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PAPANATHA TEMPLE , PATTADKAL ,KARNATAKA
PAPANATHA
TEMPLE
PATTADKAL,
KARNATAKA
Designed on
both north
and south
Indian styles
of
architecture
Containing a
Nagara styled
Vimanam, the
temple dates
back to 680 AD.
Dedicated to
Mukteshwara
completed
around 740
A.D.
In ancient times,
this place was
known as
Kisuvolal (valley
of red soil) or
Pattada-
Kisuvolal or
Raktapura
Initially, the
construction
was started with
Nagara style,
but later it was
switched to
Dravidian style.
The temple is
famous for its
sculptures
that are
imbibed from
the scenes of
Ramayana
and
Mahabharata.
The historicity
of Pattadakal
goes back
even earlier to
the Pre-
Chalukayan
period
The place has
cultural
vestiges
ranging in
date from the
pre-historic
times.
SANCTUM
SABHA-
MANDAPA
ARDHA-MANDAPA
MUKHA-
MANDAPA
SIDE ELEVATION
PLAN
THE TEMPLE IS FACING THE EAST DIRECTION
E
N
T
R
Y
The temple is characterized
by Rekha-nagar shikhara
(beehive shape)
The temple is provided
with a covered
ambulatory passage, a
vestibule or an antrala
and open portico in
front
The temple is characterized
by Rekha-nagar shikhara
(behive shape)
The temple is provided
with a covered
ambulatory passage, a
vestibule or an antrala
and open portico in
front
• The temple is built on a plinth of
five mouldings, embellished with
animal motifs, floral designs and
kudus.
• The wall surfaces are relieved with
niches (devakoshthas) housing
Saiva and Vaishnava deities and
depicting episodes from the
Ramayana.
• These niches are topped by various
designs of chaitya-arch motifs and
interspersed with perforated
windows.
• The three devakoshtha pavilions
house images of Siva in different
forms.
• The amalaka and kalasa are, however,
missing.
• Introduction of narrative panels
depicting the episodes from the
Kiratarjuniya and the Ramayana on
the outer wall surfaces is another
noteworthy feature of the temple.
• A characteristic feature of the temple
is its well-developed rekha-nagara
(northern) sikhara with an elaborately
carved Chaitya-arch enshrining
Nataraja on the frontage of the
sukanasa.
EXTERIOR
• Pillars of the entrance porch bear Kinnara couples and
engaged columns have the figures of Dvarapalas.
• Lions and sardulas are carved at the corners above the
entablature and the ceiling panel depicts dancing Siva with
Parvati and musicians and flying figures.
The central bay ceiling of the sabha-mandapa is
adorned with panels depicting Anantasayana
surrounded by the Dikpalas, nagaraja and Gajalakshmi
from east to west.
Here figures of rearing animals are carved projecting
from above the entablature.
Central ceiling of the ardha-mandapa has relief
sculpture of dancing Siva in the company of Parvati
and musicians. The western ceiling here has figure of
Nagaraja.
Both the mandapas and the sanctum have ornate
doorframes.
SNIGDHA - SAJIDA -
TSERING

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Papanatha temple

  • 1. PAPANATHA TEMPLE , PATTADKAL ,KARNATAKA
  • 3. Designed on both north and south Indian styles of architecture Containing a Nagara styled Vimanam, the temple dates back to 680 AD. Dedicated to Mukteshwara completed around 740 A.D. In ancient times, this place was known as Kisuvolal (valley of red soil) or Pattada- Kisuvolal or Raktapura
  • 4. Initially, the construction was started with Nagara style, but later it was switched to Dravidian style. The temple is famous for its sculptures that are imbibed from the scenes of Ramayana and Mahabharata. The historicity of Pattadakal goes back even earlier to the Pre- Chalukayan period The place has cultural vestiges ranging in date from the pre-historic times.
  • 6.
  • 7. The temple is characterized by Rekha-nagar shikhara (beehive shape) The temple is provided with a covered ambulatory passage, a vestibule or an antrala and open portico in front
  • 8. The temple is characterized by Rekha-nagar shikhara (behive shape) The temple is provided with a covered ambulatory passage, a vestibule or an antrala and open portico in front
  • 9. • The temple is built on a plinth of five mouldings, embellished with animal motifs, floral designs and kudus. • The wall surfaces are relieved with niches (devakoshthas) housing Saiva and Vaishnava deities and depicting episodes from the Ramayana. • These niches are topped by various designs of chaitya-arch motifs and interspersed with perforated windows. • The three devakoshtha pavilions house images of Siva in different forms.
  • 10. • The amalaka and kalasa are, however, missing. • Introduction of narrative panels depicting the episodes from the Kiratarjuniya and the Ramayana on the outer wall surfaces is another noteworthy feature of the temple. • A characteristic feature of the temple is its well-developed rekha-nagara (northern) sikhara with an elaborately carved Chaitya-arch enshrining Nataraja on the frontage of the sukanasa.
  • 11. EXTERIOR • Pillars of the entrance porch bear Kinnara couples and engaged columns have the figures of Dvarapalas. • Lions and sardulas are carved at the corners above the entablature and the ceiling panel depicts dancing Siva with Parvati and musicians and flying figures.
  • 12. The central bay ceiling of the sabha-mandapa is adorned with panels depicting Anantasayana surrounded by the Dikpalas, nagaraja and Gajalakshmi from east to west. Here figures of rearing animals are carved projecting from above the entablature. Central ceiling of the ardha-mandapa has relief sculpture of dancing Siva in the company of Parvati and musicians. The western ceiling here has figure of Nagaraja. Both the mandapas and the sanctum have ornate doorframes.
  • 13.
  • 14. SNIGDHA - SAJIDA - TSERING