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Early Innovators
in 3D Filmmaking
DAVID NICKSAY
Introduction
An accomplished film executive with an entertainment industry career that
spans four decades, David Nicksay has developed a keen professional
interest in 3D filmmaking. Among his many feature film credits, David
Nicksay was an executive producer of Step Up 3D, as well as the 3D
animated movie Walking with Dinosaurs and the 3D concert film Justin
Bieber: Never Say Never.
Although 3D movies have only recently become a major force in
mainstream cinema, the origins of 3D filmmaking technology stretch back
to the late 1800s, when William Friese Greene filed a patent application for
a stereoscopic motion picture viewing process. This first attempt at
producing moving 3D images involved placing two screens side by side and
uniting these screens into a single 3D image using a cumbersome headset.
Several decades after the creation of this initial 3D filmmaking technology,
Great Train Robbery director Edwin S. Porter pioneered a red-green
anaglyph process that became popular in the commercial 3D films of the
1950s that required audience members to wear paper eyeglasses with
lenses of two different colors.

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Early Innovators in 3D Filmmaking

  • 1. Early Innovators in 3D Filmmaking DAVID NICKSAY
  • 2. Introduction An accomplished film executive with an entertainment industry career that spans four decades, David Nicksay has developed a keen professional interest in 3D filmmaking. Among his many feature film credits, David Nicksay was an executive producer of Step Up 3D, as well as the 3D animated movie Walking with Dinosaurs and the 3D concert film Justin Bieber: Never Say Never. Although 3D movies have only recently become a major force in mainstream cinema, the origins of 3D filmmaking technology stretch back to the late 1800s, when William Friese Greene filed a patent application for a stereoscopic motion picture viewing process. This first attempt at producing moving 3D images involved placing two screens side by side and uniting these screens into a single 3D image using a cumbersome headset. Several decades after the creation of this initial 3D filmmaking technology, Great Train Robbery director Edwin S. Porter pioneered a red-green anaglyph process that became popular in the commercial 3D films of the 1950s that required audience members to wear paper eyeglasses with lenses of two different colors.