By- SRISHTI SHUBH
• Born on June1, 1935
• Raised in Manchester, in a working class family
• Had the work ethics like his parents who were diligent and
  dedicated to work.
• Worked at treasurer‟s office at Town hall.
• Joined University of Manchester, School of Architecture
• Later he got a fellowship at Yale School of Architecture, and
  completed his masters under Richard Rogers, also his future
  business partner.
• In 1953 he served the Royal Air Force, driven by his passion
  for Aircrafts
• In 1963 he set up practice in United Kingdom, under the name
  of Team 4,which later became Foster+ Partners.
• He is one of the most High Tech architects of present time.
• Foster was Knighted in 1990. Also he was made life peer
  in 1999-as Lord Baron Foster of Thames Bank.
• In 1994- awarded the AIA Gold Medal
• Second British architect to have won Sterling Prize twice.
• Awarded the Pritzker Prize in 1999
• In 2009 – Prince of Asturias Award, for Arts
• Received Aga Khan Award for Architecture
• And is a fellow of the Chartered Society of Designers
He has received numerous more awards and recognition
for his works over his lifetime.
• “The quality of our surroundings has a direct influence on
  the quality of our lives”.
• He believes that “Architecture is generated by the needs
  of people, both material and spiritual”.
• The process of „reinvention‟ distinguishes all of his work –
  past and present – and rests on a duty to design well and
  to design responsibly – whether that is at the scale of an
  airport or a door handle.
• He anticipated trends like energy conservation and
  ecological impacts, pioneering design solutions that use
  totally renewable sources of energy and offer dramatic
  reductions in CO2 emissions. Environmental awareness
  is an integral part of his design as it evolves to meet the
  challenges of the next forty years
30 St Mary Axe London, or The Gherkin (Skyscrapers can be eco-
friendly)
• Iconic symbol of London at 180 mtrs. and is one of the city's most
    widely recognised examples of modern            architecture.
• “Gherkin” meaning a cucumber                denotes the unusual shape
    of the building.
• Gaps in each floor create six                air shafts that serve as a
    natural ventilation system for the entire             building.
• Diamond shaped scaly
  façade is another
  ingenuine design, which
  gives a shimmering crystal
  image, very elegant
  design.
• The triangulated perimeter
  also provides enough
  stiffness to the building to
  resist high wind turbulence
  at greater height, also the
  slender shape provides
  minimum resistance to
  winds.
• The narrower base is in
  line with the narrow
  London roads, which does
  not make the building
  massive or imposing, even
Tower's topmost panoramic dome, known as the "lens“ offers
a magnificent view of the city. The only curved piece of glass
in the building.
Bar for tenants and guests at 40th floor. Was achieved by stopping the
main lift at 34th floor. And connecting a push-from-below lift till 39th floor,
so as to maintain a hindrance free flat surface at the topmost floor.
Giant double glazed structure lets natural light in,
enhancing the work environment and reducing
lighting costs.
Energy-saving methods which allow it to use half
the power a similar tower would typically
consume
External skeleton of the building is made
                         of cross-linked steel pieces, which are
                         then clad by the diamond-shaped
                         double glazing.

                                                   Emulates
                                                   Norman
                                                   Foster‟s
                                                   thinking of
                                                   enhancing
                                                   the living
                                                   environmen
                                                   t to
                                                   enhance
• Masterpiece in
                                                   people‟s
  skyscraper                                       lives.
  architecture.
• Voted as the most
  admired new building
  in the world.
• Tallest bridge in the world.
• A cable stayed bridge with seven tall piers spanning a length of 2.5
  km, over the river tarn.
• The bridge deck was constructed on land at the
  ends of the viaduct and rolled lengthwise from
  one pylon to the next, over a hydraulically
  operated assembly system.

• Mast pieces were driven over the new deck lying
  down horizontally

• Pieces were joined to form the one complete
  mast, still lying horizontally

• Mast was then tilted upwards

• 11 Cable stays per mast connecting the masts
  and the deck were then installed, and the bridge
  was tensioned overall and weight tested.
The second mast is the
tallest structure in
France,
Taller than the Eiffel
Tower.
• There is something about the bridge that is nothing short of
  awe inspiring.
• The idea itself of a bridge launching through a pictresque
  landscape on a series of giant posts, the size of the
  skyscrapers is very courageous.
• The design of the bridge is very serene, and enchanting, and
  in no way hurts the existing natural landscape and scenery.
• He intended it to be “as delicate as a butterfly.” Observing that
  “to drive across the bridge would feel like flying a car,”
• He also noted the structure “illustrates how a collaboration
  between architects and engineers can result in a structure of
  breathtaking beauty,” adding that this beauty “lies primarily in
  its clarity of expression.”
• Thus the design gives the impression that the bridge piers had grown
  from the soil, in line with Foster‟s conviction that “A work of man must
  fuse with nature.”
• The bridge received the 2006 IABSE Outstanding Structure Award
It was opened in 1894 and housed the Reichstag until 1933 when it was
severely damaged in a fire.
After World War II, It was rendered useless.
The ruined building was made safe against the elements and partially
refurbished in the 1960s, but no attempt at full restoration was made until after
German reunification on October 3, 1990.
• The building was then renovated by Norman Foster.
• This time his architecture was about power.
• Norman foster creates a landmark of cultures of very different times to express
  who or what they are through his architecture.
• The dome that he created above the Reichstag building was a symbol of the
  reunified Germany.
• It stood for the democracy and unity of the new nation.
• The Reichstag dome is a glass dome. with a 360 degree view of the
  surrounding Berlin cityscape.
• The dome is open to the public and can be reached by climbing two
  steel, spiralling ramps that look like a double-helix.
• A mirrored cone in the centre of the dome directs sunlight into
  the building, and so that visitors can see the working of the
  chamber
• The glass dome was also designed by Foster to
  be environmentally friendly effectively decreasing the carbon
  emissions of the building
• The futuristic and transparent design of the Reichstag
  dome makes it a unique landmark, and symbolizes
  Berlin's attempt to move away from a past of Nazism and
  instead towards a future with a heavier emphasis on a
  united, democratic Germany
• He proposed something that would work with the ecology of the
  building
• It would work with the winds, would draw sun in, would have shade.
• It would also celebrate, a processional route to the summit, for the
  visitors who come to the cupola.
• The Dome symbolizes that the people are above the government.
• The challenges met by Foster were
• To restore damage
• To take what was left of the old building and make it look new again.
• To show what once happened to the building, to show it‟s history
• He handles this very sensitively.
• He kept the Russian soldiers, sometimes obscene messages, written on
  the stone walls.
• Since it was a part of the German history, a part of that building, which
  should not be wiped out.
Masdar City is a ground breaking new design by Foster in Abu
Dhabi, the capital of the United Arab Emirates (UAE), With city planning
focused on providing all of the modern conveniences, services and benefits of
living in one of the great cities of the world, but in a 100% carbon-neutral
environment.
While sustaining a population of 47,500, Masdar City will run only on renewable
energies sourced from the harsh Arabian climate via the wind and sun. Cars will be
replaced with electronic rail and an innovative personal rapid transit system making it
pedestrian friendly where upon no resident will be less than 200m from public transport
& amenities.
Masdar City is more than a concept – it is happening. Phase One of Masdar City
has now begun – The Masdar Institute of Science and Technology is underway and
reaching completion.
WILLIS FABER AND DUMAS BUILDING, IPSWICH
AMERICAN AIR MUSEUM
CLYDE AUDITORIUM
Let your drawings speak…..

Norman foster (srishti shubh)

  • 1.
  • 2.
    • Born onJune1, 1935 • Raised in Manchester, in a working class family • Had the work ethics like his parents who were diligent and dedicated to work. • Worked at treasurer‟s office at Town hall. • Joined University of Manchester, School of Architecture • Later he got a fellowship at Yale School of Architecture, and completed his masters under Richard Rogers, also his future business partner. • In 1953 he served the Royal Air Force, driven by his passion for Aircrafts • In 1963 he set up practice in United Kingdom, under the name of Team 4,which later became Foster+ Partners. • He is one of the most High Tech architects of present time.
  • 3.
    • Foster wasKnighted in 1990. Also he was made life peer in 1999-as Lord Baron Foster of Thames Bank. • In 1994- awarded the AIA Gold Medal • Second British architect to have won Sterling Prize twice. • Awarded the Pritzker Prize in 1999 • In 2009 – Prince of Asturias Award, for Arts • Received Aga Khan Award for Architecture • And is a fellow of the Chartered Society of Designers He has received numerous more awards and recognition for his works over his lifetime.
  • 4.
    • “The qualityof our surroundings has a direct influence on the quality of our lives”. • He believes that “Architecture is generated by the needs of people, both material and spiritual”. • The process of „reinvention‟ distinguishes all of his work – past and present – and rests on a duty to design well and to design responsibly – whether that is at the scale of an airport or a door handle. • He anticipated trends like energy conservation and ecological impacts, pioneering design solutions that use totally renewable sources of energy and offer dramatic reductions in CO2 emissions. Environmental awareness is an integral part of his design as it evolves to meet the challenges of the next forty years
  • 5.
    30 St MaryAxe London, or The Gherkin (Skyscrapers can be eco- friendly) • Iconic symbol of London at 180 mtrs. and is one of the city's most widely recognised examples of modern architecture. • “Gherkin” meaning a cucumber denotes the unusual shape of the building. • Gaps in each floor create six air shafts that serve as a natural ventilation system for the entire building.
  • 6.
    • Diamond shapedscaly façade is another ingenuine design, which gives a shimmering crystal image, very elegant design. • The triangulated perimeter also provides enough stiffness to the building to resist high wind turbulence at greater height, also the slender shape provides minimum resistance to winds. • The narrower base is in line with the narrow London roads, which does not make the building massive or imposing, even
  • 7.
    Tower's topmost panoramicdome, known as the "lens“ offers a magnificent view of the city. The only curved piece of glass in the building.
  • 8.
    Bar for tenantsand guests at 40th floor. Was achieved by stopping the main lift at 34th floor. And connecting a push-from-below lift till 39th floor, so as to maintain a hindrance free flat surface at the topmost floor.
  • 9.
    Giant double glazedstructure lets natural light in, enhancing the work environment and reducing lighting costs. Energy-saving methods which allow it to use half the power a similar tower would typically consume
  • 10.
    External skeleton ofthe building is made of cross-linked steel pieces, which are then clad by the diamond-shaped double glazing. Emulates Norman Foster‟s thinking of enhancing the living environmen t to enhance • Masterpiece in people‟s skyscraper lives. architecture. • Voted as the most admired new building in the world.
  • 11.
    • Tallest bridgein the world. • A cable stayed bridge with seven tall piers spanning a length of 2.5 km, over the river tarn.
  • 12.
    • The bridgedeck was constructed on land at the ends of the viaduct and rolled lengthwise from one pylon to the next, over a hydraulically operated assembly system. • Mast pieces were driven over the new deck lying down horizontally • Pieces were joined to form the one complete mast, still lying horizontally • Mast was then tilted upwards • 11 Cable stays per mast connecting the masts and the deck were then installed, and the bridge was tensioned overall and weight tested.
  • 13.
    The second mastis the tallest structure in France, Taller than the Eiffel Tower.
  • 14.
    • There issomething about the bridge that is nothing short of awe inspiring. • The idea itself of a bridge launching through a pictresque landscape on a series of giant posts, the size of the skyscrapers is very courageous. • The design of the bridge is very serene, and enchanting, and in no way hurts the existing natural landscape and scenery. • He intended it to be “as delicate as a butterfly.” Observing that “to drive across the bridge would feel like flying a car,” • He also noted the structure “illustrates how a collaboration between architects and engineers can result in a structure of breathtaking beauty,” adding that this beauty “lies primarily in its clarity of expression.”
  • 15.
    • Thus thedesign gives the impression that the bridge piers had grown from the soil, in line with Foster‟s conviction that “A work of man must fuse with nature.” • The bridge received the 2006 IABSE Outstanding Structure Award
  • 16.
    It was openedin 1894 and housed the Reichstag until 1933 when it was severely damaged in a fire. After World War II, It was rendered useless. The ruined building was made safe against the elements and partially refurbished in the 1960s, but no attempt at full restoration was made until after German reunification on October 3, 1990.
  • 17.
    • The buildingwas then renovated by Norman Foster. • This time his architecture was about power. • Norman foster creates a landmark of cultures of very different times to express who or what they are through his architecture. • The dome that he created above the Reichstag building was a symbol of the reunified Germany. • It stood for the democracy and unity of the new nation.
  • 18.
    • The Reichstagdome is a glass dome. with a 360 degree view of the surrounding Berlin cityscape. • The dome is open to the public and can be reached by climbing two steel, spiralling ramps that look like a double-helix.
  • 19.
    • A mirroredcone in the centre of the dome directs sunlight into the building, and so that visitors can see the working of the chamber • The glass dome was also designed by Foster to be environmentally friendly effectively decreasing the carbon emissions of the building
  • 20.
    • The futuristicand transparent design of the Reichstag dome makes it a unique landmark, and symbolizes Berlin's attempt to move away from a past of Nazism and instead towards a future with a heavier emphasis on a united, democratic Germany
  • 21.
    • He proposedsomething that would work with the ecology of the building • It would work with the winds, would draw sun in, would have shade. • It would also celebrate, a processional route to the summit, for the visitors who come to the cupola. • The Dome symbolizes that the people are above the government.
  • 22.
    • The challengesmet by Foster were • To restore damage • To take what was left of the old building and make it look new again. • To show what once happened to the building, to show it‟s history • He handles this very sensitively. • He kept the Russian soldiers, sometimes obscene messages, written on the stone walls. • Since it was a part of the German history, a part of that building, which should not be wiped out.
  • 23.
    Masdar City isa ground breaking new design by Foster in Abu Dhabi, the capital of the United Arab Emirates (UAE), With city planning focused on providing all of the modern conveniences, services and benefits of living in one of the great cities of the world, but in a 100% carbon-neutral environment.
  • 24.
    While sustaining apopulation of 47,500, Masdar City will run only on renewable energies sourced from the harsh Arabian climate via the wind and sun. Cars will be replaced with electronic rail and an innovative personal rapid transit system making it pedestrian friendly where upon no resident will be less than 200m from public transport & amenities.
  • 25.
    Masdar City ismore than a concept – it is happening. Phase One of Masdar City has now begun – The Masdar Institute of Science and Technology is underway and reaching completion.
  • 26.
    WILLIS FABER ANDDUMAS BUILDING, IPSWICH
  • 27.
  • 28.
  • 29.