Saul Bass was an American graphic designer best known for his pioneering motion picture title sequences over four decades working with famous directors. He began doing print work for films but created impressive title designs for Otto Preminger's 1954 film Carmen Jones, realizing titles could set mood and express the film's story metaphorically to emotionally resonate with audiences. Bass became popular for his controversial title sequence for The Man with the Golden Arm featuring an animated paper cut-out arm of a heroin addict, matching the film's taboo subject of addiction. He was truly an innovative designer who used visuals and text to communicate stories.