KANDARIYA MAHADEV MANDIR), meaning "the Great God of the Cave", is the largest and most ornate Hindu temple in the medieval temple group found at Khajuraho in Madhya Pradesh, India. It is considered one of the best examples of temples preserved from the medieval period in India. The temple is dedicated to Shiva, in the form of a linga. It was made in 1030 by King Vidhyadhara of Chandela dynasty.
Culture Primary deity Shiva(Mahadeva) Architecture Architectural styles North Indian History and governance Date built circa 1030 Creator King Vidyadhara of the Chandela dynasty
KANDARIYA MAHADEV MANDIR), meaning "the Great God of the Cave", is the largest and most ornate Hindu temple in the medieval temple group found at Khajuraho in Madhya Pradesh, India. It is considered one of the best examples of temples preserved from the medieval period in India. The temple is dedicated to Shiva, in the form of a linga. It was made in 1030 by King Vidhyadhara of Chandela dynasty.
Culture Primary deity Shiva(Mahadeva) Architecture Architectural styles North Indian History and governance Date built circa 1030 Creator King Vidyadhara of the Chandela dynasty
This Presentation is prepared for Graduate Students. A presentation consisting of basic information regarding the topic. Students are advised to get more information from recommended books and articles. This presentation is only for students and purely for academic purposes.
The PPP presentation is based on the architecture and art of Brihadeshwara temple of Chola period. It has basic introduction of the region. This is for tthe students of UG and PG not for API.
History of Architecture - Evolution of temples - Indo aryan (North Indian st...Sachith Pagidi
brief introduction about the indo aryan architecture in India and their evolution in the temple architecture styles with examples from different parts of north India and the similarity from chalukyan period
This Presentation is prepared for Graduate Students. A presentation consisting of basic information regarding the topic. Students are advised to get more information from recommended books and articles. This presentation is only for students and purely for academic purposes.
The PPP presentation is based on the architecture and art of Brihadeshwara temple of Chola period. It has basic introduction of the region. This is for tthe students of UG and PG not for API.
History of Architecture - Evolution of temples - Indo aryan (North Indian st...Sachith Pagidi
brief introduction about the indo aryan architecture in India and their evolution in the temple architecture styles with examples from different parts of north India and the similarity from chalukyan period
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This Presentation is prepared for Graduate Students. A presentation consisting of basic information regarding the topic. Students are advised to get more information from recommended books and articles. This presentation is only for students and purely for academic purposes. The pictures/Maps included in the presentation are taken/copied from the internet. The presenter is thankful to them and herewith courtesy is given to all. This presentation is only for academic purposes.
Temple Architecture of Early Chalukyas “Pattadkal” Virag Sontakke
This presentation is prepared for the BA students to get basic information of Pattadakal temple. This presentation is incomplete and students advised to get the further and proper information from subjective books and research article.
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3. Designed on
both north
and south
Indian styles
of
architecture
Containing a
Nagara styled
Vimanam, the
temple dates
back to 680 AD.
Dedicated to
Mukteshwara
completed
around 740
A.D.
In ancient times,
this place was
known as
Kisuvolal (valley
of red soil) or
Pattada-
Kisuvolal or
Raktapura
4. Initially, the
construction
was started with
Nagara style,
but later it was
switched to
Dravidian style.
The temple is
famous for its
sculptures
that are
imbibed from
the scenes of
Ramayana
and
Mahabharata.
The historicity
of Pattadakal
goes back
even earlier to
the Pre-
Chalukayan
period
The place has
cultural
vestiges
ranging in
date from the
pre-historic
times.
7. The temple is characterized
by Rekha-nagar shikhara
(beehive shape)
The temple is provided
with a covered
ambulatory passage, a
vestibule or an antrala
and open portico in
front
8. The temple is characterized
by Rekha-nagar shikhara
(behive shape)
The temple is provided
with a covered
ambulatory passage, a
vestibule or an antrala
and open portico in
front
9. • The temple is built on a plinth of
five mouldings, embellished with
animal motifs, floral designs and
kudus.
• The wall surfaces are relieved with
niches (devakoshthas) housing
Saiva and Vaishnava deities and
depicting episodes from the
Ramayana.
• These niches are topped by various
designs of chaitya-arch motifs and
interspersed with perforated
windows.
• The three devakoshtha pavilions
house images of Siva in different
forms.
10. • The amalaka and kalasa are, however,
missing.
• Introduction of narrative panels
depicting the episodes from the
Kiratarjuniya and the Ramayana on
the outer wall surfaces is another
noteworthy feature of the temple.
• A characteristic feature of the temple
is its well-developed rekha-nagara
(northern) sikhara with an elaborately
carved Chaitya-arch enshrining
Nataraja on the frontage of the
sukanasa.
11. EXTERIOR
• Pillars of the entrance porch bear Kinnara couples and
engaged columns have the figures of Dvarapalas.
• Lions and sardulas are carved at the corners above the
entablature and the ceiling panel depicts dancing Siva with
Parvati and musicians and flying figures.
12. The central bay ceiling of the sabha-mandapa is
adorned with panels depicting Anantasayana
surrounded by the Dikpalas, nagaraja and Gajalakshmi
from east to west.
Here figures of rearing animals are carved projecting
from above the entablature.
Central ceiling of the ardha-mandapa has relief
sculpture of dancing Siva in the company of Parvati
and musicians. The western ceiling here has figure of
Nagaraja.
Both the mandapas and the sanctum have ornate
doorframes.