Storyboard
•Download as DOCX, PDF•
0 likes•41 views
The document outlines a sequence of 6 shots for a film scene. Shot 1 is a 10 second close up tracking shot following a character as she runs. Shot 2 is a 30-60 second first person zooming shot of a safe space, including ambient sounds of birds and chatter. Shot 3 is a 5-10 second static first person shot as the character stops moving and retracts her arms, with a potential gasp sound effect. Shot 4 and 5 are 5-10 second mid-close shots of the character without sound effects. Shot 6 is a 30 second long shot with potential sound effects of footsteps and panting as the character begins to run again.
Report
Share
Report
Share
Recommended
Storyboard
This document outlines the shots, camera movements, sounds, and edits for an 11 shot film. Shot 1 is a black background with no image and piano music. Shot 2 introduces a midshot of a girl writing at a desk as the camera zooms in, accompanied by piano music. Shot 3 shows an over-the-shoulder shot of the girl writing a letter to "Dear Jasmine" as the camera zooms in on the letter. The film consists of mostly long shots following the girl walking in different settings with piano music throughout and builds to a climactic closeup of the letter "Dear Jasmine" as the title of the film.
Storyboard
This storyboard outlines 17 shots for a music video featuring the song "Revolver" by the band The Harriots. The shots follow the main character through their morning routine, visiting a bar, and returning home where they load a revolver. Most shots are described with details on camera angles, lighting, editing transitions, props, and actor instructions to move the narrative along. The storyboard aims to synchronize the visuals with the song over its full length of approximately 4 minutes.
Storyboard template complete
This document contains descriptions for 53 shots for a music video. It provides details for each shot such as the type of shot, camera movement/angle, dialogue, setting, lighting, and duration. The shots cover various scenes of an artist getting ready, performing, and a talent mimicking the artist's actions and lip syncing to the song. They include shots of the talent cleaning, getting ready, listening to music, and expressing herself to the lyrics. Shots of the artist performing on a black backdrop and in a car are also included.
Analysis of Dawes video
This video provides a behind-the-scenes look at the band Dawes recording their new album in the studio. It shows the band performing and discussing the recording process in interviews. Various shots from different angles give the impression of an intimate, fly-on-the-wall perspective. The band members are shown working hard in the studio together as equals. Interspersed with the interviews are shots of the band recording and relaxing together, giving insight into their creative process and studio dynamics.
ORIGINAL Storyboard template
The document provides details on 53 shots for a music video, describing the type of shot, movement, dialogue, setting, lighting, and other elements for each shot. It begins with the talent humming and mopping in the kitchen and ends with close-up shots of the artist traveling in a car to a party. The shots follow the talent and artist throughout their day and show them dancing and lip-syncing to the song being filmed for the music video.
Storyboard template 13
The document provides details on 53 shots for a music video, describing the type of shot, camera movement/angle, setting, lighting, duration and editing notes for each shot. The shots include an artist performing, a woman in her kitchen listening and dancing to the song, and the artist traveling by car to a party. The shots are designed to tell the story of the song through these visuals.
Story Board
The document describes a series of 38 shots that make up a narrative film scene. The scene appears to take place between an engaged woman, her best friend who is the mistress, and flashbacks of the mistress and fiancé together romantically in a park. As the engaged woman explains how her fiancé proposed to her friend, the mistress has flashbacks of her and the fiancé together. When the engaged woman's phone receives notifications, she discovers photos of the mistress and fiancé together, realizing they have been unfaithful. The scene ends with the engaged woman in shock and crying after learning the truth.
Storyboard template complete
The document provides details on 46 shots for a music video, including the type of shot, camera movement/angle, duration, dialogue, sound, setting, lighting, and editing notes for each shot. The shots include both the artist and a talent performing choreographed routines and lip syncing to the song, with the story following the talent through their day and journey of self-love and confidence. Location shots include the kitchen, bedroom, car, and outside decking.
Recommended
Storyboard
This document outlines the shots, camera movements, sounds, and edits for an 11 shot film. Shot 1 is a black background with no image and piano music. Shot 2 introduces a midshot of a girl writing at a desk as the camera zooms in, accompanied by piano music. Shot 3 shows an over-the-shoulder shot of the girl writing a letter to "Dear Jasmine" as the camera zooms in on the letter. The film consists of mostly long shots following the girl walking in different settings with piano music throughout and builds to a climactic closeup of the letter "Dear Jasmine" as the title of the film.
Storyboard
This storyboard outlines 17 shots for a music video featuring the song "Revolver" by the band The Harriots. The shots follow the main character through their morning routine, visiting a bar, and returning home where they load a revolver. Most shots are described with details on camera angles, lighting, editing transitions, props, and actor instructions to move the narrative along. The storyboard aims to synchronize the visuals with the song over its full length of approximately 4 minutes.
Storyboard template complete
This document contains descriptions for 53 shots for a music video. It provides details for each shot such as the type of shot, camera movement/angle, dialogue, setting, lighting, and duration. The shots cover various scenes of an artist getting ready, performing, and a talent mimicking the artist's actions and lip syncing to the song. They include shots of the talent cleaning, getting ready, listening to music, and expressing herself to the lyrics. Shots of the artist performing on a black backdrop and in a car are also included.
Analysis of Dawes video
This video provides a behind-the-scenes look at the band Dawes recording their new album in the studio. It shows the band performing and discussing the recording process in interviews. Various shots from different angles give the impression of an intimate, fly-on-the-wall perspective. The band members are shown working hard in the studio together as equals. Interspersed with the interviews are shots of the band recording and relaxing together, giving insight into their creative process and studio dynamics.
ORIGINAL Storyboard template
The document provides details on 53 shots for a music video, describing the type of shot, movement, dialogue, setting, lighting, and other elements for each shot. It begins with the talent humming and mopping in the kitchen and ends with close-up shots of the artist traveling in a car to a party. The shots follow the talent and artist throughout their day and show them dancing and lip-syncing to the song being filmed for the music video.
Storyboard template 13
The document provides details on 53 shots for a music video, describing the type of shot, camera movement/angle, setting, lighting, duration and editing notes for each shot. The shots include an artist performing, a woman in her kitchen listening and dancing to the song, and the artist traveling by car to a party. The shots are designed to tell the story of the song through these visuals.
Story Board
The document describes a series of 38 shots that make up a narrative film scene. The scene appears to take place between an engaged woman, her best friend who is the mistress, and flashbacks of the mistress and fiancé together romantically in a park. As the engaged woman explains how her fiancé proposed to her friend, the mistress has flashbacks of her and the fiancé together. When the engaged woman's phone receives notifications, she discovers photos of the mistress and fiancé together, realizing they have been unfaithful. The scene ends with the engaged woman in shock and crying after learning the truth.
Storyboard template complete
The document provides details on 46 shots for a music video, including the type of shot, camera movement/angle, duration, dialogue, sound, setting, lighting, and editing notes for each shot. The shots include both the artist and a talent performing choreographed routines and lip syncing to the song, with the story following the talent through their day and journey of self-love and confidence. Location shots include the kitchen, bedroom, car, and outside decking.
Story Board Finished
The document describes a series of 38 shots for a film. It begins with establishing shots showing an engaged couple interacting happily in a park. However, when the woman visits her best friend, she has flashbacks revealing her fiancé and best friend have been having an affair. She is then shown photos on her friend's phone confirming the affair. The shots follow the woman's realization and increasing distress as she learns the truth.
Scarface opening
The opening of Scarface establishes the setting, time period, and introduces a character to build suspense. It uses black and white imagery and non-diegetic music to set the tone of a crime genre film set in the past. While it only briefly shows one character, it does so in a way that leaves the audience wondering about his motives and backstory. The soundtrack mixes non-diegetic music with diegetic dialogue to further intrigue viewers and set stylistic and tonal references for the filmmakers' opening sequence.
V for vendetta
The opening sequence of V for Vendetta establishes the dark and chaotic tone of the film over five minutes. In the first minute, black and white logos roll and a voiceover mentions Guy Fawkes night as a man is seen moving a barrel. In the second minute, the man is caught and hung as the audience screams. The third minute shows the man's body after hanging as the title appears. The fourth minute uses parallel editing to show the two protagonists preparing as a man on TV speaks. The fifth minute shows the female protagonist turning off the TV and bumping into a man on the street past curfew, raising questions about the society.
Shooting Schedule
This document provides a shooting schedule for a music video with 79 shots planned between 0 and 1.58 minutes. The shots include various angles, framings, and effects to depict the breakdown of a relationship through a paint fight sequence and then show the female protagonist overcoming her sadness. Close-ups, medium shots, and montages will be used to advance the narrative and lyrics, with paint and UV effects to represent emotions. The schedule provides timing, shot type, description, and reasoning for each shot in the production.
Note taking for second analysis
The document provides notes analyzing the music video for "Hysteria" by Muse. It summarizes the camerawork using close-ups, panning, and handheld shots to show the distressed main character. The editing uses jump cuts to emphasize his unstable behavior and anger through destroying his room. The song plays throughout to match his emotions, and props include the broken objects and video camera recording his actions.
Advert 2 story board
The document outlines 11 shots for an advertisement. Shot 1 introduces a girl entering a room excitedly holding chocolates to party music. Shot 2 shows her screaming with excitement. Shot 3 shows her screaming and pumping her fist in the air. Shot 4 tracks her walking towards a table. Shot 5 tracks her from over the shoulder holding chocolate. Shot 6 zooms in on the chocolate bar logo. Shot 7/8 zoom into and out of the product. Shot 9 shows the girl dancing as others look at her. Shot 10 cuts between her eating chocolate. Shot 11 shows everyone dancing and fades out.
Analysis of second Dawes video
This video provides a behind-the-scenes look at the Dawes recording process for their new album. It features interviews with the band members and producer discussing their use of analog recording techniques. The band cares deeply about achieving the best possible sound and are willing to do multiple takes to get the right performance. Both the band and producer emphasize analog's impact on the music's quality and how it forces the band to give their full effort in the studio. Through its fly-on-the-wall footage and interviews, the video presents Dawes in a positive light as dedicated artists focused on crafting their album through hard work and high standards.
Sound analysis
The document analyzes and describes various sounds used in a clip from "The Hunger Games - Girl on Fire". It discusses the use of non-diegetic sound to allow the audience to hear what the interviewer was saying when the main character could not. It also describes how the volume was low at first to reflect the character's nerves, and how dialogue was used with a sympathetic tone when asking about her sister. Ambient sounds of cheering are described as not being within the field of vision.
Shot list
This document outlines 16 shots for a music video production, including descriptions, estimated durations, and notes on camera movements and directions for performers. Shot 1 begins with a zoom out from characters in a forest. Shot 2 shows someone walking in a tunnel with spray paint. Shot 3 provides a close-up of spray paint being used from a protected camera angle. Subsequent shots depict a bird flying, graffiti art, a character removing a mask, a funeral with ghoul figures, a character with painted eyes, a creature walking in the woods, the creature from different angles, a group gathered around a central person, someone looking at the sky, a character at the end of a tunnel with open arms, a lone figure in the forest
Media key terms map
This document defines key terms related to editing techniques, camera shots and angles, sound design, and mise-en-scene elements that are used in film analysis. It covers concepts like continuity editing, pace, time manipulation, transitions, special effects, diegetic and non-diegetic sound, shots types and camera movements, angles, composition, lighting, character representation, settings, and color symbolism. The document provides definitions and examples of these various techniques to concisely outline important cinematic vocabulary.
Filming Planning Sheets
This document provides a breakdown of scenes and logistical details for filming the short film "Black & White". It outlines 4 scenes requiring a camera, tripod, and boom microphone to capture audio. Scene 1 introduces The Killer character and shows him playing chess in a dark room. Scene 2 features a couple interacting with an alcoholic in a park before a confrontation. Scene 3 shows a woman discovering she is pregnant and being comforted. Scene 4 follows The Alcoholic stumbling drunk in woods and passing out. Locations include a dark room, park, house, and woodland area.
The Hills Have Eyes Storyboard
The document describes 17 shots in a film sequence that takes place in a desert. Each shot is categorized by type, number, timing, dialogue, sound, and camera movement. The shots begin with an establishing shot of the deserted desert and follow a character walking forward while pulling something or someone. With each shot, diegetic sounds of footsteps and chains are heard along with non-diegetic Spanish guitar music. Towards the end, the music fades out and the title of the film is revealed.
Music video script
The document provides a shot-by-shot description of a music video over its 4 minute and 30 second runtime. It details how the camera perspective and number of people in shots change throughout the video to different people dancing in various locations. The video starts with a point-of-view shot of someone waking up and putting on music, before showing more people dancing together in the same room. It ends with a panoramic shot of the exhausted group asleep, zooming in on just the DJ still awake mixing music.
Storyboard
This document provides details on 9 shots for a horror film sequence. Shot 1 establishes the dark, intimidating exterior of the house at night. Shot 2 shows a woman asleep in her bedroom in dark lighting. Shot 3 zooms in on her face as she sleeps. Shot 4 shows her eyes opening quickly in fear. Shot 5 reveals a doll standing in the doorway, positioned to startle the audience. Shot 6 shows the woman's shocked reaction to the doll. Shot 7 shows her getting out of bed still focused on the doll. Shot 8 depicts her putting on a nightgown. Shot 9 has her beginning to slowly approach the doll, reflecting her hesitation and the audience's anxiety.
Shot list
This document provides a shot list for a music video or film. It includes 67 shots with details on camera movement, location, sync points to music, and notes for each shot. The shots cover a variety of sequences including a boxing match, pub fight, news interviews, and scenes at different character's homes. The shots transition between locations and characters to tell a story through music and imagery.
My storyboard
The storyboard document outlines 24 shots to be used in a film trailer. Shot types include establishing shots, close-ups, tracking shots, and text-on-scene shots. Camera movements include zooms, pans, and jumps. Dialogue includes non-diegetic sound effects, ambient noise, and a voiceover. The shots follow a girl running through woods with increasing tension, then cut to text slides with the director/actors/film title before ending on a fade to darkness.
Editing 1 task2
The author analyzes the last scene of the 2009 film "Before I Self Destruct". They discuss how the camera angles, such as over-the-shoulder shots during an argument, help make the audience feel like they are present. Flashback scenes used blackout effects to show memorable moments in the main character's life after he is shot. A bird's eye view of the character bleeding on the floor, shown during rain, gives the audience a full view of his state and adds to the sadness with the rain symbolizing sadness.
'Digital Storyboards - 'The Method'
This document provides details on 19 shots for a film scene depicting an interrogation of a criminal confessing to murder. Shot 1 is an establishing mid shot of the criminal being interviewed in a blank room. Shots 2-5 cut to extreme close-ups of the victim's eyes, neck, lips, and overall image as the criminal describes killing the victim. Shot 6 shows the victim dead on the floor with a screeching sound effect. Shots 7-11 depict the criminal moving the victim's body and disposing of evidence. Shots 12-14 return to the interrogation room as the criminal describes further actions taken to cover up the crime. Shots 15-17 show the criminal lighting a fire with the victim's body
Advert 2 story board
The document outlines 11 shots for an advertisement. Shot 1 introduces a girl entering a room excitedly holding chocolates to party music. Shot 2 shows her screaming with excitement. Shot 3 shows her screaming and pumping her fist in the air. Shot 4 tracks her walking towards a table. Shot 5 tracks her from over the shoulder holding chocolate. Shot 6 zooms in on the chocolate bar logo. Shot 7/8 zoom into and out of the product. Shot 9 shows the girl dancing as others look at her. Shot 10 cuts between her eating chocolate. Shot 11 shows everyone dancing and fades out.
Lesson 3 sound
This document discusses sound techniques in film. It defines diegetic and non-diegetic sound and provides examples. Non-diegetic sound, like music, can establish mood, atmosphere, and meaning without being part of the film's world. Diegetic sound belongs to the film's world and can reveal characters' states of mind. The document analyzes the non-diegetic score in Jaws, which builds tension without showing the shark. It also discusses how diegetic sounds in Rear Window establish the setting and protagonist's detached frame of mind. Sound can create meaning by enhancing emotion, setting mood, and identifying characters.
Digital storyboard example
The document provides a storyboard for a short film about a hit and run accident. It describes a series of shots showing a character named Jill driving distractedly while listening to loud music and not seeing a pedestrian named Sophie walking on the road. The shots show Jill hitting Sophie with her car and then driving away, leaving Sophie injured on the ground. The storyboard provides details for each shot including camera angles, character movements, sounds, shot durations and editing transitions to build suspense and tension around the accident and Jill's decision to flee the scene.
Sponsorship storyboard
This storyboard is for a sponsorship advertisement and consists of 8 shots showing a woman doing dishes and a man dancing. Shot 1-3 show close-ups of the back of a woman's head while she washes dishes. Shot 4-5 show close-ups of someone washing dishes and the woman turning her head. Shot 6 shows the man walking through a door and putting his hands on his hips. Shot 7 is a close-up of the man starting to dance. Shot 8 shows a close-up of spray with dancing characters in the background.
More Related Content
What's hot
Story Board Finished
The document describes a series of 38 shots for a film. It begins with establishing shots showing an engaged couple interacting happily in a park. However, when the woman visits her best friend, she has flashbacks revealing her fiancé and best friend have been having an affair. She is then shown photos on her friend's phone confirming the affair. The shots follow the woman's realization and increasing distress as she learns the truth.
Scarface opening
The opening of Scarface establishes the setting, time period, and introduces a character to build suspense. It uses black and white imagery and non-diegetic music to set the tone of a crime genre film set in the past. While it only briefly shows one character, it does so in a way that leaves the audience wondering about his motives and backstory. The soundtrack mixes non-diegetic music with diegetic dialogue to further intrigue viewers and set stylistic and tonal references for the filmmakers' opening sequence.
V for vendetta
The opening sequence of V for Vendetta establishes the dark and chaotic tone of the film over five minutes. In the first minute, black and white logos roll and a voiceover mentions Guy Fawkes night as a man is seen moving a barrel. In the second minute, the man is caught and hung as the audience screams. The third minute shows the man's body after hanging as the title appears. The fourth minute uses parallel editing to show the two protagonists preparing as a man on TV speaks. The fifth minute shows the female protagonist turning off the TV and bumping into a man on the street past curfew, raising questions about the society.
Shooting Schedule
This document provides a shooting schedule for a music video with 79 shots planned between 0 and 1.58 minutes. The shots include various angles, framings, and effects to depict the breakdown of a relationship through a paint fight sequence and then show the female protagonist overcoming her sadness. Close-ups, medium shots, and montages will be used to advance the narrative and lyrics, with paint and UV effects to represent emotions. The schedule provides timing, shot type, description, and reasoning for each shot in the production.
Note taking for second analysis
The document provides notes analyzing the music video for "Hysteria" by Muse. It summarizes the camerawork using close-ups, panning, and handheld shots to show the distressed main character. The editing uses jump cuts to emphasize his unstable behavior and anger through destroying his room. The song plays throughout to match his emotions, and props include the broken objects and video camera recording his actions.
Advert 2 story board
The document outlines 11 shots for an advertisement. Shot 1 introduces a girl entering a room excitedly holding chocolates to party music. Shot 2 shows her screaming with excitement. Shot 3 shows her screaming and pumping her fist in the air. Shot 4 tracks her walking towards a table. Shot 5 tracks her from over the shoulder holding chocolate. Shot 6 zooms in on the chocolate bar logo. Shot 7/8 zoom into and out of the product. Shot 9 shows the girl dancing as others look at her. Shot 10 cuts between her eating chocolate. Shot 11 shows everyone dancing and fades out.
Analysis of second Dawes video
This video provides a behind-the-scenes look at the Dawes recording process for their new album. It features interviews with the band members and producer discussing their use of analog recording techniques. The band cares deeply about achieving the best possible sound and are willing to do multiple takes to get the right performance. Both the band and producer emphasize analog's impact on the music's quality and how it forces the band to give their full effort in the studio. Through its fly-on-the-wall footage and interviews, the video presents Dawes in a positive light as dedicated artists focused on crafting their album through hard work and high standards.
Sound analysis
The document analyzes and describes various sounds used in a clip from "The Hunger Games - Girl on Fire". It discusses the use of non-diegetic sound to allow the audience to hear what the interviewer was saying when the main character could not. It also describes how the volume was low at first to reflect the character's nerves, and how dialogue was used with a sympathetic tone when asking about her sister. Ambient sounds of cheering are described as not being within the field of vision.
Shot list
This document outlines 16 shots for a music video production, including descriptions, estimated durations, and notes on camera movements and directions for performers. Shot 1 begins with a zoom out from characters in a forest. Shot 2 shows someone walking in a tunnel with spray paint. Shot 3 provides a close-up of spray paint being used from a protected camera angle. Subsequent shots depict a bird flying, graffiti art, a character removing a mask, a funeral with ghoul figures, a character with painted eyes, a creature walking in the woods, the creature from different angles, a group gathered around a central person, someone looking at the sky, a character at the end of a tunnel with open arms, a lone figure in the forest
Media key terms map
This document defines key terms related to editing techniques, camera shots and angles, sound design, and mise-en-scene elements that are used in film analysis. It covers concepts like continuity editing, pace, time manipulation, transitions, special effects, diegetic and non-diegetic sound, shots types and camera movements, angles, composition, lighting, character representation, settings, and color symbolism. The document provides definitions and examples of these various techniques to concisely outline important cinematic vocabulary.
Filming Planning Sheets
This document provides a breakdown of scenes and logistical details for filming the short film "Black & White". It outlines 4 scenes requiring a camera, tripod, and boom microphone to capture audio. Scene 1 introduces The Killer character and shows him playing chess in a dark room. Scene 2 features a couple interacting with an alcoholic in a park before a confrontation. Scene 3 shows a woman discovering she is pregnant and being comforted. Scene 4 follows The Alcoholic stumbling drunk in woods and passing out. Locations include a dark room, park, house, and woodland area.
The Hills Have Eyes Storyboard
The document describes 17 shots in a film sequence that takes place in a desert. Each shot is categorized by type, number, timing, dialogue, sound, and camera movement. The shots begin with an establishing shot of the deserted desert and follow a character walking forward while pulling something or someone. With each shot, diegetic sounds of footsteps and chains are heard along with non-diegetic Spanish guitar music. Towards the end, the music fades out and the title of the film is revealed.
Music video script
The document provides a shot-by-shot description of a music video over its 4 minute and 30 second runtime. It details how the camera perspective and number of people in shots change throughout the video to different people dancing in various locations. The video starts with a point-of-view shot of someone waking up and putting on music, before showing more people dancing together in the same room. It ends with a panoramic shot of the exhausted group asleep, zooming in on just the DJ still awake mixing music.
Storyboard
This document provides details on 9 shots for a horror film sequence. Shot 1 establishes the dark, intimidating exterior of the house at night. Shot 2 shows a woman asleep in her bedroom in dark lighting. Shot 3 zooms in on her face as she sleeps. Shot 4 shows her eyes opening quickly in fear. Shot 5 reveals a doll standing in the doorway, positioned to startle the audience. Shot 6 shows the woman's shocked reaction to the doll. Shot 7 shows her getting out of bed still focused on the doll. Shot 8 depicts her putting on a nightgown. Shot 9 has her beginning to slowly approach the doll, reflecting her hesitation and the audience's anxiety.
Shot list
This document provides a shot list for a music video or film. It includes 67 shots with details on camera movement, location, sync points to music, and notes for each shot. The shots cover a variety of sequences including a boxing match, pub fight, news interviews, and scenes at different character's homes. The shots transition between locations and characters to tell a story through music and imagery.
My storyboard
The storyboard document outlines 24 shots to be used in a film trailer. Shot types include establishing shots, close-ups, tracking shots, and text-on-scene shots. Camera movements include zooms, pans, and jumps. Dialogue includes non-diegetic sound effects, ambient noise, and a voiceover. The shots follow a girl running through woods with increasing tension, then cut to text slides with the director/actors/film title before ending on a fade to darkness.
Editing 1 task2
The author analyzes the last scene of the 2009 film "Before I Self Destruct". They discuss how the camera angles, such as over-the-shoulder shots during an argument, help make the audience feel like they are present. Flashback scenes used blackout effects to show memorable moments in the main character's life after he is shot. A bird's eye view of the character bleeding on the floor, shown during rain, gives the audience a full view of his state and adds to the sadness with the rain symbolizing sadness.
What's hot (17)
Similar to Storyboard
'Digital Storyboards - 'The Method'
This document provides details on 19 shots for a film scene depicting an interrogation of a criminal confessing to murder. Shot 1 is an establishing mid shot of the criminal being interviewed in a blank room. Shots 2-5 cut to extreme close-ups of the victim's eyes, neck, lips, and overall image as the criminal describes killing the victim. Shot 6 shows the victim dead on the floor with a screeching sound effect. Shots 7-11 depict the criminal moving the victim's body and disposing of evidence. Shots 12-14 return to the interrogation room as the criminal describes further actions taken to cover up the crime. Shots 15-17 show the criminal lighting a fire with the victim's body
Advert 2 story board
The document outlines 11 shots for an advertisement. Shot 1 introduces a girl entering a room excitedly holding chocolates to party music. Shot 2 shows her screaming with excitement. Shot 3 shows her screaming and pumping her fist in the air. Shot 4 tracks her walking towards a table. Shot 5 tracks her from over the shoulder holding chocolate. Shot 6 zooms in on the chocolate bar logo. Shot 7/8 zoom into and out of the product. Shot 9 shows the girl dancing as others look at her. Shot 10 cuts between her eating chocolate. Shot 11 shows everyone dancing and fades out.
Lesson 3 sound
This document discusses sound techniques in film. It defines diegetic and non-diegetic sound and provides examples. Non-diegetic sound, like music, can establish mood, atmosphere, and meaning without being part of the film's world. Diegetic sound belongs to the film's world and can reveal characters' states of mind. The document analyzes the non-diegetic score in Jaws, which builds tension without showing the shark. It also discusses how diegetic sounds in Rear Window establish the setting and protagonist's detached frame of mind. Sound can create meaning by enhancing emotion, setting mood, and identifying characters.
Digital storyboard example
The document provides a storyboard for a short film about a hit and run accident. It describes a series of shots showing a character named Jill driving distractedly while listening to loud music and not seeing a pedestrian named Sophie walking on the road. The shots show Jill hitting Sophie with her car and then driving away, leaving Sophie injured on the ground. The storyboard provides details for each shot including camera angles, character movements, sounds, shot durations and editing transitions to build suspense and tension around the accident and Jill's decision to flee the scene.
Sponsorship storyboard
This storyboard is for a sponsorship advertisement and consists of 8 shots showing a woman doing dishes and a man dancing. Shot 1-3 show close-ups of the back of a woman's head while she washes dishes. Shot 4-5 show close-ups of someone washing dishes and the woman turning her head. Shot 6 shows the man walking through a door and putting his hands on his hips. Shot 7 is a close-up of the man starting to dance. Shot 8 shows a close-up of spray with dancing characters in the background.
Storyboard template
The document provides shooting directions for a music video. It includes 52 shots ranging from close-ups of the artist singing to tracking shots of the talent dancing at home. The shots alternate between the artist professionally performing and the everyday woman enjoying herself. The directions aim to show the talent gaining confidence through the song's empowering message.
Section a notes
The document provides guidance on analyzing a TV drama clip, including shot types, sound types, mise-en-scène, and editing techniques. It lists various shot types like close-ups, medium shots, and establishing shots. It also defines different types of sounds that can be used like diegetic, non-diegetic, synchronous, and asynchronous sounds. Mise-en-scène is described as analyzing the surroundings, environment, and character behaviors and personalities. Editing analysis involves looking at techniques used to piece shots together like angle, shot type, and character analysis.
Storyboard 'Watched'
The document outlines the storyboard and soundtrack for a short film. It describes several shots following the character Graciet from waking up to walking through a wooded area. The shots utilize different camera angles and movements. Sound effects and music are used to set the mood and advance the plot, with ominous music played as Graciet is watched secretly in the woods.
Lesson 13 - Sound
This document provides information about analyzing sound in films. It defines key sound terminology like diegetic and non-diegetic sound, parallel and contrapuntal sound, and on-screen and off-screen sound. Examples are given of different types of sounds used in films and how they can be used to move the narrative, set mood, or make the audience feel uncomfortable. The document also discusses Foley studios and how realistic sounds are added to films.
Opening film textual analysis point 2
The document provides an analysis of the opening sequences of the films Whiplash and Walk the Line.
For Whiplash, it summarizes that the opening establishes an enigmatic tone through diegetic drumming, a dark lighting, and an approaching figure. This builds intrigue around the mysterious protagonist.
For Walk the Line, it describes the opening as conveying a foreboding tone through images of a prison, a crow as an omen, and a prison guard that implies a repression of freedom. The sequence establishes the film's setting and tone of ominous threat through its visuals and pacing.
Sound research
This document discusses different types of sound used in media, including diegetic sound that exists within the story world and non-diegetic sound that does not. It provides examples of crescendo sound, which builds tension, and diminuendo sound, which indicates a passed threat. Forzando sound emphasizes shock through loud noises. The document stresses the significance of sound in manipulating moods and emphasizing concepts or scenes, and lists some sounds that could be used in an opening sequence, like music to reflect on actions or a heartbeat to build anxiety.
Storyboard 2
The document outlines a proposed shot sequence and details for a scene. It includes 6 shots:
1) An establishing long shot of a classroom to set the scene. The teacher is heard talking in the background about preparing for the future.
2) The camera zooms in slowly on a student's clenched fist. The teacher is still heard talking softly in the background along with a potential heartbeat sound effect.
3) A long shot shows the student standing up abruptly, knocking over a chair behind her as she shouts that she doesn't want to prepare for the future. She may bang on a table.
4) A close up of the character Lisa allows her expression to be seen as she reacts excited
Storyboard
This storyboard document outlines the shots planned for the opening scene of a film. It begins with establishing shots of a man, Elliot Roberts, walking through a forested area. Through the use of close-ups and angles where his face is not visible, tension and suspense are built around his character and intentions. The shots follow Elliot as he approaches a house, enters, and makes his way upstairs. The final shots depict Elliot attempting to rape a young girl, Maya, in her bedroom, to a fade to black with her screams fading out, leaving the audience unsettled about what occurred.
Sound Resarch
This document discusses different types of sound used in media, including diegetic sound that exists within the story world and non-diegetic sound that does not. It provides examples of crescendo sound that builds tension, diminuendo sound that releases tension, and forzando sound that emphasizes shock. The document stresses the significance of using appropriate sound to manipulate scenarios and change moods. It also lists some sounds that could be used in an opening sequence, such as sad music, the sound of a baseball bat, and heartbeats to build anxiety.
Sound research
This document discusses different types of sound used in media, including diegetic sound that exists within the story world and non-diegetic sound that does not. It provides examples of crescendo sound that builds tension, diminuendo sound that releases tension, and forzando sound that emphasizes shock. The document stresses the significance of using appropriate sound to manipulate scenarios and change moods. It also lists some sounds that could be used in an opening sequence, such as sad music, the sound of a baseball bat, and heartbeats to build anxiety.
07. Sound Terms
The document defines and describes various types of sounds that can be used in films, including dialogue between characters, diegetic sounds that characters can hear within the film's world, non-diegetic incidental music and sound effects added in post-production to set mood or reinforce action, sound bridges that carry sound between scenes, and voiceovers where a character speaks their thoughts over a scene. It also mentions that the soundtrack incorporates all audio, and background music is used to add atmosphere.
06. Sound Terms
The document defines and describes various types of sounds that can be used in films, including dialogue between characters, diegetic sounds that characters can hear within the film's world, non-diegetic incidental music and sound effects added in post-production to set mood or reinforce action, sound bridges that carry sound between scenes, and voiceovers where a character speaks their thoughts over a scene. It also mentions that the soundtrack incorporates all audio, and background music adds atmosphere.
Storyboards
The storyboard document provides details on the opening sequences for two game shows - Release The Hounds and The Chase. For Release The Hounds, the 10 second opening uses dark and eerie tones to set the horror theme and leaves viewers unsure of what will happen. For The Chase, the longer 23 second opening introduces the host and contestants in a bright studio, but leaves the identity of the challenger unknown, setting up the competitive element. Both openings aim to intrigue viewers through a sense of mystery while establishing the shows' formats and tones.
06. sound notes sheet
This document discusses different elements of sound design in film. It identifies different types of sounds that can be used, including diegetic sounds that exist within the world of the film and non-diegetic sounds from outside the film. Selective sounds are used to emphasize key elements, while ambient sounds create atmosphere. Sound can also be synchronous, asynchronous, or contrapuntal to image. Other elements discussed include voiceovers, theme music, musical scores, and silence. Careful use of these sound elements is important for atmosphere, narrative, and audience experience.
Similar to Storyboard (20)
More from KittyKatGeek4
Production schedule
The document outlines a production schedule for creating 3D assets and animations across several weeks. It details the daily tasks, location, and needed equipment for tasks like developing scene backgrounds, props, character poses, and ultimately combining all assets. The scheduled tasks are focused on an animation project to be completed and submitted by March 22nd.
04. rushes log
This document contains a rushes log created by editor Katy-Anne Coleman for the production "Me, Myself and Them". It consists of 53 shots ranging from 1 to 15 seconds in length that were created for the film. Each shot is described in terms of its purpose, any limitations, and where it is stored. Many shots help advance the plot or establish characters and settings, while some are needed for transitions between scenes. The editor notes where improvements could be made to shots if more time and advanced software were available, such as smoothing out animations.
Production schedule
The document outlines a production schedule for creating 3D assets and animations over several weeks. It details the daily tasks, location, and needed equipment for tasks like developing scene backgrounds, props, character poses, and finally combining all assets. The scheduled tasks are to take place in room ME1 using a computer, headphones, and focus on animating walk/run cycles by certain dates.
Client feedback
The document provides feedback on improvements that could be made to a script. There are notes on various pages indicating needed grammar fixes, word choice corrections, adding more details, and clarifying certain elements. The feedback will help make the script and subsequent animation clearer by ensuring the details, locations, actions, and intentions are accurately portrayed. Key areas like a scene providing self-comfort were identified as successfully conveying the intended message. Additional feedback requests labeling each new location and moving all text/non-spoken dialogue to the side for ease of reading.
Hl mind map
Revy is a 17-year-old bisexual protagonist who suffers from bipolar disorder and paranoia. She is confronted by negative emotions and thoughts about herself that are personified as menacing creatures. Revy must overcome her struggle to tell her girlfriend Rosa she loves her before bed. The target audience is students aged 16+ who may relate to Revy's experience with self-hatred, paranoia, and dark thoughts. Revy's personality is generally chill but she has mood swings that cause her to question her self-worth.
Understanding script work
The document provides summaries of four scripts from different media: a radio drama script, a TV show script for Sherlock, a film script for Star Wars: The Force Awakens, and a video game script for an Overwatch animated short. Each summary describes the style, content, narrative structure, genre, and target audience of the respective script.
Client feedback x3
The document provides feedback on improvements that could be made to an animation script. There are notes on various pages indicating needed grammar fixes, word choice clarifications, adding more details, and other issues. The feedback will help the scriptwriter improve clarity and accuracy so crew members understand every detail needed to film the animation properly. It also identifies parts of the script that are working well that should be kept the same.
Client feedback
This document contains feedback from a client on a script. There are notes on various pages indicating needed grammar fixes, word choice improvements, requests for additional clarifying details, and praise for the description of a safe space. The client provides over 20 notes on different aspects of the script that could be improved. The feedback will help the scriptwriter to clarify aspects of the story and make the animation better by ensuring details are clear for anyone interpreting the script.
Esa list
The document outlines the equipment, software, and assets needed to create an animated short film. It lists a computer, headphones, and office software like Word and PowerPoint for tasks like writing, notes, and documentation. Creative software included Adobe Premiere Pro for editing, Photoshop for graphics, and Paint for creating scenes. Potential assets mentioned adding a studio title/logo, special effects, sound effects, and a musical score to enhance scenes and add professionalism to the short film. All items will be used at different stages of research, creation, and production of the animated project.
Hl mind map
Revy is a 17-year-old bisexual protagonist who suffers from bipolar disorder and paranoia. She is confronted by negative emotions and thoughts personified as menacing creatures saying horrible things about her. Revy must overcome her struggle to tell her girlfriend Rosa she loves her before bed. The film targets 16+ year olds in school or working to connect them to Revy's experiences with mental health issues they may also face. Revy dresses casually and keeps to herself but has mood swings where she questions her self-worth, though is usually chill playing video games or talking to Rosa.
Understanding script work
The radio drama script describes music and sound effects to set the atmosphere for a story about the deteriorating relationship between a mother with dementia and her daughter. The Sherlock script shows Holmes solving puzzles set by his nemesis Moriarty within a three-act structure. The Force Awakens script introduces new characters in the Star Wars universe in a three-act structure following the heroes' battle against the evil First Order.
Production schedule
The document outlines a production schedule for creating 3D assets and animations over several weeks. It details the daily tasks, location, and needed equipment for working on scene backgrounds, props, character poses, and finally assembling all assets. The schedule culminates in finishing and submitting the final product during a period 5 class on March 22nd.
Script draft 4
The document is a screenplay that follows Revy, a young woman dealing with intrusive negative thoughts. In her bedroom at night, Revy receives a message from her girlfriend Rosa saying they should sleep. Revy has a nightmare where shadowy figures taunt her until kind thoughts in the form of animals and people comfort her. Revy wakes up and messages with Rosa, who checks on her wellbeing. Revy thanks Rosa and affirms she will be okay with the support of her good thoughts.
Client feedback
This document contains client feedback on revisions needed for a manuscript. There are notes on various pages requesting fixes to grammar errors, word choices, adding more details, and clarifying certain elements that were unclear. Suggestions include changing words, adding descriptions of locations, characters, and events, and reorganizing the formatting and placement of text elements. The client provided over 15 comments on improvements across 5 pages of the manuscript.
Script draft 3
Revy struggles with intrusive thoughts and anxiety but finds comfort in her girlfriend Rosa. She has a nightmare where shadowy figures taunt her but is comforted by good thoughts. When she wakes, Rosa checks on her and Revy feels better. She goes to sleep with the support of a good thought in the form of a bird.
Script draft 1
The document is a screenplay that follows Revy, a teenage girl dealing with intrusive negative thoughts ("Shadow People"). She has a conversation with her girlfriend Rosa over messages where they agree to go to sleep for school the next day. Revy then has a nightmare where the Shadow People surround and insult her until kind thoughts in the form of animals and people help calm her down. Revy wakes up and reassures Rosa she is okay via text before going to sleep, with a good thought bird keeping her company.
04. shooting script blank yr13
The document is a shooting script for a short film titled "Me, Myself and Them". It contains 60 shots that make up scenes taking place in the main character Revy's bedroom and her mindscape. The shots progress from establishing shots of Revy's bedroom to scenes showing her distress over unanswered messages and paranoid behavior. Her mindscape is then depicted as a dark and ominous place with shadowy figures chasing her. Revy has an emotional breakdown but is eventually comforted by guiding spirits who help her realize her own self-worth. The script concludes with reassured scenes back in Revy's bedroom with the guiding spirits still present.
Script draft 2
This document is a script that follows Revy, a young woman dealing with intrusive thoughts and anxiety. The story begins with Revy messaging her girlfriend Rosa late at night. Revy then has an anxiety dream where threatening shadow figures surround and attack her, until good thoughts in the form of animals and people come to her aid with kind words. Revy wakes up distressed but feels better after messaging with Rosa, who offers comfort and support.
Narrative and genre theory
This document discusses several theories of narrative and genre. It outlines Vladimir Propp's idea that there are a limited number of character types in narratives, including villains, heroes, donors, helpers, and princesses. It also describes Tzvetan Todorov's theory that narratives can be broken into codes like action, reference, semantics, enigma, and symbolism. Finally, it discusses genre theory and how genres are recognizable through codes and conventions, but also change over time through hybridization and reflecting social values.
Anything goes analysis and promotional pitch
Anything Goes is a 1934 musical comedy about a young Wall Street broker named Billy Crocker who falls in love with an heiress named Hope Harcourt. He stows away on the ship she is traveling on to England to stop her marriage to Lord Evelyn Oakleigh. With the help of friends like Reno Sweeney, Billy tries various schemes to win Hope's love. The musical is known for its nautical theme, dance numbers, and comedy. While these elements attract audiences in London, the target audience would be different for a school production in Ringwood given location and casting differences. Social media advertising would be most effective for the school show given its ability to reach families of students at a low cost compared to television advertising
More from KittyKatGeek4 (20)
Recently uploaded
PCOS corelations and management through Ayurveda.
This presentation includes basic of PCOS their pathology and treatment and also Ayurveda correlation of PCOS and Ayurvedic line of treatment mentioned in classics.
Hindi varnamala | hindi alphabet PPT.pdf
हिंदी वर्णमाला पीपीटी, hindi alphabet PPT presentation, hindi varnamala PPT, Hindi Varnamala pdf, हिंदी स्वर, हिंदी व्यंजन, sikhiye hindi varnmala, dr. mulla adam ali, hindi language and literature, hindi alphabet with drawing, hindi alphabet pdf, hindi varnamala for childrens, hindi language, hindi varnamala practice for kids, https://www.drmullaadamali.com
The simplified electron and muon model, Oscillating Spacetime: The Foundation...
Discover the Simplified Electron and Muon Model: A New Wave-Based Approach to Understanding Particles delves into a groundbreaking theory that presents electrons and muons as rotating soliton waves within oscillating spacetime. Geared towards students, researchers, and science buffs, this book breaks down complex ideas into simple explanations. It covers topics such as electron waves, temporal dynamics, and the implications of this model on particle physics. With clear illustrations and easy-to-follow explanations, readers will gain a new outlook on the universe's fundamental nature.
Main Java[All of the Base Concepts}.docx
This is part 1 of my Java Learning Journey. This Contains Custom methods, classes, constructors, packages, multithreading , try- catch block, finally block and more.
How to Setup Warehouse & Location in Odoo 17 Inventory
In this slide, we'll explore how to set up warehouses and locations in Odoo 17 Inventory. This will help us manage our stock effectively, track inventory levels, and streamline warehouse operations.
BÀI TẬP BỔ TRỢ TIẾNG ANH 8 CẢ NĂM - GLOBAL SUCCESS - NĂM HỌC 2023-2024 (CÓ FI...
BÀI TẬP BỔ TRỢ TIẾNG ANH 8 CẢ NĂM - GLOBAL SUCCESS - NĂM HỌC 2023-2024 (CÓ FI...Nguyen Thanh Tu Collection
https://app.box.com/s/y977uz6bpd3af4qsebv7r9b7s21935vdThe Diamonds of 2023-2024 in the IGRA collection
A review of the growth of the Israel Genealogy Research Association Database Collection for the last 12 months. Our collection is now passed the 3 million mark and still growing. See which archives have contributed the most. See the different types of records we have, and which years have had records added. You can also see what we have for the future.
BBR 2024 Summer Sessions Interview Training
Qualitative research interview training by Professor Katrina Pritchard and Dr Helen Williams
ANATOMY AND BIOMECHANICS OF HIP JOINT.pdf
it describes the bony anatomy including the femoral head , acetabulum, labrum . also discusses the capsule , ligaments . muscle that act on the hip joint and the range of motion are outlined. factors affecting hip joint stability and weight transmission through the joint are summarized.
Pollock and Snow "DEIA in the Scholarly Landscape, Session One: Setting Expec...
Pollock and Snow "DEIA in the Scholarly Landscape, Session One: Setting Expec...National Information Standards Organization (NISO)
This presentation was provided by Steph Pollock of The American Psychological Association’s Journals Program, and Damita Snow, of The American Society of Civil Engineers (ASCE), for the initial session of NISO's 2024 Training Series "DEIA in the Scholarly Landscape." Session One: 'Setting Expectations: a DEIA Primer,' was held June 6, 2024.How to Fix the Import Error in the Odoo 17
An import error occurs when a program fails to import a module or library, disrupting its execution. In languages like Python, this issue arises when the specified module cannot be found or accessed, hindering the program's functionality. Resolving import errors is crucial for maintaining smooth software operation and uninterrupted development processes.
clinical examination of hip joint (1).pdf
described clinical examination all orthopeadic conditions .
DRUGS AND ITS classification slide share
Any substance (other than food) that is used to prevent, diagnose, treat, or relieve symptoms of a
disease or abnormal condition
Community pharmacy- Social and preventive pharmacy UNIT 5
Covered community pharmacy topic of the subject Social and preventive pharmacy for Diploma and Bachelor of pharmacy
Recently uploaded (20)
The simplified electron and muon model, Oscillating Spacetime: The Foundation...
The simplified electron and muon model, Oscillating Spacetime: The Foundation...
Liberal Approach to the Study of Indian Politics.pdf
Liberal Approach to the Study of Indian Politics.pdf
How to Setup Warehouse & Location in Odoo 17 Inventory
How to Setup Warehouse & Location in Odoo 17 Inventory
BÀI TẬP BỔ TRỢ TIẾNG ANH 8 CẢ NĂM - GLOBAL SUCCESS - NĂM HỌC 2023-2024 (CÓ FI...
BÀI TẬP BỔ TRỢ TIẾNG ANH 8 CẢ NĂM - GLOBAL SUCCESS - NĂM HỌC 2023-2024 (CÓ FI...
Pride Month Slides 2024 David Douglas School District
Pride Month Slides 2024 David Douglas School District
Pollock and Snow "DEIA in the Scholarly Landscape, Session One: Setting Expec...
Pollock and Snow "DEIA in the Scholarly Landscape, Session One: Setting Expec...
Community pharmacy- Social and preventive pharmacy UNIT 5
Community pharmacy- Social and preventive pharmacy UNIT 5
Storyboard
- 1. ShotNo./Type of Shot/Camera Movement Shot1 Close Up (OnRevy’slegsasshe runs)TrackingShot(following heras she runs) Dialogue –Sound No dialogue,Music, Maybe the sound effectof herpantingas she runs?Footsteps soundeffect. Edit/Lengthof Shot 10 seconds ShotNo./Type of Shot/Camera Movement Shot2 FirstPersonView ZoomIn of certainaspectsof the safe space to show the peacefulnessandsafetyof the area). Dialogue –Sound No dialogue,Music, still the soundeffectof pantingif I include that. Perhapsafew soundsof birdsand quietchatteringfrom the Good Thoughts whenthe shotzooms intoeach part? Edit/Lengthof Shot 30 to 60 seconds ShotNo./Type of Shot/Camera Movement Shot3 Still FirstPersonView Staticas she stops movingand herarms retract back to her sides. Dialogue –Sound No dialogue,Music, gasp soundeffect (maybe). Edit/Lengthof Shot 5 to 10 seconds
- 2. ShotNo./Type of Shot/Camera Movement Shot4 Mid-to-Close Shot(notfrom the waistup,but not a close up of onlyherface) Dialogue –Sound No dialogue,Music,no soundeffects. Edit/Lengthof Shot 5 to 10 seconds ShotNo./Type of Shot/Camera Movement Shot5 Mid-to-Close Shot(similarto Shot4) Dialogue –Sound No dialogue,Music, consideringasound effectof herstartingto cry or panicking? Edit/Lengthof Shot 5 to 10 seconds ShotNo./Type of Shot/Camera Movement Shot6 Long Shot Dialogue –Sound No dialogue,Music, soundeffectof her beginningtorun (footsteps),some pantingtoo? (Undecided) Edit/Lengthof Shot 30 seconds