This Presentation is prepared for first-year post-Graduate Students. A presentation consisting of basic information regarding the topic. Students are advised to get more information from recommended books and articles.
Buddhist architecture in ancient India included structures like stupas, chaityas, viharas, and stambhas. Stupas housed sacred Buddhist relics and had a rounded dome-like shape. Chaityas were prayer halls with a stupa at one end and were made in rock-cut caves. Viharas were monasteries that provided living quarters for monks. Stambhas were tall, polished stone pillars sometimes topped with sculptures. These structures developed under emperors like Ashoka who built many early Buddhist monuments to spread the religion across India.
The document summarizes Jain architecture, focusing on temples at Dilwara and Ranakpur. It discusses how Jains built temple cities on hills according to concepts of immortality. It describes key architectural features of temples like the Adinatha temple at Ranakpur, known for its intricate carvings, and the Dilwara temple complex near Mount Abu, which contains five unique marble temples renowned for their ornate stonework. The temples at Dilwara were built between the 11th-13th centuries and include the Vimal Vasahi and Luna Vasahi temples noted for elaborate ceilings, pillars, and domes.
The Kailasa Temple is a 8th century monolithic temple carved out of rock in Aurangabad, India. It was commissioned by King Krishna I and built in the Dravidian architecture style. The temple was carved out of a single rock formation, removing around 400,000 tons of rock. It is one of the largest monolithic structures in the world and was designated a UNESCO World Heritage site in 1983 for its architectural and artistic achievements.
Three types of structures are associated with the religious architecture of early Buddhism: monasteries (viharas), places to venerate relics (stupas), and shrines or prayer halls (chaitya halls, also called chaitya grihas)
The document provides information on the evolution of Buddhist architecture and key sites in India. It discusses the development of important architectural forms like the stupa, vihara, and chaitya hall during the time of Ashoka in the 3rd century BCE. Major rock cut architecture from the period includes the Barabar caves, Ajanta and Ellora, and the vihara at Nasik. The symbolism of the stupa and its architectural elements are also summarized.
The document discusses Buddhist stupas and their architectural features. It begins by defining a stupa as an earthen mound enclosing Buddhist relics, similar in form to Egyptian pyramids. It then classifies stupas into three types and describes the key structural elements of a typical stupa including the harmika, anda, medhi, and ambulatory paths. A significant portion of the document then focuses on describing the famous Great Stupa at Sanchi, including its dome, terraces, gateways, and ornamentation. It concludes by briefly mentioning the Dharmaksha stupa at Sarnath and key features of chaityas or prayer halls often found near stupas.
The document discusses elements of architectural form that define space, including horizontal planes (such as base planes, elevated planes, and depressed planes), vertical planes, overhead planes (such as roof and ceiling planes), and how they are articulated. It provides examples of how different configurations of these planes are used to define interior and exterior spaces, provide enclosure, and visually establish spatial boundaries and fields. Articulation of architectural form involves differentiating adjoining planes through changes in materials, color, texture, or pattern, developing corners as distinct linear elements, and using lighting to create tonal contrasts along edges.
Buddhist architecture in ancient India included structures like stupas, chaityas, viharas, and stambhas. Stupas housed sacred Buddhist relics and had a rounded dome-like shape. Chaityas were prayer halls with a stupa at one end and were made in rock-cut caves. Viharas were monasteries that provided living quarters for monks. Stambhas were tall, polished stone pillars sometimes topped with sculptures. These structures developed under emperors like Ashoka who built many early Buddhist monuments to spread the religion across India.
The document summarizes Jain architecture, focusing on temples at Dilwara and Ranakpur. It discusses how Jains built temple cities on hills according to concepts of immortality. It describes key architectural features of temples like the Adinatha temple at Ranakpur, known for its intricate carvings, and the Dilwara temple complex near Mount Abu, which contains five unique marble temples renowned for their ornate stonework. The temples at Dilwara were built between the 11th-13th centuries and include the Vimal Vasahi and Luna Vasahi temples noted for elaborate ceilings, pillars, and domes.
The Kailasa Temple is a 8th century monolithic temple carved out of rock in Aurangabad, India. It was commissioned by King Krishna I and built in the Dravidian architecture style. The temple was carved out of a single rock formation, removing around 400,000 tons of rock. It is one of the largest monolithic structures in the world and was designated a UNESCO World Heritage site in 1983 for its architectural and artistic achievements.
Three types of structures are associated with the religious architecture of early Buddhism: monasteries (viharas), places to venerate relics (stupas), and shrines or prayer halls (chaitya halls, also called chaitya grihas)
The document provides information on the evolution of Buddhist architecture and key sites in India. It discusses the development of important architectural forms like the stupa, vihara, and chaitya hall during the time of Ashoka in the 3rd century BCE. Major rock cut architecture from the period includes the Barabar caves, Ajanta and Ellora, and the vihara at Nasik. The symbolism of the stupa and its architectural elements are also summarized.
The document discusses Buddhist stupas and their architectural features. It begins by defining a stupa as an earthen mound enclosing Buddhist relics, similar in form to Egyptian pyramids. It then classifies stupas into three types and describes the key structural elements of a typical stupa including the harmika, anda, medhi, and ambulatory paths. A significant portion of the document then focuses on describing the famous Great Stupa at Sanchi, including its dome, terraces, gateways, and ornamentation. It concludes by briefly mentioning the Dharmaksha stupa at Sarnath and key features of chaityas or prayer halls often found near stupas.
The document discusses elements of architectural form that define space, including horizontal planes (such as base planes, elevated planes, and depressed planes), vertical planes, overhead planes (such as roof and ceiling planes), and how they are articulated. It provides examples of how different configurations of these planes are used to define interior and exterior spaces, provide enclosure, and visually establish spatial boundaries and fields. Articulation of architectural form involves differentiating adjoining planes through changes in materials, color, texture, or pattern, developing corners as distinct linear elements, and using lighting to create tonal contrasts along edges.
The document discusses perspective drawing techniques. It explains that in perspective drawing, objects appear smaller as their distance from the observer increases and are subject to foreshortening. It describes how an observer must position themselves at an appropriate distance to see the entire object without distortions. Perspective drawing represents three dimensional images on a two-dimensional surface using techniques like horizon lines, vanishing points, and one-point and two-point perspectives.
The document provides details about various architectural styles and structures in Northern, Central, and Southern India. It describes temples such as the Sun Temple in Konark and Jagannath Temple in Puri, as well as the Martand Sun Temple in Kashmir. It also discusses the Kirti Stambha and Jaya Stambha in Chittor Fort, river ghats along the Ganges, and various palaces in Gwalior. Furthermore, it summarizes the early Chalukyan rock-cut cave temples at Badami as well as structural temples such as the Lad Khan Temple at Aihole and various structures at Pattadkal.
The document discusses the importance of achieving balance between diversity and order in design. It states that order helps organize things logically but too much order can result in monotony, while diversity without order produces chaos. The most desirable design has a balance of both diversity and order to create a harmonious whole where all parts relate. Order in design can be achieved through principles like axis, symmetry, hierarchy, and repetition.
The document describes Chaitya halls, which are Buddhist shrines or prayer halls found in ancient Indian rock-cut architecture. It focuses on the Chaitya hall located at the Karli caves in Maharashtra. The Karli Chaitya hall dates back to around the 3rd century BC and has architectural features typical of Chaitya design, including a vaulted ceiling supported by columns, with an apse at the end containing a stupa for devotees to circumambulate. The hall was carved out of solid rock using a process that began from the ceiling down, and contains intricately carved details and sculptural elements representative of ancient Indian wooden architecture.
A Presentation on Swayambhunath Stupa.
Swayambhunath Stupa is enlisted in the UNESCO's World Heritage Site.
It is in the capital city of Nepal and a major shrine for both Hindu and Buddhist followers.
This presentation helps you understand about Stupa architecture and Swayambhunath shrine and its areas nearby.
The Shore Temple at Mahabalipuram datable to the late 7th century is notable for its location on the seashore. It is a five-storey structural Hindu temple, the earliest important structural temple in Southern India, built on a 50 foot square platform with a pyramidal structure rising 60 feet high. Though similar in style to the Dharmaraja Ratha, it differs in being a fully structural temple rather than rock-cut, about 3-4 times the size of the Dharmaraja Ratha with a triple structure adding rear and front shrines.
This Presentation is prepared for Graduate Students. A presentation consisting of basic information regarding the topic. Students are advised to get more information from recommended books and articles. This presentation is only for students and purely for academic purposes.
The document summarizes Chalukyan architecture found in Aihole, India. It describes several important early Chalukyan temples in Aihole including the Ravana Phadi cave temple dedicated to Shiva, the Durga Temple with its unusual apsidal shape, the Hucchimalli Gudi temple which was the first to have a porch, and the Lad Khan temple with its unique rooftop shrine. It provides details on the architectural features, sculptures, and historical significance of these early Chalukyan structures from the 6th-8th centuries that mark the origins of a distinct South Indian temple building tradition.
covering all the basics and fundamentals of architecture. perfect for a brief overview on architecture especially if you are a newbie enjoy the visual aspects as well
This document provides an introduction and overview of an interior design course. It outlines the course content, which will cover the history of interior design, the role of an interior designer and their skills. Specific topics that will be addressed include design theory and constraints, the role of art in interior design, furniture and its evolution, color and lighting design, materials and finishes, electrical systems, and a design project on a jeweler's showroom. The marking system and expectations for presentations in class are also mentioned.
Vedic architecture originated after the decline of the Indus Valley civilization. The Aryans who entered India around 1500 BC established settlements and built villages. Their early structures were circular and rectangular huts made of timber and thatch, as the Aryans were still nomadic. Over time, the settlements grew and cities developed with rectangular plans divided into sectors. The concept of Vastupurusa, which determined the placement of buildings based on the imagined pinning of a demon to the ground, influenced traditional Hindu architecture.
The document provides a timeline of important civilizations, dynasties, and architectural developments in Indian history from 2600 BC to 1947 AD. It notes the key periods of the Indus Valley Civilization, the spread of Jainism and Buddhism, the Maurya Empire, the Gupta Dynasty, important temple buildings under various dynasties such as the Chandella, Chola, and Hoysala, the rule of the Delhi Sultans and various kingdoms, the Mughal Empire, Rajput kingdoms, the Maratha Empire, and the establishment of British rule over India. Major architectural sites associated with these periods are also mentioned.
History of Architecture - Vedic and Buddhist ArchitectureSachith Pagidi
Indus valley civilization and its introduction to the planning
Buddhist architecture stupas, vihara halls, chaitya halls, sthambas, and its way to temple architecture and evolution.
Inrto to Architectural Drawing and Graphics Iindiracad
This document provides an overview of the Architectural Drawing and Graphics course. It describes the course scope, teaching methodology, schedule, and assessment criteria. The course aims to develop students' understanding of graphic communication in architecture. It covers topics like drawing instruments, graphic language components, plane and solid geometry, scale drawing, and sketching. Students will complete weekly assignments, have interactions with faculty, and a final sessional exam. The document lists the contact information for the three professors teaching the course.
The document provides an overview of the history of architecture from prehistoric times through various styles and periods. It begins with a summary of prehistoric architecture such as megalithic structures like Stonehenge. It then discusses the Near East, including ziggurats and palaces of Mesopotamia and Persia. Next it covers Egyptian architecture defined by pharaonic rule and religion, with stone monuments and tombs like the pyramids serving as examples.
Architectural working drawings are technical drawings that provide all necessary information to construct a building project using graphical representations. They include plans, sections, elevations, schedules and specifications. The drawings are prepared according to conventions using appropriate scales, symbols and dimensions. They serve to communicate design details to construction teams, guide contractors, and obtain necessary approvals from authorities. Key components of working drawings include title blocks, site plans, floor plans, sections, elevations, structural details and specifications of finishes.
This document discusses the rendering styles of several famous architects, including Frank Lloyd Wright, Tadao Ando, Frank Gehry, Le Corbusier, and Renzo Piano. It explains that architectural rendering involves creating two-dimensional images of proposed architectural designs. The styles and preferred media of each architect are described, with some using hand-drawn techniques like watercolor and pencil, and others favoring computer-generated rendering. The document aims to highlight how individual architects have their own distinctive approaches to visualizing and presenting architectural designs.
This document outlines a design project for students to create an object such as a mask, helmet, or glove to represent themselves. It provides guidelines for the project, including using specific materials, a size limitation of 400mmx400mmx400mm, and submission requirements of a 3D artwork and presentation board. The project aims to help students explore self-identity and creative design processes through abstract interpretation applied to an object worn on the head, hands or face. Students will generate concepts through exploration, sketching, selecting a form, and applying materials to represent themselves.
The document discusses the origins and key features of Buddhist architecture in India. It begins with the emergence of Buddhist architecture in India in the 3rd century BCE, with structures like monasteries (viharas), places to venerate relics (stupas), and prayer halls (chaityas). Some of the most prominent examples include the Great Stupa at Sanchi, with its elaborate gateways, and the cave complexes at Ajanta and Ellora. The major features of Buddhist architecture discussed include stupas, pillars (stambhas), cave prayer halls (chaityas), and monasteries (viharas).
Traditional Chinese architecture has remained largely unchanged over centuries, using wood construction and following principles of Feng Shui and Taoism. Key features include modular construction, exposed wooden structures, and bracket sets. Religious structures like pagodas and temples incorporate Chinese architectural styles. The Forbidden City and Great Wall of China are notable examples that had influence from Confucian ideology emphasizing social hierarchy.
The document discusses perspective drawing techniques. It explains that in perspective drawing, objects appear smaller as their distance from the observer increases and are subject to foreshortening. It describes how an observer must position themselves at an appropriate distance to see the entire object without distortions. Perspective drawing represents three dimensional images on a two-dimensional surface using techniques like horizon lines, vanishing points, and one-point and two-point perspectives.
The document provides details about various architectural styles and structures in Northern, Central, and Southern India. It describes temples such as the Sun Temple in Konark and Jagannath Temple in Puri, as well as the Martand Sun Temple in Kashmir. It also discusses the Kirti Stambha and Jaya Stambha in Chittor Fort, river ghats along the Ganges, and various palaces in Gwalior. Furthermore, it summarizes the early Chalukyan rock-cut cave temples at Badami as well as structural temples such as the Lad Khan Temple at Aihole and various structures at Pattadkal.
The document discusses the importance of achieving balance between diversity and order in design. It states that order helps organize things logically but too much order can result in monotony, while diversity without order produces chaos. The most desirable design has a balance of both diversity and order to create a harmonious whole where all parts relate. Order in design can be achieved through principles like axis, symmetry, hierarchy, and repetition.
The document describes Chaitya halls, which are Buddhist shrines or prayer halls found in ancient Indian rock-cut architecture. It focuses on the Chaitya hall located at the Karli caves in Maharashtra. The Karli Chaitya hall dates back to around the 3rd century BC and has architectural features typical of Chaitya design, including a vaulted ceiling supported by columns, with an apse at the end containing a stupa for devotees to circumambulate. The hall was carved out of solid rock using a process that began from the ceiling down, and contains intricately carved details and sculptural elements representative of ancient Indian wooden architecture.
A Presentation on Swayambhunath Stupa.
Swayambhunath Stupa is enlisted in the UNESCO's World Heritage Site.
It is in the capital city of Nepal and a major shrine for both Hindu and Buddhist followers.
This presentation helps you understand about Stupa architecture and Swayambhunath shrine and its areas nearby.
The Shore Temple at Mahabalipuram datable to the late 7th century is notable for its location on the seashore. It is a five-storey structural Hindu temple, the earliest important structural temple in Southern India, built on a 50 foot square platform with a pyramidal structure rising 60 feet high. Though similar in style to the Dharmaraja Ratha, it differs in being a fully structural temple rather than rock-cut, about 3-4 times the size of the Dharmaraja Ratha with a triple structure adding rear and front shrines.
This Presentation is prepared for Graduate Students. A presentation consisting of basic information regarding the topic. Students are advised to get more information from recommended books and articles. This presentation is only for students and purely for academic purposes.
The document summarizes Chalukyan architecture found in Aihole, India. It describes several important early Chalukyan temples in Aihole including the Ravana Phadi cave temple dedicated to Shiva, the Durga Temple with its unusual apsidal shape, the Hucchimalli Gudi temple which was the first to have a porch, and the Lad Khan temple with its unique rooftop shrine. It provides details on the architectural features, sculptures, and historical significance of these early Chalukyan structures from the 6th-8th centuries that mark the origins of a distinct South Indian temple building tradition.
covering all the basics and fundamentals of architecture. perfect for a brief overview on architecture especially if you are a newbie enjoy the visual aspects as well
This document provides an introduction and overview of an interior design course. It outlines the course content, which will cover the history of interior design, the role of an interior designer and their skills. Specific topics that will be addressed include design theory and constraints, the role of art in interior design, furniture and its evolution, color and lighting design, materials and finishes, electrical systems, and a design project on a jeweler's showroom. The marking system and expectations for presentations in class are also mentioned.
Vedic architecture originated after the decline of the Indus Valley civilization. The Aryans who entered India around 1500 BC established settlements and built villages. Their early structures were circular and rectangular huts made of timber and thatch, as the Aryans were still nomadic. Over time, the settlements grew and cities developed with rectangular plans divided into sectors. The concept of Vastupurusa, which determined the placement of buildings based on the imagined pinning of a demon to the ground, influenced traditional Hindu architecture.
The document provides a timeline of important civilizations, dynasties, and architectural developments in Indian history from 2600 BC to 1947 AD. It notes the key periods of the Indus Valley Civilization, the spread of Jainism and Buddhism, the Maurya Empire, the Gupta Dynasty, important temple buildings under various dynasties such as the Chandella, Chola, and Hoysala, the rule of the Delhi Sultans and various kingdoms, the Mughal Empire, Rajput kingdoms, the Maratha Empire, and the establishment of British rule over India. Major architectural sites associated with these periods are also mentioned.
History of Architecture - Vedic and Buddhist ArchitectureSachith Pagidi
Indus valley civilization and its introduction to the planning
Buddhist architecture stupas, vihara halls, chaitya halls, sthambas, and its way to temple architecture and evolution.
Inrto to Architectural Drawing and Graphics Iindiracad
This document provides an overview of the Architectural Drawing and Graphics course. It describes the course scope, teaching methodology, schedule, and assessment criteria. The course aims to develop students' understanding of graphic communication in architecture. It covers topics like drawing instruments, graphic language components, plane and solid geometry, scale drawing, and sketching. Students will complete weekly assignments, have interactions with faculty, and a final sessional exam. The document lists the contact information for the three professors teaching the course.
The document provides an overview of the history of architecture from prehistoric times through various styles and periods. It begins with a summary of prehistoric architecture such as megalithic structures like Stonehenge. It then discusses the Near East, including ziggurats and palaces of Mesopotamia and Persia. Next it covers Egyptian architecture defined by pharaonic rule and religion, with stone monuments and tombs like the pyramids serving as examples.
Architectural working drawings are technical drawings that provide all necessary information to construct a building project using graphical representations. They include plans, sections, elevations, schedules and specifications. The drawings are prepared according to conventions using appropriate scales, symbols and dimensions. They serve to communicate design details to construction teams, guide contractors, and obtain necessary approvals from authorities. Key components of working drawings include title blocks, site plans, floor plans, sections, elevations, structural details and specifications of finishes.
This document discusses the rendering styles of several famous architects, including Frank Lloyd Wright, Tadao Ando, Frank Gehry, Le Corbusier, and Renzo Piano. It explains that architectural rendering involves creating two-dimensional images of proposed architectural designs. The styles and preferred media of each architect are described, with some using hand-drawn techniques like watercolor and pencil, and others favoring computer-generated rendering. The document aims to highlight how individual architects have their own distinctive approaches to visualizing and presenting architectural designs.
This document outlines a design project for students to create an object such as a mask, helmet, or glove to represent themselves. It provides guidelines for the project, including using specific materials, a size limitation of 400mmx400mmx400mm, and submission requirements of a 3D artwork and presentation board. The project aims to help students explore self-identity and creative design processes through abstract interpretation applied to an object worn on the head, hands or face. Students will generate concepts through exploration, sketching, selecting a form, and applying materials to represent themselves.
The document discusses the origins and key features of Buddhist architecture in India. It begins with the emergence of Buddhist architecture in India in the 3rd century BCE, with structures like monasteries (viharas), places to venerate relics (stupas), and prayer halls (chaityas). Some of the most prominent examples include the Great Stupa at Sanchi, with its elaborate gateways, and the cave complexes at Ajanta and Ellora. The major features of Buddhist architecture discussed include stupas, pillars (stambhas), cave prayer halls (chaityas), and monasteries (viharas).
Traditional Chinese architecture has remained largely unchanged over centuries, using wood construction and following principles of Feng Shui and Taoism. Key features include modular construction, exposed wooden structures, and bracket sets. Religious structures like pagodas and temples incorporate Chinese architectural styles. The Forbidden City and Great Wall of China are notable examples that had influence from Confucian ideology emphasizing social hierarchy.
Buddhist architecture began with symbols representing the Buddha's life and spread through architectural monuments established by Emperor Ashoka in the 3rd century BCE. The three main structure types were monasteries (viharas), places to venerate relics (stupas), and prayer halls (chaityas or chaitya grihas). In early Hinayana Buddhism, Buddha was represented symbolically, while in later Mahayana Buddhism sculptures depicted Buddha in various postures. Key elements included stupas, viharas, and chaityas - the latter being prayer halls with stupas and colonnades accommodating gatherings.
The Chalukyan dynasty ruled northern Karnataka during the 6th century and made significant contributions to temple architecture, known as Chalukyan architecture. This style blended elements of Dravidian and Nagara architecture. Chalukyan temples were constructed between 450-650 AD at sites like Aihole, Badami, Pattadakal, and Mahakuta. Notable temples include the cave temples of Badami featuring carvings of Hindu gods, and the Virupaksha Temple at Pattadakal which represents both northern and southern architectural styles. Chalukyan architecture had a lasting influence on temple building in the region.
The Chalukyan dynasty ruled northern Karnataka during the 6th century and made significant contributions to temple architecture. They blended elements of Dravidian and Nagara styles into their unique Vesara style. Important examples include the rock-cut temples at Aihole, which is considered the cradle of Indian architecture, and the cave temples at Badami decorated with sculptures. The Virupaksha Temple at Pattadakal, dedicated to Lord Shiva, represents the perfection of the Chalukyan architectural style with its tall vimana and richly carved pillars.
Buddhism originated from the teachings of Siddhartha Gautama, known as the Buddha. The two main branches are Theravada and Mahayana. Theravada is prominent in Southeast Asia while Mahayana is found in East Asia. Early Buddhist architecture included stupas to house relics and mark important sites. The Great Stupa at Sanchi, built in the 3rd century BC, exemplifies the architectural elements of stupas including a hemispherical dome, circular terraces, and carved gateways. Monasteries like Takht-i-Bahai featured courtyards, stupas, chapels, and residential quarters for monks. Chaitya halls provided worship spaces
The document summarizes Indian architecture from ancient to modern times. It describes the major architectural styles that developed in different regions and time periods, including Dravidian, Indo-Aryan, Chola, Pallava, Pandya, Vijayanagar, and Mughal styles. Key characteristics of each style such as materials used, temple layouts, and prominent examples are provided. The styles evolved as empires rose and fell, absorbing influences from other cultures.
The document provides an overview of Jain architecture, beginning with an introduction to Jainism and its key figures like Mahavira. It then discusses characteristics of Jain architecture like the emphasis on non-violence seen in structures built on hilltops. Examples of early rock-cut structures at Badami and later ornate marble temples at Dilwara are described in detail, highlighting features like multiple domes and intricately carved columns. The panchayatana temple layout and ornate carvings of the Adinath temple at Ranakpur are also summarized.
ancient india architecture divya balani.pdfDivyaBalani7
The document provides an overview of the history and styles of Indian architecture. It discusses several regional architectural styles that developed over time, including Dravidian, Indo-Aryan, Vijayanagara, Chola, Pallava, Pandya, and Chalukyan styles. Specific examples of temples constructed during different periods are described in detail, such as the Brihadeeswara Temple built during the Chola dynasty and the Sun Temple in Konark representing the Indo-Aryan style. The document also outlines the key characteristics of each style, such as the use of gopurams, shikharas, and materials like granite and soapstone.
Buddhist architecture began with symbols representing Buddha's life in the 6th century BC in India. Key features included stupas to hold Buddhist relics, pillars with animal symbols, and chaityas and viharas which were temples and monastery buildings. Some famous examples are the Sanchi Stupa, with its beautiful gateway and Ashokan pillars topped with lions. Rock cut architecture was also used, carving structures out of solid rock for temples, tombs and cave dwellings for monks.
This document summarizes architectural styles in medieval India. It discusses the Northern or Nagara style characterized by beehive domes. The Southern or Dravidian style used pyramid temples with intricate carvings. The hybrid Vesara style blended these. Mughal architecture produced grand buildings using domes, arches, and decorative elements. The merchants also built large havelis and dargah shrines during this period of great construction.
This document provides information on North Indian temple architecture from the Gupta period. It discusses key features of temples constructed during this era, including the use of stone construction instead of bricks, relief artwork, and structural elements like shikhara towers and mandapas. Specific temples from the Gupta period are highlighted like the ones at Tigwa, Udaygiri, and Deogarh. The architecture of the famous Sun Temple at Modhera is described in detail, including its main shrine hall, assembly hall with carved pillars, and surrounding kunda reservoir. Overall, the document outlines the defining characteristics of Nagara style temple architecture that developed and flourished during the golden age of the Guptas in North India
Ancient Chinese architecture was based on principles of balance and symmetry. The main structure was supported by an axis, with secondary structures on either side forming an open central space. Buildings reflected Chinese values and religions like Taoism and Buddhism through tranquil, serene designs. Architectural styles evolved over dynasties, from wood structures in early times to large palaces like the Forbidden City under the Ming Dynasty. Chinese architecture had widespread influence across East Asia and was later introduced to Europe.
The document provides an overview of temple architecture in India, focusing on northern, southern, and eastern Indian styles. It describes the key architectural elements and evolution over time, with examples including the Khajuraho group of temples, Lingaraj temple in Bhubaneswar, Jagannath temple in Puri, and the Sun Temple in Konark. The styles are characterized by elements such as shikhara towers, mandapas, and sculptural details that varied regionally under religious and geographic influences.
History of Architecture - Evolution of temples - Chalukyan ArchitectureSachith Pagidi
The following gives a brief introduction about the chalukyan architecture and the style they used based on the social context and there adaptation towards the versara style.
This document discusses architecture and town planning in ancient China. It provides an overview of the historical eras and dynasties of ancient China, including the Xia, Shang, and Zhou dynasties. It then describes some key architectural features and structures from these periods, such as wooden houses, walled cities, temples, and fortifications. Finally, it briefly mentions some famous ancient Chinese structures like the Great Wall of China and Forbidden City.
समुद्री व्यापार.pptx Maritime Trade in IndiaVirag Sontakke
This Presentation is prepared for Graduate Students. A presentation consisting of basic information regarding the topic. Students are advised to get more information from recommended books and articles. This presentation is only for students and purely for academic purposes. The pictures/Maps included in the presentation are taken/copied from the internet. The presenter is thankful to them and herewith courtesy is given to all. This presentation is only for academic purposes.
Military Administration and Ethics of War .pdfVirag Sontakke
This Presentation is prepared for Graduate Students. A presentation consisting of basic information regarding the topic. Students are advised to get more information from recommended books and articles. This presentation is only for students and purely for academic purposes. The pictures/Maps included in the presentation are taken/copied from the internet. The presenter is thankful to them and herewith courtesy is given to all. This presentation is only for academic purposes.
Megalithic Culture of India, Megalithic Culture of Penisular IndiaVirag Sontakke
Presentation Lines
This Presentation is prepared for Graduate Students. A presentation consisting of basic information regarding the topic. Students are advised to get more information from recommended books and articles. This presentation is only for students and purely for academic purposes. The pictures/Maps included in the presentation are taken/copied from the internet. The presenter is thankful to them and herewith courtesy is given to all. This presentation is only for academic purposes.
Painted Grey Ware.pptx, PGW Culture of IndiaVirag Sontakke
Presentation Lines
This Presentation is prepared for Graduate Students. A presentation consisting of basic information regarding the topic. Students are advised to get more information from recommended books and articles. This presentation is only for students and purely for academic purposes. The pictures/Maps included in the presentation are taken/copied from the internet. The presenter is thankful to them and herewith courtesy is given to all. This presentation is only for academic purposes.
This Presentation is prepared for Graduate Students. A presentation consisting of basic information regarding the topic. Students are advised to get more information from recommended books and articles. This presentation is only for students and purely for academic purposes. The pictures/Maps included in the presentation are taken/copied from the internet. The presenter is thankful to them and herewith courtesy is given to all. This presentation is only for academic purposes.
गुप्त कालीन अर्थव्यवस्था .pptx, Economy of Gupta PeriodVirag Sontakke
This Presentation is prepared for Graduate Students. A presentation consisting of basic information regarding the topic. Students are advised to get more information from recommended books and articles. This presentation is only for students and purely for academic purposes. The pictures/Maps included in the presentation are taken/copied from the internet. The presenter is thankful to them and herewith courtesy is given to all. This presentation is only for academic purposes.
वैदिक अर्थव्यवस्था.pptx, प्राचीन भारतीय वैदिक अर्थव्यवस्था.pptxVirag Sontakke
This Presentation is prepared for Graduate Students. A presentation consisting of basic information regarding the topic. Students are advised to get more information from recommended books and articles. This presentation is only for students and purely for academic purposes. The pictures/Maps included in the presentation are taken/copied from the internet. The presenter is thankful to them and herewith courtesy is given to all. This presentation is only for academic purposes.
This Presentation is prepared for Graduate Students. A presentation consisting of basic information regarding the topic. Students are advised to get more information from recommended books and articles. This presentation is only for students and purely for academic purposes. The pictures/Maps included in the presentation are taken/copied from the internet. The presenter is thankful to them and herewith courtesy is given to all. This presentation is only for academic purposes.
This Presentation is prepared for Graduate Students. A presentation consisting of basic information regarding the topic. Students are advised to get more information from recommended books and articles. This presentation is only for students and purely for academic purposes. The pictures/Maps included in the presentation are taken/copied from the internet. The presenter is thankful to them and herewith courtesy is given to all. This presentation is only for academic purposes.
Temple Architecture of Early Chalukyas “Pattadkal” .pptxVirag Sontakke
This Presentation is prepared for Graduate Students. A presentation consisting of basic information regarding the topic. Students are advised to get more information from recommended books and articles. This presentation is only for students and purely for academic purposes. The pictures/Maps included in the presentation are taken/copied from the internet. The presenter is thankful to them and herewith courtesy is given to all. This presentation is only for academic purposes.
This Presentation is prepared for Graduate Students. A presentation consisting of basic information regarding the topic. Students are advised to get more information from recommended books and articles. This presentation is only for students and purely for academic purposes. The pictures/Maps included in the presentation are taken/copied from the internet. The presenter is thankful to them and herewith courtesy is given to all. This presentation is only for academic purposes.
Origin of physical form and structures in Indian architecture.pptxVirag Sontakke
This Presentation is prepared for Graduate Students. A presentation consisting of basic information regarding the topic. Students are advised to get more information from recommended books and articles. This presentation is only for students and purely for academic purposes. The pictures/Maps included in the presentation are taken/copied from the internet. The presenter is thankful to them and herewith courtesy is given to all. This presentation is only for academic purposes.
This Presentation is prepared for Graduate Students. A presentation consisting of basic information regarding the topic. Students are advised to get more information from recommended books and articles. This presentation is only for students and purely for academic purposes. The pictures/Maps included in the presentation are taken/copied from the internet. The presenter is thankful to them and herewith courtesy is given to all. This presentation is only for academic purposes.
This Presentation is prepared for Graduate Students. A presentation consisting of basic information regarding the topic. Students are advised to get more information from recommended books and articles. This presentation is only for students and purely for academic purposes. The pictures/Maps included in the presentation are taken/copied from the internet. The presenter is thankful to them and herewith courtesy is given to all. This presentation is only for academic purposes.
This Presentation is prepared for Graduate Students. A presentation consisting of basic information regarding the topic. Students are advised to get more information from recommended books and articles. This presentation is only for students and purely for academic purposes. The pictures/Maps included in the presentation are taken/copied from the internet. The presenter is thankful to them and herewith courtesy is given to all. This presentation is only for academic purposes.
This Presentation is prepared for Graduate Students. A presentation consisting of basic information regarding the topic. Students are advised to get more information from recommended books and articles. This presentation is only for students and purely for academic purposes. The pictures/Maps included in the presentation are taken/copied from the internet. The presenter is thankful to them and herewith courtesy is given to all. This presentation is only for academic purposes.
This Presentation is prepared for Graduate Students. A presentation consisting of basic information regarding the topic. Students are advised to get more information from recommended books and articles. This presentation is only for students and purely for academic purposes. The pictures/Maps included in the presentation are taken/copied from the internet. The presenter is thankful to them and herewith courtesy is given to all. This presentation is only for academic purposes.
This Presentation is prepared for Graduate Students. A presentation consisting of basic information regarding the topic. Students are advised to get more information from recommended books and articles. This presentation is only for students and purely for academic purposes. The pictures/Maps included in the presentation are taken/copied from the internet. The presenter is thankful to them and herewith courtesy is given to all. This presentation is only for academic purposes.
Town Planning depicted in Kautilya Arthashatra.pptxVirag Sontakke
This Presentation is prepared for Graduate Students. A presentation consisting of basic information regarding the topic. Students are advised to get more information from recommended books and articles. This presentation is only for students and purely for academic purposes. The pictures/Maps included in the presentation are taken/copied from the internet. The presenter is thankful to them and herewith courtesy is given to all. This presentation is only for academic purposes.
This Presentation is prepared for Graduate Students. A presentation consisting of basic information regarding the topic. Students are advised to get more information from recommended books and articles. This presentation is only for students and purely for academic purposes. The pictures/Maps included in the presentation are taken/copied from the internet. The presenter is thankful to them and herewith courtesy is given to all. This presentation is only for academic purposes.
This presentation was provided by Steph Pollock of The American Psychological Association’s Journals Program, and Damita Snow, of The American Society of Civil Engineers (ASCE), for the initial session of NISO's 2024 Training Series "DEIA in the Scholarly Landscape." Session One: 'Setting Expectations: a DEIA Primer,' was held June 6, 2024.
How to Setup Warehouse & Location in Odoo 17 InventoryCeline George
In this slide, we'll explore how to set up warehouses and locations in Odoo 17 Inventory. This will help us manage our stock effectively, track inventory levels, and streamline warehouse operations.
The simplified electron and muon model, Oscillating Spacetime: The Foundation...RitikBhardwaj56
Discover the Simplified Electron and Muon Model: A New Wave-Based Approach to Understanding Particles delves into a groundbreaking theory that presents electrons and muons as rotating soliton waves within oscillating spacetime. Geared towards students, researchers, and science buffs, this book breaks down complex ideas into simple explanations. It covers topics such as electron waves, temporal dynamics, and the implications of this model on particle physics. With clear illustrations and easy-to-follow explanations, readers will gain a new outlook on the universe's fundamental nature.
Main Java[All of the Base Concepts}.docxadhitya5119
This is part 1 of my Java Learning Journey. This Contains Custom methods, classes, constructors, packages, multithreading , try- catch block, finally block and more.
it describes the bony anatomy including the femoral head , acetabulum, labrum . also discusses the capsule , ligaments . muscle that act on the hip joint and the range of motion are outlined. factors affecting hip joint stability and weight transmission through the joint are summarized.
বাংলাদেশের অর্থনৈতিক সমীক্ষা ২০২৪ [Bangladesh Economic Review 2024 Bangla.pdf] কম্পিউটার , ট্যাব ও স্মার্ট ফোন ভার্সন সহ সম্পূর্ণ বাংলা ই-বুক বা pdf বই " সুচিপত্র ...বুকমার্ক মেনু 🔖 ও হাইপার লিংক মেনু 📝👆 যুক্ত ..
আমাদের সবার জন্য খুব খুব গুরুত্বপূর্ণ একটি বই ..বিসিএস, ব্যাংক, ইউনিভার্সিটি ভর্তি ও যে কোন প্রতিযোগিতা মূলক পরীক্ষার জন্য এর খুব ইম্পরট্যান্ট একটি বিষয় ...তাছাড়া বাংলাদেশের সাম্প্রতিক যে কোন ডাটা বা তথ্য এই বইতে পাবেন ...
তাই একজন নাগরিক হিসাবে এই তথ্য গুলো আপনার জানা প্রয়োজন ...।
বিসিএস ও ব্যাংক এর লিখিত পরীক্ষা ...+এছাড়া মাধ্যমিক ও উচ্চমাধ্যমিকের স্টুডেন্টদের জন্য অনেক কাজে আসবে ...
This slide is special for master students (MIBS & MIFB) in UUM. Also useful for readers who are interested in the topic of contemporary Islamic banking.
How to Manage Your Lost Opportunities in Odoo 17 CRMCeline George
Odoo 17 CRM allows us to track why we lose sales opportunities with "Lost Reasons." This helps analyze our sales process and identify areas for improvement. Here's how to configure lost reasons in Odoo 17 CRM
LAND USE LAND COVER AND NDVI OF MIRZAPUR DISTRICT, UPRAHUL
This Dissertation explores the particular circumstances of Mirzapur, a region located in the
core of India. Mirzapur, with its varied terrains and abundant biodiversity, offers an optimal
environment for investigating the changes in vegetation cover dynamics. Our study utilizes
advanced technologies such as GIS (Geographic Information Systems) and Remote sensing to
analyze the transformations that have taken place over the course of a decade.
The complex relationship between human activities and the environment has been the focus
of extensive research and worry. As the global community grapples with swift urbanization,
population expansion, and economic progress, the effects on natural ecosystems are becoming
more evident. A crucial element of this impact is the alteration of vegetation cover, which plays a
significant role in maintaining the ecological equilibrium of our planet.Land serves as the foundation for all human activities and provides the necessary materials for
these activities. As the most crucial natural resource, its utilization by humans results in different
'Land uses,' which are determined by both human activities and the physical characteristics of the
land.
The utilization of land is impacted by human needs and environmental factors. In countries
like India, rapid population growth and the emphasis on extensive resource exploitation can lead
to significant land degradation, adversely affecting the region's land cover.
Therefore, human intervention has significantly influenced land use patterns over many
centuries, evolving its structure over time and space. In the present era, these changes have
accelerated due to factors such as agriculture and urbanization. Information regarding land use and
cover is essential for various planning and management tasks related to the Earth's surface,
providing crucial environmental data for scientific, resource management, policy purposes, and
diverse human activities.
Accurate understanding of land use and cover is imperative for the development planning
of any area. Consequently, a wide range of professionals, including earth system scientists, land
and water managers, and urban planners, are interested in obtaining data on land use and cover
changes, conversion trends, and other related patterns. The spatial dimensions of land use and
cover support policymakers and scientists in making well-informed decisions, as alterations in
these patterns indicate shifts in economic and social conditions. Monitoring such changes with the
help of Advanced technologies like Remote Sensing and Geographic Information Systems is
crucial for coordinated efforts across different administrative levels. Advanced technologies like
Remote Sensing and Geographic Information Systems
9
Changes in vegetation cover refer to variations in the distribution, composition, and overall
structure of plant communities across different temporal and spatial scales. These changes can
occur natural.
Exploiting Artificial Intelligence for Empowering Researchers and Faculty, In...Dr. Vinod Kumar Kanvaria
Exploiting Artificial Intelligence for Empowering Researchers and Faculty,
International FDP on Fundamentals of Research in Social Sciences
at Integral University, Lucknow, 06.06.2024
By Dr. Vinod Kumar Kanvaria
2. Group-B: Art & Architecture
Course-I
Historical Account of Early Indian Architecture
Unit-1: Terminologies and Methods of Study
1. Understanding Architecture: Plan, Elevation, and Section, Arches, Vaults,
Domes, Pillars and Capitals.
2. Types of Architecture: Secular and Religious.
Unit-2: Proto Historic to Mauryan Period.
3. Town Planning and Architecture of Harappa, Mohenjo-daro, Kalibanga and
Lothal.
4. Glimpses of Architecture as depicted in Vaidika Literature.
5. Town Planning as depicted in Sanskrit Literature with special reference to
Kautilya Arthshastra.
6. Mauryan Town- Planning & Architecture: Pataliputra & Rajgriha.
Unit-3: Origin and Evolution of Stupa Architecture
7. Characteristic features of North Indian Stupa Architecture.
8. Bharhut
9. Sanchi
10. Mathura and Sarnath.
Unit-4: Stupa of Deccan and South India.
11. Amaravati.
12. Nagarjunikonda.
13. Sannati.
Unit-5: Origin and Development of Rock-Cut Architecture.
14. Barabara- Nagarjuni Caves.
15. Hinayan Vihara & Chaityagraha.
16. Mahayan Vihara & Chaityagraha.
17. Brahmanical Caves- Ellora & Elephanta.
18. Jaina Caves- Orisa (Udaygiri & Khandgiri) and Ellora.
ARCHITECTURE
1. Plan
2. Elevation
3. Section
4. Arches
5. Vaults
6. Domes
7. Pillars
8. Capitals
3. PLAN तलविन्यास
• A plan drawing shows a view from above
• This is often used to depict the layout of a structure,
showing locations of rooms and windows, walls, doors,
stairs etc.
• It is basically a Scale drawing of a structure
• Overall picture of the Archaeological site
• Ancient house plans
• Ancient Floor plan
• Ancient Settlement Plans
• Fortifications Plans
• Temple and structural plan
5. PLAN: WORKS AS
• To convey information about the structure
• To describe place
• To get accurate size of the structure
• To understand the space of the structure
• Design of the buildings
• Architecture elements of the structure
• To see all geometric features of a site, house, structures etc.
6. Plan help us to understand the
1. Exact size,
2. Decoration
3. Style
4. Projections
5. Development etc.
15. ELEVATION ऊर्धिवच्छद
• Elevation = ऊ
ँ चाई
• In Architecture, an elevation is the front, back, or side of a building, or a
drawing of one of these.
• An Elevation drawing showing a vertical depiction.
• The elevation of a place is its height above sea level.
21. SECTION
• A section is a cut through the body of a building
• A section is drawn from slicing through a building.
• This is as if you cut through a space vertically and stood directly in
front looking straight at it.
• A section drawing is also a vertical depiction, but show what lies
within.
31. ARCHES मेहराब
• एक िक्राकार ढाँचा जो इसक
े ऊपर स्स्ित िज़न को
संभालता है.
• A curved structure that supports the weight of
something above it, such as a bridge or the upper part
of a building
• A structure with a curved top that is supported by
straight sides, sometimes forming an entrance or built
as a monument
• ऐसा ढाँचा स्जसका शीर्व िक्राकार होता है तिा स्जसे दो
सीधे ससरों का सहारा होता; प्राय: प्रिेशद्िार बन जाते हैं
या स्मारक क
े रूप में बनाए जाते हैं; मेहराब, तोरण
32.
33. CORBEL ARCHES
• दीिार से ननकला हुआ िह भाग जो उपर क
े हहस्से को
सहारा दे
• Corbel arches in India date from IVC which used
corbel arch to construct drains and have been
evidenced at Mohenjo daro, Harappa, and
Dholavira.
• Arches also noticed in rock-cut architecture as
Chaitya and Gavaksh
• Evidence of arches can be found in Kaushambhi,
numerous temples etc.
46. DOME, गुम्बद
• Dome, in architecture, hemispherical structure evolved from the arch
• Its usually forming a ceiling or roof.
• Domes appeared as solid mounds.
• The Romans introduced the large-scale hemisphere dome like
Roman Pantheon.
• Islamic rule in India brought with it the use of domes constructed with
stone, brick and mortar, and iron dowels and cramps
51. PILLAR: स्तम्भ
• स्तम्भ िह संरचनात्मक अियि है जो स्ियं संपीडित (कम्प्रेस) होकर अपने ऊपर आने िाले छत आहद का भार
अपने नीचे क
े अियिों (जैसे धरती) पर ट्ांसफर कर देता है.
• Pillar, in architecture and building construction, any isolated, vertical structural member
such as a pier, column, or post.
• It may be constructed of a single piece of stone or wood or built up of units, such as bricks.
• स्तम्भों का उपयोग प्रायः छत एिं चापों (arches) को अिलम्ब (सपोर्व) करने क
े सलए ककया जाता है।
• The earliest pillars of India was erected by king Asoka
• Subsequently many independent Pillars were erected by stone, Iron and probably wooden
• Pillar is a main component of the temple architecture
• Pillars could free-standing and carry sculpture and beautiful decorations, inscriptions.
52. PILLARS WERE MAINLY ERECTED FOR :
• To mark the religious sacredness of a place
• To act as a memorial for the dead at their burial sites.
• To act as supporting structures for houses, temples, palaces
• To commemorate important events of the era like victory of a king in a battle,
( dvajastambha and kirtistambha)
• To act as a medium of mass communication for the population via inscribing messages,
laws, rules for the masses.
• The Pillar was an architectural invention which allowed for the support of ceilings without
the use of solid walls।
58. PILLASTER अधवस्तम्भ
• हदखने में एक सहायक स्तंभ की उपस्स्िनत का कायव
• मूल रूप में अधवस्तम्भ का प्रयोग अलंकरण मात्र होता िा।
• अधवस्तम्भ में स्तंभ संबंधी घर्क उपस्स्ित रहते िे।
• Pilaster is (architecture) a rectangular column that projects partially
from the wall to which it attached;
• Pilaster gives the support, and decoration.
60. CAPITAL स्तम्भ-शीर्व
• Term: Capital (from the Latin caput, or "head”
• स्तम्भ क
े सबसे ऊपरी भाग को स्तम्भ-शीर्ष' कहते हैं
• अस्तम्भ-शीर्व, स्तम्भ और उस पर पड़ने िाले भार (लोि) क
े बीच की कड़ी है।
• स्तम्भ-शीर्व स्तम्भ क
े उस क्षेत्रफल को धीरे-धीरे बड़ा करने का कायव करता है स्जस
पर लोि को आश्रय समलता है।
• Top of the Pillar
• Use for support the upper surface
• Capitals broadening the pillar supporting surface and
• Separating the weight over a larger surface area.