Post modernism in music videos
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This document discusses aspects of postmodernism in music videos and its application to Lady Gaga. It outlines characteristics of postmodern videos like parody and fragmentation. It explains how Lady Gaga uses her elaborate costumes and stage persona "Lady Gaga" to control her public image and keep attention away from her personal life, creating a hyperreal version of herself. The document also analyzes Lady Gaga's music video for "Paparazzi", noting its references to films like Sunset Boulevard and Metropolis, use of pastiche and intertextuality, and homages to popular culture icons like Minnie Mouse and Alfred Hitchcock films.
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Post modern music vid
This document discusses aspects of postmodern music videos and analyzes Lady Gaga's videos as examples. It notes that postmodern videos emphasize pastiche, parody, irony, and other techniques. Lady Gaga epitomizes postmodernity through her use of hyperreality and different personas. Her videos also heavily utilize intertextual references to other works, such as referencing "Pulp Fiction" and "Kill Bill" in "Telephone." Additionally, Lady Gaga's style employs bricolage, such as her iconic use of a cup and saucer in "Paparazzi."
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Q4
The audience for the media product would depend on the featured artist that week. Dolly Parton would attract life long fans and hopefuls interested in her story of rising from poverty. Carrie Underwood and Taylor Swift appeal more to a younger female audience through their incorporation of pop music. Featuring Brad Paisley would target male audiences who grew up with his music and older women, while younger men have generally been attracted more to rap, hip hop and dub step than country.
Lady gaga postmodern artist
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Lady Gaga creates distinct stage personas to separate her personal and public lives. As Lady Gaga, she controls her image through outrageous fashion and personas. This allows her to draw attention away from her private life. The music video for "Telephone" references many films through its styling, scenes, and dialogue. It alludes to works by Tarantino, Madonna, Michael Jackson, and others to create a pastiche that challenges gender stereotypes.
Post modern music video
This document provides an analysis of Lady Gaga's music video for "Telephone" through the lens of postmodern cultural theories. It discusses how the video references Baudrillard's ideas about the inability to separate image from reality in mediated messages. Lady Gaga has successfully branded herself so that intertextual references to her own works can be seen in other works. The opening titles reference film conventions to make the video seem like a movie. Cultural references are made to films like Pulp Fiction and cultural stereotypes from the 1950s are challenged through Gaga playing with the housewife role.
Paparazzi
The document discusses the concept of postmodernism and analyzes Lady Gaga's "Paparazzi" music video. It summarizes that the video uses techniques like pastiche, homage, and intertextuality to reference popular culture and blur boundaries. Specifically, the video acts as a short Hollywood film highlighting celebrity fame and tragedy, making references to films like Sunset Boulevard and Vertigo through its narrative and stylistic elements.
Music videos and post modernity
The document discusses several music videos and how they relate to postmodernism. It analyzes Jessie J's "Who's Laughing Now" music video, noting its use of intertextuality through references to other works and hyperreality through cuts between past and present. It also summarizes Ed Sheeran's "Don't" video and how it plays with traditional gender conventions. Finally, it analyzes aspects of Lady Gaga's "Judas" video that reflect postmodern ideals like challenging norms and mixing elements.
Tessa perkins - lady gaga
Lady Gaga's music video for "Born This Way" aligns strongly with Tessa Perkins' theory of stereotypes. While Gaga portrays a "crazy, wild yet inspirational" persona through her outrageous costumes in her music videos, establishing her own stereotype, she presents a more "normal" image in interviews to appear more relatable. Like other pop stars, Gaga is confident and addresses her audiences, offers meet-and-greets with fans, and expresses views promoting acceptance through her music and charity work, conforming to stereotypes of being a good role model and generous pop star.
Lady Gaga 'Poker Face'
This is a music analysis of lady gaga's music video poker face this would be helpful in producing our own music video.
Emma calder
The document discusses three case studies that exemplify postmodern characteristics: Lady Gaga's music video for "Paparazzi", the British TV show "The Mighty Boosh" episode "The Legend of Old Gregg", and the film "Kick Ass 2". Each case study demonstrates multiple postmodern traits such as intertextuality, self-awareness, genre hybridity, and simulacra. Lady Gaga's video references other works and celebrities and explores fame through dark themes. "The Mighty Boosh" bends time/space, uses references for humor, and is surreal/unpredictable. "Kick Ass 2" merges genres, uses black humor around violence, and copies other superhero works without original
Music videos and post modernity
The document discusses several music videos and how they relate to postmodernism. It analyzes Jessie J's "Who's Laughing Now" music video, noting its use of intertextuality through references to other works, hyperreality shown through constant cutting between past and present, and postmodern irony in not being able to distinguish reality. It also summarizes Ed Sheeran's "Don't" video and how it plays with gender stereotypes. Finally, it analyzes aspects of Coldplay's "Up&Up" video that reflect postmodern concepts like playfulness, different perspectives, and collage-like mixing of styles.
Post modernism and Lady Gaga 2015
Lady Gaga's music video for "Telephone" references many pop culture works through pastiche and intertextuality. The nearly 10 minute video contains allusions to over 45 movies, artists, and pop culture icons. It also prominently features product placements and pushes boundaries with its depiction of violence and challenging of gender and social norms. Through its hyper-styization, meta-narrative, and blurring of fiction and reality, the video exemplifies many traits of postmodernism.
Paparazzi - Lady Gaga
The document discusses key concepts in postmodernism seen in Lady Gaga's music video for "Paparazzi". It imitates the style of classic Hollywood films through pastiche and references Sunset Boulevard through its narrative and stylistic similarities. The video also uses intertextuality by blurring binaries and references other works through allusions to Minnie Mouse, Vertigo, and iconic Hitchcock "femme fatale" characters. It plays with gender boundaries by portraying Lady Gaga as a strong, confident woman and blurs the line between fiction and reality.
Postmodern analysis 2
The document analyzes Lady Gaga and Beyonce's music video for "Telephone" through a postmodern lens. It identifies several ways the video blurs boundaries and references other works, making it a postmodern text. These include pastiches of old Hollywood films through its font and setting of a women's prison, references to movies like "Kill Bill" and "Thelma & Louise" through vehicles. It also blurs fiction and reality by having Lady Gaga wear a telephone as a hat and give a cooking demonstration. Overall, the analysis argues the video exhibits postmodern traits through its intertextuality and blending of different artistic elements.
Music video theories
This document discusses several theories related to music videos and their analysis:
1) Judith Butler's theory of the performative nature of gender and how gender roles can change depending on the situation.
2) Laura Mulvey's "male gaze" theory which argues that women are objectified in media for male pleasure and are typically portrayed as "virgin" or "whore".
3) Young & Rubicam's "4 C's" which categorizes consumers into seven groups based on their motivations and characteristics.
4) Uses and gratification theory which focuses on how audiences actively use media to fulfill needs like diversion, relationships, identity, and surveillance.
Postmodern analysis
Lady Gaga's music video for "Telephone" featuring Beyoncé exhibits many postmodern elements including blurring boundaries between genres, referencing other works of art, and mixing fiction and reality. The video pays homage to films like Thelma & Louise through its narrative and uses props like the car from Kill Bill to blend elements from different media. Lady Gaga herself blurs distinctions by wearing a telephone as a hat and breaking the fourth wall to give a cooking demonstration, exemplifying the postmodern ideals of breaking down limits.
Postmodern analysis
Lady Gaga's music video for "Telephone" with Beyoncé exhibits many postmodern elements. It blurs boundaries between genres by including references to films like "Kill Bill" and "Thelma & Louise". It also blurs fiction and reality, such as by breaking the fourth wall to give cooking instructions, and showing Gaga wearing a telephone as a hat. The video contains examples of media synergy by featuring a Virgin Mobile phone and alluding to Gaga's past music videos. Overall, the document analyzes how "Telephone" combines different art forms and styles in a postmodern way.
Postmodern Music Video
The document discusses features of postmodern music videos. It provides Kramer's description of postmodern music as not simply rejecting modernism, being ironic, challenging boundaries, questioning values like unity, and embracing contradictions. An example of a postmodern music video, Lady Gaga's "Telephone", is then analyzed. The video uses intertextual references to films like Pulp Fiction and Kill Bill in its font, characters, and scenes. It also references Lady Gaga's own "Paparazzi" video. Through bricolage, the video challenges stereotypes of 1950s housewives.
Madonna Lady Gaga Journalism
The document discusses the perceived rivalry between pop icons Madonna and Lady Gaga. It notes that while Lady Gaga's style has often drawn inspiration from Madonna, fans of each artist tend to pit the two against each other. However, others argue this is a manufactured rivalry, as neither Madonna nor Lady Gaga have said negative things about the other. The document concludes by suggesting that a collaboration or mentoring relationship between the two could help put the rivalry narrative to rest.
How are postmodern media texts different from normal texts
Postmodern media texts differ from normal texts in several ways:
1) They incorporate elements of pastiche, genre hybridity, intertextuality, and self-reference that make them more complex and challenge notions of reality.
2) Examples like Blade Runner, Scream 4, music videos by Lady Gaga and Madonna, and the video game The Sims use techniques like referencing other works, blurring fiction and reality, and allowing for new creative expressions.
3) By bringing in features from multiple genres and styles, and allowing for new perspectives on identity and culture, postmodern media offer audiences and creators more freedom and novelty compared to traditional or modernist works.
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How are postmodern media texts different from normal texts
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Editing software
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Vanessa Wanner is producing a film shoot that carries several risks including personal injury, health and safety issues, and equipment damage. The key risks include tripping over lighting wires, potential electrical fires from overheating lights, expensive equipment being damaged, and medical issues from crew members' health conditions. To minimize these risks, Vanessa will tape down wires, ensure lights are off when not in use, regularly check equipment, and confirm crew have necessary medications.
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Post modernism in music videos
- 1. Post Modernism In Music Videos
- 2. Aspects of Post-modern videos • Parody • Irony • Discontinuity • Paranoia • Playfulness • Bricolage • Intertextuality • Emphasising Patiche • fragmentation
- 3. Postmodernism In Relation To Lady Gaga Lady Gaga is extremely ambiguous with her ideas at which she reaches a point where she is like no other artist around. She’s merely an entertainer rather than a singer. People go to see her in concert for a show rather than to go just for her singing. She uses simple dance routines, which on their own would be quite dull, however her large sets and strange costumes make her style interesting and extremely popular.
- 4. Post-modern video (hyperreality) Baudrillard claims that our existing society has replaced all reality and meaning with symbols and signs, and that human experience is of a simulation of reality. He believes we can’t separate the image from the reality. By this he means that the approach in which the message is mediated becomes more important than the meaning of the message itself. Marshal McLuhan coined the phrase ‘the medium is the message’. Applying to Lady Gaga: Lady Gaga is a stage name Stefani created for her image, she is rarely referred to as Stefani Germanotta. She keeps her personal life and her superstar status separate, this in turn gives her the ability to control her image and allows her to get away with outrageous things, like wearing a meat dress. When fans see Lady Gaga they focus on her image and fashion rather than her everyday life. In an interview she said “I have mastered the art of fame.” By this she means by creating a hyper-real version of herself with outrageous fashion as Lady Gaga she is able to keep the public and press attention away from her personal life as Stefani.
- 5. Analysis of Postmodern Music Video Paparazzi Directed By: Jonas Akerlund
- 6. Representation of what its like to be rich
- 7. Reality and the representation
- 8. Pastiche / homage Generic conventions of a ‘golden age’ Hollywood film of which Lady Gaga is the leading lady
- 9. Sunset Boulevard movie (1950) Narrative and stylistic and intertextual references
- 10. Intertextuality and the blurring of bouderies The breakdown of division between binary divides. Lady Gaga as a humanoid Metropolis movie
- 11. References To Popular Culture Reference to the innocence of Minnie mouse
- 12. Hitchcock Homage Reference to film Vertigo