Tv scheduling
•Download as PPTX, PDF•
0 likes•168 views
This document discusses TV scheduling and target audiences. It breaks down the day into 5 segments: 1) Breakfast 2) Daytime 3) Children TV 4) Prime 5) Post watershed. The target audiences for each are: 1) Children and people getting ready for work 2) Older people, stay at home parents, unemployed, students and young children 3) Children and possibly parents 4) Families 5) Adults and teenagers. It also discusses the most popular genres, target audiences of each UK channel, and why some channels have more imported programming.
Report
Share
Report
Share
Recommended
Scheduling
The document discusses TV scheduling in the UK, including the 5 sections of a scheduled day, target audiences for different time periods, popular genres, target audiences of the 5 main channels, percentage of repeats on channels, the watershed period, importing of shows, and definitions of scheduling terms. It provides information on programming in different dayparts from breakfast to post-watershed, the genres shown, who different channels target, and other scheduling considerations and terminology.
Scheduling
The document summarizes television scheduling and target audiences for different day segments and channels. It discusses how different genres like news, comedy, and kids shows are scheduled. It also covers programming strategies like repeats, imported shows, watershed timing after 9pm for adult audiences, and techniques to increase viewership like inheritance, pre-echo and hammocking. Channel audiences are outlined, with BBC 1 targeting broader demographics than BBC 2 or specialized channels like FIVE focusing on teens and adults.
Tv scheduling
TV schedules are broken into 3 segments: daytime, primetime, and watershed. Daytime shows target unemployed people, late shifts workers, and children. Primetime shows have the largest family audience. Watershed shows after 9pm can contain explicit content suitable for adults and teenagers. The most popular TV genres are soaps, news, and reality shows. Different channels target specific age demographics: BBC One targets a broad audience, BBC Two targets 35-54, ITV families, Channel 4 16-34, and Channel 5 targets 25-35 unlike BBC Two. Channels 4 and 5 import more programs to attract more varied audiences. A watershed is usually 9pm, when explicit content can air. Strategies like pre-
Assignment 7 – tv channel research! complete (1)
Channel 4, ITV, and Channel 5 are analyzed and compared. Channel 4 airs a variety of shows from cartoons to sitcoms to news. ITV also airs sitcoms, documentaries, and game shows. Channel 5 focuses on reality TV, soaps, and documentaries. Channel 5's documentaries cover sensitive topics more openly than the other channels. The documentarian concludes they would choose Channel 5 to air their documentary due to its willingness to discuss controversial issues and varied documentary topics.
Tv scheduling part 1
The document discusses TV scheduling and target audiences for different time segments. It is broken into the following segments:
1) Children - Shows children's programming in the morning for kids and parents.
2) Breakfast - Aims news at adults in the morning as they prepare for work.
3) Daytime - Targets unemployed audiences with chat shows and lifestyle programs.
4) Student - Aims game shows and quizzes at students after school.
5) Soaps - Shows many soap operas between 6:30-8pm across channels.
6) Adults - Features more mature programming after 9pm past the watershed restriction.
The most popular genres are
Tv scheduling
This document discusses TV scheduling and programming strategies. It outlines the different daytime segments, the target audiences for each segment, and the most popular genres. It also describes the target audiences for different UK channels and notes that Channel 5 imports many of its programs. The document explains that the watershed is at 9pm and that BBC1 and ITV1 compete directly. It then discusses strategies for scheduling, such as avoiding direct competition between big shows, using popular shows to introduce new programs, and placing new programs between established ones to boost viewership.
Tv scheduling
This document discusses TV scheduling and programming in the UK. It breaks down scheduling into time periods from 6am to 6pm and defines the target audiences for each period. It also examines the most popular genres and the target audiences of each major channel. It finds that BBC 1 and ITV 1 have only 2% repeats while BBC 2, Channel 4, and Five have 50% or more repeats. These latter channels also buy more programming from the US to save money. The document also defines terms like "hammocking", "pre-echo", and "inheritance" used in scheduling and notes that starting times may be delayed slightly to air advertisements.
Tv scheduling
The document discusses TV scheduling and programming segments. It is broken into the following segments:
1) Early morning from 6-9am targets retired people and children.
2) Afternoon from 4-7pm targets children and young people.
3) Evenings from 7pm onward targets young adults and adults.
It also discusses the target audiences of different channels, the percentage of repeats shown, channels that air more imported programs, and terms like "watershed", "pre-echo", "inheritance", and "hammocking" used in scheduling.
Recommended
Scheduling
The document discusses TV scheduling in the UK, including the 5 sections of a scheduled day, target audiences for different time periods, popular genres, target audiences of the 5 main channels, percentage of repeats on channels, the watershed period, importing of shows, and definitions of scheduling terms. It provides information on programming in different dayparts from breakfast to post-watershed, the genres shown, who different channels target, and other scheduling considerations and terminology.
Scheduling
The document summarizes television scheduling and target audiences for different day segments and channels. It discusses how different genres like news, comedy, and kids shows are scheduled. It also covers programming strategies like repeats, imported shows, watershed timing after 9pm for adult audiences, and techniques to increase viewership like inheritance, pre-echo and hammocking. Channel audiences are outlined, with BBC 1 targeting broader demographics than BBC 2 or specialized channels like FIVE focusing on teens and adults.
Tv scheduling
TV schedules are broken into 3 segments: daytime, primetime, and watershed. Daytime shows target unemployed people, late shifts workers, and children. Primetime shows have the largest family audience. Watershed shows after 9pm can contain explicit content suitable for adults and teenagers. The most popular TV genres are soaps, news, and reality shows. Different channels target specific age demographics: BBC One targets a broad audience, BBC Two targets 35-54, ITV families, Channel 4 16-34, and Channel 5 targets 25-35 unlike BBC Two. Channels 4 and 5 import more programs to attract more varied audiences. A watershed is usually 9pm, when explicit content can air. Strategies like pre-
Assignment 7 – tv channel research! complete (1)
Channel 4, ITV, and Channel 5 are analyzed and compared. Channel 4 airs a variety of shows from cartoons to sitcoms to news. ITV also airs sitcoms, documentaries, and game shows. Channel 5 focuses on reality TV, soaps, and documentaries. Channel 5's documentaries cover sensitive topics more openly than the other channels. The documentarian concludes they would choose Channel 5 to air their documentary due to its willingness to discuss controversial issues and varied documentary topics.
Tv scheduling part 1
The document discusses TV scheduling and target audiences for different time segments. It is broken into the following segments:
1) Children - Shows children's programming in the morning for kids and parents.
2) Breakfast - Aims news at adults in the morning as they prepare for work.
3) Daytime - Targets unemployed audiences with chat shows and lifestyle programs.
4) Student - Aims game shows and quizzes at students after school.
5) Soaps - Shows many soap operas between 6:30-8pm across channels.
6) Adults - Features more mature programming after 9pm past the watershed restriction.
The most popular genres are
Tv scheduling
This document discusses TV scheduling and programming strategies. It outlines the different daytime segments, the target audiences for each segment, and the most popular genres. It also describes the target audiences for different UK channels and notes that Channel 5 imports many of its programs. The document explains that the watershed is at 9pm and that BBC1 and ITV1 compete directly. It then discusses strategies for scheduling, such as avoiding direct competition between big shows, using popular shows to introduce new programs, and placing new programs between established ones to boost viewership.
Tv scheduling
This document discusses TV scheduling and programming in the UK. It breaks down scheduling into time periods from 6am to 6pm and defines the target audiences for each period. It also examines the most popular genres and the target audiences of each major channel. It finds that BBC 1 and ITV 1 have only 2% repeats while BBC 2, Channel 4, and Five have 50% or more repeats. These latter channels also buy more programming from the US to save money. The document also defines terms like "hammocking", "pre-echo", and "inheritance" used in scheduling and notes that starting times may be delayed slightly to air advertisements.
Tv scheduling
The document discusses TV scheduling and programming segments. It is broken into the following segments:
1) Early morning from 6-9am targets retired people and children.
2) Afternoon from 4-7pm targets children and young people.
3) Evenings from 7pm onward targets young adults and adults.
It also discusses the target audiences of different channels, the percentage of repeats shown, channels that air more imported programs, and terms like "watershed", "pre-echo", "inheritance", and "hammocking" used in scheduling.
Tv scheduling
This document summarizes the TV schedule and target audiences for 5 terrestrial channels in the UK. It outlines the different time slots, including early morning for news/breakfast shows aimed at all demographics, daytime slots for cheaper shows and preschool programming, and afternoon/evening prime time slots aimed at larger audiences finishing work or school. Later slots are outlined as pre-watershed for teenagers and adults, and post-watershed targeting solely adult audiences. Different genres popularity like news, reality TV, dramas and soap operas are also mentioned.
Tv scheduling
This document discusses TV scheduling and target audiences. It is broken into several questions:
1. TV programming is broken into segments by time of day, each targeting different audiences. Popular genres are reality TV, soaps, dramas and game shows.
2. The major channels - BBC1, BBC2, ITV, C4, C5 - each target different audiences based on age and interests. Examples of typical programs are given for each channel.
3. Channel 5 imports most of its shows from other countries due to lower budgets. Schedulers use techniques like inheritance, pre-echo and hammocking to retain audiences across multiple channels.
Scheduling
The document discusses television scheduling, including how TV programs are split into 5 segments based on the target audience and popular genres. It also describes the target audiences of the main terrestrial TV channels in the UK and the percentage of repeats shown on each channel. The "watershed" is defined as 9pm, after which less censored content can be shown. Finally, it mentions that Channel 4 and 5 import more shows because it is cheaper than producing original content.
Scheduling
This document discusses television audience targeting and scheduling. It is divided into sections on the target audiences for different dayparts, popular genres, terrestrial channels' target audiences, the use of repeats and imports, and definitions of scheduling terms. The target audiences vary throughout the day from children and families in early evening to a broader audience in mid evening to adults in late evening. Popular genres include soaps, drama, comedy, and news which attract wide audiences. Each channel has its own target demographics, with BBC catering to older audiences and MTV targeting teens. Repeats fill schedules and allow viewers to catch up on missed shows. The watershed is after 9pm when content becomes unsuitable for children.
Tv scheduling
TV channels schedule their programming to target different audiences throughout the day and avoid direct competition. Key scheduling techniques include inheritance, pre-echo, and hammocking programs around popular shows to boost viewership. Channels also target different demographics, with BBC One aiming for mainstream audiences, BBC Two focusing on educated viewers, and Channel 4 targeting teenagers to 50-year-olds. Imported programs are typically shown on Channel 4 and 5 due to BBC's limited budget to acquire foreign shows.
Scheduling
This document discusses television audience demographics and scheduling strategies. It is divided into sections that identify the target audiences for different time slots, popular genres, channels' target demographics, the use of repeats, and definitions of television industry terms like watershed, counterprogramming, marathons, stunting, zoning, hammocking, pre-echoes, inheritance, and stripping. The key audiences are children, adults, the elderly, and unemployed individuals. Popular genres include soaps, drama, reality, and comedy. Channels like BBC and ITV target broad audiences while MTV targets teens. Watershed refers to content not suitable for children airing after 9pm.
Scheduling
The document discusses TV scheduling and programming on UK channels BBC1, BBC2, ITV1, Channel 4, and Channel 5. It defines the common scheduling segments of breakfast, daytime, lunchtime, children's, primetime, and post-watershed. It outlines the target audiences for each channel and programming genres. It provides data on the percentage of repeats for each channel and notes that Channels 4 and 5 have more imported shows to keep costs lower since they don't rely on advertising revenue like the other channels.
Scheduling
The document discusses TV scheduling and programming on UK channels BBC1, BBC2, ITV1, Channel 4, and Channel 5. It defines the common scheduling segments of breakfast, daytime, lunchtime, children's, primetime, and post-watershed. It outlines the target audiences for each channel and programming genres. It provides data on the percentage of repeats for each channel and notes that Channels 4 and 5 have more imported shows to keep costs lower since they don't rely on advertising revenue like the other channels.
Scheduling
The document discusses TV scheduling and programming on UK channels BBC1, BBC2, ITV1, Channel 4, and Channel 5. It defines the common scheduling segments of breakfast, daytime, lunchtime, children's, primetime, and post-watershed. It outlines the target audiences for each channel and programming genres. It provides data on the percentage of repeats for each channel and notes that Channels 4 and 5 have more imported shows to keep costs lower since they don't rely on advertising revenue like the other channels.
Tv scheduling
The document discusses TV scheduling and programming segments. It is broken into the following segments:
1) Early morning is targeted towards older adults and retired people. Afternoon around 4PM is targeted towards children. Evening starting at 7PM is targeted towards young adults. Late night after 9PM is targeted towards both adults and young adults.
2) About half or 50% of TV channels' schedules consist of repeats due to the high costs of producing new content and popularity of repeats.
3) Channels like Channel 4 and Channel 5 have more imported programming due to lower costs compared to creating domestic shows.
Tv scheduling pp
TV schedules arrange and present media programs to audiences in different segments such as breakfast, daytime, children's, and prime time. Popular genres include drama, soap, reality, news, documentaries, and sitcoms. Channels target different audiences - BBC ONE targets everyone, BBC 2 targets a specific audience, and ITV 1 and Channel 5 also target everyone. The watershed at 9pm allows for programming with inappropriate themes or language. Strategic placement of programs, such as between two popular shows ("hammocking"), before a popular show ("pre-echo"), or after a successful show ("inheritance") allows new programs to gain audiences. Channel loyalty has decreased as viewers now surf between multiple channels if a program does not engage them.
Tv scheduling pp
This document outlines different aspects of TV scheduling, including defining schedules as the arrangement of programs presented to audiences. It describes common scheduling segments such as breakfast, daytime, children's, and primetime programming. It also lists popular genres like drama, soap, reality, and sitcoms as well as the target audiences of different channels such as BBC ONE targeting everyone and Channel 4 focusing on teenagers. Key scheduling concepts covered are the watershed, hammocking, pre-echo, and inheritance.
TV Scheduling
There are three main segments of TV scheduling: daytime, primetime, and watershed. Daytime targets unemployed people, late shifts or children. Primetime aims for families when most people are home. Watershed shows after 9pm can contain explicit content for adults and teens. The most popular genres are soaps, news and reality shows. Each channel targets different demographics - BBC One is broad, BBC Two targets 35-54, ITV is family-focused, Channel 4 targets 16-34 and Channel 5 targets 25-35. Channels 4 and 5 import more programs for variety. A watershed is usually 9pm, when explicit content can be shown. Strategies like pre-echo, inheritance and hammocking aim
Tv scheduling1
The document discusses TV scheduling and target audiences. It notes that the day is broken into segments including kids programming, early morning TV, afternoon TV, prime time and watershed. Prime time runs from 7-9pm and attracts the most viewers and advertisers. The target audience varies by time slot, such as children for kids shows, families for prime time and adults for watershed. It also discusses the audiences of different channels and repeats of shows.
Scheduling
The document discusses TV scheduling, defining it as the pattern in which programs are arranged for audiences. It notes the main segments TV schedules are divided into and the most popular genres. Each channel targets different audiences, with specifics given about BBC1, ITV1, Channel 4, and Channel 5. Percentages of repeats for each channel are provided. The watershed is defined as well as why some channels import shows. Placement strategies like hammocking, pre-echo, and inheritance are outlined.
Scheduling a2 media pp
This document discusses various topics related to television scheduling, including the different time segments of TV (breakfast, daytime, etc.), their target audiences, popular genres, which channels different audiences watch, the use of repeats, imported shows, watershed rules, and scheduling techniques like counterprogramming, marathons, stunting, zoning, hammocking, pre-echo, inheritance, and stripping. It provides details on who typically watches certain time slots and channels, and how scheduling is used to attract and maintain audiences.
Scheduling a2 media pp
This document discusses various topics related to television scheduling, including the different time segments of TV (breakfast, daytime, etc.), their target audiences, popular genres, which channels different audiences watch, the percentage of schedules taken up by repeats, channels with imported shows, watershed rules, and other scheduling techniques like counterprogramming, marathoning, stunting, zoning, hammocking, pre-echo, inheritance, and stripping.
Scheduling
The document discusses scheduling strategies for television channels in the UK. It outlines the typical audience segments throughout the day and the most popular genres across terrestrial channels. It also provides information on the target audiences for each of the five main channels and the percentage of repeats they air. The document concludes by defining several scheduling techniques used to attract audiences, such as hammocking, pre-echo, and inheritance.
Schulding
The document discusses television scheduling and programming in the UK. It is split into segments by target audience such as breakfast, children's, and primetime. The most popular genres vary by segment but include kids shows, reality TV, comedies, dramas, and soaps. Terrestrial channels like BBC1 target everyone while BBC2 targets intellectuals and Channel 4 targets teens. The percentage of repeats varies from channel to channel, ranging from 2-8%. Watershed refers to the time after 9pm when less censored content can air. Importing shows is cheaper than producing original content for some channels. Strategic scheduling techniques include "hammocking," placing a new show between popular ones, and "pre-echo," air
Lesson 3 - TV Comedy - Channels and scheduling
E4's branding emphasizes being "beautifully random, joyously daft and generally not taking things too seriously." OFCOM regulates all broadcasting channels in the UK to ensure they follow guidelines. Public service broadcasting (PSB) channels like the BBC are required to provide quality programming that reflects UK diversity and mixes genres, while avoiding repeated shows. Commercial channels primarily aim to attract large audiences to sell expensive advertising slots. Television scheduling strategies carefully plan what programs air when to target specific audiences.
Screenshots 2
This document summarizes the editing process for a documentary about the color red. It describes how the editors added cutaways, archive footage, graphics, and refilmed/edited interviews to provide context and visual aids for the information being discussed. They aimed to follow conventions of documentaries by removing questions from interviews and linking different parts together. The editors also worked to keep the audience engaged by adding entertaining elements and ensuring the narrative was clear.
Q4
The document describes how various new media technologies were used at different stages of creating a documentary. In the planning stage, the internet was used for secondary research to develop the narrative. YouTube was used to find archive footage and Microsoft Word to construct audience feedback questionnaires. An HD camera, tripod, and microphone were used to film interviews. Adobe Photoshop was used to create a print advertisement and Adobe Premiere Pro was used to edit the documentary and create a radio trailer by piecing together clips, interviews, and adding audio/visual effects.
More Related Content
Similar to Tv scheduling
Tv scheduling
This document summarizes the TV schedule and target audiences for 5 terrestrial channels in the UK. It outlines the different time slots, including early morning for news/breakfast shows aimed at all demographics, daytime slots for cheaper shows and preschool programming, and afternoon/evening prime time slots aimed at larger audiences finishing work or school. Later slots are outlined as pre-watershed for teenagers and adults, and post-watershed targeting solely adult audiences. Different genres popularity like news, reality TV, dramas and soap operas are also mentioned.
Tv scheduling
This document discusses TV scheduling and target audiences. It is broken into several questions:
1. TV programming is broken into segments by time of day, each targeting different audiences. Popular genres are reality TV, soaps, dramas and game shows.
2. The major channels - BBC1, BBC2, ITV, C4, C5 - each target different audiences based on age and interests. Examples of typical programs are given for each channel.
3. Channel 5 imports most of its shows from other countries due to lower budgets. Schedulers use techniques like inheritance, pre-echo and hammocking to retain audiences across multiple channels.
Scheduling
The document discusses television scheduling, including how TV programs are split into 5 segments based on the target audience and popular genres. It also describes the target audiences of the main terrestrial TV channels in the UK and the percentage of repeats shown on each channel. The "watershed" is defined as 9pm, after which less censored content can be shown. Finally, it mentions that Channel 4 and 5 import more shows because it is cheaper than producing original content.
Scheduling
This document discusses television audience targeting and scheduling. It is divided into sections on the target audiences for different dayparts, popular genres, terrestrial channels' target audiences, the use of repeats and imports, and definitions of scheduling terms. The target audiences vary throughout the day from children and families in early evening to a broader audience in mid evening to adults in late evening. Popular genres include soaps, drama, comedy, and news which attract wide audiences. Each channel has its own target demographics, with BBC catering to older audiences and MTV targeting teens. Repeats fill schedules and allow viewers to catch up on missed shows. The watershed is after 9pm when content becomes unsuitable for children.
Tv scheduling
TV channels schedule their programming to target different audiences throughout the day and avoid direct competition. Key scheduling techniques include inheritance, pre-echo, and hammocking programs around popular shows to boost viewership. Channels also target different demographics, with BBC One aiming for mainstream audiences, BBC Two focusing on educated viewers, and Channel 4 targeting teenagers to 50-year-olds. Imported programs are typically shown on Channel 4 and 5 due to BBC's limited budget to acquire foreign shows.
Scheduling
This document discusses television audience demographics and scheduling strategies. It is divided into sections that identify the target audiences for different time slots, popular genres, channels' target demographics, the use of repeats, and definitions of television industry terms like watershed, counterprogramming, marathons, stunting, zoning, hammocking, pre-echoes, inheritance, and stripping. The key audiences are children, adults, the elderly, and unemployed individuals. Popular genres include soaps, drama, reality, and comedy. Channels like BBC and ITV target broad audiences while MTV targets teens. Watershed refers to content not suitable for children airing after 9pm.
Scheduling
The document discusses TV scheduling and programming on UK channels BBC1, BBC2, ITV1, Channel 4, and Channel 5. It defines the common scheduling segments of breakfast, daytime, lunchtime, children's, primetime, and post-watershed. It outlines the target audiences for each channel and programming genres. It provides data on the percentage of repeats for each channel and notes that Channels 4 and 5 have more imported shows to keep costs lower since they don't rely on advertising revenue like the other channels.
Scheduling
The document discusses TV scheduling and programming on UK channels BBC1, BBC2, ITV1, Channel 4, and Channel 5. It defines the common scheduling segments of breakfast, daytime, lunchtime, children's, primetime, and post-watershed. It outlines the target audiences for each channel and programming genres. It provides data on the percentage of repeats for each channel and notes that Channels 4 and 5 have more imported shows to keep costs lower since they don't rely on advertising revenue like the other channels.
Scheduling
The document discusses TV scheduling and programming on UK channels BBC1, BBC2, ITV1, Channel 4, and Channel 5. It defines the common scheduling segments of breakfast, daytime, lunchtime, children's, primetime, and post-watershed. It outlines the target audiences for each channel and programming genres. It provides data on the percentage of repeats for each channel and notes that Channels 4 and 5 have more imported shows to keep costs lower since they don't rely on advertising revenue like the other channels.
Tv scheduling
The document discusses TV scheduling and programming segments. It is broken into the following segments:
1) Early morning is targeted towards older adults and retired people. Afternoon around 4PM is targeted towards children. Evening starting at 7PM is targeted towards young adults. Late night after 9PM is targeted towards both adults and young adults.
2) About half or 50% of TV channels' schedules consist of repeats due to the high costs of producing new content and popularity of repeats.
3) Channels like Channel 4 and Channel 5 have more imported programming due to lower costs compared to creating domestic shows.
Tv scheduling pp
TV schedules arrange and present media programs to audiences in different segments such as breakfast, daytime, children's, and prime time. Popular genres include drama, soap, reality, news, documentaries, and sitcoms. Channels target different audiences - BBC ONE targets everyone, BBC 2 targets a specific audience, and ITV 1 and Channel 5 also target everyone. The watershed at 9pm allows for programming with inappropriate themes or language. Strategic placement of programs, such as between two popular shows ("hammocking"), before a popular show ("pre-echo"), or after a successful show ("inheritance") allows new programs to gain audiences. Channel loyalty has decreased as viewers now surf between multiple channels if a program does not engage them.
Tv scheduling pp
This document outlines different aspects of TV scheduling, including defining schedules as the arrangement of programs presented to audiences. It describes common scheduling segments such as breakfast, daytime, children's, and primetime programming. It also lists popular genres like drama, soap, reality, and sitcoms as well as the target audiences of different channels such as BBC ONE targeting everyone and Channel 4 focusing on teenagers. Key scheduling concepts covered are the watershed, hammocking, pre-echo, and inheritance.
TV Scheduling
There are three main segments of TV scheduling: daytime, primetime, and watershed. Daytime targets unemployed people, late shifts or children. Primetime aims for families when most people are home. Watershed shows after 9pm can contain explicit content for adults and teens. The most popular genres are soaps, news and reality shows. Each channel targets different demographics - BBC One is broad, BBC Two targets 35-54, ITV is family-focused, Channel 4 targets 16-34 and Channel 5 targets 25-35. Channels 4 and 5 import more programs for variety. A watershed is usually 9pm, when explicit content can be shown. Strategies like pre-echo, inheritance and hammocking aim
Tv scheduling1
The document discusses TV scheduling and target audiences. It notes that the day is broken into segments including kids programming, early morning TV, afternoon TV, prime time and watershed. Prime time runs from 7-9pm and attracts the most viewers and advertisers. The target audience varies by time slot, such as children for kids shows, families for prime time and adults for watershed. It also discusses the audiences of different channels and repeats of shows.
Scheduling
The document discusses TV scheduling, defining it as the pattern in which programs are arranged for audiences. It notes the main segments TV schedules are divided into and the most popular genres. Each channel targets different audiences, with specifics given about BBC1, ITV1, Channel 4, and Channel 5. Percentages of repeats for each channel are provided. The watershed is defined as well as why some channels import shows. Placement strategies like hammocking, pre-echo, and inheritance are outlined.
Scheduling a2 media pp
This document discusses various topics related to television scheduling, including the different time segments of TV (breakfast, daytime, etc.), their target audiences, popular genres, which channels different audiences watch, the use of repeats, imported shows, watershed rules, and scheduling techniques like counterprogramming, marathons, stunting, zoning, hammocking, pre-echo, inheritance, and stripping. It provides details on who typically watches certain time slots and channels, and how scheduling is used to attract and maintain audiences.
Scheduling a2 media pp
This document discusses various topics related to television scheduling, including the different time segments of TV (breakfast, daytime, etc.), their target audiences, popular genres, which channels different audiences watch, the percentage of schedules taken up by repeats, channels with imported shows, watershed rules, and other scheduling techniques like counterprogramming, marathoning, stunting, zoning, hammocking, pre-echo, inheritance, and stripping.
Scheduling
The document discusses scheduling strategies for television channels in the UK. It outlines the typical audience segments throughout the day and the most popular genres across terrestrial channels. It also provides information on the target audiences for each of the five main channels and the percentage of repeats they air. The document concludes by defining several scheduling techniques used to attract audiences, such as hammocking, pre-echo, and inheritance.
Schulding
The document discusses television scheduling and programming in the UK. It is split into segments by target audience such as breakfast, children's, and primetime. The most popular genres vary by segment but include kids shows, reality TV, comedies, dramas, and soaps. Terrestrial channels like BBC1 target everyone while BBC2 targets intellectuals and Channel 4 targets teens. The percentage of repeats varies from channel to channel, ranging from 2-8%. Watershed refers to the time after 9pm when less censored content can air. Importing shows is cheaper than producing original content for some channels. Strategic scheduling techniques include "hammocking," placing a new show between popular ones, and "pre-echo," air
Lesson 3 - TV Comedy - Channels and scheduling
E4's branding emphasizes being "beautifully random, joyously daft and generally not taking things too seriously." OFCOM regulates all broadcasting channels in the UK to ensure they follow guidelines. Public service broadcasting (PSB) channels like the BBC are required to provide quality programming that reflects UK diversity and mixes genres, while avoiding repeated shows. Commercial channels primarily aim to attract large audiences to sell expensive advertising slots. Television scheduling strategies carefully plan what programs air when to target specific audiences.
Similar to Tv scheduling (20)
More from Phoebe_Rowlands
Screenshots 2
This document summarizes the editing process for a documentary about the color red. It describes how the editors added cutaways, archive footage, graphics, and refilmed/edited interviews to provide context and visual aids for the information being discussed. They aimed to follow conventions of documentaries by removing questions from interviews and linking different parts together. The editors also worked to keep the audience engaged by adding entertaining elements and ensuring the narrative was clear.
Q4
The document describes how various new media technologies were used at different stages of creating a documentary. In the planning stage, the internet was used for secondary research to develop the narrative. YouTube was used to find archive footage and Microsoft Word to construct audience feedback questionnaires. An HD camera, tripod, and microphone were used to film interviews. Adobe Photoshop was used to create a print advertisement and Adobe Premiere Pro was used to edit the documentary and create a radio trailer by piecing together clips, interviews, and adding audio/visual effects.
Q3 evaluation
The document summarizes feedback from a focus group on a documentary about the color red and its related marketing materials. Key findings include:
- Audience members expressed interest in watching the full documentary based on the intriguing topic.
- The narrative and interviews were clear and effectively conveyed information about red.
- Title sequences, interviews, and advertising materials like the print ad and radio trailer successfully represented the documentary and related its topic.
- Minor issues with some elements like voiceover length and music volume in the radio trailer were identified for potential future improvement.
- Overall, the focus group felt the documentary and its marketing worked well together to represent the topic of red and promote the documentary effectively to the target audience.
Rt
The radio trailer aims to grab attention and interest viewers in a documentary. It uses interesting sound bites from interviews in the documentary and the same narrator's voice from the documentary, a female voice. The narrator intercuts throughout to carry the narrative and preview what might be included. It starts with the topic "Colours" to instantly convey what it's about, creating interest in an unusual topic. Background music of "99 Red Balloons" relates to the topic and adds continuity. It ends with scheduling details as required for radio trailers.
Screenshots 2
This document describes the editing process for a documentary about the color red. It discusses adding graphics, cutaways, archive footage and voiceovers to various interviews to help explain concepts and make the information easy for the audience to understand. Cutaways of lipstick shades, makeup, artwork and more were added to provide visual context for the interview content. The music was changed to make the title sequence more entertaining. Overall the edits aim to clearly convey information, link different parts together smoothly and keep the audience engaged throughout the documentary.
Screenshots
The document describes the process of editing a documentary about the color red. Clips and interviews were added to the timeline and trimmed to remove irrelevant parts. A title sequence was created at the beginning to introduce the topic. Interviews were edited by removing questions and unrelated answers. Archive footage of the color red was included in the title montage. Effects were added to transitions to link clips smoothly. The opening was developed to display everyday uses of red with voiceover. The documentary follows codes for sequencing, pacing, and continuity of information.
Print advert screenshots
1) The advert uses a simple red background image to represent different shades of red discussed in the documentary and attract audience attention.
2) White text lists the scheduling information and title of the documentary in bold to ensure viewers remember the name.
3) The channel logo is the largest text to help viewers find the documentary on the channel schedule if they forget the name.
Logging sheet
This document contains a list of shots taken for the production of a documentary titled RED. It includes the file name or shot description, length of each shot, and whether it is a good take that can be used in the documentary. A variety of interviews and footage relating to the color red were captured, including interviews with costume designers, makeup artists, photographers, and vox pops from people discussing what they associate with the color red. Location footage includes artwork, dresses, magazines, and more with the color red incorporated.
Logging sheet
This document contains a list of shots taken for the production of a documentary titled RED. It includes over 70 individual shots ranging from interviews to footage of objects in red. For each shot, it provides details like the shot description, length, and whether it is a good take that can be used in the final documentary.
Risk assessment
This risk assessment document identifies several hazards and risks associated with filming in a public environment and outlines controls to mitigate those risks. Hazards include using equipment in public, carrying heavy equipment, wires on the ground, and hot lights. Risks range from low to high depending on the hazard. Controls listed are signage notifying the public, distributing equipment weight evenly, securing wires safely, and procedures for safe light handling.
Running order
This documentary explores the cultural significance and associations of the color red. It includes interviews with a makeup artist, artist, fashion designer Karl Lagerfeld, costume designer, and representatives from Primark, FACT, and Coca-Cola. The documentary consists of various segments on red in performance, art, fashion, film, sports, and Christmas traditions through a combination of interviews, voiceovers, and archival footage highlighting how red is used and perceived in different contexts.
Secondary research
The document outlines the primary and secondary research being conducted for a documentary. For primary research, interviews have been arranged with a costume designer, makeup artist, and video production manager. Secondary research includes finding archive film clips featuring the color red from movies like The Matrix, American Beauty, and Kill Bill to include between interviews. Music links are also provided relating to different colors for the documentary soundtrack.
Risk assessment
This risk assessment document identifies potential hazards and risks associated with filming in a public environment and outlines controls to mitigate those risks. It evaluates risks such as using public cameras, lights and microphones; carrying heavy equipment; wires hanging around equipment; and risks of burns from lights. Controls recommended include having signs informing the public of filming, distributing equipment weight evenly, positioning wires safely, and procedures for safe handling of hot lights.
Running order
This documentary explores the cultural significance and associations of the color red. It includes interviews with a makeup artist, psychologist, and fashion designer about the meanings conveyed by red in performance, personality, and fashion. The documentary also features segments on the prominence of red in film and costume design, the history of teams like Liverpool wearing red, and how Coca-Cola influenced Christmas colors with their iconic Santa Claus imagery.
Running order
This documentary explores the significance and meaning of the color red through interviews with artists, costume designers, makeup artists, fashion designers, and representatives from the film, art, sports, and advertising industries. It examines how red is used and interpreted in these various contexts and how its associations and symbolism have changed over time. The documentary features footage from films, artwork, fashion shows, and sporting events to illustrate the prominent and varied roles of the color red in culture and society.
Running order
This documentary explores the cultural significance of the color red through various interviews and segments. It examines the use of red in art, optics, fashion, film, sports, and Christmas traditions. Experts in these fields discuss why red is an important and impactful color, from its role in eye exams and color psychology to branding in sports and iconic Coca-Cola Santa imagery.
Questionnaire analysis
The questionnaire results show that the majority of respondents were young females who watch TV on weekends between 6-9pm on channels like ITV. They are most familiar with colors like green and purple and interested in learning more about the scientific aspects of color. The documentary should aim to air during prime time weekends on ITV to appeal to this target demographic.
Our ideas
The document discusses ideas for a documentary project including narrowing down potential ideas and scheduling for the ideas. It references having ideas, narrowing down the options, and potentially scheduling the documentary ideas.
Codes and conventions of interviews
The document discusses several codes and conventions used in filming interviews. Camera shots typically include close-ups and mid shots. Interviews are filmed from left to right following the rule of thirds. The interviewee looks at the interviewer, not the camera. Questions are edited out of interviews, which only include the most pertinent information to keep audiences engaged through cutaways and graphics that anchor the information provided.
Codes and conventions of interviews
The document discusses common codes and conventions used in filming interviews. It notes that interviews typically use close-up or mid shots framed according to the rule of thirds. The interviewee looks at the interviewer, not the camera. Graphics are used to reinforce information from the interview, and editing removes questions and focuses on pertinent answers, using cutaways to engage the audience.
More from Phoebe_Rowlands (20)
Recently uploaded
Self-Discipline: The Secret Weapon for Certain Victory
Amid the constant barrage of distractions and dwindling motivation, self-discipline emerges as the unwavering beacon that guides individuals toward triumph. This vital quality serves as the key to unlocking one’s true potential, whether the aspiration is to attain personal goals, ascend the career ladder, or refine everyday habits.
Understanding Self-Discipline
The Fascinating World of Bats: Unveiling the Secrets of the Night
The Fascinating World of Bats: Unveiling the Secrets of the Night
Bats, the mysterious creatures of the night, have long been a source of fascination and fear for humans. With their eerie squeaks and fluttering wings, they have captured our imagination and sparked our curiosity. Yet, beyond the myths and legends, bats are fascinating creatures that play a vital role in our ecosystem.
There are over 1,300 species of bats, ranging from the tiny Kitti's hog-nosed bat to the majestic flying foxes. These winged mammals are found in almost every corner of the globe, from the scorching deserts to the lush rainforests. Their diversity is a testament to their adaptability and resilience.
Bats are insectivores, feeding on a vast array of insects, from mosquitoes to beetles. A single bat can consume up to 1,200 insects in an hour, making them a crucial part of our pest control system. By preying on insects that damage crops, bats save the agricultural industry billions of dollars each year.
But bats are not just useful; they are also fascinating creatures. Their ability to fly in complete darkness, using echolocation to navigate and hunt, is a remarkable feat of evolution. They are also social animals, living in colonies and communicating with each other through a complex system of calls and body language.
Despite their importance, bats face numerous threats, from habitat destruction to climate change. Many species are endangered, and conservation efforts are necessary to protect these magnificent creatures.
In conclusion, bats are more than just creatures of the night; they are a vital part of our ecosystem, playing a crucial role in maintaining the balance of nature. By learning more about these fascinating animals, we can appreciate their importance and work to protect them for generations to come. So, let us embrace the beauty and mystery of bats, and celebrate their unique place in our world.
Insanony: Watch Instagram Stories Secretly - A Complete Guide
Welcome to the world of social media, where Instagram reigns supreme! Today, we're going to explore a fascinating tool called Insanony that lets you watch Instagram Stories secretly. If you've ever wanted to view someone's story without them knowing, this blog is for you. We'll delve into everything you need to know about Insanony with Trending Blogers!
Types of Garage Doors Explained: Energy Efficiency, Style, and More
At Affordable Garage Door Repair, we specialize in both residential and commercial garage door services, ensuring your property is secure and your doors are running smoothly.
MRS PUNE 2024 - WINNER AMRUTHAA UTTAM JAGDHANE
Amruthaa Uttam Jagdhane, a stunning woman from Pune, has won the esteemed title of Mrs. India 2024, which is given out by the Dk Exhibition. Her journey to this prestigious accomplishment is a confirmation of her faithful assurance, extraordinary gifts, and profound commitment to enabling women.
MISS TEEN LUCKNOW 2024 - WINNER ASIYA 2024
In the dynamic city of Lucknow, known for its wealthy social legacy and authentic importance, a youthful star has developed, capturing the hearts of numerous with her elegance, insights, and eagerness. Asiya, as of late delegated as the champ from Lucknow for Miss Youngster India 2024 by the DK Pageant, stands as a confirmation of the monstrous ability and potential dwelling inside the youth of India. This exceptional young lady is a signal of excellence and a paragon of devotion and aspiration.
Analysis and Assessment of Gateway Process – HemiSync(1).PDF
This paper analyses and assesses the process of Gateway methods of excercise
thrifthands-thrift store- get the latest trends
Get the latest trends & designer brands at unbeatable prices with Thrift stores. Elevate your style affordably.
一比一原版(McGill毕业证书)麦吉尔大学毕业证如何办理
学校原件一模一样【微信：6496090 】【(McGill毕业证书)麦吉尔大学毕业证成绩单】【微信：6496090 】学位证，留信认证（真实可查，永久存档）原件一模一样纸张工艺/offer、雅思、外壳等材料/诚信可靠,可直接看成品样本，帮您解决无法毕业带来的各种难题！外壳，原版制作，诚信可靠，可直接看成品样本。行业标杆！精益求精，诚心合作，真诚制作！多年品质 ,按需精细制作，24小时接单,全套进口原装设备。十五年致力于帮助留学生解决难题，包您满意。
本公司拥有海外各大学样板无数，能完美还原。
1:1完美还原海外各大学毕业材料上的工艺：水印，阴影底纹，钢印LOGO烫金烫银，LOGO烫金烫银复合重叠。文字图案浮雕、激光镭射、紫外荧光、温感、复印防伪等防伪工艺。材料咨询办理、认证咨询办理请加学历顾问Q/微6496090
【主营项目】
一.毕业证【q微6496090】成绩单、使馆认证、教育部认证、雅思托福成绩单、学生卡等！
二.真实使馆公证(即留学回国人员证明,不成功不收费)
三.真实教育部学历学位认证（教育部存档！教育部留服网站永久可查）
四.办理各国各大学文凭(一对一专业服务,可全程监控跟踪进度)
如果您处于以下几种情况：
◇在校期间，因各种原因未能顺利毕业……拿不到官方毕业证【q/微6496090】
◇面对父母的压力，希望尽快拿到；
◇不清楚认证流程以及材料该如何准备；
◇回国时间很长，忘记办理；
◇回国马上就要找工作，办给用人单位看；
◇企事业单位必须要求办理的
◇需要报考公务员、购买免税车、落转户口
◇申请留学生创业基金
留信网认证的作用:
1:该专业认证可证明留学生真实身份
2:同时对留学生所学专业登记给予评定
3:国家专业人才认证中心颁发入库证书
4:这个认证书并且可以归档倒地方
5:凡事获得留信网入网的信息将会逐步更新到个人身份内，将在公安局网内查询个人身份证信息后，同步读取人才网入库信息
6:个人职称评审加20分
7:个人信誉贷款加10分
8:在国家人才网主办的国家网络招聘大会中纳入资料，供国家高端企业选择人才
办理(McGill毕业证书)麦吉尔大学毕业证【微信：6496090 】外观非常简单，由纸质材料制成，上面印有校徽、校名、毕业生姓名、专业等信息。
办理(McGill毕业证书)麦吉尔大学毕业证【微信：6496090 】格式相对统一，各专业都有相应的模板。通常包括以下部分：
校徽：象征着学校的荣誉和传承。
校名:学校英文全称
授予学位：本部分将注明获得的具体学位名称。
毕业生姓名：这是最重要的信息之一，标志着该证书是由特定人员获得的。
颁发日期：这是毕业正式生效的时间，也代表着毕业生学业的结束。
其他信息：根据不同的专业和学位，可能会有一些特定的信息或章节。
办理(McGill毕业证书)麦吉尔大学毕业证【微信：6496090 】价值很高，需要妥善保管。一般来说，应放置在安全、干燥、防潮的地方，避免长时间暴露在阳光下。如需使用，最好使用复印件而不是原件，以免丢失。
综上所述，办理(McGill毕业证书)麦吉尔大学毕业证【微信：6496090 】是证明身份和学历的高价值文件。外观简单庄重，格式统一，包括重要的个人信息和发布日期。对持有人来说，妥善保管是非常重要的。
Biography and career history of Bruno Amezcua
Bruno Amezcua's entry into the film and visual arts world seemed predestined. His grandfather, a distinguished film editor from the 1950s through the 1970s, profoundly influenced him. This familial mentorship early on exposed him to the nuances of film production and a broad array of fine arts, igniting a lifelong passion for narrative creation. Over 15 years, Bruno has engaged in diverse projects showcasing his dedication to the arts.
Recently uploaded (11)
Self-Discipline: The Secret Weapon for Certain Victory
Self-Discipline: The Secret Weapon for Certain Victory
The Fascinating World of Bats: Unveiling the Secrets of the Night
The Fascinating World of Bats: Unveiling the Secrets of the Night
Insanony: Watch Instagram Stories Secretly - A Complete Guide
Insanony: Watch Instagram Stories Secretly - A Complete Guide
Types of Garage Doors Explained: Energy Efficiency, Style, and More
Types of Garage Doors Explained: Energy Efficiency, Style, and More
Analysis and Assessment of Gateway Process – HemiSync(1).PDF
Analysis and Assessment of Gateway Process – HemiSync(1).PDF
Tv scheduling
- 2. Thescheduleforeachdaycanbebrokendownintoclearsegments. How wouldyoucategorisethesesegments?(Thereare5partsoftheday,whatare they?) 1. Breakfast 2. Daytime 3. Children TV 4. Prime 5. Post watershed
- 3. Scheduling Definitions Counter programming – the practice of offering television programs to attract an audience from another television station airing a major event. Marathon – viewers or readers engage many hours worth of media in a condensed time period. Stunting – one off specials. Zoning – regular theme nights, so an audience will get hooked on watching that channel on a certain night.Hammocking – New show scheduled between two established shows Pre-Echo – Scheduling a programme before a popular programme in the hope that people tune in earlier to see the end of the new show and like it then watch it the next time it is on. Inheritance – Scheduling a new programme after a popular programme in the hope it inherits some of the audience Stripping – same show airs daily Watershed – protecting children from harmful material on TV, strict rules on what can be shown before 9pm watershed Tent – poling – weak new shows slotted either side of a strong popular show. Bridging – used when a station tries to prevent channel switching at a junction Block parting – putting shows back to back Day parting – specific sections of the day; early morning news, morning TV, lunch, late afternoon, evening, pre watershed and post watershed
- 4. Whoarethetargetaudienceforthesesegments?(Theremaybemorethan oneaudienceforeachsection–thinklogically) 1. Children and people getting ready for work 2. Older people stay at home parents, unemployed, students and young children 3. Children and possibly parents 4. Families 5. Adults and teenagers
- 5. Whatwouldyousayarethemostpopulargenresontelevision? • Sitcom • Comedy • Soaps • Reality • Documentaries • News • Films
- 6. Whoisthetargetaudienceofeachterrestrialchannel? Giveexamplesof scheduledprogrammestosupportyourviews. • BBC 1 – everyone, public service broadcaster • BBC 2 – Older people more intellectual • ITV 1 – Younger adults and elderly people • Channel 4 – Younger people, teens, young channel • Channel 5 – Daytime TV, range of age range
- 7. Whichchannelshavemoreimportedprogrammesintheirschedules? Why doyouthinkthismightbe? • TV channels often repeat programmes or films. When the station pays for the programme/film, they are allowed to shoe it as many times as they ant during the time they have the rights to show it. As a result, they will show the programmes as much as possible to get their money’s worth out of the title. • Channels such as Channel 4/5 import TV programmes. This is to broaden their target audience.