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1. Shot List
Shot
Number
Shot Type Camera Movement Location Music/Lyrics Detail
1 TextIn Frame None None Firstbar of intro Textreads:‘VelvetJonesExclusive’
2 Wide shot Static(sped-up) Hall Secondbar of into Oscar walksupthe steps
Footage spedup to fittiming
3 Low-angle
shot
Static Hall ‘I’ma-‘ Oscar beginsspeech
As he bringshanddown,cuts to nextshot
4 Close-up Static Hall ‘Slag’ Hand bangson lectern
5 Mediumshot Static Hall ‘I’ma dropout,I’ma-‘
‘I’ve seenthe kindof things-‘
PresentedasTV footage
BBC Newsoverlay
Lip-syncing
6 Long shot Pan across people Hall ‘Dirtylittle stopout’ Audience lookonashe speaks
7 Close-up Handheld Hall ‘That you’ll neversee’ Facingspotlightashe speaks
Createspartial silhouette
8 Medium
close-up
Track leftto followOscar Hall ‘Give me some-‘ Shotstays on Oscar’sfeetashe walks
Can be timestretchedtofitbeat
9 Long shot Static Hall (backstage) ‘Reasonswhy’ As he comesoffstage,he iscongratulated
backstage byAndy
10 Low-angle
shot
Static Hall (backstage) ‘Your weekends’ We lookupat Oscar fromunderneaththe
phone as he texts
11 Close-up Zoomon phone Hall (backstage) ‘Seemsoboring’ We see the textonthe screen
‘Notworkingout,it’sover’
12 Close-up Zoomout My house ‘as your’ Graphic match to the same message on
Georgia’sphone
13 Long shot Dollyaroundfromprevious
shot
My house ‘mindslowlysoaksup’ As we come out fromthe phone,the camera
movesaroundto face Georgiafromthe front
of the sofa
14 Low-angle
shot
Slowzoomon Georgia My house ‘daytime TV’
‘I’ma’
She looksslightlyshockedatthe phone in
firstpart
In secondpart she beginstothrowthe
phone inanger
15 Close-up Static My house Beat 1 of interlude Wine glasson table
16 Long shot Static My house ‘Slut,andI’m washedup-‘ Match onaction on beatfromphone being
thrown
2. 17 Wide shot Zoom(sped-up) Sixthformcorridor ‘Fromthe age that […]
suburbandreams’
Georgiastandsstill aspeople move around
her
18 Long shot Zoomon Georgia My house ‘sendme’
Snare shot before pre-chorus
She iswatchingJones’speechonTV in first
part
In secondpart,she getsup before matchon
actionto trackingshot
19 Mediumshot Zoomon TV My house ‘a postcard’
‘give me something’
Oscar lip-syncswordsinTV interview
20 Close-up Static My house ‘witha lifestyle’ Shotfrom side of phone asshe scrolls
throughTwitter
21 Extreme
close-up
Static My house ‘recommended’ We see TwitterstatusespraisingJones,
sayinghe couldbe PM
She scrolls through
22 Extreme
close-up
Dollyrightacross headlineon
TV screen
My house ‘funnytoread’ BBC Newsoverlay,textreads‘JonesTipped
For PMRole’
23 Low-angle
shot
Track Georgia as she walksto
computer
My house ‘I’ll digoutyour pastand screw
you’
She lip-syncswordsasshe walks
24 Close-up Static My house (study) ‘Findingout’ From behindthe computer,we see Georgia’s
eyesflashingacrossscreen
25 Close-up Static My house (study) ‘these’
‘fromdistant’
From the side of the keyboard,Georgia types
furiously
26 Bird’seye
shot
Static My house (study) ‘thingsa-‘
‘lovers’
Above the keyboardasshe types
27 Screen-
capture
Track mouse across screen My house (study) ‘boutyou’
‘A and other’
Focuson words‘A and other’onscreen
28 Extreme
close-up
Static My house (study) ‘powerof truth’ Georgia’seyesastheylookacrossscreen
29 Close-up Static My house (study) ‘paidforliesby’ Georgiawritesona flippad
30 Long shot Dollyacrossdesk,fade into
nextshot
My house ‘False pretense there were no
other’
She ison the phone ather table toa
journalist,lip-syncs
31 Long shot Dollyfrompreviousshotacross
journalist’sdesk,fade intonext
shot
Music Technology ‘circumstance of a perfect
mother’
Journalistlistensandlip-syncs
3. 32 Mediumshot Zoomon journalists Music Technology ‘justone flashto expose your
cover’
Editorleansoverjournalist’sshoulderwhen
creatingpapercover
33 Bird’seye Zoom Streetoutside
house
‘andI’m’ Paperfallsonfloor,saying‘Exclusive:
TwistedJones’
34 Mediumshot Static Dad’shouse ‘ex’ Cameofromoriginal band’sdrummer
He readsthe paper
35 Mediumshot Static SFC1 (classroom) ‘clu’ Two school studentslaughata computer
screen,presumablywiththe storyonit
36 Long shot Zoomon table withmen
aroundit
Local café ‘sive’ Jonesandco are havinglunch/coffee
One noticesthe storyon hisphone
37 Close-up Static Local café Betweenchorusandverse 2 He showsthe phone toJones
38 Extreme
close-up
Static(handheld) Oscar’s house ‘you’re aslag’ Close-uponOscar’smouthas he talkson the
phone toGeorgia
Lip-synced
39 Long shot Static Oscar’s house ‘you’re adropout,you’re a-‘ From outside adoor,Oscar walksinand out
of shotas he talkson the phone
40 Mediumshot Static Oscar’s house ‘dirtylittle stopout’ He isabout to lip-sync
He seemstohearsomethingatthe door and
bringsthe phone awayfromhis ear
41 Long shot Static Oscar’s house ‘yourpast keepsdroppinginto
say hello’
He goesto the door andopensitto
reporters
42 High-angle
shot
Static(pull-focusfromOscarto
TV)
Oscar’s house Interlude He goesback to lounge
He looksoverat TV,showingstatic
43 Mediumshot Static Oscar’s house ‘I’ve gotmy reasons’
‘Anytime you’ll giveme ago’
In bothparts, Georgiais lip-syncingona TV
interview
44 Long shot Zoomon Oscar Oscar’s house ‘WhyI’ll try and commithigh
treason’
He watchesinhorror
45 Long shot Zoomon conversation
betweenOscarandAndy
Corridornear
languagesoffices
‘Screwyou’
‘Boutyou’
In bothparts, we are movingcloserdown
the corridor to Oscar gettingfiredbyAndy
4. 46 Long shot Static Hall ‘I’ll digoutyour pastand-‘
‘Findingoutthese thingsa-‘
‘Powerof truthfrom distant
lovers,paidforliesbyA and
other’
Georgiagivingspeechinsame BBCNews
format
Lip-syncing
47 Mediumshot Static Three Tuns/Cider
Pantry
‘False pretense […] toexpose
your cover’
Oscar is drunkenlyshoutinginthe bar
48 Close-up Handheld Three Tuns/Cider
Pantry
‘And’ Drinkon table
49 Close-up Handheld Three Tuns/Cider
Pantry
‘I’m’ Beertaps
50 Long shot Static Three Tuns/Cider
Pantry
‘Exclusive’ He squaresupto a large manand isabout to
throwa punchbefore we cutto images
51 Photos Freeze-frames Three Tuns/Cider
Pantry
Instrumental All photosof fightsinprogress,takenwith
flash
52 Mediumshot Track Oscar beingledoutof
pub
Three Tuns/Cider
Pantry
‘AndI’mexclusive’ Oscar carriedout by bar staff
We followinover-shouldershot
53 Long shot Static Three Tuns/Cider
Pantry(outside)
Final note of chorus He hitsthe groundas the chorusends
We see itfromoutside the pub
54 High-angle Static Three Tuns/Cider
Pantry(outside)
Otherinstrumentsfade
out/Justbefore guitarre-enters
Mylescomesand standsoverhim
As he pullshimup,matchon action to Oscar
wakingup
55 Close-up Static(pull-focusfromMylesto
hand)
Three Tuns/Cider
Pantry(outside)
Drums solo Mylesreachesouta handto Oscar
56 Mediumshot
(longtake)
Track Oscar throughto boxing
match intofollowingshot
Garage
(backroom)
Guitar begins Oscar wakesupin sweat,psychshimself
before walkingintoothersectionof garage
57 Highangle Static Garage The final frame of trackingshot
The two fightersinringreadyto fight
58 Close-up Dollyaroundon faces,tracking
movements
Garage Otherinstrumentsenter Theymove aroundreadyto throw punches
Both throwand missbefore MatthitsOscar
59 Mediumshot Track Oscar to chairafterbeing
hit
Garage Drums getlouder Oscar stumblesback
Chairplacedbehindhim
60 Extreme
close-up
Static Garage Louderdrumscontinue He sitsdazedas coach and audience psych
himup for the restof the fight
61 Close-up Static Garage Louderdrumscontinue Matt’s face is Georgia’sfora second
5. 62 Long shot DollypastMatt’s shoulderas
Oscar comesto hit
Garage Distortedguitarenters Oscar getsup and drawspunch
Cut justbefore hit
63 Long shot Static(slow-motion) Garage Full chorusbegins
‘Soyou thinkyou’ve gotit
sortednow’
Matt hiton side of face
Use iPhone forshot
64 Mediumshot Static(slow-motion) Garage ‘You thinkyou’ve gotit’ Matt liftedoff feetbysecondpunch
65 Long shot Pan upto Oscar stood over
Matt
Garage ‘all’ He landsonfloor
We go upto Oscar’s face as he looksdown
66 Mediumshot Handheld Garage ‘all.Youthinkyou’ve gotit’ He isliftedup
Insertof Georgia’sspeech
67 Long shot Handhelduntil freeze-frameto
finish
Garage ‘all’ He punchesairand the shotfreezes
Key
Boxingsequence
Pubsequence
Hall scenes
Scenesat Deborah’shouse
Scenesat Jones’house
Café sequence
Newsroomscenes