Project 3 production experiments personal project
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The document describes the process of creating a pixel art drawing that took about two weeks to complete. The artist started with a light brown background and used different tones of yellow to draw the hair and add depth and realism. They followed this procedure of using base colors and then adding tones throughout the character. For their final product, the artist wants to include less detailed but more characters to showcase different anime-style portraits with an old, vintage color scheme.
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6. production reflection(1) 2
The document summarizes the process of creating the front cover and double page spread for an African fashion magazine. For the front cover, the student edited out the background of an image to use, added an outer red shadow to match the red background color, changed the background to a dark pink to match the model's pants, and added a title and subtitles. For the double page spread, the student divided the page in half using an image, included a quote about African fashion, and added subtitles and information about African outfits and fashion tips.
6. fmp production reflection
The document describes Aria Ghorbani's process for several design projects. It details how they used Photoshop to cut out and edit a self-portrait for a magazine cover, added pens and paint to give it unique style. It also discusses editing colors in a shoe photo for a double page spread, and creating graffiti text and adding outlines to a t-shirt template design. Across all the projects, Photoshop was used extensively for editing images and adding original design elements.
6. production reflection(3)
Rachel Haw summarizes the process of creating a magazine spread. She copied and pasted an image without edits for the cover. Rachel used Times New Roman text for the spotlight and curvy writing on the front of Rihanna. She included an exclusive story and cover line about summer outfits. Pictures and background were found on Google. Rachel wrote an introduction and facts on both sides of the pages. A picture split Camila from the other girls and screenshots were added to make the story believable. In the end, Rachel changed the background to match better.
3. fmp production experiments
Rachel Haw conducted experiments for a school project on magazine layout and design. She tried different patterns for arranging pictures and text, such as placing a picture at the top with explanatory text underneath. She used editing tools to crop and position pictures consistently and add colored outlines and strokes to text for emphasis. In the background, she copied and pasted brick patterns and used selection tools to isolate subjects from complex backgrounds. For her final product, she will include positioning text near related subjects for identification and a general layout, but make it less dense with only one profiled artist instead of a band. She aims to make each magazine unique while maintaining consistency with her established title design.
First blog powerpoint
This artist included a picture of a dragonfly because they felt it was one of their best photos from last year, loving the detail captured and overall look. They took the photo when a dragonfly landed on a friend's hand, then edited it in Photoshop to make the details stand out more. If redoing it, the artist would make the wings have sharper edges against the background.
3. production experiments
Beth edited an original magazine by using different fonts for headings and highlighting certain words in different colors. She added a photo of a shark that she found and edited online similar to the original. For her design, she attempted to create a water effect using the paint brush tool but it did not turn out as planned. For her final product, she will include different fonts, highlighting of words, and use a single cover photo while keeping the color variety small to make it simple but bold to read.
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This is a walk through of my construction journey to finalize my A level film poster. it goes through all the steps I took to make my product.
Production elements.
Oliver Ingham is creating a magazine cover and double page spread about three deceased artists: Lil Peep, XXXTentacion, and NF.
For the cover, Oliver will use Photoshop to edit images from Google Images alongside the colors pink, blue, black, and white to represent each artist. Lil Peep and XXXTentacion will be the main focus in the center, while NF will be in a smaller image in the corner.
For the double page spread, Oliver will compare Lil Peep and XXXTentacion across one page each using pink/white and black/blue color schemes respectively. NF will be featured alone on a following black page with silver text. Oliver plans to
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6. production reflection(1) 2
The document summarizes the process of creating the front cover and double page spread for an African fashion magazine. For the front cover, the student edited out the background of an image to use, added an outer red shadow to match the red background color, changed the background to a dark pink to match the model's pants, and added a title and subtitles. For the double page spread, the student divided the page in half using an image, included a quote about African fashion, and added subtitles and information about African outfits and fashion tips.
6. fmp production reflection
The document describes Aria Ghorbani's process for several design projects. It details how they used Photoshop to cut out and edit a self-portrait for a magazine cover, added pens and paint to give it unique style. It also discusses editing colors in a shoe photo for a double page spread, and creating graffiti text and adding outlines to a t-shirt template design. Across all the projects, Photoshop was used extensively for editing images and adding original design elements.
6. production reflection(3)
Rachel Haw summarizes the process of creating a magazine spread. She copied and pasted an image without edits for the cover. Rachel used Times New Roman text for the spotlight and curvy writing on the front of Rihanna. She included an exclusive story and cover line about summer outfits. Pictures and background were found on Google. Rachel wrote an introduction and facts on both sides of the pages. A picture split Camila from the other girls and screenshots were added to make the story believable. In the end, Rachel changed the background to match better.
3. fmp production experiments
Rachel Haw conducted experiments for a school project on magazine layout and design. She tried different patterns for arranging pictures and text, such as placing a picture at the top with explanatory text underneath. She used editing tools to crop and position pictures consistently and add colored outlines and strokes to text for emphasis. In the background, she copied and pasted brick patterns and used selection tools to isolate subjects from complex backgrounds. For her final product, she will include positioning text near related subjects for identification and a general layout, but make it less dense with only one profiled artist instead of a band. She aims to make each magazine unique while maintaining consistency with her established title design.
First blog powerpoint
This artist included a picture of a dragonfly because they felt it was one of their best photos from last year, loving the detail captured and overall look. They took the photo when a dragonfly landed on a friend's hand, then edited it in Photoshop to make the details stand out more. If redoing it, the artist would make the wings have sharper edges against the background.
3. production experiments
Beth edited an original magazine by using different fonts for headings and highlighting certain words in different colors. She added a photo of a shark that she found and edited online similar to the original. For her design, she attempted to create a water effect using the paint brush tool but it did not turn out as planned. For her final product, she will include different fonts, highlighting of words, and use a single cover photo while keeping the color variety small to make it simple but bold to read.
Axe film Poster Construction Walk Through
This is a walk through of my construction journey to finalize my A level film poster. it goes through all the steps I took to make my product.
Production elements.
Oliver Ingham is creating a magazine cover and double page spread about three deceased artists: Lil Peep, XXXTentacion, and NF.
For the cover, Oliver will use Photoshop to edit images from Google Images alongside the colors pink, blue, black, and white to represent each artist. Lil Peep and XXXTentacion will be the main focus in the center, while NF will be in a smaller image in the corner.
For the double page spread, Oliver will compare Lil Peep and XXXTentacion across one page each using pink/white and black/blue color schemes respectively. NF will be featured alone on a following black page with silver text. Oliver plans to
Front cover production log 1
Kianna Briggs created a layout plan for the front cover of her funky house music magazine. She selected an image of a singer holding a microphone that would grab attention due to its bright colors. Kianna used Photoshop's lasso tool to precisely cut out the image and remove the white background. She then placed the edited image onto the InDesign layout according to her plan. Kianna also added the magazine's masthead, which she had to print screen and crop due to download issues. Finally, she included a skyline with varying font sizes to highlight important words and completed the cover with two contrasting fonts, Rockwell and Sans Serif, to achieve a funky look.
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1) A Lady Bird poster featuring edited photographs of ladybugs in a drawing-like style, using a bold font similar to the original poster.
2) Alternative posters for Lady Bird, Perks of Being a Wallflower, Black Swan, Candy, Harry Potter, and The Invisible Guest, describing the visual elements and design choices for each.
3) The Perks of Being a Wallflower and Black Swan posters incorporate additional symbolic elements relating to themes in the films. Design elements like fonts, shadows, and filters are used across the posters to make them eye-catching while representing the films' tones.
3. production experiments
The document describes the process of creating a fantasy-themed magazine cover and double page spread. For the cover, photos will be edited into a mushroom background with some models prominently glowing and having black eyes. For the double page, a model is cut out and made transparent over a background, with a reflection added below using the same technique. Text and a redesigned badge will complete the right page. Reflections note techniques like transparency and custom artwork will feature in the final product to add depth and fit the minimalist style.
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The document describes several digital art experiments:
1) A digital painting experiment where a photo was manipulated to look like a drawing using smudge and pen tools.
2) A glitch effect experiment where image sections were moved to distort the photo and give it a glitched look.
3) A photo manipulation experiment where multiple images were layered and blended together to create abstract art.
4) Video effects experiments using turbulent displace, lens distortion, and paint bucket tools to manipulate videos.
The reflection discusses which techniques the artist found most effective and might include in their final album art and music video projects.
Double Page Spread process
The document describes editing an image for a magazine cover. The editor adjusted brightness and contrast, used selection tools to isolate the model from the background, added a faded black and white layer behind the model, removed imperfections, softened edges, and made minor text and formatting changes to make the image and layout look more polished and professional.
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The document discusses the process of designing a magazine cover in PowerPoint. Key steps included:
1. Changing the background color to an off-white yellow to complement an eerie background photograph.
2. Using the opacity slider to make the background photo fainter so attention is drawn to the cover star.
3. Choosing a gold color inspired by Empire magazine to contrast well with cover imagery.
4. Carefully removing the background from a photo of actress Lizzie using selection tools to make it look professional.
Construction
The document describes the process of creating a magazine cover design. It involved taking a photo of a brick wall for the background, converting it to grayscale, and selectively coloring some of the bricks. Images were edited and cut out in Photoshop before being arranged on the background in InDesign. Text size and placement took some adjustments to balance with the large background image. Multiple layers were used in InDesign to structure the overlapping images and text.
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Jodie Wood conducted experiments to develop skills for creating magazine covers and double page spreads for her final product. For the covers, she edited over 100 photos in Photoshop and tried different fonts and color levels. She created three mock covers. For the double page spreads, she designed two layouts - a basic style with little color and a second with neutral colors and brighter photos. She edited photos in Photoshop, added text boxes, and arranged photos around the page. Her experiments helped her identify styles and techniques to include in her final product, such as photo editing, color schemes, and layouts that created a minimalist, professional look.
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This document summarizes three experiments the author conducted to develop their digital art skills in creating greeting cards. In the first experiment, the author explored different brushes, colors, and opacity levels but was unhappy with the results. In the second experiment, the author focused on creating a detailed face using primarily purple hues and shadow play, which looked more vibrant. In the third experiment, the author explored depicting two characters using colored shapes instead of lines, though did not finish. The author reflected that they will incorporate color palettes, shadow effects, single color dominance, and depicting faces with shapes in their final greeting card project.
3. production experiments [comp] copy
The document describes the process of creating a pixel art animation experiment. The artist:
1) Colored the background purple to suit a gothic theme. They added layers and shades to make the wall look old.
2) Drew inspiration from Casper the Friendly Ghost to draw their ghost character. They had to redraw the ghost using the pencil tool for clearer pixel art.
3) Created picture frames on the wall using the pencil tool and filling them with solid colors. They then drew faces in new layers and moved the ghost character into one frame to create a portrait.
4) Animated the ghost moving closer to the large frame in each subsequent frame using a timeline to create a moving animation.
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The document describes Vicky Patchett's text and drawing experiments for an FMP project. For the text experiment, she followed an online tutorial on comic text in Photoshop but adjusted the colors to be bolder. She chose not to add comic dots. For the drawing experiment, she took a photo into Procreate, made a sketch layer, refined the edges, added color picked from the photo, and blended colors on the beak and added eye details. She reflects that she will use these techniques in her final product as they allow her to customize the look and fit the color scheme.
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The document summarizes the results of the author's experiments with different graphic design techniques for use in a graphic novel project. The author tested comic book effect, digital photography, rotoscoping, and illustration techniques. They found that comic book effect and rotoscoping produced high quality, detailed images quickly enough to complete the project on time. While digital photography was simple and fast, the images lacked impact. Illustration took too long. The author concluded they would use comic book effect and rotoscoping due to the speed and quality of the results. They recognize skills with selection tools need improving for rotoscoping, and blending tools for comic book effect. Overall practice with the chosen techniques on Photoshop will help strengthen abilities.
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3. production experiments(2)
The document describes an experiment creating a pixel art scene with a ghost and kid holding a lamp. It discusses the simple steps taken to create the layered scene in pixel art. While not the creator's best work, it was practice for the main project of a "Ghost Game" and helped experiment with using different colors for lighting effects and adding creepy details to the ghost. The reflection notes that color aspects will be important to include in the final product to provide detail through varied colors rather than just using the same color everywhere.
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The student created a magazine cover featuring Pokémon from the first generation. They had to resize the individual Pokémon pictures to fit around the edge of the cover. They initially used a white outline but changed it to match the color of the logo. For the inside pages, they chose a blue color scheme and used selection and eraser tools to incorporate transparent images. They added pictures from the TV show and games, making sure to leave space for text. In the end, they felt the double page spread turned out looking like a proper magazine layout.
2. initial plans
Abigail Long is excited to work on her pixel art project and has been practicing the skill over the last year. She created a mind map and mood board to plan the project. The mood board features dark colors and a somber, entrapped atmosphere that will influence her characters and setting to similarly make the player feel trapped. Her schedule outlines research, proposal, planning, production, and evaluation over 5 weeks, and she plans to reference 7 video games and other sources in her project work.
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The document describes two experiments the author conducted using Photoshop. In the first experiment, the author created a composite image mixing a photograph of a wall with a hand-drawn scene from Dexter's Laboratory. In the second experiment, the author created an animated graphic or GIF featuring a trippy, spiraling design and effects. For the final product, the author plans to incorporate elements from both experiments, including using their own photographs and drawings as well as animation techniques.
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This document contains a student's evaluation of their production process for an FMP assignment. It includes sections on research, planning, time management, technical qualities, aesthetic qualities, audience appeal, and peer feedback. For research, the student notes strengths and weaknesses of their approach. Planning gave them a rough idea of pictures but a weakness was ideas not working out. They felt time management and more time would have improved their work. Peer feedback suggested adding more pictures and improving colors, and the student agrees more pictures and emphasized subject colors would have strengthened their portfolio.
6. production reflection [comp]
The document is a production reflection from a student describing the process they took to create an advertisement GIF. Some of the key steps included:
1. Designing the characters by starting with a girl and using different layers, colors, and tools to add details and shading.
2. Creating a forest background by filling it with shades of green and adding trees and shadows.
3. Adding animated elements like a question mark appearing in a footprint and flashing eyes to hint at the presence of Bigfoot.
4. Adding final touches like text, release dates, and blending all the elements together into the final GIF.
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Front cover production log 1
Kianna Briggs created a layout plan for the front cover of her funky house music magazine. She selected an image of a singer holding a microphone that would grab attention due to its bright colors. Kianna used Photoshop's lasso tool to precisely cut out the image and remove the white background. She then placed the edited image onto the InDesign layout according to her plan. Kianna also added the magazine's masthead, which she had to print screen and crop due to download issues. Finally, she included a skyline with varying font sizes to highlight important words and completed the cover with two contrasting fonts, Rockwell and Sans Serif, to achieve a funky look.
Show
The document contains descriptions of several movie posters created by the author, including:
1) A Lady Bird poster featuring edited photographs of ladybugs in a drawing-like style, using a bold font similar to the original poster.
2) Alternative posters for Lady Bird, Perks of Being a Wallflower, Black Swan, Candy, Harry Potter, and The Invisible Guest, describing the visual elements and design choices for each.
3) The Perks of Being a Wallflower and Black Swan posters incorporate additional symbolic elements relating to themes in the films. Design elements like fonts, shadows, and filters are used across the posters to make them eye-catching while representing the films' tones.
3. production experiments
The document describes the process of creating a fantasy-themed magazine cover and double page spread. For the cover, photos will be edited into a mushroom background with some models prominently glowing and having black eyes. For the double page, a model is cut out and made transparent over a background, with a reflection added below using the same technique. Text and a redesigned badge will complete the right page. Reflections note techniques like transparency and custom artwork will feature in the final product to add depth and fit the minimalist style.
Adventure progress log
The document provides a production log that summarizes various creative works for a video game, including logos, character designs, level designs, and more. Key details include designing the game's logo using warped text effects, creating pixel art characters and levels, animating cut scenes and menu screens in Photoshop, and adding sound effects to gameplay demos. The log demonstrates progress on visual and audio assets needed to develop the Kingdom of Xilo video game.
4. production experiments (1)
The document describes several digital art experiments:
1) A digital painting experiment where a photo was manipulated to look like a drawing using smudge and pen tools.
2) A glitch effect experiment where image sections were moved to distort the photo and give it a glitched look.
3) A photo manipulation experiment where multiple images were layered and blended together to create abstract art.
4) Video effects experiments using turbulent displace, lens distortion, and paint bucket tools to manipulate videos.
The reflection discusses which techniques the artist found most effective and might include in their final album art and music video projects.
Double Page Spread process
The document describes editing an image for a magazine cover. The editor adjusted brightness and contrast, used selection tools to isolate the model from the background, added a faded black and white layer behind the model, removed imperfections, softened edges, and made minor text and formatting changes to make the image and layout look more polished and professional.
Magazine steps
The document discusses the process of designing a magazine cover in PowerPoint. Key steps included:
1. Changing the background color to an off-white yellow to complement an eerie background photograph.
2. Using the opacity slider to make the background photo fainter so attention is drawn to the cover star.
3. Choosing a gold color inspired by Empire magazine to contrast well with cover imagery.
4. Carefully removing the background from a photo of actress Lizzie using selection tools to make it look professional.
Construction
The document describes the process of creating a magazine cover design. It involved taking a photo of a brick wall for the background, converting it to grayscale, and selectively coloring some of the bricks. Images were edited and cut out in Photoshop before being arranged on the background in InDesign. Text size and placement took some adjustments to balance with the large background image. Multiple layers were used in InDesign to structure the overlapping images and text.
Production Experiments
Jodie Wood conducted experiments to develop skills for creating magazine covers and double page spreads for her final product. For the covers, she edited over 100 photos in Photoshop and tried different fonts and color levels. She created three mock covers. For the double page spreads, she designed two layouts - a basic style with little color and a second with neutral colors and brighter photos. She edited photos in Photoshop, added text boxes, and arranged photos around the page. Her experiments helped her identify styles and techniques to include in her final product, such as photo editing, color schemes, and layouts that created a minimalist, professional look.
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Similar to Project 3 production experiments personal project
2.2 Production Experiments(1).pptx
This document summarizes three experiments the author conducted to develop their digital art skills in creating greeting cards. In the first experiment, the author explored different brushes, colors, and opacity levels but was unhappy with the results. In the second experiment, the author focused on creating a detailed face using primarily purple hues and shadow play, which looked more vibrant. In the third experiment, the author explored depicting two characters using colored shapes instead of lines, though did not finish. The author reflected that they will incorporate color palettes, shadow effects, single color dominance, and depicting faces with shapes in their final greeting card project.
3. production experiments [comp] copy
The document describes the process of creating a pixel art animation experiment. The artist:
1) Colored the background purple to suit a gothic theme. They added layers and shades to make the wall look old.
2) Drew inspiration from Casper the Friendly Ghost to draw their ghost character. They had to redraw the ghost using the pencil tool for clearer pixel art.
3) Created picture frames on the wall using the pencil tool and filling them with solid colors. They then drew faces in new layers and moved the ghost character into one frame to create a portrait.
4) Animated the ghost moving closer to the large frame in each subsequent frame using a timeline to create a moving animation.
Evaluation of summer project powerpoint
Erin Middleton evaluated their summer self-portrait project. They researched paintings at the national portrait gallery that used techniques like bold colors, strong lines, tone and shade. The artists studied were Alex Katz, Louis Leopold Boilly and Brian Sayers. Erin developed initial designs through sketching and improving ideas with varied colors and backgrounds, aiming for a simple realistic style like Katz. They used acrylic paint and brushes to create texture in the background. The final portrait was challenging to paint due to the uneven canvas, but thin layers of paint and tiny brushes helped overcome this. Erin reflected on learning about using pencil, base layers, color and texture in portraits.
4. production experiments
The document describes Vicky Patchett's text and drawing experiments for an FMP project. For the text experiment, she followed an online tutorial on comic text in Photoshop but adjusted the colors to be bolder. She chose not to add comic dots. For the drawing experiment, she took a photo into Procreate, made a sketch layer, refined the edges, added color picked from the photo, and blended colors on the beak and added eye details. She reflects that she will use these techniques in her final product as they allow her to customize the look and fit the color scheme.
Task 2 graphic novel experiments
The document summarizes the results of the author's experiments with different graphic design techniques for use in a graphic novel project. The author tested comic book effect, digital photography, rotoscoping, and illustration techniques. They found that comic book effect and rotoscoping produced high quality, detailed images quickly enough to complete the project on time. While digital photography was simple and fast, the images lacked impact. Illustration took too long. The author concluded they would use comic book effect and rotoscoping due to the speed and quality of the results. They recognize skills with selection tools need improving for rotoscoping, and blending tools for comic book effect. Overall practice with the chosen techniques on Photoshop will help strengthen abilities.
Late night Development Document
This document provides an overview and development process for a game environment art project titled "Late Night." The artist was inspired by neo-noir films, TV shows, and games. They researched these influences and created mood boards. Concepts developed included a reimagined lunch counter setting. Production involved blocking out the scene, creating materials and lighting, modeling assets, and applying post-processing effects to achieve the desired neo-noir visual style. The artist focused on showcasing skills in art direction, lighting, materials, and presentation within technical constraints for their portfolio piece.
3. production experiments(2)
The document describes an experiment creating a pixel art scene with a ghost and kid holding a lamp. It discusses the simple steps taken to create the layered scene in pixel art. While not the creator's best work, it was practice for the main project of a "Ghost Game" and helped experiment with using different colors for lighting effects and adding creepy details to the ghost. The reflection notes that color aspects will be important to include in the final product to provide detail through varied colors rather than just using the same color everywhere.
Development pro forma(3)
The document provides an evaluation of a digital graphic narrative project where the student discusses strengths and areas for improvement in various tasks including shape manipulation, rotoscoping, film quotes, and more. Feedback is given on techniques used and how the student could further develop their skills if repeating the tasks.
Visual - Production Reflection
The student created a magazine cover featuring Pokémon from the first generation. They had to resize the individual Pokémon pictures to fit around the edge of the cover. They initially used a white outline but changed it to match the color of the logo. For the inside pages, they chose a blue color scheme and used selection and eraser tools to incorporate transparent images. They added pictures from the TV show and games, making sure to leave space for text. In the end, they felt the double page spread turned out looking like a proper magazine layout.
2. initial plans
Abigail Long is excited to work on her pixel art project and has been practicing the skill over the last year. She created a mind map and mood board to plan the project. The mood board features dark colors and a somber, entrapped atmosphere that will influence her characters and setting to similarly make the player feel trapped. Her schedule outlines research, proposal, planning, production, and evaluation over 5 weeks, and she plans to reference 7 video games and other sources in her project work.
4. production experiments(1)
The document describes two experiments the author conducted using Photoshop. In the first experiment, the author created a composite image mixing a photograph of a wall with a hand-drawn scene from Dexter's Laboratory. In the second experiment, the author created an animated graphic or GIF featuring a trippy, spiraling design and effects. For the final product, the author plans to incorporate elements from both experiments, including using their own photographs and drawings as well as animation techniques.
7. evaluation
This document contains a student's evaluation of their production process for an FMP assignment. It includes sections on research, planning, time management, technical qualities, aesthetic qualities, audience appeal, and peer feedback. For research, the student notes strengths and weaknesses of their approach. Planning gave them a rough idea of pictures but a weakness was ideas not working out. They felt time management and more time would have improved their work. Peer feedback suggested adding more pictures and improving colors, and the student agrees more pictures and emphasized subject colors would have strengthened their portfolio.
6. production reflection [comp]
The document is a production reflection from a student describing the process they took to create an advertisement GIF. Some of the key steps included:
1. Designing the characters by starting with a girl and using different layers, colors, and tools to add details and shading.
2. Creating a forest background by filling it with shades of green and adding trees and shadows.
3. Adding animated elements like a question mark appearing in a footprint and flashing eyes to hint at the presence of Bigfoot.
4. Adding final touches like text, release dates, and blending all the elements together into the final GIF.
Construction
The document describes the process of creating a magazine cover design for a genre called "Grime". The designer took a photo of a brick wall for the background and experimented with different effects in Photoshop to give it a smoother, grey look. Images for the cover were edited and colors were adjusted to match the color palette. Bricks around the main image were colored to draw attention. Additional editing and layout work was done in InDesign, including adding layers, glow effects, and adjusting text sizes. The designer found creating the background and layout challenging but was pleased with the final magazine design.
7. evaluation [comp]
The document provides an evaluation of a production process. It summarizes research conducted, planning activities, time management strategies, and technical and aesthetic qualities of created products. Peer feedback was also received. The research involved annotating similar products and conducting surveys. Planning included mind mapping ideas. Time was spent utilizing software in class and completing other work at home. The technical qualities and audience appeal of a book cover, poster, and animated gif are described. Peer feedback noted the professional-looking book cover and unique character designs, but improvements could be made to readability and names. [/SUMMARY]
7. evaluation [comp]
The document provides an evaluation of a production process that included research, planning, time management, and technical and aesthetic qualities. Peer feedback on the projects was also summarized. The research phase identified key features for the products but was time consuming. Planning was aided by mind maps and style sheets. Completing tasks in Photoshop at college and finishing powerpoints at home helped with time management. Feedback noted the book cover looked professional but the "not a" text blended in. The poster had unique character designs but dull colors. The peer feedback summary agreed the cover was professional but fonts could be darker or clearer.
production reflection megan.pptx
Megan created animations and scenes for her game over several weeks. She animated walk cycles for the main character and an idle animation for an NPC. Megan designed two scenes - one with a house and another with two houses and a cafe. In the final week, Megan pieced the animations together into a trailer, adding detail to the forest and grass. She struggled with tree shading but added a color to her palette. Megan chose music for the trailer and exported and uploaded the video to her website.
production reflection megan.pptx
Megan created animations and scenes for her game over several weeks. She animated walk cycles for the main character and an idle animation for an NPC. Megan designed two game scenes - one with a house and one with additional houses and a cafe. In the final week, Megan pieced together the animations and scenes to create a trailer, adding detail to environments and changing a character design. She created original music for the trailer and uploaded final assets to her website.
Production experiments
Ellie Warmingham experimented with character designs, color palettes, backgrounds, and basic animations using Piskel software to practice for her final product. She looked at examples for inspiration, tried different colors and styles to see what worked best for each character. While pixels limited detail, she practiced drawing characters. Later experiments included a non-human friendly character with soft colors, adding shadows to make characters stand out, and a pixel background with a natural setting. A simple walking animation cycle helped practice movement. Color palette research informed character design. Elements from experiments like character designs, backgrounds, and color palettes may be included in the final product.
7. fmp evaluation
The document provides an evaluation of the student's FMP project which included creating a fairy house, fairytale keyhole box, and fairy video. Peer feedback noted that the visuals and audio in the video were well-edited but that the fairies could move more between scenes. The student agreed their photography skills could be improved to focus shots and play with lighting effects. They were pleased with how their audio complemented the images to tell a narrative.
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Unit 4 Game Evaluation
The document provides a summary of the strengths and weaknesses of the author's research, planning, time management, technical qualities, aesthetic qualities, and audience appeal for an FMP video game project. It also includes feedback from peers. The main points are:
1) The research helped identify the desired genre but was time-consuming. Planning was beneficial for staying on schedule but also time-consuming.
2) More time would have allowed improving gameplay elements like animation and polish. Peer feedback suggested adding more gameplay content rather than just loading screens.
3) The simple and retro style made it accessible but repetitive gameplay may cause boredom. Peers generally liked sound effects and setting but felt it needed more development.
Jump Step Hop Game Evaluation
The document provides a summary and evaluation of the production process for a 3D side-scrolling game. It discusses the strengths and weaknesses of the research conducted, planning process, time management, technical and aesthetic qualities, audience appeal, and peer feedback. The planning process and understanding the target genre were strengths, while more time could have improved animation and gameplay. Peer feedback suggested adding more gameplay elements and detail to maximize the space within the game.
Project 4 Research pixel game
The document discusses research on existing pixel games and their target audiences. It analyzes several games including Pixel Piracy, Donkey Kong, Terraria, and Shovel Knight. It finds that the games commonly have pixelated, side-scrolling gameplay. They also target audiences of ages 0-14, appeal more to males, and are accessible to working class players. The document says the new game will have platform-style jumping gameplay and target emulators seeking achievement.
Project 4 production reflection ghost game copy
The document describes the process of developing a ghost game production. It began with creating the ground and floating pixelated islands. Clouds were then added to the atmosphere. More floating clouds were made for obstacles like jumping on and off of. Character design followed with a unicorn and ghost. Finally, the ghost was animated to jump over falling islands and then hop on the unicorn to fly off into the distance.
Project 4 production experiments ghost game copy
The document describes the process of designing a ghost game. The background was filled with a light blue color using a bucket tool. Clouds were added using a pen tool at the smallest size to get precise clouds. Character designs went well as the ghost riding a unicorn was simple but effective. For the final product, the designer aims to have smoother animation, moving clouds that loop, and a setting of an underground cave where the character tries to find their way out.
Project 4 initial plans pixel final game copy
The document provides details on the initial plans for a pixelated platform game called "Step Jump Hop". It will follow the character Hancock and his revolver as they go on an adventure through dangerous levels to retrieve stolen coins from the boss. Photoshop will be used to create the pixel art assets like coins, characters, and enemy clones. The target audience is younger teens aged 13+ due to the child-like gameplay, though older teens aged 16+ may also enjoy it. Earlier discarded ideas included an adventure sandbox game and strategy game due to the increased difficulty in creating those genres.
Production reflection ghost game copy
The document describes the process of creating a ghost game production. It began with creating the ground and floating islands with falling chunks of land. Clouds were then added to create atmosphere before more floating clouds were included as obstacles for ghosts to jump on and off of. Character design followed with a unicorn and ghost riding it into the sunset. The production ended by animating the characters, with the ghost starting on the left, jumping over falling islands, and then hopping on the unicorn to fly off into the distance.
Project 4 production experiments ghost game
The document describes the process of designing a ghost game. The background was filled with a light blue color using a bucket tool. Clouds were added using a pen tool at the smallest size to get precise clouds. Character designs went well as the ghost riding a unicorn was simple but effective. For the final product, the designer aims to have smoother animation, moving clouds that loop, and a setting of an underground cave where the character tries to find their way out.
Prpject 4 initial plans pixel final game copy
The document provides details on the creator's initial plans and current idea for a game called "Step Jump Hop". It will be a platform game where the protagonist Hancock goes on an adventure to defeat enemies and retrieve stolen coins. The creator plans to use pixelated graphics and a basic color scheme. They will develop the game using Photoshop. The intended audience is younger teens aged 13+ due to the child-like nature of the game. Two other game ideas, an adventure sandbox and strategy game, were discounted due to difficulty creating an open world or understanding game rules.
Project 3production reflection persona; project
The document describes the creator's process of developing a production with multiple characters. At first, placing facial features and adding depth and texture was challenging. Later, adding precise colors like skin tones and an orange clothing hue to the first character helped the design progress. The second character took more time due to detailed camouflage patterns needed. Finally, the creator rushed to add color to the third character within the time constraints but left the eyes white to contrast with the outfit and complete the image.
Project 3 pre production personal project
The document outlines the pre-production, layout, props, locations, contingency planning, health and safety, and schedule for a personal project creating stylized digital characters and artwork in Photoshop over 8 days. It will feature famous and designed characters against a background of money, with props like glasses and designer clothing created by the artist. Potential issues addressed include going over time or losing focus, with solutions like getting assistance or listening to music. Health and safety concerns of eye strain and back pain will be avoided with regular breaks.
Project 3. research personal project
The interviewee expressed interest in a few anime designs for the product. They wanted the colors and characters to be developed most. They thought the idea of an anime portfolio was good for people interested in anime. They did not provide any additional feedback on animations.
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Theory Research Project 2
This document provides definitions and examples of key terminology used in research, including different types of primary and secondary research, quantitative and qualitative research, audience research, market research, and production research. It also discusses advantages and disadvantages of different research methods, and provides an overview of Harvard referencing style.
Theory Meaning Project 2
The document discusses various concepts related to media analysis including denotation vs connotation, iconography in different genres, narrative structures, stereotypes, and clip analysis. It provides examples of denotation and connotation for objects like snakes, flags, and guns. It discusses linear vs non-linear narratives and gives examples. It also outlines common stereotypes associated with gender, social class, age, and occupations. Finally, it analyzes aspects of a clip like costumes, lighting, camerawork, and music to understand the tone, atmosphere, and narrative.
Theory Audience Project 2
The document discusses audience profiles for three films: Spiderman: Homecoming, Kong: Skull Island, and District 13.
For Spiderman: Homecoming, the primary audience is teenagers and adults aged 15-30. The film has a working class social grade and is more targeted towards males.
For Kong: Skull Island, the primary audience is ages 15-24, with adults 25-30 as secondary. It has a skilled working class social grade and appeals to those with needs-driven psychographics.
District 13's primary audience is adults 25-44, with teenagers 15-19 as secondary. It has a working class or above social grade and appeals equally to males and females.
3. formal proposal 4
The document proposes an "Advergame" to advertise Coca-Cola. It would be a side-scrolling game released worldwide on PC and other platforms. The game would metaphorically show how drinking Coca-Cola brings joy and satisfaction by making the player character transparent and showing Coke being poured on her. The target audience is people aged 10+ of any gender or social class. The advergame aims to appeal to people's sense of fun and enjoyment of sharing Coke with others. It is designed not to offend any groups and uses the Coca-Cola logo to identify the brand without infringing on their copyright.
2. production techniques evaluation
The document discusses various graphic design, radio, and video game production projects completed by the author. For a graphic design project, the author created an advertisement poster for Coca-Cola featuring a silhouette merged with the drink. In radio production, the author notes issues with echo but no other details are provided. For video games, the author drew a character from scratch in Photoshop and created a game featuring a samurai cutting down Coca-Cola bottles with simple cloud backgrounds. Overall, the author believes their advertisement poster best promotes Coca-Cola due to its clear format and professional appearance compared to other projects.
1. communication methods
1. The document discusses various communication and advertising standards codes (ASA Codes) that should be followed when creating advertisements. This includes codes around compliance, avoiding misleading ads, preventing harm or offense, and suitability for children.
2. The mind map shows ideas for a potential advertisement targeted at 16-19 year olds, including image ideas, color schemes, and slogan ideas. Strengths and weaknesses of the mind mapping method are discussed.
3. The style sheet shows an example text design for a "Cool text design." Strengths and weaknesses of style sheets are discussed.
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Project 3 production experiments personal project
- 2. Process During the production of my pixel art this was a similar product to one I used as inspiration, the process of the production took me a long time to create but had an excessive amount of detail going from pixel to pixel this almost took me about two weeks to complete by starting of with the basic colours I then went over with them with different toning from the colour palate Photoshop had to offer, At the start of the production I started off with a light tone of brown as the background this colour helped contrast from the actual drawing I made from the hair been yellow I used a reasonable big size brush in bright yellow to fill in the colour of the hair after the layout was formed I could then in a smaller pen use different tones of yellow to add depth into the hair to add more realism. I followed this procedure through out the whole of the character and it came to a result of this.
- 3. Reflection • What elements of your experiments will you include in your final product? • My personal project I would like to have less quality but have more quantity of character in the portfolio am hoping to achieve this and get people attention In the anime genre. • The colour scheme am tiring to achieve is a vintage old style of colour scheme where the character in the portfolio have an old anime feel and look to there appearance.
Editor's Notes
- Discuss the tools and processes used in your experiments