Slides from the presentation "The Online-Life of Media Art-Archives", at the conference "Reimagining the Archive", Panel 5.3 – Artists and Archives, UCLA, 12-14.11.2010
Lecture on Information Retrieval and Social Media, given to PhD students in the User-Centred Social Media Summer School, in Duisburg, September 19, 2017.
See also https://www.ucsm.info/events/118-new-frontiers-in-social-media-research-%E2%80%93-international-summer-school-2018
People, Communities and Platforms: Digital Cultural Heritage and the WebTrevor Owens
Libraries, archives and museums are sites of community memory. The first public computerized bulletin board system was called community memory. Trevor’s talk will explore the connections between the development of the web as a global knowledge base, the open source software movement, and digital strategy for libraries, archives and museums. This keynote talk will synthesize research on the history of online community software with practical experience working on open source digital library projects. This exploration underscores the essential role cultural heritage institutions need to play in this era of the web and some important distinctions between how the concept of community is deployed in discussions of the web.
A whirlwind introduction to digital humanities for CDP Digital Humanities: Collections & Heritage - current challenges and futures workshop. February 22, 2018 Imperial War Museum
Macroscopes and Distant Reading: Implications for Infrastructures to Support ...Trevor Owens
A talk exploring the implications for digital library infrastructures in the face of developments in how humanities scholars are engaging in computational research of library collections.
Lecture on Information Retrieval and Social Media, given to PhD students in the User-Centred Social Media Summer School, in Duisburg, September 19, 2017.
See also https://www.ucsm.info/events/118-new-frontiers-in-social-media-research-%E2%80%93-international-summer-school-2018
People, Communities and Platforms: Digital Cultural Heritage and the WebTrevor Owens
Libraries, archives and museums are sites of community memory. The first public computerized bulletin board system was called community memory. Trevor’s talk will explore the connections between the development of the web as a global knowledge base, the open source software movement, and digital strategy for libraries, archives and museums. This keynote talk will synthesize research on the history of online community software with practical experience working on open source digital library projects. This exploration underscores the essential role cultural heritage institutions need to play in this era of the web and some important distinctions between how the concept of community is deployed in discussions of the web.
A whirlwind introduction to digital humanities for CDP Digital Humanities: Collections & Heritage - current challenges and futures workshop. February 22, 2018 Imperial War Museum
Macroscopes and Distant Reading: Implications for Infrastructures to Support ...Trevor Owens
A talk exploring the implications for digital library infrastructures in the face of developments in how humanities scholars are engaging in computational research of library collections.
Presentation at the conference Ink to Cloud the European Correspondence of Jacob Burckhardt 9-12 April 2015 Il Palazzone Scuola Normale Superiore di Pisa, Cortona IT entitled "Digital Content, VREs (Virtual Research Environments" and Communities of Practice by Dov Winer
An hour lecture with hands-on on how to install the GREENSTONE DIGITAL LIBRAY. The seminar was sponsored by Baguio-Benguet Librarians Association, Inc. and conducted at the University Of the Cordilleras Library on July 19 & 20, 2010
UnCommons Perspectives: Strategies and challenges for digital collections in ...The Magnes
Strategies and challenges for digital collections in the Web 2.0 outside the Flickr Commons. Notes for the upcoming Northern Archivists Western Roundup (Seattle, April 28-May 1, 2010).
I Linked Open Data nei Beni Culturali, alcuni progetti e casi di studioCulturaItalia
Maria Emilia Masci, Scuola Normale Superiore, Linked Open Data (LOD): Un’Opportunità per il Patrimonio Culturale Digitale, Roma, ICCU, 29 novembre 2013
Presentation at the conference Ink to Cloud the European Correspondence of Jacob Burckhardt 9-12 April 2015 Il Palazzone Scuola Normale Superiore di Pisa, Cortona IT entitled "Digital Content, VREs (Virtual Research Environments" and Communities of Practice by Dov Winer
An hour lecture with hands-on on how to install the GREENSTONE DIGITAL LIBRAY. The seminar was sponsored by Baguio-Benguet Librarians Association, Inc. and conducted at the University Of the Cordilleras Library on July 19 & 20, 2010
UnCommons Perspectives: Strategies and challenges for digital collections in ...The Magnes
Strategies and challenges for digital collections in the Web 2.0 outside the Flickr Commons. Notes for the upcoming Northern Archivists Western Roundup (Seattle, April 28-May 1, 2010).
I Linked Open Data nei Beni Culturali, alcuni progetti e casi di studioCulturaItalia
Maria Emilia Masci, Scuola Normale Superiore, Linked Open Data (LOD): Un’Opportunità per il Patrimonio Culturale Digitale, Roma, ICCU, 29 novembre 2013
Slides from my Midwest UX 2012 presentation on new media art.
These aren't very useful without the talk - it's mostly pictures from the artists' websites. However, if you see the presentation in person some day this will be a good reference for remembering names and pieces.
There are a couple blank slides that are videos in the actual presentation.
The Art of Social Media: LinkedIn editionGuy Kawasaki
LinkedIn is the unsung hero of social-media platforms because it added social features long after places such as Facebook, Twitter, and Google+. However, for people seeking a professionally oriented and serious environment, it has become a power platform.
I’ve been trying many techniques for more than a year, and I’d like to share some of my best LinkedIn tips for the art of tapping the social-media power of LinkedIn.
More about The Art of Social Media: Power Tips for Power Users here: http://artof.social
Read the full article on LinkedIn here: http://linkd.in/1zj5Dvc
Pin it for later: http://www.pinterest.com/pin/197736239865016267/
Arts of the Romantic Period 1800-1810) (Goya, Delacroix, Gericault) For Grade...Jewel Jem
A lesson on the Arts of the Romantic Period (1800-1810)
Artists: Francisco Goya (Spain), Eugene Delacroix (France), Jean Louis Theodore Gericault (France)
Paintings:
Goya: The third of May, The Burial of Sardine, Saturn devouring his son
Delacroix: Liberty Leading the People
Gericault: The raft of Medussa, Charging Chasseur, Insane Woman
Presented at the 2013 Annual Conference of the Council of American Jewish Museums (http://www.cajm.net/annual-conference). Based on the research exhibition "Case Study No. 3 | Sound Objects," created at The Magnes Collection of Jewish Art and Life, University of California, Berkeley, in 2012-2013 (http://bit.ly/sound-objects).
Multimodal Online Mediation. A Typology of Patterns For Media Art-Mediationfwiencek
Slides of the presentation "Multimodal Online Mediation. A Typology of Patterns For Media Art-Mediation" by Florian Wiencek, Ognyan Seizov and Marion G. Müller at ECREA Conference 2010, Section 6 – Digital Culture & Communication – Panel 6-2: Art
Increasing NUS Libraries' Visibility in the Virtual World - UpdatedKC Tan
Presented at the 3rd iGroup Conference, "The Role of the Library in the Virtual and Collaborative World", 18-20 Oct 2007, held at Hunan University in Changsha, China
This presentation was provided by Robert Weisberg of the Metropolitan Museum of Art, during a NISO webinar on the Internet of Things, held on October 19, 2016.
Keynote presentation for CSWS 2013 Conference in Shanghai, China.
Some slides borrowed from Jan Wielemaker, Guus Schreiber, Jacco van Ossenbruggen, Niels Ockeloen, Antske Fokkens, Serge ter Braake.
Intro to CAA 2012 session "Visualization as a Method in Art History"Lev Manovich
My introduction to CAA 2012 session "Visualization as a Method in Art History"
February 24, 2012
Session info:
http://lab.softwarestudies.com/2012/02/visualization-as-method-in-art-history.html
Web Archives and the dream of the Personal Search EngineArjen de Vries
Keynote at the 4th Alexandria Workshop organised by Avishek Anand and Wolfgang Nejdl, L3S, Hannover (Germany). I argue that Web Archives should act as a pivot while revisiting the idea of decentralised search.
See also http://alexandria-project.eu/events/4th-int-alexandria-workshop-19-20-october-2017/
Citizen Experiences in Cultural Heritage Archives: a Data JourneyEnrico Daga
Digital archives of memory institutions are typically concerned with the cataloguing of artefacts of artistic, historical, and cultural value. Recently, new forms of citizen participation in cultural heritage have emerged, producing a wealth of material spanning from visitors’ experiential feedback on exhibitions and cultural artefacts to digitally mediated interactions like the ones happening on social media platforms. In this talk, I will touch upon the problems of integrating citizen experiences in cultural heritage archives. I argue for good reasons for institutions to archive people’s responses to cultural objects, and then look at the impact that this has on the data infrastructures. I argue that a knowledge organisation system for “data journeys” can help in disentangling problems that include issues of distribution, authoritativeness, interdependence, privacy, and rights management.
Citizen Experiences in Cultural Heritage Archives: a Data JourneyEnrico Daga
Digital archives of memory institutions are typically concerned with the cataloguing of artefacts of artistic, historical, and cultural value. Recently, new forms of citizen participation in cultural heritage have emerged, producing a wealth of material spanning from visitors’ experiential feedback on exhibitions and cultural artefacts to digitally mediated interactions like the ones happening on social media platforms. In this talk, I will touch upon the problems of integrating citizen experiences in cultural heritage archives. I argue for good reasons for institutions to archive people’s responses to cultural objects, and then look at the impact that this has on the data infrastructures. I argue that a knowledge organisation system for “data journeys” can help in disentangling problems that include issues of distribution, authoritativeness, interdependence, privacy, and rights management.
Bex lecture 5 - digitisation and the museumBex Lewis
Lecture given on Thursday 6th May to first years on History module "Creating and Consuming History", encouraging them to think about the possibilities of digitisation in museums (the heritage sector/historical research), and the benefits and otherwise of some of the tools currently available.
0x01 - Newton's Third Law: Static vs. Dynamic AbusersOWASP Beja
f you offer a service on the web, odds are that someone will abuse it. Be it an API, a SaaS, a PaaS, or even a static website, someone somewhere will try to figure out a way to use it to their own needs. In this talk we'll compare measures that are effective against static attackers and how to battle a dynamic attacker who adapts to your counter-measures.
About the Speaker
===============
Diogo Sousa, Engineering Manager @ Canonical
An opinionated individual with an interest in cryptography and its intersection with secure software development.
Have you ever wondered how search works while visiting an e-commerce site, internal website, or searching through other types of online resources? Look no further than this informative session on the ways that taxonomies help end-users navigate the internet! Hear from taxonomists and other information professionals who have first-hand experience creating and working with taxonomies that aid in navigation, search, and discovery across a range of disciplines.
Sharpen existing tools or get a new toolbox? Contemporary cluster initiatives...Orkestra
UIIN Conference, Madrid, 27-29 May 2024
James Wilson, Orkestra and Deusto Business School
Emily Wise, Lund University
Madeline Smith, The Glasgow School of Art
Acorn Recovery: Restore IT infra within minutesIP ServerOne
Introducing Acorn Recovery as a Service, a simple, fast, and secure managed disaster recovery (DRaaS) by IP ServerOne. A DR solution that helps restore your IT infra within minutes.
This presentation by Morris Kleiner (University of Minnesota), was made during the discussion “Competition and Regulation in Professions and Occupations” held at the Working Party No. 2 on Competition and Regulation on 10 June 2024. More papers and presentations on the topic can be found out at oe.cd/crps.
This presentation was uploaded with the author’s consent.
Obesity causes and management and associated medical conditions
The Online-Life of Media Art-Archives
1. THE ONLINE-LIFE OF MEDIA ART-ARCHIVES
Florian Wiencek, M.A., Jacobs University Bremen
Research Center „Visual Communication and Expertise“ (VisComX)14.11.2010
Presentation at the Reimagining the Archive. UCLA, 12-14.11.2010
Panel 5.3 – Artists and Archives
2. Outline
14.11.2010Wiencek – The Online Life of Media Art-Archives @ Reimagining the Archive
¨ What is new in „Digital Archives“?
¨ How „natively digital“ are current archives and
platforms for media art?
¨ What is the discourse space around media art
formed by these platforms and archives?
3. Digital Archives (1)
14.11.2010Wiencek – The Online Life of Media Art-Archives @ Reimagining the Archive
¨ dynamic content à user-generated through queries
¤ „shift from read-only to a generative, participative
form of archival reading“ (Ernst 2010, p. 81)
4. Digital Archives (2)
14.11.2010Wiencek – The Online Life of Media Art-Archives @ Reimagining the Archive
¨ task of the archive is „to meaningfully link up
different information nodes“ (Ernst 2010, p. 84)
à relation (e.g. through hyperlinks)
¤ „The Internet is a network where a different context is
always only one click away, and everyone is engaged
in a continuous process of (re)contextualizing. Linking to
and commenting on other websites creates information
filters, portals, and new contexts.“ (Paul 2010, p. 103)
5. Digital Archives (3)
14.11.2010Wiencek – The Online Life of Media Art-Archives @ Reimagining the Archive
¨ Distinction of 2 generations of online collections (Cameron 2003)
1. first generation: thematic solutions / narrative à „digital objects are
presented in a hierarchical storyline with theme and
subtheme“ (Cameron 2003, p. 3).
n use of classical museum devices (object labels, graphic images , didactic
texts) in fixed order
n not many hyperlinks or interactive possibilities
n particular narratives are privileged
2. second generation: offer alternative pathways through collection by
the offer of greater contextual possibilities (e.g. alternative
navigation systems (multimedia-, text- or image- based) like semantic
maps)
n allows users to create new pathways
n non-hierarchical system ruled by relationships
à next generation?
6. ¨ Categorization of the material
4 Dimensions of Meaning Generation in
Digital Visual Archives
main categories from virtualart.at
main categories from V2_archive
7. ¨ Categorization of the material
¨ Interactive processes of digital archives
¨ Visualization and contextualization of archive material
¨ Retrieval
4 Dimensions of Meaning Generation in
Digital Visual Archives
main categories from V2_archive
8. ¨ Categorization of the material
¨ Interactive processes of digital archives
¨ Visualization and contextualization of archive material
¨ Retrieval
4 Dimensions of Meaning Generation in
Digital Visual Archives
Semantic Map, netzspannung.org
9. ¨ Categorization of the material
¨ Interactive processes of digital archives
¨ Visualization and contextualization of archive material
¨ Retrieval
4 Dimensions of Meaning Generation in
Digital Visual Archives
Advanced Search at GAMA (gama-gateway.eu)
10. Sample
Institutional Archives
¨ Ars Electronica Archiv
¨ V2_archive
¨ virtualart.at
¨ Daniel Langlois Foundation
¨ Medien Kunst Netz à Educational Platform
¨ netzspannung.org à
¨ rhizome.org à Collaborative Online Platform
¨ GAMA à Subject Gateway
Archives in Scientific Contexts
Educational Platform /
Collaborative Online Platform
14.11.2010Wiencek – The Online Life of Media Art-Archives @ Reimagining the Archive
11. How digital are current Online-Archives
and -Platforms?
14.11.2010Wiencek – The Online Life of Media Art-Archives @ Reimagining the Archive
¨ Text & images are still the most prevalent mediation-
modalities, but also video, audio and other means such
as hyperlinks, automated search (dynamic content) and
interactive applications / visualizations are used.
¨ natively digital objects (Rogers, 2009)
¤ „objects, content, devices and environments that are ‚born‘ in
the new medium, as opposed to those that have ‚migrated’
to it“ (Rogers, 2009, p. 1)
à What kind of digital objects does one find in
online-archives and –platforms for media art?
12. Digital Objects in Online-Archives and -Platforms
¨ hyperlinks
¨ hyperlink-lists
¨ static pages
¨ dynamic pages
¤ server generated
¤ based on user-input
¨ interactive data visualization / interactive
applications
¨ database-search
¨ search results
¨ related items
¨ media gallery
¨ embedded media
¨ embedded archive content
¨ rollover
¨ information-layering
¤ pop-up windows
¤ html-layer
¨ filter-mechanisms
¨ different views on data
¨ personalized features
¨ community features
¨ comment space
¨ RSS-feeds
¨ share-features
¨ folksonomy / tags
¨ widgets
¨ Wiki
¨ subscribable calendar
¨ multimedia objects (video, flash;
hypermedia lecture)
¨ clickable keywords / categories
¨ mailing lists
¨ quotation generator
¨ net art
¨ accessability tools
14.11.2010Wiencek – The Online Life of Media Art-Archives @ Reimagining the Archive
13. Digital Objects // Hyperlinks
14.11.2010Wiencek – The Online Life of Media Art-Archives @ Reimagining the Archive
medienkunstnetz.de:
navigation within a site; navigation in a page;
position indicator within the site; link to internal sources
medienkunstnetz.de:
trigger searches via hyperlinks
rhizome.org: share-button
14. Digital Objects // Dynamic Page (Server Generated)
14.11.2010Wiencek – The Online Life of Media Art-Archives @ Reimagining the Archive
V2_archive: aggregated page virtualart.at: random content
15. 14.11.2010Wiencek – The Online Life of Media Art-Archives @ Reimagining the Archive
Digital Objects // Dynamic Page (Based on User Input)
GAMA: search results netzspannung.org: filter-mechanisms
16. Digital Objects // Database Search
14.11.2010Wiencek – The Online Life of Media Art-Archives @ Reimagining the Archive
GAMA: Advanced Search
Ars Electronica Archive: Simple Search
rhizome: Embedded Google-Search
GAMA: Film Strip & Related Search
17. Digital Objects // Interactive Data
Visualization / Interactive Applications
14.11.2010Wiencek – The Online Life of Media Art-Archives @ Reimagining the Archive
netzspannung.org: exploratory search interface
Semantic Map & Timeline
netzspannung.org
18. Digital Objects // Personalized Features
¨ expert communities
(netzspannung)
¨ Ariadne’s Thread (netzspannung)
¨ search patterns (netzspannung)
¨ member-curated exhibitions
(rhizome)
¨ netzkollektor (netzspannung)
¨ profile (netzspannung, rhizome)
¨ discussion board (with RSS feed)
(rhizome)
personalized features community features
14.11.2010Wiencek – The Online Life of Media Art-Archives @ Reimagining the Archive
19. Digital Objects // Wiki
14.11.2010Wiencek – The Online Life of Media Art-Archives @ Reimagining the Archive
GAMA: Wiki – Guided Tour
GAMA: embedded archive-object
20. Digital Objects // Tags, Folksonomy
14.11.2010Wiencek – The Online Life of Media Art-Archives @ Reimagining the Archive
rhizome.org:
artist‘s terms
VokabWiki
21. Interlink Analysis
14.11.2010Wiencek – The Online Life of Media Art-Archives @ Reimagining the Archive
Interlink Analysis of the sample
using the tool „Issue
Crawler“ (www.issuecrawler.net)
by the Govcom.org Foundation,
Amsterdam (NL).
23. Actors according to Google.de
1. European Media Art Festival (Osnabrück)
2. medienkunstnetz
...
4. IMAI
...
9. ZKM
...
11. mediaartnet.org
...
37. Werkleitz Gesellschaft
...
39. Edith-Russ-Haus
...
41. GAMA
...
79. ISEA 2010
¨ Archives
¨ Cultural Institutions
¨ Scientific Portals
¨ Educational Platforms
¨ Universities / Research Institutions
¨ Publishing House
¨ Funding Agencies
¨ Artists
¨ Events (Festivals, Conferences)
¨ Blogs
¨ Art Platforms
¨ Broadcaster
¨ Companies (Design, Advertising, Web, Bookstore...)
¨ Company Directories
¨ PR-Portal
¨ Cities
14.11.2010Wiencek – The Online Life of Media Art-Archives @ Reimagining the Archive
Query for „media art“, 01.11.2010
Actortypes:
24. Actors according to Google.de (2)
1. de.wikipedia.org
2. medienkunstnetz
...
9. Edith Russ Haus
...
15. Werkleitz Gesellschaft
...
35. ISEA 2010
...
73. European Media Art Festival
14.11.2010Wiencek – The Online Life of Media Art-Archives @ Reimagining the Archive
Query for „Medienkunst“, 01.11.2010
¨ Archives
¨ Cultural Institutions
¨ Educational Platforms
¨ Universities / Research Institutions
¨ Publishing House (incl. Book on
Demand)
¨ Funding Agencies
¨ NGOs
¨ Individuals (Artists, Ressearchers,
Curators)
¨ Art Projects
¨ Events (Festivals, Conferences)
¨ (Research) Blogs
¨ Art Platforms / Art Magazines
¨ Newspapers / Magazines (Print
& Online)
¨ Broadcaster
¨ Companies (Design, Advertising,
Web, Bookstore...)
¨ Company Directories
¨ Social Media Platforms
¨ Shopping Platforms
¨ Cities / City Marketing /
Counties
Actortypes:
25. Inlink Analysis
¨ other archives / platforms
¨ festivals
¨ cultural institutions
¨ blogs
¨ research blogs
¨ private pages of idividuals
(artists, researchers, curators)
¨ conferences
¨ universities, colleges & other
research institutions
¨ libraries
¨ research networks, platforms
¨ art portals & magazines
¨ information services on art
¨ research projects
¨ companies (partly involved in
these projects)
¨ administration
¨ web services
¨ social bookmarking
¨ broadcaster
14.11.2010Wiencek – The Online Life of Media Art-Archives @ Reimagining the Archive
Classification of hosts linking to archive‘s homepages:
26. Conclusions
14.11.2010Wiencek – The Online Life of Media Art-Archives @ Reimagining the Archive
¨ All sites use natively digital objects, but some are
„more digital“in their approach than others.
¨ Archives should try to bind the discourse to the
archive material.
¤ tools for collaborative meaning making are needed
28. References (1):
Assmann, A. (2004). Zur Mediengeschichte des kulturellen Gedächtnisses. In A. Erll & A. Nünning, . Berlin, New York.
Bolter, J. D., & Grusin, R. A. (1996). Remediation. Configurations, 4(3). Retrieved from http://muse.jhu.edu/
journals/configurations/v004/4.3bolter.html.
Caianiello, T., & Giebeler, J. (2010). Conserving Interactivity. imai Case Study on Bill Seaman's "Exchange Fields."
ISEA 2010, Panel "Still Accessible? Rethinking the Preservation of Media Art 1, 24.08.2010. Dortmund.
Cameron, F. (2003). Digital Futures I: Museum Collections, Digital Technologies, and the Cultural Construction of
Knowledge. Curator, 46(3), 325-340. doi: 10.1111/j.2151-6952.2003.tb00098.x.
Daniels, D. (2004). Das Vermittlungsparadox der Medienkunst – Thesen und Modelle zur multimedialen Vermittlung.
In G. J. Lischka & P. Weibel, Die Medien der Kunst – die Kunst der Medien (pp. 90-104). Wabern, Bern: Benteli.
Ernst, W. (2010). Underway to the Dual System – Classical Archives and / or Digital Memory. In D. Daniels &
G. Reisinger (Eds.), netpioneers 1.0 - contextualising early net-based art (pp. 81-99). Berlin, New York: Sternberg
Press. Retrieved from http://143.50.30.21/static/publication09/np_ernst_09.pdf.
Ernst, W. (2002). Das Rumoren der Archive : Ordnung aus Unordnung. Internationaler Merve-Diskurs ; 243. Berlin:
Merve-Verl.
Haber, P. (2006). Gegenwart dokumentieren – Eine Annäherung aus historischer Sicht. In L. Reddeker, gegenwart
dokumentieren. handbuch zur erschließung moderner und zeitgenössischer kunst in archiven und datenbanken (pp.
17-26). Wien: basis wien - Kunst, Information und Archiv.
Kampman, M. (2009). YouTube's Flagging System. Retrieved from http://www.minkekampman.nl/index.php/
2009/09/04/index/.
Lemke, J. L. (2002). Travels in hypermodality. Visual Communication, 1(3), 299-325. doi:
10.1177/147035720200100303.
14.11.2010Wiencek – The Online Life of Media Art-Archives @ Reimagining the Archive
29. References (2):
Lovink, G., & Niederer, S. (Eds.)(2008). Video Vortex Reader – Responses to Youtube. Amsterdam: Institute of
Network Cultures. Retrieved from http://networkcultures.org/wpmu/portal/files/2008/10/vv_reader_small.pdf.
Ludwig Boltzmann Institut Medien.Kunst.Forschung. (2009). Abschlussbericht 09 des Ludwig Boltzmann Institut
Medien.Kunst.Forschung. Retrieved from http://mediaartresearch.at/de/news.php?iMenuID=35&iNewsID=98.
Ludwig Boltzmann Institute Media.Art.Research. (2009). Visualization Showcase - Projects. Retrieved from http://
vis.mediaartresearch.at/webarchive/public/view/mid:1.
Manovich, L. (2001). The language of new media. Leonardo. Cambridge, Mass. [u.a.]: MIT Press.
Manovich, L. (2008). Software takes command. Retrieved from http://softwarestudies.com/softbook/
manovich_softbook_11_20_2008.doc.
Morville, P., & Callender, J. (2010). Search Patterns (1 ed.). O'Reilly Media. Retrieved from http://
www.amazon.de/dp/0596802277.
Mulder, A. (2007). The Exercise of Interactive Art. In J. Brouwer & A. Mulder, (pp. 52-69). Rotterdam: V2 Pub./NAi
Publishers.
netzspannung.org. (2009). netzspannung.org – Werkzeuge zur Wissenserschließung. Retrieved from http://
netzspannung.org/about/tools/.
Paul, Christiane (2010): Context and Archive: Presenting and Preserving Net-Based Art. In D. Daniels & G.
Reisinger (Eds.), netpioneers 1.0 - contextualising early net-based art (pp. 101-120). Berlin, New York: Sternberg
Press. Retrieved from http://143.50.30.21/static/publication09/np_paul_09.pdf
Rogers, R. (2009). The End of the Virtual – Digital Methods. Retrieved from http://www.govcom.org/
rogers_oratie.pdf.
Schröter, J. (2009). On the Logic of the Digital Archive. In P. Snickars & P. Vonderau (Eds.), (pp. 330-346).
Stockholm: National Library of Sweden.
14.11.2010Wiencek – The Online Life of Media Art-Archives @ Reimagining the Archive
30. References (3):
Snickars, P., & Vonderau, P. (Eds.) (2009). The YouTube Reader. Stockholm: National Library of Sweden.
V2_ Institute for Unstable Media. (2004). Capturing Unstable Media. Retrieved from http://
capturing.projects.v2.nl/recomm.html.
Weinberger, D. (2007). Everything is miscellaneous. New York, NY: Times Books. Retrieved from http://
katalog.suub.uni-bremen.de/DB=1/LNG=DU/CMD?ACT=SRCHA&IKT=8000&TRM=82269460*.
Wiencek, F. (2009). Gedanken zur Online-Vermittlung von Medienkunst. In A. Rotert, H. Nöring, & R. Sausmikat,
Katalog des European Media Art Festival Osnabrück 2009 (pp. 216-217). Osnabrück.
14.11.2010Wiencek – The Online Life of Media Art-Archives @ Reimagining the Archive
31. 14.11.2010Wiencek, Seizov, Müller - Multimodal Online Mediation @ ECREA 2010
References (4):
Sample:
Ars Electronica Archive: http://90.146.8.18/de/archives/index.asp; http://90.146.8.18/de/archives/
prix_archive/prix_projekt.asp?iProjectID=2475#
Daniel Langlois Foundation: http://www.fondation-langlois.org/html/e/; http://www.fondation-langlois.org/
html/e/page.php?NumPage=2186
GAMA: http://www.gama-gateway.eu; http://www.gama-gateway.eu/index.php?
id=search&workdetail=gama:ars-electronica:main:Work:966
Medien Kunst Netz: http://www.medienkunstnetz.de; http://www.medienkunstnetz.de/werke/very-nervous-
system/
netzspannung.org: http://www.netzspannung.org; http://netzspannung.org/cat/servlet/CatServlet?
cmd=document&subCommand=show&forward=%2fnetzkollektor%2foutput
%2fproject.xml&entryId=147823§ion=base&lang=de
rhizome.org: http://www.rhizome.org
Virtualart: http://www.virtualart.at; http://www.virtualart.at/database/general/work/very-nervous-system.html
V2_archive: http://www.v2.nl/archive; http://framework.v2.nl/archive/archive/node/work/default.xslt/
nodenr-162937
Wiencek – The Online Life of Media Art-Archives @ Reimagining the Archive