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The history of music videos
A music video is a short film that integrates a song with imagery, often used to promote music sales. Early precursors included illustrated songs in the 1890s and musical short films in the 1920s-1950s. Modern music videos emerged in the 1950s-1960s as promotional clips for television. In 1981, MTV launched and began playing music videos 24/7, driving their popularity mainstream. Through the 1990s and 2000s, music videos evolved as a major marketing force and artistic medium, though their role has diminished with new formats like YouTube emerging for online viewing.
Influences of music style
Electro house is a fusion genre that combines elements of house music and electro. Its influences include electro, electroclash, pop, synthpop, and tech house. In 2006, electro house tracks held the number one and two spots on the UK Top 40 chart, and its popularity has increased since with producers like Porter Robinson and Skrillex. Dancehall originated as a more sparse version of reggae in Jamaica in the late 1970s. Europop refers to a pop music style that developed in Europe in the late 1970s and topped charts throughout the 1980s and 1990s.
Location recce
The document mentions several locations including a London graffiti skate park, Zambia, airports in London and South Africa, filming in the air, and Hyde Park.
Props and costumes
The document discusses costume choices for a photo shoot for an alternative magazine. It describes selecting a black leather skirt, black heel boots, and a luminous top to appeal to the magazine's demographic of people interested in alternative fashion. Props of electric guitars, acoustic guitars, and a music stool were chosen to emphasize the alternative music genre and items the audience may be interested in purchasing.
Lyric narrative
The song "Beautiful" by Chris Brown promotes accepting and seeing the beauty in all people regardless of race, sexuality, or other attributes. The lyrics repeatedly state that "beautiful people" are everywhere and encourage listeners not to let others bring them down by insisting that their inner beauty is what matters most. The song uses repetition of positive messages and a upbeat musical style to lift listeners' mood and convince them of their own intrinsic worth.
Audience research
The document analyzes audience demographics for different music genres:
- Pop targets 11-14 year old white British girls who enjoy fashion and socializing. They find pop music upbeat and relatable.
- R&B audiences are typically 13-25 year olds, mostly female, drawn to explicit lyrics and videos about love and relationships.
- Hip hop's core demographic is working class African American males aged 11-36, but has expanded to include suburban white teens and young adults interested in sports, music, fashion and black culture.
- Dance music appeals most to people aged 16-25 who enjoy nights out, festivals and the latest technology and music trends.
Brand Guildelines
Brand guidelines, also known as brand standards or style guides, are a set of rules that explain how a brand's identity works through its logo, color scheme, vision, and key values. A brand's identity, expressed through its name, visuals and appearance, is how it is recognized by consumers and differentiated from competitors. Examples of brand guidelines include specifications for a brand's logo, primary typeface, and official color swatches to ensure its message and image remain consistent across all platforms.
Recommended
The history of music videos
A music video is a short film that integrates a song with imagery, often used to promote music sales. Early precursors included illustrated songs in the 1890s and musical short films in the 1920s-1950s. Modern music videos emerged in the 1950s-1960s as promotional clips for television. In 1981, MTV launched and began playing music videos 24/7, driving their popularity mainstream. Through the 1990s and 2000s, music videos evolved as a major marketing force and artistic medium, though their role has diminished with new formats like YouTube emerging for online viewing.
Influences of music style
Electro house is a fusion genre that combines elements of house music and electro. Its influences include electro, electroclash, pop, synthpop, and tech house. In 2006, electro house tracks held the number one and two spots on the UK Top 40 chart, and its popularity has increased since with producers like Porter Robinson and Skrillex. Dancehall originated as a more sparse version of reggae in Jamaica in the late 1970s. Europop refers to a pop music style that developed in Europe in the late 1970s and topped charts throughout the 1980s and 1990s.
Location recce
The document mentions several locations including a London graffiti skate park, Zambia, airports in London and South Africa, filming in the air, and Hyde Park.
Props and costumes
The document discusses costume choices for a photo shoot for an alternative magazine. It describes selecting a black leather skirt, black heel boots, and a luminous top to appeal to the magazine's demographic of people interested in alternative fashion. Props of electric guitars, acoustic guitars, and a music stool were chosen to emphasize the alternative music genre and items the audience may be interested in purchasing.
Lyric narrative
The song "Beautiful" by Chris Brown promotes accepting and seeing the beauty in all people regardless of race, sexuality, or other attributes. The lyrics repeatedly state that "beautiful people" are everywhere and encourage listeners not to let others bring them down by insisting that their inner beauty is what matters most. The song uses repetition of positive messages and a upbeat musical style to lift listeners' mood and convince them of their own intrinsic worth.
Audience research
The document analyzes audience demographics for different music genres:
- Pop targets 11-14 year old white British girls who enjoy fashion and socializing. They find pop music upbeat and relatable.
- R&B audiences are typically 13-25 year olds, mostly female, drawn to explicit lyrics and videos about love and relationships.
- Hip hop's core demographic is working class African American males aged 11-36, but has expanded to include suburban white teens and young adults interested in sports, music, fashion and black culture.
- Dance music appeals most to people aged 16-25 who enjoy nights out, festivals and the latest technology and music trends.
Brand Guildelines
Brand guidelines, also known as brand standards or style guides, are a set of rules that explain how a brand's identity works through its logo, color scheme, vision, and key values. A brand's identity, expressed through its name, visuals and appearance, is how it is recognized by consumers and differentiated from competitors. Examples of brand guidelines include specifications for a brand's logo, primary typeface, and official color swatches to ensure its message and image remain consistent across all platforms.
magazine poster analysis
This poster advertises Katy Perry's album. It uses bright pink colors and features a large image of Katy Perry in the garden setting from the album cover to target her core audience of "girly girls". It prominently displays the album name and release date, as well as the name of a hit single, to inform viewers about the album and attract their interest. The poster also includes Katy Perry's website to provide additional information and opportunities to purchase the album.
Music magazine names & mastheads
This document discusses magazine mastheads and names. It analyzes several music magazine mastheads including NME, Q, Top of the Pops, Smash Hits, Kerrang, and Vibe. It examines font choices, colors, logos and how these visual elements convey information about the magazine's target audience and genre of music covered. Key aspects analyzed include how bold fonts, abbreviations and color choices can suggest a magazine's prominence or niche audience and how logos relate to the type of music featured through symbolic connections.
Media language
This document discusses several key aspects of media language in music videos. It addresses how media conventions and symbols cue audience understanding, and how elements like editing, camerawork, sound and mise-en-scene impact meaning and provide pleasure. Specific techniques are examined, including thought beats, narrative, performance, star image and their relationship to the song. Semiotics, the study of signs, is also introduced. An analysis of the Katy Perry "Roar" music video is then provided to demonstrate these concepts.
question 1 A
The document discusses how digital technologies were used to create a music magazine. It describes taking photos with a DSLR camera and editing them with Photoshop. Software like InDesign, PowerPoint, Prezi and Blogger were used to layout and design the magazine. Creativity was used to envision photo shoot locations and poses. Research involved examining existing magazines for inspiration. Post-production consisted of editing photos in Photoshop and assembling the magazine layout in InDesign. Conventions from real magazines, like logos and language, were employed to appeal to the target audience.
Contents page
This document contains a contents page listing various bands and artists under the sections "Band Index", "News", "Reviews", and "Features". The Band Index section lists 17 musical acts in alphabetical order. The News section outlines 4 brief news stories about specific bands or music-related topics. Reviews and Features sections indicate they will contain album and track reviews and longer form articles, but do not provide any details.
Audience feedback
The document discusses feedback received on a music video from its intended audience. It notes that knowing the gender and age of the audience allowed the creator to tailor the video and marketing materials to those groups. Viewing data showed that music videos are commonly watched on YouTube, indicating that should be a distribution method. Most viewers found the video looked professional and was interesting, but one noted the narrative could be clearer. The feedback will help the creator improve the video.
Final Draft
This article provides an exclusive interview with up-and-coming artist Xandria. It discusses her recent sold out show in London and her rise in popularity due to singles like "Don't Come Running Back" and "Wreck That Bass". Xandria sees herself doing music for about 25 years and building a fan base to go on her musical journey with her. She is inspired by artists like Michael Jackson and Arctic Monkeys. The article also announces an upcoming world tour for Xandria in the fall.
Dr+who+continue
The document analyzes how camera techniques, editing, sound, and mise-en-scene are used in a scene to convey meaning and establish power dynamics between characters. A woman in red is presented as a prize or object for the villain through her positioning and lack of agency. The villain is depicted as powerful through his physical positioning over others. The Doctor is initially shown as weak but gains power as the story progresses and people unite behind him.
Digipak analysis
The document analyzes and summarizes the key visual elements and symbolism used in various album digipaks and covers, including those of Rihanna, Britney Spears, and Katy Perry. Common techniques discussed include using large prominent images of the artist to identify the album and brand, symbolic colors and objects that relate to the album title or theme, and body language or facial expressions that imply deeper meanings or tell a narrative to intrigue audiences. Imagery is used to entice audiences and allow them to make their own interpretations about the music without overt persuasion.
Final Diigipak
This document provides specifications for printing a 6-panel digipak including dimensions of 5.5" x 5" x 0.3" with 0.125" bleed, CMYK offset printing with aqueous varnish. It lists contact information for the printing company, requirements that artwork meet specifications to avoid delays, and notes that modifications may incur extra costs. It also includes design details like a tray in the middle, lists the album title and tracks, instructions to access extra online content, and a thank you message from the artist.
Editing software
The document discusses the use of three Adobe software programs - Adobe Premier Pro, Photoshop, and InDesign - for editing video footage and images and designing a magazine and digipak. The author used Premier Pro to edit video clips, add effects like speed adjustments, and render the footage. Photoshop was used to edit images for a magazine ad and digipak by adjusting lighting, color, and cropping. Finally, InDesign facilitated the creation of the magazine and digipak layout by importing edited images from Photoshop.
Editing software
I used Adobe Premier Pro, Photoshop, and InDesign software to edit videos and design marketing materials for a course project. With Premier Pro, I was able to crop footage, adjust speeds, and render previews. In Photoshop, I edited images using tools like magic wand and clipping to make the images brighter and more colorful for marketing pieces. Finally, I imported the edited images into InDesign to lay out my magazine and Digipak, utilizing skills from previous experience with the software.
Editing software
The document discusses the use of three Adobe software programs - Adobe Premier Pro, Photoshop, and InDesign - for editing video footage and images and designing a magazine and digipak. The author used Premier Pro to edit video clips, add effects like speed adjustments, and render the footage. Photoshop was used to edit images for a magazine ad and digipak by adjusting lighting, color, and cropping. Finally, InDesign facilitated the creation of the magazine and digipak layout by importing edited images from Photoshop.
Editing software
The document discusses the use of three Adobe software programs - Adobe Premier Pro, Photoshop, and InDesign - for editing video footage and images and designing a magazine and digipak. The author used Premier Pro to edit video clips, add effects like speed adjustments, and render the footage. Photoshop was used to edit images for a magazine ad and digipak by adjusting lighting, color, and cropping. Finally, InDesign facilitated the creation of the magazine and digipak layout by importing edited images from Photoshop.
Risk assessment
Vanessa Wanner is producing a film shoot that carries several risks including personal injury, health and safety issues, and equipment damage. The key risks include tripping over lighting wires, potential electrical fires from overheating lights, expensive equipment being damaged, and medical issues from crew members' health conditions. To minimize these risks, Vanessa will tape down wires, ensure lights are off when not in use, regularly check equipment, and confirm crew have necessary medications.
Initial planning ideas
The document outlines the initial ideas and planning for a music video. It discusses choosing an uptempo song to allow for more creative freedom. The videographer planned to film half in Zambia during a trip and half in England after returning. The approach was to create a narrative-less video that could be interpreted differently and showcased both African and English cultures with a message of universal beauty. Locations included London, Zambia, and a studio, with plans to film daily life and performances to capture people enjoying themselves across both cultures.
Looking back at your preliminary task, what do you feel you have learnt in th...
The document compares the author's preliminary school magazine project to their full portfolio magazine. For the school magazine, there was little planning, photos were taken on a phone in a single lesson, and it was created in Photoshop. The portfolio magazine involved extensive planning of photo shoots with different outfits, props, and locations. Over 400 photos were taken using advanced cameras. The magazine was created in InDesign, which the author found easier to use than Photoshop to make a professional, realistic magazine layout. Overall, the author gained valuable experience and skills in planning, photography, software use and designing for their target audience.
Research into directors
This document profiles four famous music video directors: Paul Hunter, Hype Williams, Anthony Mandler, and Dave Meyers. It provides details on each director's notable music videos and career highlights. Paul Hunter has directed over 100 music videos and was nominated for an Emmy. Hype Williams is known for his work with hip hop artists and vivid shooting style. Anthony Mandler has collaborated with Rihanna on 16 music videos. Dave Meyers helped define the MTV era and won a Grammy for Missy Elliott's "Lose Control" video.
Actors profile
A 18-year-old woman with light brown hair and brown eyes stars in a video where she portrays a whore attempting to regain her purity, however she only appears in the video for 20 seconds as it is not performance based.
Research into directors
This document profiles four famous music video directors: Paul Hunter, Hype Williams, Anthony Mandler, and Dave Meyers. It provides details on each director's notable music videos and career highlights. Paul Hunter has directed over 100 music videos and was nominated for an Emmy. Hype Williams is known for his work with hip hop artists and vivid shooting style. Anthony Mandler has collaborated with Rihanna on 16 music videos. Dave Meyers helped define the MTV era with videos for Missy Elliott, OutKast, and Katy Perry.
Conventions of a music video
This document discusses various conventions used in music videos. It describes common camera movements like pans, tilts, and tracks that usually follow the artist. Long shots are used to show locations while close-ups show emotions. Jump cuts and transitions like fades are frequent editing techniques. Mise-en-scene involves arranging performers and props to represent something. An example is Katy Perry's "Roar" video where her costumes and facial expressions change to show her developing confidence. Props, lighting, sound, costumes, and color are also conventions that set moods and atmospheres.
Research into existing music videos
The document discusses the performance, location, and costumes in two music videos. For the first video, it notes that it has a realistic, music video style as it shows Chris Brown and artists listening to the song in a natural way, including dancing and riding a scooter with friends. It also films in a taxi to seem natural. For the second video, it discusses the band's spectacular performance of 11 songs with matching videos, wearing dark outfits fitting their pop punk/rock genre. The locations in the videos matched the songs and had a dark, discolored style flowing between suburban, warehouse, and hospital settings.
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magazine poster analysis
This poster advertises Katy Perry's album. It uses bright pink colors and features a large image of Katy Perry in the garden setting from the album cover to target her core audience of "girly girls". It prominently displays the album name and release date, as well as the name of a hit single, to inform viewers about the album and attract their interest. The poster also includes Katy Perry's website to provide additional information and opportunities to purchase the album.
Music magazine names & mastheads
This document discusses magazine mastheads and names. It analyzes several music magazine mastheads including NME, Q, Top of the Pops, Smash Hits, Kerrang, and Vibe. It examines font choices, colors, logos and how these visual elements convey information about the magazine's target audience and genre of music covered. Key aspects analyzed include how bold fonts, abbreviations and color choices can suggest a magazine's prominence or niche audience and how logos relate to the type of music featured through symbolic connections.
Media language
This document discusses several key aspects of media language in music videos. It addresses how media conventions and symbols cue audience understanding, and how elements like editing, camerawork, sound and mise-en-scene impact meaning and provide pleasure. Specific techniques are examined, including thought beats, narrative, performance, star image and their relationship to the song. Semiotics, the study of signs, is also introduced. An analysis of the Katy Perry "Roar" music video is then provided to demonstrate these concepts.
question 1 A
The document discusses how digital technologies were used to create a music magazine. It describes taking photos with a DSLR camera and editing them with Photoshop. Software like InDesign, PowerPoint, Prezi and Blogger were used to layout and design the magazine. Creativity was used to envision photo shoot locations and poses. Research involved examining existing magazines for inspiration. Post-production consisted of editing photos in Photoshop and assembling the magazine layout in InDesign. Conventions from real magazines, like logos and language, were employed to appeal to the target audience.
Contents page
This document contains a contents page listing various bands and artists under the sections "Band Index", "News", "Reviews", and "Features". The Band Index section lists 17 musical acts in alphabetical order. The News section outlines 4 brief news stories about specific bands or music-related topics. Reviews and Features sections indicate they will contain album and track reviews and longer form articles, but do not provide any details.
Audience feedback
The document discusses feedback received on a music video from its intended audience. It notes that knowing the gender and age of the audience allowed the creator to tailor the video and marketing materials to those groups. Viewing data showed that music videos are commonly watched on YouTube, indicating that should be a distribution method. Most viewers found the video looked professional and was interesting, but one noted the narrative could be clearer. The feedback will help the creator improve the video.
Final Draft
This article provides an exclusive interview with up-and-coming artist Xandria. It discusses her recent sold out show in London and her rise in popularity due to singles like "Don't Come Running Back" and "Wreck That Bass". Xandria sees herself doing music for about 25 years and building a fan base to go on her musical journey with her. She is inspired by artists like Michael Jackson and Arctic Monkeys. The article also announces an upcoming world tour for Xandria in the fall.
Dr+who+continue
The document analyzes how camera techniques, editing, sound, and mise-en-scene are used in a scene to convey meaning and establish power dynamics between characters. A woman in red is presented as a prize or object for the villain through her positioning and lack of agency. The villain is depicted as powerful through his physical positioning over others. The Doctor is initially shown as weak but gains power as the story progresses and people unite behind him.
Digipak analysis
The document analyzes and summarizes the key visual elements and symbolism used in various album digipaks and covers, including those of Rihanna, Britney Spears, and Katy Perry. Common techniques discussed include using large prominent images of the artist to identify the album and brand, symbolic colors and objects that relate to the album title or theme, and body language or facial expressions that imply deeper meanings or tell a narrative to intrigue audiences. Imagery is used to entice audiences and allow them to make their own interpretations about the music without overt persuasion.
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Final Diigipak
This document provides specifications for printing a 6-panel digipak including dimensions of 5.5" x 5" x 0.3" with 0.125" bleed, CMYK offset printing with aqueous varnish. It lists contact information for the printing company, requirements that artwork meet specifications to avoid delays, and notes that modifications may incur extra costs. It also includes design details like a tray in the middle, lists the album title and tracks, instructions to access extra online content, and a thank you message from the artist.
Editing software
The document discusses the use of three Adobe software programs - Adobe Premier Pro, Photoshop, and InDesign - for editing video footage and images and designing a magazine and digipak. The author used Premier Pro to edit video clips, add effects like speed adjustments, and render the footage. Photoshop was used to edit images for a magazine ad and digipak by adjusting lighting, color, and cropping. Finally, InDesign facilitated the creation of the magazine and digipak layout by importing edited images from Photoshop.
Editing software
I used Adobe Premier Pro, Photoshop, and InDesign software to edit videos and design marketing materials for a course project. With Premier Pro, I was able to crop footage, adjust speeds, and render previews. In Photoshop, I edited images using tools like magic wand and clipping to make the images brighter and more colorful for marketing pieces. Finally, I imported the edited images into InDesign to lay out my magazine and Digipak, utilizing skills from previous experience with the software.
Editing software
The document discusses the use of three Adobe software programs - Adobe Premier Pro, Photoshop, and InDesign - for editing video footage and images and designing a magazine and digipak. The author used Premier Pro to edit video clips, add effects like speed adjustments, and render the footage. Photoshop was used to edit images for a magazine ad and digipak by adjusting lighting, color, and cropping. Finally, InDesign facilitated the creation of the magazine and digipak layout by importing edited images from Photoshop.
Editing software
The document discusses the use of three Adobe software programs - Adobe Premier Pro, Photoshop, and InDesign - for editing video footage and images and designing a magazine and digipak. The author used Premier Pro to edit video clips, add effects like speed adjustments, and render the footage. Photoshop was used to edit images for a magazine ad and digipak by adjusting lighting, color, and cropping. Finally, InDesign facilitated the creation of the magazine and digipak layout by importing edited images from Photoshop.
Risk assessment
Vanessa Wanner is producing a film shoot that carries several risks including personal injury, health and safety issues, and equipment damage. The key risks include tripping over lighting wires, potential electrical fires from overheating lights, expensive equipment being damaged, and medical issues from crew members' health conditions. To minimize these risks, Vanessa will tape down wires, ensure lights are off when not in use, regularly check equipment, and confirm crew have necessary medications.
Initial planning ideas
The document outlines the initial ideas and planning for a music video. It discusses choosing an uptempo song to allow for more creative freedom. The videographer planned to film half in Zambia during a trip and half in England after returning. The approach was to create a narrative-less video that could be interpreted differently and showcased both African and English cultures with a message of universal beauty. Locations included London, Zambia, and a studio, with plans to film daily life and performances to capture people enjoying themselves across both cultures.
Looking back at your preliminary task, what do you feel you have learnt in th...
The document compares the author's preliminary school magazine project to their full portfolio magazine. For the school magazine, there was little planning, photos were taken on a phone in a single lesson, and it was created in Photoshop. The portfolio magazine involved extensive planning of photo shoots with different outfits, props, and locations. Over 400 photos were taken using advanced cameras. The magazine was created in InDesign, which the author found easier to use than Photoshop to make a professional, realistic magazine layout. Overall, the author gained valuable experience and skills in planning, photography, software use and designing for their target audience.
Research into directors
This document profiles four famous music video directors: Paul Hunter, Hype Williams, Anthony Mandler, and Dave Meyers. It provides details on each director's notable music videos and career highlights. Paul Hunter has directed over 100 music videos and was nominated for an Emmy. Hype Williams is known for his work with hip hop artists and vivid shooting style. Anthony Mandler has collaborated with Rihanna on 16 music videos. Dave Meyers helped define the MTV era and won a Grammy for Missy Elliott's "Lose Control" video.
Actors profile
A 18-year-old woman with light brown hair and brown eyes stars in a video where she portrays a whore attempting to regain her purity, however she only appears in the video for 20 seconds as it is not performance based.
Research into directors
This document profiles four famous music video directors: Paul Hunter, Hype Williams, Anthony Mandler, and Dave Meyers. It provides details on each director's notable music videos and career highlights. Paul Hunter has directed over 100 music videos and was nominated for an Emmy. Hype Williams is known for his work with hip hop artists and vivid shooting style. Anthony Mandler has collaborated with Rihanna on 16 music videos. Dave Meyers helped define the MTV era with videos for Missy Elliott, OutKast, and Katy Perry.
Conventions of a music video
This document discusses various conventions used in music videos. It describes common camera movements like pans, tilts, and tracks that usually follow the artist. Long shots are used to show locations while close-ups show emotions. Jump cuts and transitions like fades are frequent editing techniques. Mise-en-scene involves arranging performers and props to represent something. An example is Katy Perry's "Roar" video where her costumes and facial expressions change to show her developing confidence. Props, lighting, sound, costumes, and color are also conventions that set moods and atmospheres.
Research into existing music videos
The document discusses the performance, location, and costumes in two music videos. For the first video, it notes that it has a realistic, music video style as it shows Chris Brown and artists listening to the song in a natural way, including dancing and riding a scooter with friends. It also films in a taxi to seem natural. For the second video, it discusses the band's spectacular performance of 11 songs with matching videos, wearing dark outfits fitting their pop punk/rock genre. The locations in the videos matched the songs and had a dark, discolored style flowing between suburban, warehouse, and hospital settings.
QUESTION 1B
1. The document discusses several key concepts related to genre, narrative, representation, audience, and media language in music videos and short films.
2. It provides definitions and theories for each concept, including how genre engages audiences, Propp's narrative theory, representation of identity, audience effects models, and Hall's encoding/decoding theory of media language.
3. The concepts are said to be important for understanding how to attract and engage audiences, and how elements like genre, narrative, representation, and media language can be applied in both analyzing and planning a music video or short film.
Post modernism in music videos
This document discusses aspects of postmodernism in music videos and its application to Lady Gaga. It outlines characteristics of postmodern videos like parody and fragmentation. It explains how Lady Gaga uses her elaborate costumes and stage persona "Lady Gaga" to control her public image and keep attention away from her personal life, creating a hyperreal version of herself. The document also analyzes Lady Gaga's music video for "Paparazzi", noting its references to films like Sunset Boulevard and Metropolis, use of pastiche and intertextuality, and homages to popular culture icons like Minnie Mouse and Alfred Hitchcock films.
Anchorman and Cuban Fury Film Case Studies
The document provides information about the 2013 comedy film Anchorman 2: The Legend Continues and the 2014 romantic comedy Cuban Fury. It discusses the marketing and release of Anchorman 2, directed by Adam McKay and starring Will Ferrell. It also provides a plot summary and production details for Cuban Fury, starring Nick Frost and Rashida Jones, and distributed in the UK and Ireland by Studio Canal. Both films were distributed by major Hollywood studios, Paramount Pictures and Studio Canal respectively.
Movie Case Studies
The document discusses the sequel film Anchorman 2: The Legend Continues. It details the announcement and marketing of the film, including trailers and promotional appearances by the cast. It provides an overview of the film's critical and commercial reception, noting that reviews were generally positive while box office earnings were strong but lower than expected. The film was released on DVD and Blu-ray in April 2014.
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Mule event processing models | MuleSoft Mysore Meetup #47
Mule event processing models | MuleSoft Mysore Meetup #47
Event Link:- https://meetups.mulesoft.com/events/details/mulesoft-mysore-presents-mule-event-processing-models/
Agenda
● What is event processing in MuleSoft?
● Types of event processing models in Mule 4
● Distinction between the reactive, parallel, blocking & non-blocking processing
For Upcoming Meetups Join Mysore Meetup Group - https://meetups.mulesoft.com/mysore/YouTube:- youtube.com/@mulesoftmysore
Mysore WhatsApp group:- https://chat.whatsapp.com/EhqtHtCC75vCAX7gaO842N
Speaker:-
Shivani Yasaswi - https://www.linkedin.com/in/shivaniyasaswi/
Organizers:-
Shubham Chaurasia - https://www.linkedin.com/in/shubhamchaurasia1/
Giridhar Meka - https://www.linkedin.com/in/giridharmeka
Priya Shaw - https://www.linkedin.com/in/priya-shaw
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