Production Log
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Jack Hurst created a production log documenting his process for designing the background and first street for his endless runner demo level video game. He began by planning out different gameplay options and choosing for the character to fall down a hole and trigger a "game over" screen. He then calculated the number of frames and pixels needed to animate 20 seconds of running across 2.5 streets. Next, he created a gradient background and layers for foreground and background buildings. Different colors were used on each layer to create depth. Guides were used to help align elements consistently. Overall, the production log detailed Jack's planning, design, and layering approach for the demo level background.
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The document discusses the process of creating a horror game. It describes how the student created different stages for the game, each with their own dark, creepy atmosphere and details to make the environment feel lived in. Speech cards and clues were added throughout to guide players and give context to the main character. Additional stages were created halfway through to improve the gameplay experience. A main menu was also added later to set the tone and theme of the game.
Production Log
The document is a production log for a video game demo level created by Jack Hurst. Some key details:
- Jack experimented with background frame rates to get the correct running speed. He created gradient backgrounds in purple/orange and blue/white.
- He used guides and effects to add roads and buildings to different background colors. Early designs included 3 streets of varying lengths and styles.
- Later improvements included darkening the background/colors for a nighttime look, adding/removing stars, and signs in Japanese with alternating colors.
- Additional elements were holes to jump over using gradients, trophies at the end of each street, and a character that walks, jumps and falls with separate layers
Production Log
The document summarizes the process of creating a demo level for a video game set in Tokyo at night. Some key points:
- The creator experimented with background speeds and colors before choosing a dark blue gradient to set a nighttime scene.
- Streets were designed with different building styles to feel individual yet part of the same city. Signs and Japanese text were added.
- Holes were added to the ground for the character to jump over, getting smaller in distance between each street to increase difficulty.
- A character was designed in black clothing to match advertising materials, with lighter limbs to show movement. Walking, jumping, and falling animations were created through layers and guides.
Production Log
The document is a production log for a video game demo level created by Jack Hurst. Some key details:
- Jack experimented with background frame rates to get the correct running speed. He created gradient backgrounds in purple/orange and blue/white.
- He used guides and effects to add roads and buildings to different background colors. He created three streets - a shopping street, residential street, and industrial street to give variety.
- Jack added holes, trophies, signs, and a character that runs and jumps through the streets. He animated walking, jumping, falling and dying sequences.
- Additional elements include a countdown, trophy flashes/points when collected, and a game over screen with options
Production Log
The document is a production log for a video game demo level created by Jack Hurst. Some key details:
- Jack experimented with background frame rates to get the correct running speed. He created gradient backgrounds in purple/orange and blue/white.
- He used guides and effects to add roads and buildings to different background colors. Early designs included 3 streets of varying lengths and styles.
- Further details were added like neon signs, holes to jump over, and trophies at the end of each street. The character and its walking/jumping/falling animations were designed.
- A countdown, trophy flashes, and score updates were added. The game over screen was also designed to
Production Log
The document is a production log for a video game demo level created by Jack Hurst. It summarizes the process of designing the background, streets, buildings, signs, holes, trophies, and character. Key details include experimenting with different background speeds, using guides to ensure consistency, choosing accent colors for each street, adding Japanese signs to indicate the setting is Tokyo, and animating the character walking, jumping, and falling through the levels. The goal was to create a realistic late-night look and setting in Tokyo to match the intended film advertisement concept.
Production Log
Jack Hurst created a demo level for a video game set in Tokyo at night. He experimented with background speeds and colors before choosing a blue gradient. He created three streets of varying styles - a shopping street, residential street, and industrial street. Guides were used to maintain consistent scale and positioning of buildings, doors, etc. The background was later darkened to create a late night look and sign colors were added to identify each street. Holes were added to the ground for the character to jump over. Trophies were created to be collected at the end of each street. The character was designed and animated walking, jumping, and falling through the streets.
Production Log
Jack Hurst created a demo level for a video game set in Tokyo at night. He experimented with different background speeds and colors before settling on a blue gradient. Jack designed 3 streets of varying styles and lengths. He added buildings, signs in Japanese, holes to jump over, and trophies to collect at the end of each street. Jack animated a character to run, jump and fall through the streets. He added effects like a countdown, point flashes, and a game over screen. Guides helped Jack keep proportional and consistent scaling throughout the design process.
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Production Log
The document is a production log for a video game demo level created by Jack Hurst. Some key details:
- Jack experimented with background frame rates to get the correct running speed. He created gradient backgrounds in purple/orange and blue/white.
- He used guides and effects to add roads and buildings to different background colors. Early designs included 3 streets of varying lengths and styles.
- Later improvements included darkening the background/colors for a nighttime look, adding/removing stars, and signs in Japanese with alternating colors.
- Additional elements were holes to jump over using gradients, trophies at the end of each street, and a character that walks, jumps and falls with separate layers
Production Log
The document summarizes the process of creating a demo level for a video game set in Tokyo at night. Some key points:
- The creator experimented with background speeds and colors before choosing a dark blue gradient to set a nighttime scene.
- Streets were designed with different building styles to feel individual yet part of the same city. Signs and Japanese text were added.
- Holes were added to the ground for the character to jump over, getting smaller in distance between each street to increase difficulty.
- A character was designed in black clothing to match advertising materials, with lighter limbs to show movement. Walking, jumping, and falling animations were created through layers and guides.
Production Log
The document is a production log for a video game demo level created by Jack Hurst. Some key details:
- Jack experimented with background frame rates to get the correct running speed. He created gradient backgrounds in purple/orange and blue/white.
- He used guides and effects to add roads and buildings to different background colors. He created three streets - a shopping street, residential street, and industrial street to give variety.
- Jack added holes, trophies, signs, and a character that runs and jumps through the streets. He animated walking, jumping, falling and dying sequences.
- Additional elements include a countdown, trophy flashes/points when collected, and a game over screen with options
Production Log
The document is a production log for a video game demo level created by Jack Hurst. Some key details:
- Jack experimented with background frame rates to get the correct running speed. He created gradient backgrounds in purple/orange and blue/white.
- He used guides and effects to add roads and buildings to different background colors. Early designs included 3 streets of varying lengths and styles.
- Further details were added like neon signs, holes to jump over, and trophies at the end of each street. The character and its walking/jumping/falling animations were designed.
- A countdown, trophy flashes, and score updates were added. The game over screen was also designed to
Production Log
The document is a production log for a video game demo level created by Jack Hurst. It summarizes the process of designing the background, streets, buildings, signs, holes, trophies, and character. Key details include experimenting with different background speeds, using guides to ensure consistency, choosing accent colors for each street, adding Japanese signs to indicate the setting is Tokyo, and animating the character walking, jumping, and falling through the levels. The goal was to create a realistic late-night look and setting in Tokyo to match the intended film advertisement concept.
Production Log
Jack Hurst created a demo level for a video game set in Tokyo at night. He experimented with background speeds and colors before choosing a blue gradient. He created three streets of varying styles - a shopping street, residential street, and industrial street. Guides were used to maintain consistent scale and positioning of buildings, doors, etc. The background was later darkened to create a late night look and sign colors were added to identify each street. Holes were added to the ground for the character to jump over. Trophies were created to be collected at the end of each street. The character was designed and animated walking, jumping, and falling through the streets.
Production Log
Jack Hurst created a demo level for a video game set in Tokyo at night. He experimented with different background speeds and colors before settling on a blue gradient. Jack designed 3 streets of varying styles and lengths. He added buildings, signs in Japanese, holes to jump over, and trophies to collect at the end of each street. Jack animated a character to run, jump and fall through the streets. He added effects like a countdown, point flashes, and a game over screen. Guides helped Jack keep proportional and consistent scaling throughout the design process.
Production Log
Jack Hurst created a demo level for a video game set in Tokyo at night. He experimented with different background speeds and colors before settling on a blue gradient. Jack designed 3 streets of varying styles and lengths. He added buildings, signs in Japanese, holes to jump over, and trophies to collect at the end of each street. Jack animated a character to run, jump and fall through the streets. He added effects like a countdown, point flashes, and a game over screen. Guides helped Jack keep elements proportioned and aligned throughout the design process.
Production Log
Jack Hurst created a demo level for a video game set in Tokyo at night. He experimented with different background speeds and colors before settling on a blue gradient. Jack designed 3 streets of varying styles and lengths. He added buildings, signs in Japanese, holes to jump over, and trophies to collect at the end of each street. Jack animated a character to run, jump and fall through the streets. He added effects like a countdown, point flashes, and a game over screen. Guides helped Jack keep proportional and consistent scaling throughout the design process.
Production Log
Jack Hurst created a demo level for a video game set in Tokyo at night. He experimented with background speeds and colors before choosing a blue gradient. Jack designed three streets of varying styles and added signs, buildings, and other details. He animated a character running and jumping through the streets, collecting trophies. When the character falls in a hole, the screen changes to a "Game Over" message. Jack refined the animations, colors, and interfaces to complete the demo level for playtesting.
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Diary For Adventure Topic
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Production Log
Jack Hurst created a demo level for a video game set in Tokyo at night. He experimented with different background speeds and colors before settling on a blue gradient. Jack designed 3 streets of varying styles and lengths. He added buildings, signs in Japanese, holes to jump over, and trophies to collect at the end of each street. Jack animated a character to run, jump and fall through the streets. He added effects like a countdown, point flashes, and a game over screen. Guides helped Jack keep elements proportioned and aligned throughout the design process.
Production Log
Jack Hurst created a demo level for a video game set in Tokyo at night. He experimented with different background speeds and colors before settling on a blue gradient. Jack designed 3 streets of varying styles and lengths. He added buildings, signs in Japanese, holes to jump over, and trophies to collect at the end of each street. Jack animated a character to run, jump and fall through the streets. He added effects like a countdown, point flashes, and a game over screen. Guides helped Jack keep proportional and consistent scaling throughout the design process.
Production Log
Jack Hurst created a demo level for a video game set in Tokyo at night. He experimented with background speeds and colors before choosing a blue gradient. Jack designed three streets of varying styles and added signs, buildings, and other details. He animated a character running and jumping through the streets, collecting trophies. When the character falls in a hole, the screen changes to a "Game Over" message. Jack refined the animations, colors, and interfaces to complete the demo level for playtesting.
1. production experiments
Rebecca Edwards created a pixel animation experiment to practice animation techniques for a future game project. She used pencil and eraser tools to draw frames of blinking eyes in an anime style, adding color and shading over multiple frames. She adjusted the timing of each frame to make the blinking look realistic. For her game, she created a grid for a match-3 puzzle scenario and duplicated image tiles to fill the board. She plans to add background, icons, animation, and music in future iterations. Through testing her animation, she found errors to correct by duplicating and hiding assets between slides. For her final project, she will focus on asset size, thorough testing, and ensuring theme consistency between visuals and music.
Pod handler (1) (1)
Harry Allinson created characters first to establish the base for his pixel game. He struggled initially to come up with ideas but planning helped him brainstorm more efficiently. He created backgrounds with trees, clouds and hills/mountains and added the characters. This allowed him to see where the game was going. He then animated the game, being careful to not have too many or too few frames. Animation brought the game to life. He added effects like zoom transitions, color correction, motion blur, 8-bit music and sound effects to make the pixel game more interesting and vibrant.
Ig1 task 2 analysis work sheet sonic adveture battle 2
The document is a student's assignment analyzing the soundtrack of the game Sonic Adventure 2 Battle. It discusses the mood, setting, genre and narrative conveyed by the music during a chase scene in a city. The student identifies that multi-track sequencing was likely used to lower the music volume during voice lines and add lyrics to the background music. No production techniques were needed for the background chase scene music as it does not change in pitch, volume or speed.
5. pre production(gaming)
The document discusses pre-production planning for a children's game, including color scheme, fonts, and layouts. Primary colors like red, blue, and yellow will be used in designs and to symbolize health, water, warmth, and danger. Fonts like Adobe Calson and Black Adder will be used for speech and signs to suit the fantasy setting. Two layouts are shown - an overhead view for exploration and a side view for battling. Software like Photoshop and Premier will be used to create and animate the game, along with gathering resources from the internet. A schedule is outlined to complete scenes and a poster over 8 days.
6. production (gaming)
The document describes the process of creating an animated character selection screen and subsequent gameplay scenes for a birds-eye-view game. The creator used the pencil tool to design character faces and options, animate character movement, and create backgrounds of increasing scale and danger that scroll to simulate character movement. Inspiration was drawn from games like Pokemon and Zelda to design pixelated trees and pavement. Each scene was animated by adjusting layers on the timeline to move character parts or scroll backgrounds.
Addressing audiences
Just Dance is a party and fitness game that uses popular songs. It has a large, clear interface that makes it simple to follow and mimic dance moves shown on screen in time with songs to earn points or rankings. The game has a diverse audience from first-time players to those wanting to exercise or practice dancing.
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7. production reflection
The document describes the process taken by Josh Brownsword to create an animated character and background for a game. It discusses developing the character's stance and color scheme. It then describes creating the background by drawing a road, lamps, and buildings. Various animation and sound effects were added, including walk and run cycles for the character. Interface elements like buttons and an inventory screen were also created. Finally, an intro scene with a disco ball effect and stars was made to introduce the game. Music and sound effects were integrated by loading the project into video editing software.
6. production reflection
Andrew Downes created an animated game project over multiple days. He made assets like a skull, water features, doors, and background stones. He animated the main character's walk and created concept art for enemies. Andrew added lighting, shading, buttons, and animated elements like falling water. Music and sound effects were also created. The project was compiled and exported, with some minor issues due to resizing. Overall, Andrew completed the core aspects of the game but wished for more time to expand it further.
5. Pre Production
This document contains pre-production details for a game, including an audience profile of teenagers aged 14-18 of both genders. It discusses color schemes and images to inspire the background design, as well as characters like an astronaut and spaceship. Sound effects will be created on beepbox.org, including collect, background, and select sounds. Contingency plans include saving work frequently and making copies to prevent loss of work. Health and safety precautions involve taking breaks to avoid headaches and back pains from long periods of sitting.
Production reflection
This document provides a summary of the process taken to create a racing game. It describes how the key scenes were developed, including the title screen, car selection page, level complete screen, leaderboard, and game over screen. Tools like the pencil and eraser tools in Photoshop were used to draw elements. Levels were then made and integrated together in Premiere. Additional touches like loading screens and flags to warn of hazards were added. Finally, appropriate sounds were created using BeepBox for each element to complete the game.
3. research
The document discusses existing games that provide inspiration for the game pitch. It analyzes screenshots from Undertale, Earthbound, Ace Attorney, and Backbone. These games share similarities like pixel art styles, a focus on story and writing, character portraits, and menu-based dialog. The document notes these games inspire the layout, content, and writing approach. It aims to emulate their pixel art quality and bring out strong writing like the referenced games.
4. proposal
Monster Hunters Incorporated is a video game proposal for a laser shooter game targeted towards 16-19 year olds of either gender. The game is inspired by arcade games from the 1970s-1980s like Space Invaders and features a monster hunter protecting a city from invading monsters. Players will choose a character and battle formations of monsters similarly to Space Invaders, using houses instead of shields. The game will have a character selection, game over, and mission complete screens. The proposal creator aims to evaluate the animation quality and whether planning and research helped achieve the intended outcome.
10 page design document
1) The story follows Red, a young girl who enjoys hunting in the woods but must take cakes and berries to her sick grandmother. The player makes choices that influence the story.
2) Gameplay involves reading passages and choosing options that advance the plot. Making the right choices allows progression, while wrong choices result in penalties.
3) The game world includes Red's house, garage, kitchen, the woods near her home, and other locations she encounters on her adventure.
2. initial plans
This document outlines initial plans for a coin collection video game project. The author considers making a simple game similar to "Subway Surfers" where the player collects coins while running from obstacles. Alternative ideas include shape-based or character-based games. Plans for the game's sound, graphics, characters and schedule are discussed. A mood board analysis shows inspiration from bright, colorful coin collection games. The document does not provide sources to be used.
Ig1 task 2 analysis work sheet sonic adveture battle 2
The document is a student's assignment analyzing the soundtrack of the game Sonic Adventure 2 Battle. The student describes how the music establishes the mood of rushing and escaping from something chasing you in a city setting, and makes the player feel excited. They also note the genre of adventure is conveyed through the music and lyrics. The student identifies that multi-track sequencing was likely used when voices come in to make the music slightly quieter.
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Ig1 task 2 analysis work sheet sonic adveture battle 2
Ig1 task 2 analysis work sheet sonic adveture battle 2
Ig1 task 2 analysis work sheet sonic adveture battle 2
Ig1 task 2 analysis work sheet sonic adveture battle 2
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This document outlines the diary entries for a student's adventure project. It describes the process taken to plan and develop a video game, including choosing a story idea, researching existing products, planning elements like character designs, backgrounds, and gameplay, creating demo levels in Photoshop, and adding audio/visual elements in Premiere Pro. The student developed a running video game set in Tokyo featuring neon colors and minimal designs, with the goal of the game being to navigate streets and collect trophies before falling into a hole.
Diary For Adventure Topic
This document outlines the diary entries for a student's adventure project. It describes the process of selecting a film to analyze, developing initial ideas for new film concepts, researching existing related products, planning various elements of the project like color schemes and layouts, creating a demo level for a video game including character and building designs, additional screens for the game like the menu and cut scene, integrating all the game elements, and writing a synopsis for the new film idea. The student worked through each section systematically, researching, brainstorming, designing, testing, and refining their ideas.
Diary For Adventure Topic
This document outlines the planning and development process for a video game project. It describes the key tasks completed, including researching existing products, planning game mechanics like character movement and level design, creating concept art and layouts, and developing the game demo level in Photoshop. Details are provided on designing street backgrounds, buildings, and a character sprite, then animating them. Additional elements like menus, cut scenes, soundtracks and sound effects are also planned and produced to bring the game together. Changes made during the process like adding power-ups and more text frames are noted.
7. production reflection
Jay-Birkin created various art assets and animations to develop a first-person puzzle/thriller video game. This included characters, weapons, hands, backgrounds, and mini-games. BeepBox was used to compose simple 8-bit music. All assets were drawn as pixel art and later animated in Photoshop. Premier Pro was used to assemble the various animations, script, and soundtrack into a video demonstrating the full game experience. While more polish was desired, the final video provided an overview of the planned game.
Production reflection - video game project
The document provides details on Joy Buck's process for creating an animated racing game production. Some key points:
- Joy created a scrolling background 1200 pixels wide to give the illusion that the cars are moving. Various elements like trees, bridges and tunnels were drawn.
- Eight small car templates were drawn in different colors and then each placed on separate layers and animated frame-by-frame to race along the track.
- Additional animations were included like cars jumping over rainbow ramps with smoke, driving into water, and lights turning on in a tunnel.
- An opening sequence was made showing the creator's initials and a leaf and lightning bolt on a cloud for the game's title of "Flash
4. production experiments(1)
The document describes Jay Birkin's process of experimenting with different music and art programs to create assets for a video game project. Jay plans to create their own soundtrack using GarageBand or BeepBox. They watched tutorials on using GarageBand and the basics of music production. Jay also explored tutorials for pixel art, isometric art, and walk cycle animation in Photoshop. They documented their process for each experiment, including steps taken and things learned. The experiments aimed to help Jay develop skills for their final video game production.
6. production reflection
Madeleine Ross reflects on the process of creating a game production. She began with a welcome menu to introduce players to the game. Throughout development, she referred to her pre-production color scheme to maintain consistency. Gameplay elements like houses, monsters, and layers were created using pixel art tools in Photoshop then exported and edited together with sound effects in Premier Pro. Additional levels were added, like a boss battle, to extend the gameplay time. Attention to detail and iterative improvements helped produce a cohesive pixel art game.
Video Game Production reflection
Alice created the home screen, background, and platforms for her jungle-themed game. She designed challenges like pits of fire and water and added collectible items. Alice animated her character walking and using tools like ladders and bows to pass obstacles. She added a main menu, completed the animation, and exported the final game with custom music and sound effects.
production reflection (interactive)
This document summarizes the processes used to create various assets for a game project, including a game case design, character sprites, menu icons, merchandise designs, and a demo animation. For each asset, the creator describes the steps taken and notes areas that could be improved if more time was available, such as adding more unique details to character sprites or smoothing transitions in the animation.
8. evaluation
This document summarizes the strengths and weaknesses of the author's research, planning, time management, and technical and aesthetic qualities of their final product, which appears to be a video game. Some strengths included clear and easy to understand research, finding the right colors and movement for planning, and managing time well on some projects. Weaknesses included spending too much time on details that slowed down other parts, not having enough time to add more effects, and the final product not being very creative or long enough. The author aims to improve the layout, add more designs and characters, and enhance the sound effects and music in the future.
6. production reflection(1)
1) The document describes the process of creating a multi-level space-themed game, including designing levels, enemies, the player ship, and audio.
2) Key aspects of level design included using layers in Photoshop to add textures and animate damaged states. Enemies and obstacles were designed to fit each level's theme and difficulty.
3) Audio was created using BeepBox for consistent background music and sound effects across levels. Premier Pro was used to speed up clips for a more game-like feel.
7. evaluation 2 (video games)
The document provides an evaluation of Alfie Ingram's research, planning, time management, technical qualities, aural qualities, and audience appeal for a game project. Some strengths identified include including researched elements in the final product, planning that established the game's style and color scheme, and sounds created in Beepbox. Weaknesses include lacking detail in some research descriptions, needing more planning details, simple pixel art and short length. The evaluation reflects on areas for improvement and aspects that engaged the target audience.
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This document outlines an idea for a knitting magazine. The creator wants to expand their graphic design portfolio and try a unique design project on a topic they are passionate about - knitting. They hope the magazine will inspire people to take up knitting and help normalize it as a hobby for men. The magazine's style will be crafty yet bold to reflect the creativity of knitting. It will have a minimalist layout merged with a wide color scheme to achieve a balance of simple and busy aesthetics. This style choice is meant to portray that knitting can be both colorful and simple.
Idea 3
This document outlines an idea for a fitness magazine that would celebrate people's hard work and body image in order to help those uncomfortable with their bodies see what can be achieved. The creator wants to research existing fitness magazines for inspiration and experiment with photography techniques like lighting, coloring, and composition as they have no prior modeling experience. They envision a minimal, monochrome style with occasional color accents to highlight key aspects and a darker tone to represent the mental strength of working out and make the magazine appeal to both men and women. The goal is to motivate the audience by showing what different bodies can achieve through fitness.
Idea 1
The document discusses a student's final major project idea involving illusion photography. The student wants to create prints for posters and magazines using perspective and size manipulation to play with how images are perceived. The goal is to develop photography and Photoshop skills while getting audiences to think differently about perspective through a cartoony style with small figures.
Idea 2
The artist proposes a series of prints featuring a single color or range of shades. They are interested in exploring color theory and see potential in different ways color can be used. Research will focus on existing color-based art projects and how they incorporate prints. The goal is for viewers to notice color more in everyday life rather than screens. The project style will involve minimal photography and an emphasis on post-production to create a range of shades or colors within a shade. This style was chosen to allow more focus on the post-production phase.
Ucas application 2022
Jack Hurst is applying to study Management and Entrepreneurship or Graphic Design at York St John University. He achieved strong GCSE results including grades 7-9. He is currently studying an Extended Diploma in Creative Media at college which has developed his graphic design and software skills. Jack has work experience in restaurants and cafes and plays tennis and netball. He is interested in entrepreneurship, property development, and graphic design as future careers. University will allow him to further develop the skills needed for these fields.
Ucas application 2022
Jack Hurst is applying to study Management and Entrepreneurship BA (Hons) or Graphic Design BA (Hons) at York St John University. He achieved strong GCSE results including grades 7-9 in subjects like English, Maths, and Science. Currently, he is studying an Extended Diploma in Creative Media at college where he is gaining skills in software like Photoshop. Jack has work experience in restaurants and cafes and plays tennis and netball. He believes either course will help him to pursue his goals of starting his own business or becoming a graphic designer.
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This document discusses plans for a new energy drink brand called Pronto Punch. It considers options for can designs for original and orange flavors, looking at packaging of existing brands. Ideas are presented for the logo, can design, and font. A marketing plan is outlined, targeting 16-30 year olds, especially males. Research shows the global energy drink market was worth $53 billion in 2018 and is projected to grow to $86 billion by 2026. Social media strategies of top brands like Red Bull and Monster are analyzed, with both relying heavily on Twitter promotion.
Ucas Application 2022
Jack Hurst is applying to study Management and Entrepreneurship or Graphic Design at York St John University. He achieved strong GCSE results including grades 7-9. He is currently studying an Extended Diploma in Creative Media at college where he is gaining skills in software like Photoshop. Jack wants to start his own business and ultimately go into property development. He believes the management course will help with this goal or allow him to become a manager. His other option is graphic design which he enjoys from his current course. Jack has relevant work experience and plays sports, helping him work individually and collaboratively. He is looking forward to focusing his studies at university.
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The document provides instructions for a series of photography experiments to improve DSLR and photography skills. It includes experiments on composition techniques like the Rule of Thirds, as well as challenges to take photos of shadows, reflections, close-ups, different angles of one object, textures, different colors, and using negative space. Learners are instructed to take example photos for each section and may take multiple shots to choose from.
Photography Experiments
The document provides instructions for a series of photography experiments to improve DSLR and photography skills. It includes experiments on composition techniques like the Rule of Thirds, as well as subjects like shadows, reflections, close-ups, textures, and colors. For each experiment, photographers are instructed to take example photos applying the given technique or capturing the specified subject, and add them to presentation slides.
Ucas Application 2022
Jack Hurst is applying to study Management and Entrepreneurship or Graphic Design at York St John University. He achieved strong GCSE results including grades 7-9. He is currently studying an Extended Diploma in Creative Media at college where he has developed skills in software like Photoshop. Jack wants to start his own business and ultimately go into property development. He believes the management course will help with this goal or allow him to become a manager. His other option is graphic design which he has enjoyed exploring in his current course. Jack has relevant work experience in restaurants and cafes. He plays sports individually and on teams, helping skills like working independently and collaboratively. University will allow him to specialize and
Ucas Application 2022
Jack Hurst is applying to study Management and Entrepreneurship or Graphic Design at York St John University. He achieved strong GCSE results including grades 7-9. He is currently studying an Extended Diploma in Creative Media at college where he has developed skills in software like Photoshop. Jack wants to start his own business and ultimately go into property development. He believes the management course will help with this goal or allow him to become a manager. His other option is graphic design which he has enjoyed exploring in his current course. Jack has relevant work experience in restaurants and cafes. He plays sports individually and on teams, helping skills like working independently and collaboratively. University will allow him to specialize and
Evaluation
Jack Hurst conducted research on existing clothing brands to inform the planning and production of his own brand. He analyzed websites, photos, products, and advertisements to develop ideas. Audience research provided insights into target demographics and pricing. Planning included a production schedule, designs, website structure, photos, and safety protocols. Time was managed well, allowing extra work like posters to be completed ahead of deadlines. Overall, thorough research and planning supported effective time management and successful completion of the production project.
Production Log
The document provides details of the logo design process for a brand called "Let The Sun Smile". Key points include:
- The brand name and slogan were chosen as "Let The Sun Smile" and "Let's Smile As One" respectively after considering various options.
- The logo was designed in Photoshop with an orange sun outline and lowercase text. Various color options for the logo were created.
- T-shirt designs pairing the logo with words related to mental health in different colors were made. Product photos of the t-shirts were taken.
- A website template was chosen and adapted to the brand with orange accents, logo placement, and slideshows of the product collection
Research
The document provides a summary of the website for the clothing brand Future Self. Key points include:
- The website has a minimal, monochrome design with white, black and photos to draw attention.
- Product categories are shown through an initial slideshow and additional sections.
- Photos on the website were taken during outdoor photo shoots with natural lighting.
- Individual product pages could be improved by making the pages longer and adding social media.
- The brand's Instagram utilizes photos from shoots and color schemes to showcase new collections.
- Looking at other brands' websites provided inspiration for designing accessible and visually appealing pages.
Pre-Production
Jack Hurst is planning a pre-production process for creating a clothing brand to raise awareness of mental health issues. He will design t-shirt prints, take product photos in a studio, and conduct an outdoor photo shoot. He will use the photos for his website and to create a video advertisement. Hurst has created a production schedule spanning 5 weeks to design the products, take the photos, build the website, and finish the video advert. He has also drafted plans for the photo shoots, website design, and contingency measures in case of technical issues.
Proposal
Jack Hurst proposes a project to create a clothing brand called "let us see your smile" from March to June 2021. The project will involve web design, photography, and print and video advertising. Jack will design t-shirts, take photos for the website, and create a promotional video advert. He will use software like Premiere Pro and After Effects. The goal is to spread positivity and help people's mental health during lockdown. Jack will evaluate the project weekly with a diary and provide a final evaluation of each part and the overall project.
Diary For FMP
Jack Hurst has been working on various elements of his FMP project over 5 weeks. He completed initial proposals, research on existing products, and audience research through a survey. This helped him develop and expand his ideas. In later weeks, he designed his brand logo, planned his product designs and photo shoot, and created a production schedule. He feels his research and planning has helped his project progress well.
Production Log
The document provides details of the logo design process for a brand called "Let The Sun Smile". Key points include:
- The brand name and slogan were chosen as "Let The Sun Smile" and "Let's Smile As One" respectively after considering various options.
- The logo was designed in Photoshop with an orange sun outline and lowercase text. Various color options for the logo were created.
- T-shirt designs pairing the logo colors with positive words were made using transfer paper. Product photos of the designs were taken.
- A website template was chosen and adapted to the brand with orange accents, logo placement, and slideshows of the product collection.
Production Log
This document contains a production log for Jack Hurst detailing the process of developing a brand name, slogan, and logo for a new company focused on promoting positivity and community. Several potential brand names are considered before settling on "Let The Sun Smile". Accompanying slogans are then developed and matched to the chosen name. Different logo designs are sketched out and refined in Photoshop before finalizing colored and monochrome versions. Initial t-shirt designs are also explored by selecting an appropriate font and pairing it with words representing the brand's message.
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Production Log
- 2. Diary Video Game Background – to start with I had to think about what was going to happen in my demo level so I could plan the rest. I had a few options which were to create small sections of each street, to have the character run for 20 seconds or for the character to fall down a hole and the game is over. I decided to go for the ‘game over’ idea so I could show how it restarts the game as it is an endless runner game so there aren’t separate levels. Once I had decided this, I knew I had to create 3 streets where the character died on the 3rd street, so I only needed to design 2.5 streets. I worked out how many frames and then pixels where needed for 1 second of animation then how many for 20 seconds of animation and worked out how many pixels are need for each street compared to the time. Doing this helped as I know that the page is long enough for what I am wanting to do with out stretching the whole picture and I can work out how many pixels will be used for each street. Overall, I will have 150 frames for the background as the last section will be the game over screen. Once I had my page, I decided on a gradient background and then had to think about the scale for the character compared to the buildings to make it look as realistic as possible. I decided to use 10-20 pixels for my character as I am not sure how many I will need to create it. Next, I create 2 separate layers for the front buildings and for the back buildings which helped so I could draw over the front buildings, but it wouldn’t show up as the layer is behind making less problems with creating the look with buildings behind and in front. After the layers were sorted, I used dark grey for the front buildings and light grey for the back buildings to be able to see the comparison which also makes it more realistic as the light would be different further away from the focus point. I have also thought for each street I cam change the colours of the buildings and the accent colours to create a strong contrast between the streets. As shown further in my production log, you can see that I have used a simple design for a more minimal look as I didn’t want to over complicate it and for me to run out of time. I can then control the colours easier and add the accent colours which stand out more for each street.
- 3. Video Game – Demo Level To start with I have experimented with different numbers of frames for the background to be able to get the correct sped for running. This helped me to decide how long my background needs to be for my demo game. I have used the gradient tool to create ombre designs with different colours. I thought the purple and orange looked good as it looks like a low sunset. I also tried the blue fading into the white which looks like the sky just before sunset on a darker night. I decided to choose the blue background as it is a more neutral colour compared to orange and I am using orange for the neon lights in the first street. A problem I found with the gradient tool was that it covered my rectangle on a different layer, so I had to go to effects and colour overlay to bring back the grey I chose to create the road. Here is the layer with the colour overlay setting. In the orange background you can see the rectangle is orange whereas in the blue background, you can see the rectangle is grey. Here is a section of my design as I haven’t done much yet. I have started to use guides to help create a finished look with the floors being at the same height and the doors and handles all being at the same height.
- 4. Synopsis
- 5. Video Game – Menu Screen
- 6. Video Game – Cut Scene
- 7. Video Game – Sound Track
- 8. Advertisement – Magazine Cover
- 9. Advertisement – Film Posters
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