Stereoscopic 3D Terminology for Beginners
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Feature film producer David Nicksay most recently served as an executive producer for films such as Birth of the Dragon and Justin Bieber: Never Say Never 3D. David Nicksay has worked with Cameron Pace Group on several occasions, learning the techniques behind 3D stereoscopic filmmaking.
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This document discusses the basic principles of stereoscopic 3D, including:
- Stereoscopic 3D aims to replicate our binocular vision by using two cameras to capture separate images from slightly different angles.
- When viewed with the correct glasses or display, the brain fuses these two images to perceive depth.
- Variables like interaxial distance, convergence, and screen parallax determine how objects appear in the 3D space.
- Both shooting and post-production require careful consideration of various factors like alignment, color matching, and depth continuity to avoid visual errors and discomfort.
Stereoscopic 3D Filmmaking: An Introduction
Have you ever wondered how a 3D film is created? Learn the basics of how Stereoscopic 3D footage and imagery can be created in this introduction to Stereo 3D. This includes details of how our eyes work when viewing 3D, 2D depth cues and how to capture and view 3D images. Includes links to extensive online resources.
3D Technology in the cinema and at home (Samantha Lusby Report )
This document provides an overview of 3D technology in cinema and at home. It begins with a brief history of 3D, noting some early pioneers in the 19th century. It then discusses various visual depth cues that allow the human brain to perceive 3D from a 2D image. The document outlines some limits of 3D technology in terms of visual comfort. It provides a brief history of 3D glasses and describes how different technologies for 3D glasses work, including anaglyph, linear polarized, and circularly polarized glasses. The document also discusses the history of 3D television technology and differences between active and passive 3D displays.
Introduction and History
This document outlines a course on building 3D displays. It will cover the physiology of human depth perception, including monocular cues like perspective and binocular cues like retinal disparity. It will discuss the history of 3D displays from Wheatstone's stereoscope to modern technologies. Students will learn about glasses-bound stereoscopic and unencumbered automultiscopic displays. The goals are to understand how the visual system perceives depth, light field representation, and do experiments to create 3D display devices. The course will examine limitations of conventional displays and conflicting depth cues.
3 d tv
Three key technologies for 3D TV displays include glasses-based methods like anaglyph glasses using red-blue lenses or polarized glasses, autostereoscopic displays without glasses using lenticular lenses or a parallax barrier to direct images to each eye, and active shutter glasses that alternate frames. The architecture of a 3D TV involves transmitting left and right eye views through technologies like gigabit Ethernet and displaying them using one of these 3D presentation methods. Applications include video games, TV and other media while advantages are a richer experience over 2D TV and disadvantages include the need for special glasses with some methods.
3D PC GLASS
Polarized 3D glasses allow viewers to see 3D images by restricting the light that reaches each eye. They work by projecting two slightly different images that are polarized differently. The glasses contain polarized filters for each eye that allow only the corresponding image to pass through to the proper eye. This technique was developed in the 1930s and was widely used for 3D movies in the 1950s. It provides full color 3D images using inexpensive glasses but has limitations such as reduced resolution from sharing the screen between the two images.
Dan Walsh - Undergrad FYP Presentation
This document discusses an experiment to determine whether shadow rendering or stereoscopic 3D provides better depth cues and is more aesthetically pleasing. The experiment asks users to identify which of two objects is nearer the camera and to compare scenes rendered with different techniques. For depth cue identification, users performed better with both shadows and stereo, with stereo showing a slightly larger improvement. Aesthetically, shadows were preferred overall but stereo performed far better when combined with shadows. The document provides background on shadow mapping and stereo rendering techniques.
Seminar on 3D Technology
The document summarizes the history and techniques of 3D movies. It discusses early 3D movies from the 1920s using red-green anaglyph and polarized filters. Various 3D techniques are described such as anaglyph, polarization, eclipse method, interference filters, Pulfrich effect, spectral separation, and lenticular/barrier screens. Recent developments discussed include autostereoscopic screens without glasses and holographic displays.
Recommended
Sky
This document discusses the basic principles of stereoscopic 3D, including:
- Stereoscopic 3D aims to replicate our binocular vision by using two cameras to capture separate images from slightly different angles.
- When viewed with the correct glasses or display, the brain fuses these two images to perceive depth.
- Variables like interaxial distance, convergence, and screen parallax determine how objects appear in the 3D space.
- Both shooting and post-production require careful consideration of various factors like alignment, color matching, and depth continuity to avoid visual errors and discomfort.
Stereoscopic 3D Filmmaking: An Introduction
Have you ever wondered how a 3D film is created? Learn the basics of how Stereoscopic 3D footage and imagery can be created in this introduction to Stereo 3D. This includes details of how our eyes work when viewing 3D, 2D depth cues and how to capture and view 3D images. Includes links to extensive online resources.
3D Technology in the cinema and at home (Samantha Lusby Report )
This document provides an overview of 3D technology in cinema and at home. It begins with a brief history of 3D, noting some early pioneers in the 19th century. It then discusses various visual depth cues that allow the human brain to perceive 3D from a 2D image. The document outlines some limits of 3D technology in terms of visual comfort. It provides a brief history of 3D glasses and describes how different technologies for 3D glasses work, including anaglyph, linear polarized, and circularly polarized glasses. The document also discusses the history of 3D television technology and differences between active and passive 3D displays.
Introduction and History
This document outlines a course on building 3D displays. It will cover the physiology of human depth perception, including monocular cues like perspective and binocular cues like retinal disparity. It will discuss the history of 3D displays from Wheatstone's stereoscope to modern technologies. Students will learn about glasses-bound stereoscopic and unencumbered automultiscopic displays. The goals are to understand how the visual system perceives depth, light field representation, and do experiments to create 3D display devices. The course will examine limitations of conventional displays and conflicting depth cues.
3 d tv
Three key technologies for 3D TV displays include glasses-based methods like anaglyph glasses using red-blue lenses or polarized glasses, autostereoscopic displays without glasses using lenticular lenses or a parallax barrier to direct images to each eye, and active shutter glasses that alternate frames. The architecture of a 3D TV involves transmitting left and right eye views through technologies like gigabit Ethernet and displaying them using one of these 3D presentation methods. Applications include video games, TV and other media while advantages are a richer experience over 2D TV and disadvantages include the need for special glasses with some methods.
3D PC GLASS
Polarized 3D glasses allow viewers to see 3D images by restricting the light that reaches each eye. They work by projecting two slightly different images that are polarized differently. The glasses contain polarized filters for each eye that allow only the corresponding image to pass through to the proper eye. This technique was developed in the 1930s and was widely used for 3D movies in the 1950s. It provides full color 3D images using inexpensive glasses but has limitations such as reduced resolution from sharing the screen between the two images.
Dan Walsh - Undergrad FYP Presentation
This document discusses an experiment to determine whether shadow rendering or stereoscopic 3D provides better depth cues and is more aesthetically pleasing. The experiment asks users to identify which of two objects is nearer the camera and to compare scenes rendered with different techniques. For depth cue identification, users performed better with both shadows and stereo, with stereo showing a slightly larger improvement. Aesthetically, shadows were preferred overall but stereo performed far better when combined with shadows. The document provides background on shadow mapping and stereo rendering techniques.
Seminar on 3D Technology
The document summarizes the history and techniques of 3D movies. It discusses early 3D movies from the 1920s using red-green anaglyph and polarized filters. Various 3D techniques are described such as anaglyph, polarization, eclipse method, interference filters, Pulfrich effect, spectral separation, and lenticular/barrier screens. Recent developments discussed include autostereoscopic screens without glasses and holographic displays.
3D Television and Current trends.
The presentation avails a brief journey through the presently booming area of 3 dimensional television. It gives a brief introduction, peeps into the history, discusses the production technology involved and incorporates the basic architecture. The presentation will also be informative in case of 3D channels and the health effects. The presentation also accompanies some cool transitions, which makes it attractive as well, beyond its informative status. A presentation which was prepared for my college seminar, i can assure you that it is ideal for similar purposes.
3D Stereoscopic Filmmaking
3D stereoscopic filmmaking is a technique for creating the illusion of depth in image using stereopsis for binocular vision.
3d television
If you like the content. Visit my website http://www.uishtdeep.com. I'll be soon entering some more interesting content for you. Cheers !!
Check out a telescope!
This document provides information about borrowing a telescope from the Columbiana Library, including:
- Basic types of telescopes are refractors and reflectors.
- The telescope can be used to view planets, stars, galaxies, and nebulae with magnification up to 600x.
- Instructions are provided on setting up, using, transporting, and caring for the telescope properly and safely.
- Contact information is given for the Mahoning Valley Astronomical Society and the library if any issues arise during telescope use.
3 d tv
3-D TV uses two cameras to capture slightly different images for the left and right eyes, transmitting them to a 3-D TV that displays the images separately, creating a 3D effect when viewed with special glasses. Major technologies include shutter glasses, polarized filters, and autostereoscopic displays that don't require glasses. While providing an immersive viewing experience, 3-D TV also faces challenges such as higher costs and potential health issues from viewing.
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- Avatar was a groundbreaking film that helped popularize modern 3D cinema through its use of motion capture and stereoscopic filming techniques. It became the highest grossing film of all time.
- Since Avatar, there has been a large increase in 3D films released but also some signs of fatigue from audiences as not all films are well-suited for the 3D format.
- Transformers: Dark of the Moon employed state-of-the-art 3D filming techniques that generated awe in viewers but its plot was seen as secondary to the technology. This highlights ongoing challenges around using 3D solely as a gimmick rather than enhancing the story.
3d tv technology
The document provides a history of 3D technology, beginning with William Friese Greene's 1880 patent and continuing through developments like Frederic Eugene Ives' 1900 3D camera and the 1922 premiere of the first 3D film. It discusses various 3D display methods including anaglyph, polarization, eclipse, interference filter technology, Pulfrich, spectral separation, and lenticular/barrier screens. It also covers technologies like LCD shutter glasses, polarized glasses, and autostereoscopic displays that do not require glasses.
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Three key concepts in 3Ds MAX lighting are:
1. Intensity, direction, and diffuseness are properties of light that determine how light spreads and illuminates surfaces. Shadows are cast by objects blocking light, not by lights themselves.
2. Three-point lighting is a basic lighting setup that illuminates a scene using a key light, fill light, and highlight. The key light is the primary light source, the fill light reduces shadows, and the highlight adds depth.
3. Ambient light and IES skies/suns are used to simulate indirect lighting and realistic outdoor lighting conditions, though creative lighting is also possible.
3D Technology
This document discusses 3D technology and its uses. It is used in films, television, cameras, computer graphics, and various industries like engineering. It works by creating separate images for the left and right eyes to create the illusion of depth. The document outlines several methods for creating and displaying 3D content and discusses challenges and applications in different fields. It predicts that future 3D technology may not require glasses and could allow interacting with 3D images.
The Art of Photography
The document discusses several compositional techniques for photography including the rule of thirds, leading lines, symmetry and patterns, depth of field, filling the frame, framing, and viewpoint. The rule of thirds involves dividing the frame into thirds and placing elements along those lines. Leading lines draw the eye through the photo along diagonal or curved lines. Symmetry and patterns can make eye-catching compositions when used intentionally. Depth of field and overlapping objects create a sense of depth. Framing isolates the subject within natural frames. Viewpoint, such as bird's eye or worm's eye views, impacts the message conveyed.
Micoscope introduction
The document provides an overview of microscopes, including:
1) The history of microscopes from early compound microscopes developed in the 1590s to improvements made by Antony van Leeuwenhoek and Robert Hooke that increased magnification.
2) How microscopes work using convex lenses, with light being focused and magnified through an objective lens and further magnified through an ocular lens.
3) Different types of microscopes including brightfield, darkfield, phase contrast, and fluorescent microscopes and how they produce images.
Optical equipment
This document summarizes various optical equipment:
[1] It describes the basic anatomy and functions of the human eye, as well as common eye defects like myopia, hyperopia, and astigmatism.
[2] Glasses are introduced as an optical device that serves as a visual aid for eye defects like astigmatism.
[3] Other optical equipment summarized include magnifying glasses, cameras, microscopes, and binoculars. Their basic components and uses are outlined.
[4] An example calculation is provided to determine the magnification of a microscope given the focal lengths of its objective and eyepiece lenses and their distance.
An Introduction to Refracting and Reflecting Telescopes
Steve Shellman is the president of a statistical analysis company and an amateur astronomer. He uses both refracting and reflecting telescopes in his astronomy hobby. Refracting telescopes use lenses to magnify images but have limitations due to lens size and inability to focus all colors in the same point, causing blurriness. Reflecting telescopes use mirrors and do not have the same issues, but can be less portable and more expensive than refracting telescopes depending on their size and quality.
BEHIND 3D &4D
The document discusses 3D and 4D technologies. It explains how stereoscopic 3D works by having two images projected that are seen separately by each eye to create depth perception. It discusses different types of 3D including passive 3D used in theaters which uses polarized glasses, and active 3D used for home viewing which requires battery-powered glasses. Applications of 3D technology discussed include movies, TVs, cameras, modeling, and medical imaging. Potential side effects of 3D viewing are also mentioned.
BYO3D 2011: Emerging Technology
Driven by the recent resurgence of 3D cinema, depth cameras and stereoscopic displays are becoming commonplace in the consumer market. Introduced last October, Microsoft Kinect has already fostered gesture-based interaction for applications well beyond the intended Xbox 360 platform. Similarly, consumer electronics manufacturers have begun selling stereoscopic displays and inexpensive stereoscopic cameras. Most commercial 3D displays continue to require cumbersome eyewear, but inexpensive, glasses-free 3D displays are imminent with the release of the Nintendo 3DS.
At SIGGRAPH 2010, the Build Your Own 3D Display course demonstrated how to construct both LCD shutter glasses and glasses-free lenticular screens, providing Matlab-based code for batch encoding of 3D imagery. This follow-up course focuses more narrowly on glasses-free displays, describing in greater detail the practical aspects of real-time, OpenGL-based encoding for such multi-view, spatially multiplexed displays.
The course reviews historical and perceptual aspects, emphasizing the goal of achieving disparity, motion parallax, accommodation, and convergence cues without glasses. It summarizes state-of-the-art methods and areas of active research. And it provides a step-by-step tutorial on how to construct a lenticular display. The course concludes with an extended question-and-answer session, during which prototype hardware is available for inspection.
Telescopes
The document provides an overview of how telescopes work, including their history and the key components and principles of refracting and reflecting telescopes. Refracting telescopes use lenses to bend light rays, while reflecting telescopes use mirrors. Both collect light to form a bright focal point that eyepieces then magnify to produce enlarged images for viewing. Larger apertures allow telescopes to collect more light and produce brighter images.
The telescope (reflecting & refracting)
The document discusses two main types of telescopes - refracting and reflecting. A refracting telescope uses two lenses, a large objective lens that collects light and forms a real image, and an eyepiece lens that magnifies this image for viewing. A reflecting telescope uses a concave mirror instead of an objective lens, collecting light via reflection rather than refraction. Reflecting telescopes are commonly used for large astronomical telescopes as mirrors can be made larger than lenses.
3D Movie Presentation
Its a 3D movie technology explanation via a 22 slide presentation.This is a presentation crafted by Abhinav Sinha. The information included is taken from Wikipedia as a source.
presentation on 3D Technology
3D technology creates the illusion of depth by displaying stereoscopic images that mimic human binocular vision. The earliest techniques for 3D imaging were developed in the 1830s, but modern 3D became popular through 3D movies seen with red-blue or polarized glasses. Today, 3D is used in movies, TVs, video games, and simulations by projecting two offset images separately to each eye. This allows the brain to process depth cues and perceive 3D. While 3D brings content to life, it can cause eyestrain, motion sickness, and has privacy and health implications that require consideration.
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The presentation avails a brief journey through the presently booming area of 3 dimensional television. It gives a brief introduction, peeps into the history, discusses the production technology involved and incorporates the basic architecture. The presentation will also be informative in case of 3D channels and the health effects. The presentation also accompanies some cool transitions, which makes it attractive as well, beyond its informative status. A presentation which was prepared for my college seminar, i can assure you that it is ideal for similar purposes.
3D Stereoscopic Filmmaking
3D stereoscopic filmmaking is a technique for creating the illusion of depth in image using stereopsis for binocular vision.
3d television
If you like the content. Visit my website http://www.uishtdeep.com. I'll be soon entering some more interesting content for you. Cheers !!
Check out a telescope!
This document provides information about borrowing a telescope from the Columbiana Library, including:
- Basic types of telescopes are refractors and reflectors.
- The telescope can be used to view planets, stars, galaxies, and nebulae with magnification up to 600x.
- Instructions are provided on setting up, using, transporting, and caring for the telescope properly and safely.
- Contact information is given for the Mahoning Valley Astronomical Society and the library if any issues arise during telescope use.
3 d tv
3-D TV uses two cameras to capture slightly different images for the left and right eyes, transmitting them to a 3-D TV that displays the images separately, creating a 3D effect when viewed with special glasses. Major technologies include shutter glasses, polarized filters, and autostereoscopic displays that don't require glasses. While providing an immersive viewing experience, 3-D TV also faces challenges such as higher costs and potential health issues from viewing.
3 d ppt
- Avatar was a groundbreaking film that helped popularize modern 3D cinema through its use of motion capture and stereoscopic filming techniques. It became the highest grossing film of all time.
- Since Avatar, there has been a large increase in 3D films released but also some signs of fatigue from audiences as not all films are well-suited for the 3D format.
- Transformers: Dark of the Moon employed state-of-the-art 3D filming techniques that generated awe in viewers but its plot was seen as secondary to the technology. This highlights ongoing challenges around using 3D solely as a gimmick rather than enhancing the story.
3d tv technology
The document provides a history of 3D technology, beginning with William Friese Greene's 1880 patent and continuing through developments like Frederic Eugene Ives' 1900 3D camera and the 1922 premiere of the first 3D film. It discusses various 3D display methods including anaglyph, polarization, eclipse, interference filter technology, Pulfrich, spectral separation, and lenticular/barrier screens. It also covers technologies like LCD shutter glasses, polarized glasses, and autostereoscopic displays that do not require glasses.
3-D TECHNOLOGY
This ppt gives a good insight into the latest 3 d technologies available in the market together with its future scope..!!!!
3Ds Max lighting
Three key concepts in 3Ds MAX lighting are:
1. Intensity, direction, and diffuseness are properties of light that determine how light spreads and illuminates surfaces. Shadows are cast by objects blocking light, not by lights themselves.
2. Three-point lighting is a basic lighting setup that illuminates a scene using a key light, fill light, and highlight. The key light is the primary light source, the fill light reduces shadows, and the highlight adds depth.
3. Ambient light and IES skies/suns are used to simulate indirect lighting and realistic outdoor lighting conditions, though creative lighting is also possible.
3D Technology
This document discusses 3D technology and its uses. It is used in films, television, cameras, computer graphics, and various industries like engineering. It works by creating separate images for the left and right eyes to create the illusion of depth. The document outlines several methods for creating and displaying 3D content and discusses challenges and applications in different fields. It predicts that future 3D technology may not require glasses and could allow interacting with 3D images.
The Art of Photography
The document discusses several compositional techniques for photography including the rule of thirds, leading lines, symmetry and patterns, depth of field, filling the frame, framing, and viewpoint. The rule of thirds involves dividing the frame into thirds and placing elements along those lines. Leading lines draw the eye through the photo along diagonal or curved lines. Symmetry and patterns can make eye-catching compositions when used intentionally. Depth of field and overlapping objects create a sense of depth. Framing isolates the subject within natural frames. Viewpoint, such as bird's eye or worm's eye views, impacts the message conveyed.
Micoscope introduction
The document provides an overview of microscopes, including:
1) The history of microscopes from early compound microscopes developed in the 1590s to improvements made by Antony van Leeuwenhoek and Robert Hooke that increased magnification.
2) How microscopes work using convex lenses, with light being focused and magnified through an objective lens and further magnified through an ocular lens.
3) Different types of microscopes including brightfield, darkfield, phase contrast, and fluorescent microscopes and how they produce images.
Optical equipment
This document summarizes various optical equipment:
[1] It describes the basic anatomy and functions of the human eye, as well as common eye defects like myopia, hyperopia, and astigmatism.
[2] Glasses are introduced as an optical device that serves as a visual aid for eye defects like astigmatism.
[3] Other optical equipment summarized include magnifying glasses, cameras, microscopes, and binoculars. Their basic components and uses are outlined.
[4] An example calculation is provided to determine the magnification of a microscope given the focal lengths of its objective and eyepiece lenses and their distance.
An Introduction to Refracting and Reflecting Telescopes
Steve Shellman is the president of a statistical analysis company and an amateur astronomer. He uses both refracting and reflecting telescopes in his astronomy hobby. Refracting telescopes use lenses to magnify images but have limitations due to lens size and inability to focus all colors in the same point, causing blurriness. Reflecting telescopes use mirrors and do not have the same issues, but can be less portable and more expensive than refracting telescopes depending on their size and quality.
BEHIND 3D &4D
The document discusses 3D and 4D technologies. It explains how stereoscopic 3D works by having two images projected that are seen separately by each eye to create depth perception. It discusses different types of 3D including passive 3D used in theaters which uses polarized glasses, and active 3D used for home viewing which requires battery-powered glasses. Applications of 3D technology discussed include movies, TVs, cameras, modeling, and medical imaging. Potential side effects of 3D viewing are also mentioned.
BYO3D 2011: Emerging Technology
Driven by the recent resurgence of 3D cinema, depth cameras and stereoscopic displays are becoming commonplace in the consumer market. Introduced last October, Microsoft Kinect has already fostered gesture-based interaction for applications well beyond the intended Xbox 360 platform. Similarly, consumer electronics manufacturers have begun selling stereoscopic displays and inexpensive stereoscopic cameras. Most commercial 3D displays continue to require cumbersome eyewear, but inexpensive, glasses-free 3D displays are imminent with the release of the Nintendo 3DS.
At SIGGRAPH 2010, the Build Your Own 3D Display course demonstrated how to construct both LCD shutter glasses and glasses-free lenticular screens, providing Matlab-based code for batch encoding of 3D imagery. This follow-up course focuses more narrowly on glasses-free displays, describing in greater detail the practical aspects of real-time, OpenGL-based encoding for such multi-view, spatially multiplexed displays.
The course reviews historical and perceptual aspects, emphasizing the goal of achieving disparity, motion parallax, accommodation, and convergence cues without glasses. It summarizes state-of-the-art methods and areas of active research. And it provides a step-by-step tutorial on how to construct a lenticular display. The course concludes with an extended question-and-answer session, during which prototype hardware is available for inspection.
Telescopes
The document provides an overview of how telescopes work, including their history and the key components and principles of refracting and reflecting telescopes. Refracting telescopes use lenses to bend light rays, while reflecting telescopes use mirrors. Both collect light to form a bright focal point that eyepieces then magnify to produce enlarged images for viewing. Larger apertures allow telescopes to collect more light and produce brighter images.
The telescope (reflecting & refracting)
The document discusses two main types of telescopes - refracting and reflecting. A refracting telescope uses two lenses, a large objective lens that collects light and forms a real image, and an eyepiece lens that magnifies this image for viewing. A reflecting telescope uses a concave mirror instead of an objective lens, collecting light via reflection rather than refraction. Reflecting telescopes are commonly used for large astronomical telescopes as mirrors can be made larger than lenses.
3D Movie Presentation
Its a 3D movie technology explanation via a 22 slide presentation.This is a presentation crafted by Abhinav Sinha. The information included is taken from Wikipedia as a source.
presentation on 3D Technology
3D technology creates the illusion of depth by displaying stereoscopic images that mimic human binocular vision. The earliest techniques for 3D imaging were developed in the 1830s, but modern 3D became popular through 3D movies seen with red-blue or polarized glasses. Today, 3D is used in movies, TVs, video games, and simulations by projecting two offset images separately to each eye. This allows the brain to process depth cues and perceive 3D. While 3D brings content to life, it can cause eyestrain, motion sickness, and has privacy and health implications that require consideration.
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Table of ContentsP E A R S O N C U S T O M L I B R .docx
Table of Contents
P E A R S O N C U S T O M L I B R A R Y
I
Glossary
1
1Stephen Prince
1. Film Structure
13
13Stephen Prince
2. Cinematography
57
57Stephen Prince
3. Production Design
95
95Stephen Prince
4. Acting
121
121Stephen Prince
5. Editing: Making the Cut
149
149Stephen Prince
6. Principles of Sound Design
187
187Stephen Prince
7. The Nature of Narrative in Film
229
229Stephen Prince
8. Visual Effects
287
287Stephen Prince
9. Modes of Screen Reality
325
325Stephen Prince
381
381Index
II
G L O S S A R Y
3D digital matte A matte painting that has been camera
mapped onto a 3D geometrical model in computer space.
The digital matte can then be moved or rotated to
simulate the perspective of a moving camera. See also
camera mapping .
Additive Color Mixing A system used for creating color
on television where red, blue, and green lights are mixed
together to create all other hues.
ADR Automated dialogue replacement (ADR) is a post-
production practice in which actors re-record lines of dia-
logue or add new ones not present at the point of filming.
Computer software enables proper synching of these lines
with the performer’s lip movements as recorded on film.
Aerial Image Printing Method of producing dimensional
effects using matte paintings in an optical printer. An image
(such as a matte painting) is projected to a focal plane in space
(rather than onto a surface) where it can be photographed by
the process camera in the optical printer. That footage can be
combined with live action footage and other optical elements.
Aerial Perspective A visual depth cue in which the effects
of the atmosphere make very distant objects appear bluish
and hazy.
Alpha Channel In a digital image, this channel of informa-
tion specifies a pixel’s degree of transparency. The alpha
channel is often used for generating male and female mattes.
Ambient Sound The background sound characteristic of an
environment or location. For a film such as The Last of the
Mohicans , set in a forest, ambient sounds include the rustle
of branches and the cries of distant birds.
Anamorphic Method of producing a widescreen (2.35:1)
image by squeezing the picture information horizontally and
stretching it vertically. This method is used for both theatri-
cal films and for DVD home video formatted for 16 × 9 (wi-
descreen) monitors or projection systems. Unsqueezing the
picture information during projection or viewing produces
the widescreen image.
Ancillary Market All of the nontheatrical markets from
which a film distributor derives revenue. These include home
video, cable television, and foreign markets.
Angle of View The amount of area recorded by a given
lens. Telephoto lenses have a much smaller angle of view
than wide-angle lenses.
Animation 2D Traditional form of animation in cinema
wh.
3D television
The document discusses 3D television production using Grass Valley equipment. It describes how 3D works by presenting slightly different views to each eye to create the perception of depth. Key challenges for 3D TV production include setting camera lenses the correct distance apart, dealing with reduced light levels, and ensuring the left and right views remain synchronized. Grass Valley cameras can be mounted side-by-side or use a mirror rig to position the lenses properly. Additional processing may be required to adjust the views for mirror rig setups.
3 d technology
This document discusses 3D technology and its applications in movies, TVs, and mobile devices. It describes how 3D works by capturing two perspectives to create the illusion of depth, and various techniques for producing and displaying 3D content, including 3D cameras, polarization systems, anaglyph glasses, and more. The document also covers 3D TV technologies like eclipse displays and lenticular screens, as well as 3D broadcasting standards and applications of 3D beyond entertainment like design and medicine.
VR Headsets - Where Are They Going?
Virtual reality has evolved from flight simulators to include scientific and entertainment applications, providing immersive experiences without real-world risks. Current VR headsets offer varying resolutions, field of views, weights, and display types, with prices ranging from $300-800. While VR provides opportunities, challenges remain in replicating the human visual and balance systems, reducing latency between user actions and system responses, and minimizing side effects like eyestrain, headaches and motion sickness. Continued research aims to advance VR technology and experiences.
Recent advances in diagnostic aids
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ICO Lecture 3 D Vision Syndrome
This document discusses 3D technology reaching a tipping point in various industries such as television, movies, and healthcare. It provides examples of 3D technologies from 1844 to present day, including early 3D movies from the 1950s and current/future 3D movies. The document also discusses 3D television history, 3D education projects, 3D video games, 3D glasses technology including active and passive types, autostereoscopic displays, and the Nintendo 3DS. In addition, it addresses the concept of "3D Vision Syndrome" including symptoms, diagnosis, treatment, and a case example of a patient undergoing optometric vision therapy.
Stereoscopic Imaging
This ppt contains all the details of Stereoscopic imaging. It includes from history, introduction, its working technique, 3D viewers, 3D cameras, future scope, advantages, disadvantages. In all, its the complete stuff that can satisfy anyone.
Stereoscopic 3D Advertising FAQs
A comprehensive list of questions and answers relating to stereoscopic 3D advertising and associated production
science behind 3d movies.
This document discusses 3D technology, including how stereoscopic 3D works by providing two perspectives to the brain to create depth perception. It describes both active 3D, which uses battery-powered glasses, and passive 3D, which uses polarized glasses and projections. The document also covers 3D cameras, movies, TVs, modeling applications in medicine, and potential side effects of 3D viewing like headaches and eye stress.
Avatar case study
- James Cameron pioneered new 3D filming technology with Avatar which helped popularize the 3D film trend. Avatar used motion capture and CGI to create its virtual world.
- The rise of 3D films in recent years encouraged studios to convert more films to 3D or make 3D versions, but some feel this has led to 3D fatigue among audiences who see it as a gimmick.
- Transformers: Dark of the Moon was touted as a savior for 3D but while the technology was praised, critics felt the plot suffered, highlighting ongoing challenges for 3D films.
Presentation on Virtual Reality
3D modeling is the process of developing a mathematical representation of a three-dimensional object using specialized software. 3D modeling has its origins in stereoscopy and stereographic photography from the 1840s but saw increased usage with the development of 3D film and IMAX technologies in later decades. Today, 3D modeling is used across industries like engineering, product design, architecture, and medicine to create realistic digital representations of objects that can be rotated, analyzed, and interacted with virtually.
Copy of 3 d report
very useful for the students or the professional searching report on 3d ie the revolutionary 3d technology
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Otis College of Art and Design Overview
Since 1993, David Nicksay has acted as a TV and film producer at Heliopolis Entertainment in Woodland Hills, California, on film and television programming for both traditional broadcasting and streaming services. In addition to his professional organization memberships, David Nicksay has served on the faculty of the Otis College of Art and Design.
Founded in 1918, Otis provides students with curricula taught by highly-qualified faculty, supplemented with ample career prep. Its faculty range from Oscar winners, to Fulbright scholars, bringing professional insight and academic expertise. In 2016 it had over 1,100 students, taught by more than 400 full-time faculty members. In 2020, 86 percent of alumni reported either earning employment or entering graduate school within one year of graduating, with 91 percent in art or design-related fields.
To nurture student success from all backgrounds, Otis draws on high-impact programs (HIPs), empirically -supported to improve outcomes after graduation. Through visits to notable industry centers, creating an online portfolio of student work, and senior capstone projects, Otis gives students plentiful chances to refine their skills and gain career experience. Resulting from these efforts, Money Magazine ranked Otis sixth on its list of colleges that added the most value, and The Economist ranked it in the top one percent of colleges for diversity.
Messiah TV Series - The Return of Jesus
Based in Los Angeles, David Nicksay graduated from Hampshire College and holds a bachelor of arts in performing arts. David Nicksay has been an executive producer with Heliopolis Entertainment for more than 20 years and worked on the production of Messiah, a TV series featured on Netflix.
Messiah is an American thriller released in January 2020. Consisting of one season in 10 episodes, the series presents the story of Al-Masih, who claims to be the Lord Jesus Christ. The story follows the effects of such a claim and how people react to it. CIA officers investigate Al-Masih, who generates many followers and sparks a spiritual movement and political unrest. Messiah features actors such as Mehdi Dehbi, Tomer Sisley, and Michelle Monaghan in leading roles.
Al-Masih starts his journey in Damascus, and then reaches Jerusalem. He eventually makes his way to Texas and creates a camp where his followers live. In the end Al-Masih survives a bomb explosion, and people start to believe that he may in fact have supernatural powers.
Academy of Motion Picture Arts Hosts Accessibility Program
An experienced executive producer, David Nicksay has worked with Heliopolis Entertainment since 1993. Alongside the company, David Nicksay is a member of the Academy of Motion Picture Arts and Sciences, which hosts the Oscars, among other award ceremonies.
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The AMPAS Academy All Access: Love & Basketball
Heliopolis Entertainment executive producer David Nicksay has helped create a range of Hollywood films and television programs, ranging from Pitch Perfect 3 to Messiah. To inform his professional activities, David Nicksay holds active membership in multiple entertainment industry groups, including the Academy of Motion Pictures Arts and Sciences.
Best known as the organization behind the Oscars, the Academy of Motion Pictures Arts and Sciences (AMPAS) supports more than 8,000 accomplished film professionals who strive to further entertainment industry excellence in many ways. As part of its Academy All Access series, the AMPAS recently sponsored a 20th annual virtual reunion and panel discussion for the motion picture Love & Basketball.
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Friends Cast Reunion Postponed
After graduating from Hampshire College with a degree in performing arts, David Nicksay gained entrance to the Directors Guild of America’s highly selective Assistant Director Training Program. After he graduated from the program, he began his career as the producer of scores of films and television programs. David Nicksay has also served as the senior vice president of Paramount Pictures and the president of Morgan Creek Productions.
Like most people in the entertainment industry, Mr. Nicksay has been looking forward to the launch of the new streaming service HBO Max, which has announced the presentation of a much-hyped reunion of the cast of Friends, the sitcom that aired for 10 years starting in 1994. The unscripted reunion, originally scheduled to be filmed March 23-24, 2020, has been indefinitely postponed. When the filming is rescheduled, it will take place on Warner Bros Stage 24, the site of the original series.
The reunion special is part of the initial season of HBO Max, which is scheduled to start in May 2020. The new service has already acquired streaming rights to all 10 seasons of Friends, and HBO Max anticipates a new generation of fans of the iconic TV series.
The DGA Reports Increased Levels of Inclusion in TV Direction
The Directors Guild of America (DGA) released a report analyzing 4,300 television episodes from the 2018/2019 season, finding that 58% of episodes had either a female director or a director of color, marking a significant increase from the previous season. The report showed that 31% of episodes were directed by women, up from 25% the prior year, and 27% were directed by individuals of color, up from 24% previously. The DGA is dedicated to protecting directors' rights and furthering their careers through studies of industry trends.
Student Academy Award Winners Announced
The recipient of a bachelor's degree in performing arts from Hampshire College, David Nicksay is an experienced film producer whose movie credits include Antitrust, Be Cool, Legally Blonde, and The Negotiator. Among his many professional associations in the film industry, David Nicksay holds membership in The Academy of Motion Picture Arts and Sciences.
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David Nicksay is an accomplished film executive who has produced, co-produced, and executive produced dozens of prominent Hollywood films. For the past 26 years, he has served as an executive producer with Heliopolis Entertainment in Los Angeles, California. One of David Nicksay’s latest projects is the upcoming film adaptation In the Heights.
Alfonso Cuaron and Bo Burnham among Winners at DGA Awards
The recipient of a bachelor's in performing arts from Hampshire College, David Nicksay is an experienced film producer who has been affiliated with Heliopolis Entertainment since 1993. Supplementing his pursuits in the film industry, David Nicksay holds membership with the Directors Guild of America (DGA).
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Michelle Monaghan to Star in Upcoming Netflix Series Messiah
Michelle Monaghan will star in the upcoming Netflix drama series Messiah, produced by David Nicksay. The 10-episode series, created by Michael Petroni, explores religion and politics through the story of a man named Al-Masih who some believe is sent from God. Monaghan will play CIA officer Eva Geller, who investigates Al-Masih to determine the truth. Messiah is expected to premiere on Netflix in 2019.
AFI Alumna is First Female Nominee for Cinematography Oscar
David Nicksay received his bachelor's degree in performing arts from Hampshire College. Since then, he has built a successful career in the entertainment industry, currently serving as an executive producer of films at Heliopolis Entertainment. David Nicksay is also a member of different organizations relating to film, among which is the American Film Institute (AFI).
AFI Conservatory Offers Master Seminar Series
Executive producer for films such as Glee 3D the Concert Movie and Walking with Dinosaurs 3D, David Nicksay heads Heliopolis Entertainment. David Nicksay also contributes his professional expertise to the advisory board for the American Film Institute.
The Academy Museum of Motion Pictures
An accomplished Hollywood film producer and senior executive, David Nicksay has served as an executive producer with Heliopolis Entertainment for a quarter of a century. Among his other industry honors, David Nicksay has gained admittance to the prestigious Academy of Motion Picture Arts and Sciences (otherwise known as the Academy).
Directors Guild of America Announces National Commercial Contract
A graduate of Hampshire College in Amherst, Massachusetts, David Nicksay serves as executive producer for Heliopolis Entertainment in Woodland Hills, California. Professionally engaged within the entertainment industry, David Nicksay maintains membership with the Directors Guild of America (DGA).
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A graduate of Hampshire College in Amherst, Massachusetts, David Nicksay serves as executive producer of Heliopolis Entertainment in Woodland Hills, California. Active within his industry, David Nicksay belongs to the Directors Guild of America (DGA).
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David Nicksay is an experienced motion picture executive who has been in the entertainment industry for four decades. For the past 24 years, he has served as an executive producer with Heliopolis Entertainment in Woodland Hills, California, where he oversees film development from initial preparation to postproduction. David Nicksay’s most recent project as an executive producer is the latest installment in the Pitch Perfect series.
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A performing arts graduate of Hampshire College in 1975, David Nicksay found success behind the camera, producing over 30 films throughout his 36-year career. David Nicksay holds membership with various film institutions, including the Academy of Motion Picture Arts and Sciences.
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5:凡事获得留信网入网的信息将会逐步更新到个人身份内，将在公安局网内查询个人身份证信息后，同步读取人才网入库信息
6:个人职称评审加20分
7:个人信誉贷款加10分
8:在国家人才网主办的国家网络招聘大会中纳入资料，供国家高端企业选择人才
Learnings from Successful Jobs Searchers
Are you interested to know what actions help in a job search? This webinar is the summary of several individuals who discussed their job search journey for others to follow. You will learn there are common actions that helped them succeed in their quest for gainful employment.
在线制作加拿大萨省大学毕业证文凭证书实拍图原版一模一样
原版一模一样【微信：741003700 】【加拿大萨省大学毕业证文凭证书】【微信：741003700 】学位证，留信认证（真实可查，永久存档）offer、雅思、外壳等材料/诚信可靠,可直接看成品样本，帮您解决无法毕业带来的各种难题！外壳，原版制作，诚信可靠，可直接看成品样本。行业标杆！精益求精，诚心合作，真诚制作！多年品质 ,按需精细制作，24小时接单,全套进口原装设备。十五年致力于帮助留学生解决难题，包您满意。
本公司拥有海外各大学样板无数，能完美还原海外各大学 Bachelor Diploma degree, Master Degree Diploma
1:1完美还原海外各大学毕业材料上的工艺：水印，阴影底纹，钢印LOGO烫金烫银，LOGO烫金烫银复合重叠。文字图案浮雕、激光镭射、紫外荧光、温感、复印防伪等防伪工艺。材料咨询办理、认证咨询办理请加学历顾问Q/微741003700
留信网认证的作用:
1:该专业认证可证明留学生真实身份
2:同时对留学生所学专业登记给予评定
3:国家专业人才认证中心颁发入库证书
4:这个认证书并且可以归档倒地方
5:凡事获得留信网入网的信息将会逐步更新到个人身份内，将在公安局网内查询个人身份证信息后，同步读取人才网入库信息
6:个人职称评审加20分
7:个人信誉贷款加10分
8:在国家人才网主办的国家网络招聘大会中纳入资料，供国家高端企业选择人才
一比一原版布拉德福德大学毕业证（bradford毕业证）如何办理
一模一样【微信：A575476】【布拉德福德大学毕业证（bradford毕业证）成绩单Offer】【微信：A575476】（留信学历认证永久存档查询）采用学校原版纸张、特殊工艺完全按照原版一比一制作（包括：隐形水印，阴影底纹，钢印LOGO烫金烫银，LOGO烫金烫银复合重叠，文字图案浮雕，激光镭射，紫外荧光，温感，复印防伪）行业标杆！精益求精，诚心合作，真诚制作！多年品质 ,按需精细制作，24小时接单,全套进口原装设备，十五年致力于帮助留学生解决难题，业务范围有加拿大、英国、澳洲、韩国、美国、新加坡，新西兰等学历材料，包您满意。
【业务选择办理准则】
一、工作未确定，回国需先给父母、亲戚朋友看下文凭的情况，办理一份就读学校的毕业证【微信：A575476】文凭即可
二、回国进私企、外企、自己做生意的情况，这些单位是不查询毕业证真伪的，而且国内没有渠道去查询国外文凭的真假，也不需要提供真实教育部认证。鉴于此，办理一份毕业证【微信：A575476】即可
三、进国企，银行，事业单位，考公务员等等，这些单位是必需要提供真实教育部认证的，办理教育部认证所需资料众多且烦琐，所有材料您都必须提供原件，我们凭借丰富的经验，快捷的绿色通道帮您快速整合材料，让您少走弯路。
留信网认证的作用:
1:该专业认证可证明留学生真实身份
2:同时对留学生所学专业登记给予评定
3:国家专业人才认证中心颁发入库证书
4:这个认证书并且可以归档倒地方
5:凡事获得留信网入网的信息将会逐步更新到个人身份内，将在公安局网内查询个人身份证信息后，同步读取人才网入库信息
6:个人职称评审加20分
7:个人信誉贷款加10分
8:在国家人才网主办的国家网络招聘大会中纳入资料，供国家高端企业选择人才
→ 【关于价格问题（保证一手价格）
我们所定的价格是非常合理的，而且我们现在做得单子大多数都是代理和回头客户介绍的所以一般现在有新的单子 我给客户的都是第一手的代理价格，因为我想坦诚对待大家 不想跟大家在价格方面浪费时间
对于老客户或者被老客户介绍过来的朋友，我们都会适当给一些优惠。
选择实体注册公司办理，更放心，更安全！我们的承诺：可来公司面谈，可签订合同，会陪同客户一起到教育部认证窗口递交认证材料，客户在教育部官方认证查询网站查询到认证通过结果后付款，不成功不收费！
官方认证美国旧金山州立大学毕业证学位证书案例原版一模一样
原版一模一样【微信：741003700 】【美国旧金山州立大学毕业证学位证书】【微信：741003700 】学位证，留信认证（真实可查，永久存档）offer、雅思、外壳等材料/诚信可靠,可直接看成品样本，帮您解决无法毕业带来的各种难题！外壳，原版制作，诚信可靠，可直接看成品样本。行业标杆！精益求精，诚心合作，真诚制作！多年品质 ,按需精细制作，24小时接单,全套进口原装设备。十五年致力于帮助留学生解决难题，包您满意。
本公司拥有海外各大学样板无数，能完美还原海外各大学 Bachelor Diploma degree, Master Degree Diploma
1:1完美还原海外各大学毕业材料上的工艺：水印，阴影底纹，钢印LOGO烫金烫银，LOGO烫金烫银复合重叠。文字图案浮雕、激光镭射、紫外荧光、温感、复印防伪等防伪工艺。材料咨询办理、认证咨询办理请加学历顾问Q/微741003700
留信网认证的作用:
1:该专业认证可证明留学生真实身份
2:同时对留学生所学专业登记给予评定
3:国家专业人才认证中心颁发入库证书
4:这个认证书并且可以归档倒地方
5:凡事获得留信网入网的信息将会逐步更新到个人身份内，将在公安局网内查询个人身份证信息后，同步读取人才网入库信息
6:个人职称评审加20分
7:个人信誉贷款加10分
8:在国家人才网主办的国家网络招聘大会中纳入资料，供国家高端企业选择人才
一比一原版美国西北大学毕业证(NWU毕业证书)学历如何办理
原版办理【微信号:BYZS866】【美国西北大学毕业证(NWU毕业证书)】【微信号:BYZS866】《成绩单、外壳、雅思、offer、真实留信官方学历认证（永久存档/真实可查）》采用学校原版纸张、特殊工艺完全按照原版一比一制作（包括：隐形水印，阴影底纹，钢印LOGO烫金烫银，LOGO烫金烫银复合重叠，文字图案浮雕，激光镭射，紫外荧光，温感，复印防伪）行业标杆！精益求精，诚心合作，真诚制作！多年品质 ,按需精细制作，24小时接单,全套进口原装设备，十五年致力于帮助留学生解决难题，业务范围有加拿大、英国、澳洲、韩国、美国、新加坡，新西兰等学历材料，包您满意。
【我们承诺采用的是学校原版纸张（纸质、底色、纹路）我们拥有全套进口原装设备，特殊工艺都是采用不同机器制作，仿真度基本可以达到100%，所有工艺效果都可提前给客户展示，不满意可以根据客户要求进行调整，直到满意为止！】
【业务选择办理准则】
一、工作未确定，回国需先给父母、亲戚朋友看下文凭的情况，办理一份就读学校的毕业证【微信号BYZS866】文凭即可
二、回国进私企、外企、自己做生意的情况，这些单位是不查询毕业证真伪的，而且国内没有渠道去查询国外文凭的真假，也不需要提供真实教育部认证。鉴于此，办理一份毕业证【微信号BYZS866】即可
三、进国企，银行，事业单位，考公务员等等，这些单位是必需要提供真实教育部认证的，办理教育部认证所需资料众多且烦琐，所有材料您都必须提供原件，我们凭借丰富的经验，快捷的绿色通道帮您快速整合材料，让您少走弯路。
留信网认证的作用:
1:该专业认证可证明留学生真实身份
2:同时对留学生所学专业登记给予评定
3:国家专业人才认证中心颁发入库证书
4:这个认证书并且可以归档倒地方
5:凡事获得留信网入网的信息将会逐步更新到个人身份内，将在公安局网内查询个人身份证信息后，同步读取人才网入库信息
6:个人职称评审加20分
7:个人信誉贷款加10分
8:在国家人才网主办的国家网络招聘大会中纳入资料，供国家高端企业选择人才
留信网服务项目：
1、留学生专业人才库服务（留信分析）
2、国（境）学习人员提供就业推荐信服务
3、留学人员区块链存储服务
【关于价格问题（保证一手价格）】
我们所定的价格是非常合理的，而且我们现在做得单子大多数都是代理和回头客户介绍的所以一般现在有新的单子 我给客户的都是第一手的代理价格，因为我想坦诚对待大家 不想跟大家在价格方面浪费时间
对于老客户或者被老客户介绍过来的朋友，我们都会适当给一些优惠。
选择实体注册公司办理，更放心，更安全！我们的承诺：客户在留信官方认证查询网站查询到认证通过结果后付款，不成功不收费！
Switching Careers Slides - JoyceMSullivan SocMediaFin - 2024Jun11.pdf
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Stereoscopic 3D Terminology for Beginners
- 1. STEREOSCOPIC 3D TERMINOLOGY FOR BEGINNERS David Nicksay
- 2. INTRODUCTION Feature film producer David Nicksay most recently served as an executive producer for films such as Birth of the Dragon and Justin Bieber: Never Say Never 3D. David Nicksay has worked with Cameron Pace Group on several occasions, learning the techniques behind 3D stereoscopic filmmaking. A popular technique first popularized by the James Cameron film Avatar, 3D stereoscopic filmmaking has since become commonplace in popular media. Here are three common terms used by 3D stereoscopic filmmakers.
- 3. STEREOSCOPIC 3D Interocular and interaxial separation: Interocular separation refers to the distance between the two human eyes, while interaxial separation refers to the distance between the two camera lenses. By adjusting the interaxial/interocular separation ratio, filmmakers can alter the perceived depth of an image on-screen. Parallax: When a 3D stereoscopic camera records a scene or an object, the lateral displacement of the two lenses creates a “double-vision” image in the horizontal plane. This effect is known as “parallax.” Stereopsis: The Holy Grail for 3D stereoscopic filmmakers, stereopsis refers to two separate images being combined into a crisp 3D image in the brain.