Music video script
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The document provides a shot-by-shot description of a music video over its 4 minute and 30 second runtime. It details how the camera perspective and number of people in shots change throughout the video to different people dancing in various locations. The video starts with a point-of-view shot of someone waking up and putting on music, before showing more people dancing together in the same room. It ends with a panoramic shot of the exhausted group asleep, zooming in on just the DJ still awake mixing music.
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The document is a script for a music video for the song "What's in your head" by Disclosure. It outlines 10 scenes over the course of 4 minutes that will depict a group of friends going out dancing, drinking, and deteriorating into a drunken state throughout the night. The final scene shows the group hungover the next morning reminiscing about the previous night. Mid shots, close ups, and stop motion images will be used to show the progression of events set to the song.
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Music video script_template[1]
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The document outlines a sequence of 6 shots for a film scene. Shot 1 is a 10 second close up tracking shot following a character as she runs. Shot 2 is a 30-60 second first person zooming shot of a safe space, including ambient sounds of birds and chatter. Shot 3 is a 5-10 second static first person shot as the character stops moving and retracts her arms, with a potential gasp sound effect. Shot 4 and 5 are 5-10 second mid-close shots of the character without sound effects. Shot 6 is a 30 second long shot with potential sound effects of footsteps and panting as the character begins to run again.
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The editing process involved several techniques to enhance the film. Fades and blurred effects were used for opening titles. Brightness and colors were adjusted to improve lighting. Reverb added to music made it sound like a small room. Rapid cuts built dramatic tension before a masked man entered. A scene was reversed and sped up before a gunshot to increase drama. A black and white filter made the final scene look more emotional. Running scenes were slowed to 40% speed. The film ended as titles faded to black while dramatic music faded out.
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Similar to Music video script
Music Video SCRIPT
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The document outlines a script for a music video featuring the song "Ganja Man" by Aphrodite. It describes 9 scenes that will make up the 3-minute video. The first scene shows someone entering a room with DJ equipment in the dark. Subsequent scenes include shots of the DJ mixing, someone spray painting the song title on a wall, people dancing to the music, and close-ups of the vinyl and turntables. The final scene splits the screen into four sections with different clips playing as the song fades out.
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All in the name 2st draft script by alex nesbit
The document is a music video script for the song "All in the Name" by the Janice Graham Band. The script involves the following key events in 3 sentences:
The video begins with an establishing shot of Strangeways Prison before cutting to the lead singer singing in his cell. Scenes then show each band member playing their instruments in their individual prison cells. The band members then set their cells on fire while continuing to perform, and walk down the prison corridor while it burns around them, ultimately escaping with their instruments as the prison goes up in flames behind them.
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The document is a music video script for the song "Jack Beats-Get Down" by Jack Dixon. It outlines 30 scenes from 0:00 to 3:44 that will make up the music video. The video will show a group of friends having a party, going to a club together where they dance and drink, and eventually connecting with another group at the club as the song plays. Text and graphics saying "JACK BEATS" will be incorporated throughout the video.
Music video script_first draft
The music video script outlines a series of shots showing a group of friends going out for a night of drinking and partying in a club. It begins with mid-shots of them socializing at home and on public transport as they make their way into town. Shots show them queuing to get into the club and buying drinks as the music plays. Later scenes use close-ups to show the group deteriorating into a drunken state. When the club closes, stop motion images depict a fight breaking out, and shots on the journey home show the aftermath. The video concludes with the friends feeling ill the next morning as they reminisce about the night.
4. pre production mv 2018
The music video will be shot to appear as a single continuous shot following the main character through his house as he tries to figure out what happened the night before. It will be graded blue to match the album art and have bright lighting during the day and darker lighting at night. The background will feature empty bottles and cans to indicate it is the morning after a party. The video will include freeze frames revealing events from the previous night and eventually rewind to the beginning with the character on the floor again.
Second draft of script
The document is a script for a music video for the song "All in the Name" by the artist Janice Graham Band. The script contains 7 scenes that will depict the band performing the song from inside a prison cell. It begins with a close-up of the lead singer's flaming eyes and then shows the prison from a distance before zooming in on the band. Later scenes show the singer setting the cell on fire and the band continuing to perform in the rain. Their cell doors are then shown flinging open as they walk down the prison corridor and escape. The final scene zooms into the front of the burning prison as a figure walks past a window.
Shot list
The document provides a breakdown of timecodes and descriptions of shots for a music video. It describes various shots ranging from wide shots of the full band to close ups of specific instruments and band members. There are also descriptions of clown characters interspersed throughout the video. A variety of camera angles are used including high, low, mid shots as well as pans, zooms, and quick cuts between band members and different scenes.
Final Script
After posting our first script, we have done a lot of planning and researching and have finally produced a final script. This will be used when we film our music video, and it should be extremely useful as it will be a guide for us when filming and selecting shots.
Timeline-Drown
This document provides a detailed shot-by-shot summary and analysis of a music video. It describes the various camera shots used, including close-ups of band members, shots of the audience, and effects used to symbolize elements of the song. Special effects are used throughout to create an abstract narrative, including a scene where the drummer transforms into a werewolf and is later exorcised. The video depicts the band performing in a hospital setting for patients dressed in white, and uses lighting and costume changes to contrast the formal band with the patients and develop the narrative.
My Music Video Timeline
This document provides a timeline for a music video. It describes each shot from 0:00 to 2:43, including shots of the band performing on stage, close-ups of different band members, the lead singer miming and running around various locations, and performance footage of the full band singing and playing their instruments. The timeline allows editing of the video together according to the described shots and their durations.
Music Video Script
This document provides a script for a music video. It outlines 8 scenes over 3 minutes and 33 seconds depicting an artist dealing with heartbreak and turmoil. The scenes include: 1) an intro with tracking shots of objects and the artist in a fetal position; 2) close-ups of the artist singing with pills and lace; 3) hands tearing lace and close-ups of tattoos and blood; 4) found footage overlays and home videos; and 5) scenes of the artist crying in the shower and composing herself. The script uses camera shots and angles, footage overlays, and lyrics to tell a story of relationship highs and lows through the artist's emotions and experiences.
Avicii hey brother final draft script - shauna leacy
This music video script is for the song "Hey Brother" by Avicii. It consists of 9 scenes showing a brother and sister reuniting after not seeing each other for a long time. The script outlines shots of the brother waiting at a train station and the sister getting off, then both walking around separately with their faces hidden. They eventually meet at an abandoned house, exchange pictures, and walk away together with the brother's arm around the sister. The final shot zooms out from the fireplace mantel displaying the pictures to a black fade as the song ends.
Avicii hey brother final draft script - shauna leacy
This music video script is for the song "Hey Brother" by Avicii. It consists of 9 scenes showing a brother and sister reuniting after not seeing each other for a long time. The script outlines shots of the brother waiting at a train station and the sister getting off, then both walking alone through town with their faces hidden. They eventually meet at an abandoned house, exchange pictures, then walk away together with the brother's arm around the sister. The final shot shows pictures on a fireplace before fading to black at the end of the song.
Music video script
The music video script describes shots that will be included in a music video for the song "Tsunami" by DVBBS & Borgeous. The script outlines six sections that will feature different camera shots between 0:00-3:06, including close-ups of the artists performing, medium shots of the dancing crowd, and long shots of the stage and venue from different angles. Throughout the performance sections, the artists will be shown wearing masks.
Music video script_template_update nov 2013
The document is a draft script for a music video for the song "why do you only call me when you're high" by Arctic Monkeys. The script includes 6 sections that will show flashbacks of a man's night out and his journey home intercut with shots of the band playing the song in a recording studio and on stage. It begins with an extreme closeup of a switch being turned on and ends by revisiting the switch being turned off as the music fades out. The script provides video and audio details to visualize the story and sync it with the song's lyrics.
Music video script_ final nicole
This document provides a script for a music video to accompany the song "Children" by Robert Miles. It details 7 scenes that will make up the 3-minute video, describing the shots that will be used and how they correspond to the tempo and rhythm of the song as it progresses. The video will tell a narrative of a man warming up and training intensely at the gym. It increases in pace along with the music, showing the man skipping, using exercise equipment, boxing, and ultimately sparring with another person by the end.
The Loud House -“Everybody Loves Leni” Excerpt
This document contains storyboard excerpts from multiple scenes involving characters like Leni, Fiona, and Jackie. In one scene, Leni hangs out with her friends and Fiona asks for dating advice. In another, Leni excuses herself to go to the bathroom and sings to herself. In a later scene, Fiona spots her "Smoothie Guy" crush at a cafe and Leni warns her to change tables.
Music video script
The music video script describes shots that will be included in a music video for the song "Tsunami" by DVBBS & Borgeous. The script outlines various camera shots between 0:00-3:06 that will show the artists setting up equipment and performing for a crowd at a venue. Many of the shots will cut between close-ups of the artists, long shots of the dancing crowd, and medium shots from different angles of the venue. The artists will be wearing masks in all performance shots.
Similar to Music video script (20)
Avicii hey brother final draft script - shauna leacy
Avicii hey brother final draft script - shauna leacy
Avicii hey brother final draft script - shauna leacy
Avicii hey brother final draft script - shauna leacy
More from Jack Dixon
Carrie Re-make Assignment
The document provides information about the 1976 film Carrie and the 2013 remake, directed by Brian De Palma and Kimberly Peirce respectively. It notes the directors, years of release, distributors, budgets and box office earnings of both films. The document also discusses Kimberly Peirce's reasons for remaking Carrie, including advances in technology and casting popular actors. Synergy between the films and related products is mentioned as a way to maximize profits.
Need for speed
The document discusses the marketing campaign for the movie Need For Speed. It describes how Aaron Paul, an actor in the movie, promoted it through interviews on the TV shows Top Gear and WWE Raw to appeal to different audiences interested in cars and sports entertainment. The campaign targeted male car enthusiasts aged 15-30 by featuring fast cars, women, and Aaron Paul across TV, posters, and related video games and toys. Test screenings with the target audience also provided feedback to improve the movie before its release.
Pr4 me my_movies (1)
The document discusses the author's preference for comedy films over other genres like action or horror. Some of the reasons provided are that comedy films often include references to other works, have big celebrity casts due to "star theory", and don't require complex storylines. Three comedy films are then summarized: The Hangover, Superbad, and Pulp Fiction. Concepts like intertextuality, reception theory, and active spectatorship are also defined in relation to how audiences engage with and interpret films.
Magazine front cover development
The document summarizes the process of designing a magazine front cover for a house music/clubbing magazine. The photographer took photos at a music festival with strobe lights and lasers that provided the perfect lighting effects. They chose a main cover photo that featured the crowd dancing, a DJ, and festival branding. For the masthead, they used a blue font to stand out against the purple cover photo, and designed it to relate to DJ culture by including backwards letters. Additional subheadings were added around the cover photo and masthead in coordinating colors to balance the layout.
Double Page Spread Analysis
The document summarizes the design choices made for a double-page magazine spread. The font colors match the front cover to maintain color scheme. One large picture was used to show the DJ, brand logo, and crowd enjoying the festival, suggesting it was a success. Conventional techniques like separating text into three columns and highlighting key quotes in a different color were employed to make the text easy to read. A black background was chosen to connote darkness and make images and text stand out.
Magazine front cover development
The document summarizes the process of designing a magazine front cover for a house music/clubbing magazine. The photographer took photos at a music festival with strobe lights and lasers that provided the perfect lighting effects. They chose a photo that featured the crowd dancing, a DJ, and festival branding to appeal to the target audience. For the cover design, they used purple and blue colors to match the main photo. They designed a masthead with the magazine name in a font that was easy to read. Additional subheadings were added around the photo to complete the front cover layout.
Blockbuster movie
Aaron Paul was featured on Top Gear and WWE RAW to promote the Need for Speed film. On Top Gear, Jeremy Clarkson interviewed Aaron about Breaking Bad and Need for Speed, helping to market the film to car fans as Top Gear has wide appeal. Aaron's appearance on WWE RAW also promoted the film to males interested in gaming and sports. Featuring Aaron Paul, already famous from Breaking Bad, on these popular shows was an effective promotional strategy due to Paul's appeal and the shows' alignment with the film's target demographic.
Blockbuster movie
Aaron Paul was chosen to promote the Need for Speed movie through appearances on Top Gear and WWE RAW. On Top Gear, Jeremy Clarkson interviewed Aaron about Breaking Bad and Need for Speed, which would attract Top Gear's audience to the film. Aaron's appearance on WWE RAW, a show with a mainly male audience, promoted the vehicles from Need for Speed. Aaron is considered a good choice to promote the film because of his popularity from Breaking Bad and his ability to appeal to both male audiences on shows like Top Gear and WWE as well as female audiences who find him attractive.
Final major project evaluation revisited
Jack Dixon created a music video for his final major project. He filmed scenes at a country park and music festival after his initial footage was poor quality. Editing challenges included syncing footage to the beat and speeding up clips. Feedback was positive from friends who found it funny, showing the intended humor was effective. While the final video differed from his original plan, it still targeted the desired demographic of students interested in house music and festivals. Through this project, Jack improved his skills with Adobe software, camerawork, and independent working.
Final major project evaluation full
1) For their final media project, the student produced a music video for the song "Bassline" by The GetAlongGang. They filmed outdoor scenes at a country park but the quality was poor, so they filmed additional footage at a music festival.
2) In editing the video, they trimmed clips and sequenced them to the song "Every Little Piece" by Hot Since 82. They added effects like split screens and layered clips to make it more interesting.
3) Although issues with the first filming caused changes from the original plan, the student believes the final video still appeals to its target demographic of students interested in house music, festivals, and clubbing. They received positive feedback, especially from friends
Location recognisance
The music video will be filmed primarily in the artist's bedroom, with additional footage recorded outdoors in Manchester at specific locations for scene 6, including underneath a train bridge, along a canal footpath, and at Clifton Country Park. Apart from scene 6, most of the video will use footage from the bedroom.
Meandmymovies 140513091424-phpapp01
Jack enjoys finding out about new movies online through trailers, reviews and recommendations on YouTube and social media. He discusses how active spectators can interpret films differently based on their background. Reception theory suggests reactions depend on factors like age, gender and class. Jack then summarizes three of his favorite movies - Fight Club, Pulp Fiction and Never Back Down - noting directors, years, genres and preferred audiences for each. He analyzes how each film uses or subverts typical codes and conventions.
Me and my Movies
The document discusses the author's preferences for action movies and analyzes some of the films they enjoy, including Fight Club, Never Back Down, and 300. The author finds the fighting scenes, characters, and mythology-inspired settings appealing. They value plot twists and avoid predictable stories. Intertextuality from Greek mythology encourages watching, as in 300. Stars can influence viewing, and genres are followed. Analysis of film trailers, reception theory, and active spectatorship are discussed as frameworks to understand movies.
Manual camera settings1
Aperture determines the amount of light that reaches the camera sensor, with smaller apertures resulting in larger depth of field but slower shutter speeds. Shutter speed determines how long the camera's shutter is open, with longer shutter speeds allowing more movement to be captured but shorter shutter speeds providing more clarity. ISO measures the light sensitivity of the image sensor, with higher ISO numbers producing grainier images but being more sensitive to light.
Studio booking sheet
Jack Dixon booked studio time on May 19th, 2014 at 11:46 for a voiceover session. The voiceover artists scheduled were Jack Dixon, Ben Holmes, and Joe Hayes. The studio manager overseeing the booking was Damen Bramwell.
Sound editing sanke ys
By manipulating a 30-second music clip from a song through changing filter effects, adding fade in/fade out effects, and distorting the clip to sound like it was playing on a radio, the document summarizes how the author edited a song clip to avoid copyright infringement by making the clip unrecognizable from the original song.
Final major project_production_diary
This document outlines the progress made over several months on a BTEC Extended Diploma in Creative Media Production final major project to create a music video. It describes choosing a song, creating proposal documents, scripts, storyboards, filming at a music festival, and editing the raw footage. Contingency plans are mentioned in case of problems with equipment availability. The progress updates conclude with fully editing the music video, uploading it to YouTube, and writing a evaluation of the final project.
Me and my movies
This document discusses Jack Dixon's favorite movies and how he finds out about new films. He uses YouTube to watch trailers and reviews and finds recommended videos on the site helpful. Social media and TV ads also inform him of new releases. The document then analyzes three of Jack's favorite movies - Fight Club, Pulp Fiction, and Never Back Down - summarizing the plots and discussing themes, target demographics, and how the films use or subvert typical codes and conventions of their genres.
Photos for a purpose
The document discusses photos taken for a poster advertising a used musical products store. It aims to give the images an old, vintage effect to match the store's used items. The target audience is mainly students looking for affordable equipment. Three images were edited - one used a fish eye lens to draw attention, another was made black and white for an antique look, and a third featured visible speakers. Rejected images did not follow composition rules or have a used, vintage style. The edited images are deemed suitable to visually attract the target audience of music lovers and students to the store.
Photos for a purpose
The document discusses photos taken for a poster advertising a used musical products store. It aims to give the images an old, vintage effect to match the store's used items. Several photos were edited to enhance subjects and give an antique look using effects like black and white, fish eye lens, and monochrome. The best images followed photographic rules like rule of thirds and had clear subjects that depicted used musical instruments in good condition to appeal to the target audience of students and antique collectors. Some photos were rejected for showing modern elements or subjects only partially in frame.
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Music video script
- 1. Jack Dixon Video Title:Gotsome feat. Get Along Gang- Bassline VIDEO AUDIO LYRICS / NARRATION / MUSIC / FX 1. 2. 3. 4. 5. 0:00 – 0:30–Video starts with plain black screen followed by a point of view of eyes opening showing a bedroom. Still using POV the person gets up, walks over to a desk and turns on laptop and DJ Decks. Screen then fades into next shot. 0:00 – 0:30 Gotsomefeat. Get 0:30 – 1:00 – Scene opens in the same bedroom using a mid-shot. There are now 2 people stood at the desk bopping their heads to the beat. The screen flashes black and then more people are in the room. 0:30 – 1:00 Gotsome feat. Get 1:00 – 1:30 – Now that there is more people in the room the camera switches to a high angle shot looking down on at the people dancing, when the music drops the screen will flash and there will be just one person dancing in the room. 1:00 – 1:30 Gotsome feat. Get 1:30 – 2:00 –Still in high angle shot the person dancing will be shown dancing for 15 seconds and then the screen will flash again, there will now be a different person dancing and the camera will be at a low angle. 1:30 – 2:00 Gotsome feat. Get 2:00 – 2:30–When there is a break in the music the shot will be an over the shoulder shot of the DJ mixing on the decks, this footage will be slightly transparent. There will be footage of people sitting down relaxing visible through the mixing footage filmed in long shot. 2:00 – 2:30 Gotsome feat. Get Along Gang Bassline Yawn from character Along Gang Bassline Along Gang Bassline Along Gang Bassline Along Gang Bassline
- 2. Jack Dixon VIDEO AUDIO LYRICS / NARRATION / MUSIC / FX 6. 7. 8. 2:30 – 3:30 –This scene will have the screen split into 4 sections all showing different people dancing in different locations using mid and long shots. The sections will change every 20 seconds or so. 2:30 – 3:30 Gotsome feat. Get 3:30 – 4:00–The screen is now split into 2 instead of 4, one side will show the group dancing in a room using long shot and the other half will show the DJ mixing from a high angle. 3:30 – 4:00 Gotsome feat. Get 4:00 – 4:30 –The music video will end with a pan shot of the group lay asleep looking exhausted in a room, some will be on the floor others on couches. The camera will then zoom in on the DJ who will be sat in the middle of all of this still awake with headphones on. 4:00 – 4:30 Gotsome feat. Get Along Gang Bassline Along Gang Bassline Along Gang Bassline Yawn from character