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The Renaissance
1450–1600
• A time of rebirth in learning, science, and the arts
throughout Europe.
• The rediscovery of the writings of ancient Greece and
Rome led to a renewed interest in learning in general.
• The invention of the printing press.
• The invention of the compass.
• Copernicus' discovery of the actual position of the earth
in the solar system.
• Martin Luther's Protestant Reformation, the Catholic
Church lost its grip on society and a humanist spirit was
born.
• Paintings and sculptures of Michelangelo.
• The plays of Shakespeare
Important characteristics of
the Renaissance Music:
• The interval of the third began considered as a consonance.
• A greatly increased vocal range in music.
• Richer texture in four or more parts.
• Harmony with a greater concern with the flow and
progression of chords.
• An impressive polychoral style was developed (multiple choirs
of singers).
• A golden age of a capella music.
• A capella – singing without the instrumental accompaniment
• Madrigal – a new genre.
• Word painting – the meaning of words corresponded to the
character of the composition.
Instruments
• Haut—loud, outdoor instruments.
• Bas—quieter, more intimate instruments, for the
indoor use.
• Instruments were considered to be less
important than voices.
• Instruments were used for dances and to
accompany vocal music.
• Instrumental music remained subordinated to
vocal music.
Brass Instruments
Cornett
Sackbutt
Trumpet
Please watch segments 5–7:
http://digital.films.com.ezproxy.vccs.edu:2048/
PortalViewVideo.aspx?xtid=926&psid=0&sid=0
&State=&title=Brass%20Instruments&IsSearch
=N&parentSeriesID=
Bowed Strings—Viol
Please watch segments 5–8:
http://digital.films.com.ezproxy.vccs.edu:2048/PortalViewVideo.aspx?xtid=924&p
sid=0&sid=0&State=&title=Bowed%20Instruments&IsSearch=N&parentSeriesID=
Bowed strings—Lyra da Braccio
Plucked Strings—Lute
http://www.music.iastate.edu/antiqua/mp
3/Musica_Antiqua_ISU_lute_Fayne_would
_i_flee.mpg
Please watch segments 5–8:
http://digital.films.com.ezproxy.vccs.edu:2
048/PortalViewVideo.aspx?xtid=923&psid=
0&sid=0&State=&title=Plucked%20Instrum
ents&IsSearch=N&parentSeriesID=
Woodwinds Shawm
Recorder
http://www.music.iastate.edu/antiqua/r_record.htm
From top to bottom: bass, tenor, treble (alto), descant
(soprano) and sopranino recorders.
Please watch segments 4–7:
http://digital.films.com.ezproxy.vccs.edu:2048/Porta
lViewVideo.aspx?xtid=921&psid=0&sid=0&State=&ti
tle=Reed%20Instruments&IsSearch=N&parentSeries
ID=
Woodwinds—Crumhorn
http://www.music.iastate.edu/antiqua/mp3/b_krum.mp3
Clavichord
Please watch segments 5 – 7:
http://digital.films.com.ezproxy.vccs.edu:2048/PortalViewVideo.aspx?xtid=9
25&psid=0&sid=0&State=&title=Keyboard%20and%20Percussion&IsSearch=
N&parentSeriesID=#
Regal
Josquin des Prez
c. 1450/1455–1521
• The first master of the high
Renaissance style of polyphonic
vocal music.
• Composed more than 370 works,
sacred and secular.
• Masses
• Motets
• Ave Maria
• Chansons
• Instrumental compositions.
Watch segment 4:
http://digital.films.com.ezproxy.vccs.edu:204
8/PortalViewVideo.aspx?xtid=717&psid=0&si
d=0&State=&title=The%20Renaissance&IsSe
arch=N&parentSeriesID=#
Giovanni da Palestrina, 1525–1594
• Served as a church organist and a
choir master.
• Influenced sacred music.
• Composed in a purer, more
restrained style.
• 105 masses
• Sanctus from Missa Aeterna
Christi munera
• 68 offertories
• at least 140 madrigals
• more than 300 motets
• at least 72 hymns
• 35 magnificats
• 11 litanies
• four or five sets of lamentations
Watch segment 7:
http://digital.films.com.ezproxy.vccs.edu:2048/PortalViewVideo.aspx?xtid=717&psid=0&sid=
0&State=&title=The%20Renaissance&IsSearch=N&parentSeriesID=#
Jacques Arcadelt c. 1507–1568
• Made influence on the development of the early Italian madrigal.
• Italian Madrigal, watch segment 2:
http://digital.films.com.ezproxy.vccs.edu:2048/PortalViewVideo.aspx?xtid=7
18&psid=0&sid=0&State=&title=The%20Golden%20Age&IsSearch=N&parent
SeriesID=#
• Worked as a singer and a composer at the Sistine Chapel.
• 24 motets
• 125 French chansons
• Approximately 250 madrigals
• Melodious and simple in structure
• Usually completely diatonic
• Alternates homophonic and diatonic structures
• Word-painting
• Ornamentation
• Virtuosity
• Accessible to amateur singers
• Il bianco d dolce cigno
John Farmer c. 1570–c. 1601
• A composer of the English Madrigal School.
• Was under the patronage of the Earl of Oxford and later
became a church organist and master of children choir.
• Published only collection of four-part madrigals in 1599.
• Fair Phyllis
• Polyphonic music
• Word painting
Tielman Susato c. 1510/15–
after 1570
• Composer, instrumentalist, and publisher of music
in Netherlands.
• Several books of masses and motets.
• Two books of chansons.
• Instrumental music: one book of dances.
• http://www.youtube.com/watch?v=xFi74mdGETU
Renaissance Dance, please watch segment 11:
http://digital.films.com.ezproxy.vccs.edu:2048/Por
talViewVideo.aspx?xtid=717&psid=0&sid=0&State
=&title=The%20Renaissance&IsSearch=N&parentS
eriesID=#
Required Readings
• http://en.wikipedia.org/wiki/Renaissance_music
• http://www.ipl.org/div/mushist/ren/index.html
Optional video assignments:
http://digital.films.com.ezproxy.vccs.edu:2048/PortalViewVideo.
aspx?xtid=717&psid=0&sid=0&State=&title=The%20Renaissanc
e&IsSearch=N&parentSeriesID=#
http://digital.films.com.ezproxy.vccs.edu:2048/PortalViewVideo.
aspx?xtid=718&psid=0&sid=0&State=&title=The%20Golden%20
Age&IsSearch=N&parentSeriesID=#

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The Renaissance

  • 2. • A time of rebirth in learning, science, and the arts throughout Europe. • The rediscovery of the writings of ancient Greece and Rome led to a renewed interest in learning in general. • The invention of the printing press. • The invention of the compass. • Copernicus' discovery of the actual position of the earth in the solar system. • Martin Luther's Protestant Reformation, the Catholic Church lost its grip on society and a humanist spirit was born. • Paintings and sculptures of Michelangelo. • The plays of Shakespeare
  • 3. Important characteristics of the Renaissance Music: • The interval of the third began considered as a consonance. • A greatly increased vocal range in music. • Richer texture in four or more parts. • Harmony with a greater concern with the flow and progression of chords. • An impressive polychoral style was developed (multiple choirs of singers). • A golden age of a capella music. • A capella – singing without the instrumental accompaniment • Madrigal – a new genre. • Word painting – the meaning of words corresponded to the character of the composition.
  • 4. Instruments • Haut—loud, outdoor instruments. • Bas—quieter, more intimate instruments, for the indoor use. • Instruments were considered to be less important than voices. • Instruments were used for dances and to accompany vocal music. • Instrumental music remained subordinated to vocal music.
  • 5. Brass Instruments Cornett Sackbutt Trumpet Please watch segments 5–7: http://digital.films.com.ezproxy.vccs.edu:2048/ PortalViewVideo.aspx?xtid=926&psid=0&sid=0 &State=&title=Brass%20Instruments&IsSearch =N&parentSeriesID=
  • 6. Bowed Strings—Viol Please watch segments 5–8: http://digital.films.com.ezproxy.vccs.edu:2048/PortalViewVideo.aspx?xtid=924&p sid=0&sid=0&State=&title=Bowed%20Instruments&IsSearch=N&parentSeriesID=
  • 8. Plucked Strings—Lute http://www.music.iastate.edu/antiqua/mp 3/Musica_Antiqua_ISU_lute_Fayne_would _i_flee.mpg Please watch segments 5–8: http://digital.films.com.ezproxy.vccs.edu:2 048/PortalViewVideo.aspx?xtid=923&psid= 0&sid=0&State=&title=Plucked%20Instrum ents&IsSearch=N&parentSeriesID=
  • 9. Woodwinds Shawm Recorder http://www.music.iastate.edu/antiqua/r_record.htm From top to bottom: bass, tenor, treble (alto), descant (soprano) and sopranino recorders. Please watch segments 4–7: http://digital.films.com.ezproxy.vccs.edu:2048/Porta lViewVideo.aspx?xtid=921&psid=0&sid=0&State=&ti tle=Reed%20Instruments&IsSearch=N&parentSeries ID=
  • 11. Clavichord Please watch segments 5 – 7: http://digital.films.com.ezproxy.vccs.edu:2048/PortalViewVideo.aspx?xtid=9 25&psid=0&sid=0&State=&title=Keyboard%20and%20Percussion&IsSearch= N&parentSeriesID=#
  • 12. Regal
  • 13. Josquin des Prez c. 1450/1455–1521 • The first master of the high Renaissance style of polyphonic vocal music. • Composed more than 370 works, sacred and secular. • Masses • Motets • Ave Maria • Chansons • Instrumental compositions. Watch segment 4: http://digital.films.com.ezproxy.vccs.edu:204 8/PortalViewVideo.aspx?xtid=717&psid=0&si d=0&State=&title=The%20Renaissance&IsSe arch=N&parentSeriesID=#
  • 14. Giovanni da Palestrina, 1525–1594 • Served as a church organist and a choir master. • Influenced sacred music. • Composed in a purer, more restrained style. • 105 masses • Sanctus from Missa Aeterna Christi munera • 68 offertories • at least 140 madrigals • more than 300 motets • at least 72 hymns • 35 magnificats • 11 litanies • four or five sets of lamentations Watch segment 7: http://digital.films.com.ezproxy.vccs.edu:2048/PortalViewVideo.aspx?xtid=717&psid=0&sid= 0&State=&title=The%20Renaissance&IsSearch=N&parentSeriesID=#
  • 15. Jacques Arcadelt c. 1507–1568 • Made influence on the development of the early Italian madrigal. • Italian Madrigal, watch segment 2: http://digital.films.com.ezproxy.vccs.edu:2048/PortalViewVideo.aspx?xtid=7 18&psid=0&sid=0&State=&title=The%20Golden%20Age&IsSearch=N&parent SeriesID=# • Worked as a singer and a composer at the Sistine Chapel. • 24 motets • 125 French chansons • Approximately 250 madrigals • Melodious and simple in structure • Usually completely diatonic • Alternates homophonic and diatonic structures • Word-painting • Ornamentation • Virtuosity • Accessible to amateur singers • Il bianco d dolce cigno
  • 16. John Farmer c. 1570–c. 1601 • A composer of the English Madrigal School. • Was under the patronage of the Earl of Oxford and later became a church organist and master of children choir. • Published only collection of four-part madrigals in 1599. • Fair Phyllis • Polyphonic music • Word painting
  • 17. Tielman Susato c. 1510/15– after 1570 • Composer, instrumentalist, and publisher of music in Netherlands. • Several books of masses and motets. • Two books of chansons. • Instrumental music: one book of dances. • http://www.youtube.com/watch?v=xFi74mdGETU Renaissance Dance, please watch segment 11: http://digital.films.com.ezproxy.vccs.edu:2048/Por talViewVideo.aspx?xtid=717&psid=0&sid=0&State =&title=The%20Renaissance&IsSearch=N&parentS eriesID=#
  • 18. Required Readings • http://en.wikipedia.org/wiki/Renaissance_music • http://www.ipl.org/div/mushist/ren/index.html Optional video assignments: http://digital.films.com.ezproxy.vccs.edu:2048/PortalViewVideo. aspx?xtid=717&psid=0&sid=0&State=&title=The%20Renaissanc e&IsSearch=N&parentSeriesID=# http://digital.films.com.ezproxy.vccs.edu:2048/PortalViewVideo. aspx?xtid=718&psid=0&sid=0&State=&title=The%20Golden%20 Age&IsSearch=N&parentSeriesID=#

Editor's Notes

  1. Three cornetts. Authored by: Multimann. Located at: https://en.wikipedia.org/wiki/File:Three_cornetts.jpg. License: CC BY-SA Sackbutt. Authored by: Multimann. Located at: https://en.wikipedia.org/wiki/File:Sackbutt.jpg. License: CC BY-SA Musica getutscht 1511 Basel woodcut. Authored by: Sebastian Virdung. Located at: https://en.wikipedia.org/wiki/File:Virdung_1511_musica_getutscht.png. License: Public Domain
  2. The Smithsonian Consort of Viols. Authored by: Badagnani. Located at: https://en.wikipedia.org/wiki/File:The_Smithsonian_Consort_of_Viols.jpg. License: CC BY-SA
  3. Lira da braccio. Authored by: Michael Praetorius. Located at: https://simple.wikipedia.org/wiki/File:Lira_da_braccio.png. License: Public Domain
  4. Lute. Authored by: Ching. Located at: https://flic.kr/p/dVoPX2. License: CC BY
  5. Recorders. Authored by: Saskii. Located at: https://commons.wikimedia.org/wiki/File:Different_Sizes_of_Recorders.JPG. License: Public Domain Salmaj. Authored by: Jan Klimeš. Located at: https://en.wikipedia.org/wiki/File:Salmaj.jpg. License: CC BY-SA
  6. Moderne Krummhoerner. Authored by: Sönke Kraft aka Arnulf zu Linden. Located at: https://commons.wikimedia.org/wiki/File:Moderne_Krummhoerner.jpg. License: CC BY-SA
  7. Clavicord. Authored by: François Verbeek. Located at: https://en.wikipedia.org/wiki/File:Clavicord.jpg. License: CC BY
  8. Flentrop-regal. Authored by: Flentrop Alcatrazhack. Located at: https://en.wikipedia.org/wiki/File:Flentrop-regal.jpg. License: CC BY
  9. Des Prez. Located at: https://en.wikipedia.org/wiki/File:DESPREZ.jpg. License: Public domain
  10. Giovanni Pierluigi da Palestrina. Located at: https://en.wikipedia.org/wiki/File:Giovanni_Pierluigi_da_Palestrina.jpg. License: Public domain