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Shot List
Shot
Number
Shot Type Camera Movement Location Music/Lyrics Detail
1 TextIn Frame None None Firstbar of intro Textreads:‘VelvetJonesExclusive’
2 Wide shot Static(sped-up) Hall Secondbar of into  Oscar walksupthe steps
 Footage spedup to fittiming
3 Low-angle
shot
Static Hall ‘I’ma-‘  Oscar beginsspeech
 As he bringshanddown,cuts to nextshot
4 Close-up Static Hall ‘Slag’  Hand bangson lectern
5 Mediumshot Static Hall ‘I’ma dropout,I’ma-‘
‘I’ve seenthe kindof things-‘
 PresentedasTV footage
 BBC Newsoverlay
 Lip-syncing
6 Long shot Pan across people Hall ‘Dirtylittle stopout’  Audience lookonashe speaks
7 Close-up Handheld Hall ‘That you’ll neversee’  Facingspotlightashe speaks
 Createspartial silhouette
8 Medium
close-up
Track leftto followOscar Hall ‘Give me some-‘  Shotstays on Oscar’sfeetashe walks
 Can be timestretchedtofitbeat
9 Long shot Static Hall (backstage) ‘Reasonswhy’  As he comesoffstage,he iscongratulated
backstage byAndy
10 Low-angle
shot
Static Hall (backstage) ‘Your weekends’  We lookupat Oscar fromunderneaththe
phone as he texts
11 Close-up Zoomon phone Hall (backstage) ‘Seemsoboring’  We see the textonthe screen
 ‘Notworkingout,it’sover’
12 Close-up Zoomout My house ‘as your’  Graphic match to the same message on
Georgia’sphone
13 Long shot Dollyaroundfromprevious
shot
My house ‘mindslowlysoaksup’  As we come out fromthe phone,the camera
movesaroundto face Georgiafromthe front
of the sofa
14 Low-angle
shot
Slowzoomon Georgia My house ‘daytime TV’
‘I’ma’
 She looksslightlyshockedatthe phone in
firstpart
 In secondpart she beginstothrowthe
phone inanger
15 Close-up Static My house Beat 1 of interlude  Wine glasson table
16 Long shot Static My house ‘Slut,andI’m washedup-‘  Match onaction on beatfromphone being
thrown
17 Wide shot Zoom(sped-up) Sixthformcorridor ‘Fromthe age that […]
suburbandreams’
 Georgiastandsstill aspeople move around
her
18 Long shot Zoomon Georgia My house ‘sendme’
Snare shot before pre-chorus
 She iswatchingJones’speechonTV in first
part
 In secondpart,she getsup before matchon
actionto trackingshot
19 Mediumshot Zoomon TV My house ‘a postcard’
‘give me something’
 Oscar lip-syncswordsinTV interview
20 Close-up Static My house ‘witha lifestyle’  Shotfrom side of phone asshe scrolls
throughTwitter
21 Extreme
close-up
Static My house ‘recommended’  We see TwitterstatusespraisingJones,
sayinghe couldbe PM
 She scrolls through
22 Extreme
close-up
Dollyrightacross headlineon
TV screen
My house ‘funnytoread’  BBC Newsoverlay,textreads‘JonesTipped
For PMRole’
23 Low-angle
shot
Track Georgia as she walksto
computer
My house ‘I’ll digoutyour pastand screw
you’
 She lip-syncswordsasshe walks
24 Close-up Static My house (study) ‘Findingout’  From behindthe computer,we see Georgia’s
eyesflashingacrossscreen
25 Close-up Static My house (study) ‘these’
‘fromdistant’
 From the side of the keyboard,Georgia types
furiously
26 Bird’seye
shot
Static My house (study) ‘thingsa-‘
‘lovers’
 Above the keyboardasshe types
27 Screen-
capture
Track mouse across screen My house (study) ‘boutyou’
‘A and other’
 Focuson words‘A and other’onscreen
28 Extreme
close-up
Static My house (study) ‘powerof truth’  Georgia’seyesastheylookacrossscreen
29 Close-up Static My house (study) ‘paidforliesby’  Georgiawritesona flippad
30 Long shot Dollyacrossdesk,fade into
nextshot
My house ‘False pretense there were no
other’
 She ison the phone ather table toa
journalist,lip-syncs
31 Long shot Dollyfrompreviousshotacross
journalist’sdesk,fade intonext
shot
Music Technology ‘circumstance of a perfect
mother’
 Journalistlistensandlip-syncs
32 Mediumshot Zoomon journalists Music Technology ‘justone flashto expose your
cover’
 Editorleansoverjournalist’sshoulderwhen
creatingpapercover
33 Bird’seye Zoom Streetoutside
house
‘andI’m’  Paperfallsonfloor,saying‘Exclusive:
TwistedJones’
34 Mediumshot Static Dad’shouse ‘ex’  Cameofromoriginal band’sdrummer
 He readsthe paper
35 Mediumshot Static SFC1 (classroom) ‘clu’  Two school studentslaughata computer
screen,presumablywiththe storyonit
36 Long shot Zoomon table withmen
aroundit
Local café ‘sive’  Jonesandco are havinglunch/coffee
 One noticesthe storyon hisphone
37 Close-up Static Local café Betweenchorusandverse 2  He showsthe phone toJones
38 Extreme
close-up
Static(handheld) Oscar’s house ‘you’re aslag’  Close-uponOscar’smouthas he talkson the
phone toGeorgia
 Lip-synced
39 Long shot Static Oscar’s house ‘you’re adropout,you’re a-‘  From outside adoor,Oscar walksinand out
of shotas he talkson the phone
40 Mediumshot Static Oscar’s house ‘dirtylittle stopout’  He isabout to lip-sync
 He seemstohearsomethingatthe door and
bringsthe phone awayfromhis ear
41 Long shot Static Oscar’s house ‘yourpast keepsdroppinginto
say hello’
 He goesto the door andopensitto
reporters
42 High-angle
shot
Static(pull-focusfromOscarto
TV)
Oscar’s house Interlude  He goesback to lounge
 He looksoverat TV,showingstatic
43 Mediumshot Static Oscar’s house ‘I’ve gotmy reasons’
‘Anytime you’ll giveme ago’
 In bothparts, Georgiais lip-syncingona TV
interview
44 Long shot Zoomon Oscar Oscar’s house ‘WhyI’ll try and commithigh
treason’
 He watchesinhorror
45 Long shot Zoomon conversation
betweenOscarandAndy
Corridornear
languagesoffices
‘Screwyou’
‘Boutyou’
 In bothparts, we are movingcloserdown
the corridor to Oscar gettingfiredbyAndy
46 Long shot Static Hall ‘I’ll digoutyour pastand-‘
‘Findingoutthese thingsa-‘
‘Powerof truthfrom distant
lovers,paidforliesbyA and
other’
 Georgiagivingspeechinsame BBCNews
format
 Lip-syncing
47 Mediumshot Static Three Tuns/Cider
Pantry
‘False pretense […] toexpose
your cover’
 Oscar is drunkenlyshoutinginthe bar
48 Close-up Handheld Three Tuns/Cider
Pantry
‘And’  Drinkon table
49 Close-up Handheld Three Tuns/Cider
Pantry
‘I’m’  Beertaps
50 Long shot Static Three Tuns/Cider
Pantry
‘Exclusive’  He squaresupto a large manand isabout to
throwa punchbefore we cutto images
51 Photos Freeze-frames Three Tuns/Cider
Pantry
Instrumental  All photosof fightsinprogress,takenwith
flash
52 Mediumshot Track Oscar beingledoutof
pub
Three Tuns/Cider
Pantry
‘AndI’mexclusive’  Oscar carriedout by bar staff
 We followinover-shouldershot
53 Long shot Static Three Tuns/Cider
Pantry(outside)
Final note of chorus  He hitsthe groundas the chorusends
 We see itfromoutside the pub
54 High-angle Static Three Tuns/Cider
Pantry(outside)
Otherinstrumentsfade
out/Justbefore guitarre-enters
 Mylescomesand standsoverhim
 As he pullshimup,matchon action to Oscar
wakingup
55 Close-up Static(pull-focusfromMylesto
hand)
Three Tuns/Cider
Pantry(outside)
Drums solo  Mylesreachesouta handto Oscar
56 Mediumshot
(longtake)
Track Oscar throughto boxing
match intofollowingshot
Garage
(backroom)
Guitar begins  Oscar wakesupin sweat,psychshimself
before walkingintoothersectionof garage
57 Highangle Static Garage  The final frame of trackingshot
 The two fightersinringreadyto fight
58 Close-up Dollyaroundon faces,tracking
movements
Garage Otherinstrumentsenter  Theymove aroundreadyto throw punches
 Both throwand missbefore MatthitsOscar
59 Mediumshot Track Oscar to chairafterbeing
hit
Garage Drums getlouder  Oscar stumblesback
 Chairplacedbehindhim
60 Extreme
close-up
Static Garage Louderdrumscontinue  He sitsdazedas coach and audience psych
himup for the restof the fight
61 Close-up Static Garage Louderdrumscontinue  Matt’s face is Georgia’sfora second
62 Long shot DollypastMatt’s shoulderas
Oscar comesto hit
Garage Distortedguitarenters  Oscar getsup and drawspunch
 Cut justbefore hit
63 Long shot Static(slow-motion) Garage Full chorusbegins
‘Soyou thinkyou’ve gotit
sortednow’
 Matt hiton side of face
 Use iPhone forshot
64 Mediumshot Static(slow-motion) Garage ‘You thinkyou’ve gotit’  Matt liftedoff feetbysecondpunch
65 Long shot Pan upto Oscar stood over
Matt
Garage ‘all’  He landsonfloor
 We go upto Oscar’s face as he looksdown
66 Mediumshot Handheld Garage ‘all.Youthinkyou’ve gotit’  He isliftedup
 Insertof Georgia’sspeech
67 Long shot Handhelduntil freeze-frameto
finish
Garage ‘all’  He punchesairand the shotfreezes
Key
Boxingsequence
Pubsequence
Hall scenes
Scenesat Deborah’shouse
Scenesat Jones’house
Café sequence
Newsroomscenes

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Shot list

  • 1. Shot List Shot Number Shot Type Camera Movement Location Music/Lyrics Detail 1 TextIn Frame None None Firstbar of intro Textreads:‘VelvetJonesExclusive’ 2 Wide shot Static(sped-up) Hall Secondbar of into  Oscar walksupthe steps  Footage spedup to fittiming 3 Low-angle shot Static Hall ‘I’ma-‘  Oscar beginsspeech  As he bringshanddown,cuts to nextshot 4 Close-up Static Hall ‘Slag’  Hand bangson lectern 5 Mediumshot Static Hall ‘I’ma dropout,I’ma-‘ ‘I’ve seenthe kindof things-‘  PresentedasTV footage  BBC Newsoverlay  Lip-syncing 6 Long shot Pan across people Hall ‘Dirtylittle stopout’  Audience lookonashe speaks 7 Close-up Handheld Hall ‘That you’ll neversee’  Facingspotlightashe speaks  Createspartial silhouette 8 Medium close-up Track leftto followOscar Hall ‘Give me some-‘  Shotstays on Oscar’sfeetashe walks  Can be timestretchedtofitbeat 9 Long shot Static Hall (backstage) ‘Reasonswhy’  As he comesoffstage,he iscongratulated backstage byAndy 10 Low-angle shot Static Hall (backstage) ‘Your weekends’  We lookupat Oscar fromunderneaththe phone as he texts 11 Close-up Zoomon phone Hall (backstage) ‘Seemsoboring’  We see the textonthe screen  ‘Notworkingout,it’sover’ 12 Close-up Zoomout My house ‘as your’  Graphic match to the same message on Georgia’sphone 13 Long shot Dollyaroundfromprevious shot My house ‘mindslowlysoaksup’  As we come out fromthe phone,the camera movesaroundto face Georgiafromthe front of the sofa 14 Low-angle shot Slowzoomon Georgia My house ‘daytime TV’ ‘I’ma’  She looksslightlyshockedatthe phone in firstpart  In secondpart she beginstothrowthe phone inanger 15 Close-up Static My house Beat 1 of interlude  Wine glasson table 16 Long shot Static My house ‘Slut,andI’m washedup-‘  Match onaction on beatfromphone being thrown
  • 2. 17 Wide shot Zoom(sped-up) Sixthformcorridor ‘Fromthe age that […] suburbandreams’  Georgiastandsstill aspeople move around her 18 Long shot Zoomon Georgia My house ‘sendme’ Snare shot before pre-chorus  She iswatchingJones’speechonTV in first part  In secondpart,she getsup before matchon actionto trackingshot 19 Mediumshot Zoomon TV My house ‘a postcard’ ‘give me something’  Oscar lip-syncswordsinTV interview 20 Close-up Static My house ‘witha lifestyle’  Shotfrom side of phone asshe scrolls throughTwitter 21 Extreme close-up Static My house ‘recommended’  We see TwitterstatusespraisingJones, sayinghe couldbe PM  She scrolls through 22 Extreme close-up Dollyrightacross headlineon TV screen My house ‘funnytoread’  BBC Newsoverlay,textreads‘JonesTipped For PMRole’ 23 Low-angle shot Track Georgia as she walksto computer My house ‘I’ll digoutyour pastand screw you’  She lip-syncswordsasshe walks 24 Close-up Static My house (study) ‘Findingout’  From behindthe computer,we see Georgia’s eyesflashingacrossscreen 25 Close-up Static My house (study) ‘these’ ‘fromdistant’  From the side of the keyboard,Georgia types furiously 26 Bird’seye shot Static My house (study) ‘thingsa-‘ ‘lovers’  Above the keyboardasshe types 27 Screen- capture Track mouse across screen My house (study) ‘boutyou’ ‘A and other’  Focuson words‘A and other’onscreen 28 Extreme close-up Static My house (study) ‘powerof truth’  Georgia’seyesastheylookacrossscreen 29 Close-up Static My house (study) ‘paidforliesby’  Georgiawritesona flippad 30 Long shot Dollyacrossdesk,fade into nextshot My house ‘False pretense there were no other’  She ison the phone ather table toa journalist,lip-syncs 31 Long shot Dollyfrompreviousshotacross journalist’sdesk,fade intonext shot Music Technology ‘circumstance of a perfect mother’  Journalistlistensandlip-syncs
  • 3. 32 Mediumshot Zoomon journalists Music Technology ‘justone flashto expose your cover’  Editorleansoverjournalist’sshoulderwhen creatingpapercover 33 Bird’seye Zoom Streetoutside house ‘andI’m’  Paperfallsonfloor,saying‘Exclusive: TwistedJones’ 34 Mediumshot Static Dad’shouse ‘ex’  Cameofromoriginal band’sdrummer  He readsthe paper 35 Mediumshot Static SFC1 (classroom) ‘clu’  Two school studentslaughata computer screen,presumablywiththe storyonit 36 Long shot Zoomon table withmen aroundit Local café ‘sive’  Jonesandco are havinglunch/coffee  One noticesthe storyon hisphone 37 Close-up Static Local café Betweenchorusandverse 2  He showsthe phone toJones 38 Extreme close-up Static(handheld) Oscar’s house ‘you’re aslag’  Close-uponOscar’smouthas he talkson the phone toGeorgia  Lip-synced 39 Long shot Static Oscar’s house ‘you’re adropout,you’re a-‘  From outside adoor,Oscar walksinand out of shotas he talkson the phone 40 Mediumshot Static Oscar’s house ‘dirtylittle stopout’  He isabout to lip-sync  He seemstohearsomethingatthe door and bringsthe phone awayfromhis ear 41 Long shot Static Oscar’s house ‘yourpast keepsdroppinginto say hello’  He goesto the door andopensitto reporters 42 High-angle shot Static(pull-focusfromOscarto TV) Oscar’s house Interlude  He goesback to lounge  He looksoverat TV,showingstatic 43 Mediumshot Static Oscar’s house ‘I’ve gotmy reasons’ ‘Anytime you’ll giveme ago’  In bothparts, Georgiais lip-syncingona TV interview 44 Long shot Zoomon Oscar Oscar’s house ‘WhyI’ll try and commithigh treason’  He watchesinhorror 45 Long shot Zoomon conversation betweenOscarandAndy Corridornear languagesoffices ‘Screwyou’ ‘Boutyou’  In bothparts, we are movingcloserdown the corridor to Oscar gettingfiredbyAndy
  • 4. 46 Long shot Static Hall ‘I’ll digoutyour pastand-‘ ‘Findingoutthese thingsa-‘ ‘Powerof truthfrom distant lovers,paidforliesbyA and other’  Georgiagivingspeechinsame BBCNews format  Lip-syncing 47 Mediumshot Static Three Tuns/Cider Pantry ‘False pretense […] toexpose your cover’  Oscar is drunkenlyshoutinginthe bar 48 Close-up Handheld Three Tuns/Cider Pantry ‘And’  Drinkon table 49 Close-up Handheld Three Tuns/Cider Pantry ‘I’m’  Beertaps 50 Long shot Static Three Tuns/Cider Pantry ‘Exclusive’  He squaresupto a large manand isabout to throwa punchbefore we cutto images 51 Photos Freeze-frames Three Tuns/Cider Pantry Instrumental  All photosof fightsinprogress,takenwith flash 52 Mediumshot Track Oscar beingledoutof pub Three Tuns/Cider Pantry ‘AndI’mexclusive’  Oscar carriedout by bar staff  We followinover-shouldershot 53 Long shot Static Three Tuns/Cider Pantry(outside) Final note of chorus  He hitsthe groundas the chorusends  We see itfromoutside the pub 54 High-angle Static Three Tuns/Cider Pantry(outside) Otherinstrumentsfade out/Justbefore guitarre-enters  Mylescomesand standsoverhim  As he pullshimup,matchon action to Oscar wakingup 55 Close-up Static(pull-focusfromMylesto hand) Three Tuns/Cider Pantry(outside) Drums solo  Mylesreachesouta handto Oscar 56 Mediumshot (longtake) Track Oscar throughto boxing match intofollowingshot Garage (backroom) Guitar begins  Oscar wakesupin sweat,psychshimself before walkingintoothersectionof garage 57 Highangle Static Garage  The final frame of trackingshot  The two fightersinringreadyto fight 58 Close-up Dollyaroundon faces,tracking movements Garage Otherinstrumentsenter  Theymove aroundreadyto throw punches  Both throwand missbefore MatthitsOscar 59 Mediumshot Track Oscar to chairafterbeing hit Garage Drums getlouder  Oscar stumblesback  Chairplacedbehindhim 60 Extreme close-up Static Garage Louderdrumscontinue  He sitsdazedas coach and audience psych himup for the restof the fight 61 Close-up Static Garage Louderdrumscontinue  Matt’s face is Georgia’sfora second
  • 5. 62 Long shot DollypastMatt’s shoulderas Oscar comesto hit Garage Distortedguitarenters  Oscar getsup and drawspunch  Cut justbefore hit 63 Long shot Static(slow-motion) Garage Full chorusbegins ‘Soyou thinkyou’ve gotit sortednow’  Matt hiton side of face  Use iPhone forshot 64 Mediumshot Static(slow-motion) Garage ‘You thinkyou’ve gotit’  Matt liftedoff feetbysecondpunch 65 Long shot Pan upto Oscar stood over Matt Garage ‘all’  He landsonfloor  We go upto Oscar’s face as he looksdown 66 Mediumshot Handheld Garage ‘all.Youthinkyou’ve gotit’  He isliftedup  Insertof Georgia’sspeech 67 Long shot Handhelduntil freeze-frameto finish Garage ‘all’  He punchesairand the shotfreezes Key Boxingsequence Pubsequence Hall scenes Scenesat Deborah’shouse Scenesat Jones’house Café sequence Newsroomscenes