typical programs are given for each channel.
3. Channel 5 imports most of its shows from other countries due to lower budgets. Schedulers use techniques like inheritance, pre-echo and hammocking to retain audiences across multiple channels.
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Documentary analysis of 'that thing
This document provides a technical analysis of the documentary "That Thing...Lara Croft" summarizing its themes, narrative structure, camerawork, sound editing, and graphics. The documentary examines the representation and sexualization of women in gaming culture through a single narrative strand using interviews, narration, and archival footage. Camera angles, lighting, and editing techniques like quick cuts and superimposition are used to keep viewer attention while linking different elements. Sound effects from games and 90s music accompany the narrator and interviews. Lower third graphics identify interviewees and provide context for archived material.
contents page
The document describes the steps taken to layout and design the contents page for a music magazine, including setting up a column layout using text boxes and lines, adding a title with a drop shadow, inserting text into boxes using the content tool, adding and positioning pictures using the picture and item tools, and finishing by adding page numbers to the pictures.
Feedback
We showed people a documentary, radio trailer, and print ad and had them complete a questionnaire about what they thought. We recorded them watching and took pictures. The questionnaire asked if they understood the documentary, what they enjoyed most, what could change, if it was easy to watch, how it compared to other documentaries, if the ad attracted them to watch, if they would improve anything, if the ad was eye-catching, if the radio ad made them want to watch and why, if the music fit the documentary's subject, and if all three products made them want to watch and why.
question 2
The media product represents particular social groups in several ways. It uses an indie style model on the front cover in colors preferred by the target audience. The language is simple and easy to understand to engage rather than bore readers. Throughout the contents, the color theme continues alongside resized images to catch readers' eyes. Articles feature indie bands and singers for readers to relate to using comprehendible language.
double page spread
The document describes the process of creating a double page spread for a music magazine, including adding text from a word document, moving the text around the page until it fits, adding a picture using the picture tool and importing the image, and then moving the picture into the desired position using the move tool.
Question 6
The document discusses the technologies and programs used to create a music magazine. It describes using Photoshop and QuarkXPress to do professional layout work. A Nikon D40 camera was used to take photos that could then be easily uploaded and cropped. In summary, the document discusses how using these programs and cameras allows one person to do work that previously required more people, saving time and money for productions.
Q1
This document discusses the codes and conventions that were followed in creating a documentary. It examines the use of graphics, archive footage, camera techniques, narrative structure, and adherence to mise-en-scene. It also discusses how the codes and conventions were applied to related promotional materials like a radio advertisement and print advertisement to maintain consistency across the produced works. Overall, it reflects on how the documentary and other products aimed to properly utilize standard codes and conventions to effectively convey meaning and engage the audience.
Presentation1
The document contains the results of a survey about preferences for an indie music magazine. The majority of respondents were female aged 16-20 years old. Kings of Leon was the most liked artist listed. The top three words associated with "indie" were music, clothes, and guitars. Red, blue, and black were the most preferred colors. Readers would be willing to pay £2-£2.50 per month and last read a music magazine one month ago. Q magazine was considered the best style. People preferred the magazine to be published monthly. No respondents were currently subscribed to a music magazine.
Bptp capital city_research_report
THIS RESEARCH REPORT IS PROVIDED BY INDIAN PROPERTY REVIEW ON REAL ESTATE PROJECT , PURI PRANAYAM LOCATED AT SEC- 82 -85, FARIDABAD. FOR MORE DETAILS www.indianpropertyreview.com , OR CONTACT AT: 9810084344 , 011-47079900
The maketing of meat loaf
The documentary analyzes the marketing of musician Meat Loaf through a non-linear narrative structure. It uses interviews, music videos, news broadcasts and other archival materials. The documentary employs a variety of camera techniques like close-ups, point-of-view shots, and handheld camera work. It also uses editing techniques like dissolves, fast cuts, and ellipitical editing to explore themes of the music industry and image creation.
Big fat gypsy wedding
This document discusses gypsy weddings, including topics like money, lifestyle choices, religion, and family. It also mentions filming techniques used like close-ups, quick cuts, and elliptical editing. Footage would include home videos from families and dress makers to show aspects of gypsy wedding culture like traveler music, church bells, churches, caravans, and wedding shops.
Pop
The document discusses various editing styles used in documentaries such as chromakey layering, cuts, fast and slow motion. It also covers common camera techniques like pans, zooms, and tracking. Additionally, it mentions elements like voiceovers, interviews, photographs, and narration that are used to tell visual stories and anchor themes in documentaries.
Question 3
IPC Media would be the best institution to distribute a new music magazine product because they already produce over 60 iconic media brands that collectively reach over 26 million UK adults through print and 14 million users online each month. Their portfolio includes something for everyone with a focus on men, mass market women and upmarket women. While Bauer Media is a market leader in women's magazines and TV guides in Germany, IPC Media has more experience with music magazines as they currently produce NME, which is similar in style to the new proposed magazine.
Questionnaire results
The questionnaire results showed that the majority of respondents were female aged 13 to 17. Most respondents were single and spent 1 to 4 hours watching television per day, most commonly on Channel 4 in the evenings. Respondents preferred male voices for documentaries and last watched a documentary varied in time. The most popular ways to advertise a documentary were social media sites like Facebook and YouTube, accessed most often on smartphones and tablets. People started using social media in their teens.
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This document summarizes the TV schedule and target audiences for 5 terrestrial channels in the UK. It outlines the different time slots, including early morning for news/breakfast shows aimed at all demographics, daytime slots for cheaper shows and preschool programming, and afternoon/evening prime time slots aimed at larger audiences finishing work or school. Later slots are outlined as pre-watershed for teenagers and adults, and post-watershed targeting solely adult audiences. Different genres popularity like news, reality TV, dramas and soap operas are also mentioned.
Assignment 6
This document provides information about the BBC One and Channel 4 TV channels in the UK. It discusses the sister channels of BBC One like BBC Two, BBC Three, BBC Four, BBC News and CBeebies. It also outlines the target audience and types of shows found on BBC One. For Channel 4, it lists the sister channels and compares it to other channels, noting its mainstream programming appeals to all ages. It analyzes the types of documentaries shown on both channels and how they compare between the two stations.
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Feedback
The survey results showed that:
- Respondents found the documentary easy to understand and enjoy the interviews most
- The biggest thing that could be changed was the timing of the interviews
- All found the documentary easy to watch and felt it was similar to others
- The advert and radio spot were eye-catching and made 100% want to watch the documentary due to intriguing questions
- Music was relevant for some but not others
- All three marketing elements together made people want to watch for being intriguing
Q1
The document discusses the codes and conventions that were followed in creating a documentary and related promotional materials. It states that close-ups and medium close-ups of interviewees were used, as well as archive footage to break up sections and allow the documentary to flow better. Graphics were used for the opening titles and in interviews to clearly display names and occupations. Similar codes and conventions were followed in a related radio advertisement, including using the same narrator and music and extracting clips from the documentary. Posters for the documentary featured an eye-catching main image with minimal text and coordinated colors and logos.
Fighting on the front line
This mixed documentary uses a linear narrative structure with a closed ending to examine the themes of war, media, power, and crime through the lens of media portrayals of fighting on the front lines. It incorporates interviews, battlefield footage, newspapers, and home videos through editing techniques like cuts and fades alongside establishing shots of tents, uniforms, guns, and desert terrain to chronicle the experiences of soldiers and their relationships to the media.
Question 4
This document discusses the target audience for a media product. The target genre is indie music, as evidenced by a questionnaire about bands like Kings of Leon. The target age group is 16-20 years old, as this was the most popular age group that responded to the questionnaire.
Question 4
My magazine's target audience is indie-style teens because the publication will focus on music, fashion, art and other topics that interest that demographic. It aims to appeal to youth interested in independent culture through coverage of bands, styles and art forms outside mainstream popularity. The video referenced helps illustrate the intended tone and interests of the magazine's planned readership.
front cover
The document describes the steps taken to create a front cover for a music magazine in Photoshop, including adding a lighting effect background, inserting the title text, moving and cropping an image, and adding additional text boxes of different colors and fonts. The key steps are creating a new A4 document, applying a spotlight lighting filter, using the text and shape tools to add titles and boxes, and positioning and sizing the image on the page.
Feedback
The document summarizes feedback from a questionnaire about a music magazine. Most respondents said they would buy the magazine, liked the colors and images used, and thought the colors were eye-catching. The majority also said they would pay £2.50 for it, there were enough cover lines, and the style was indie. However, some respondents disagreed with some of these points or did not like the layout. All agreed the main title stood out, and most felt the theme ran throughout the magazine.
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Introduction
When one thinks of Hollywood legends, Tom Selleck is a name that comes to mind. Known for his charming smile, rugged good looks. and the iconic mustache that has become synonymous with his persona. Tom Selleck has had a prolific career spanning decades. But, the journey of young Tom Selleck, from his early years to becoming a household name. is a story filled with determination, talent, and a touch of luck. This article delves into young Tom Selleck's life, background, early struggles. and pivotal moments that led to his rise in Hollywood.
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Early Life and Background
Family Roots and Childhood
Thomas William Selleck was born in Detroit, Michigan, on January 29, 1945. He was the second of four children in a close-knit family. His father, Robert Dean Selleck, was a real estate investor and executive. while his mother, Martha Selleck, was a homemaker. The Selleck family relocated to Sherman Oaks, California. when Tom was a child, setting the stage for his future in the entertainment industry.
Education and Early Interests
Growing up, young Tom Selleck was an active and athletic child. He attended Grant High School in Van Nuys, California. where he excelled in sports, particularly basketball. His tall and athletic build made him a standout player, and he earned a basketball scholarship to the University of Southern California (U.S.C.). While at U.S.C., Selleck studied business administration. but his interests shifted toward acting.
Discovery of Acting Passion
Tom Selleck's journey into acting was serendipitous. During his time at U.S.C., a drama coach encouraged him to try acting. This nudge led him to join the Hills Playhouse, where he began honing his craft. Transitioning from an aspiring athlete to an actor took time. but young Tom Selleck became drawn to the performance world.
Early Career Struggles
Breaking Into the Industry
The path to stardom was a challenging one for young Tom Selleck. Like many aspiring actors, he faced many rejections and struggled to find steady work. A series of minor roles and guest appearances on television shows marked his early career. In 1965, he debuted on the syndicated show "The Dating Game." which gave him some exposure but did not lead to immediate success.
The Commercial Breakthrough
During the late 1960s and early 1970s, Selleck began appearing in television commercials. His rugged good looks and charismatic presence made him a popular brand choice. He starred in advertisements for Pepsi-Cola, Revlon, and Close-Up toothpaste. These commercials provided financial stability and helped him gain visibility in the industry.
Struggling Actor in Hollywood
Despite his success in commercials. breaking into large acting roles remained a challenge for young Tom Selleck. He auditioned and took on small parts in T.V. shows and movies. Some of his early television appearances included roles in popular series like Lancer, The F.B.I., and Bracken's World. But, it would take a
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6:个人职称评审加20分
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1:该专业认证可证明留学生真实身份
2:同时对留学生所学专业登记给予评定
3:国家专业人才认证中心颁发入库证书
4:这个认证书并且可以归档倒地方
5:凡事获得留信网入网的信息将会逐步更新到个人身份内，将在公安局网内查询个人身份证信息后，同步读取人才网入库信息
6:个人职称评审加20分
7:个人信誉贷款加10分
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Schulding
- 1. Schedule
- 2. What does schedule mean ? Scheduling is the pattern in which the media programs are arranged and presented to the audience watching.
- 6. Primetime
- 8. Lunchtime/Daytime- Older and retired people, the employed and students.
- 9. Children’s TV- Young children.
- 10. Primetime- Families and teens.
- 12. Reality TV
- 14. Drama’s
- 15. Soaps
- 17. BBC2- Intellectuals- Eggheads and weakest link.
- 18. ITV 1- Working class and young adults- coronation street and midsummer murders.
- 19. Channel 4- Teen's and young adults- Hollyoaks and rude tube.
- 23. Channel 4-21 shows-2 repeats=7.1%
- 25. Why do channel's 4 and 5 Import more shows? It is cheaper to import shows then to make them. As BBC are funded by the public and ITV by advertisement.
- 26. Hammocking The strategic placement of a program between two other programs. Positioning a new series between two well known shows that appeal to the same target audiences often gives the right viewers the opportunity to sample the new series.
- 27. Pre echo Program placed to schedule to come before a popular program. Inheritance Program placed after a successful program in hopes of inheriting some of it’s audiences.