MLA MLA stands for the Modern Language Association, which is an organization that focuses on language and literature.
Depending on which subject area your class or research focuses on, your professor may ask you to cite your sources in MLA format. This is a specific way to cite, following the Modern Language Association’s guidelines.
Tragic Plot-Its constituent parts, Importance of plot, Poet as a maker of plot not story, The construction of plot, the magnitude of plot, organic unity of plot, Fatal and fortunate plots, peripety and anagnorisis, complication and denouement, Freytag pyramid, Aristortle's concern, Dramatic unities
Taufiq Rafat as a poet,writing style ,themes and subjects of his poetry.pptxNajma Ejaz
Taufiq Rafat was a Pakistani poet who gained recognition for his distinct writing style and unique exploration of various themes in his poetry. He was born on June 8, 1927, in Dera Ghazi Khan, Pakistan, and passed away on August 2, 1998.
Writing Style:
Taufiq Rafat is known for his experimental and innovative approach to poetry. He broke away from traditional forms and structures and embraced a more modernist and surrealistic style. His poetry often featured vivid and imaginative imagery, intricate wordplay, and a blending of traditional and contemporary elements. Rafat's writing was marked by a deep sensitivity to the natural world and a keen observation of everyday life.
Themes:
Rafat's poetry touched upon a wide range of themes and subjects. Some of the recurring themes in his work include:
1. Nature: Rafat had a deep appreciation for nature and often drew inspiration from its beauty and transformative power. He portrayed the natural world as a source of solace, reflecting on its seasons, landscapes, and elements.
2. Identity and Culture: Rafat explored the complexities of identity and the cultural context of his homeland, Pakistan. He delved into the cultural heritage, traditions, and societal norms, questioning and reevaluating them through his poetry.
3. Love and Relationships: The themes of love, longing, and relationships featured prominently in Rafat's work. He explored the various dimensions of human emotions, including passion, desire, and heartbreak.
4. Social Issues: Rafat also touched upon social issues prevalent in Pakistani society, such as inequality, poverty, and political unrest. His poetry often offered critical commentary on these issues, urging for change and justice.
Biography:
Taufiq Rafat completed his education in Lahore, Pakistan, and went on to work as a lecturer in English literature at a college in Rawalpindi. He contributed to various literary journals and magazines and gained recognition for his unique poetic voice. Rafat's work was appreciated both within Pakistan and internationally, and he was regarded as a prominent figure in contemporary Urdu poetry. His poems have been translated into English and other languages, allowing a wider audience to appreciate his work.
Taufiq Rafat's writing style, with its experimental approach and vivid imagery, set him apart from his contemporaries. His exploration of diverse themes and subjects, from nature and culture to love and social issues, showcased his versatility as a poet. Despite his relatively short life, Rafat's poetry continues to be celebrated for its literary merit and contribution to Urdu literature.
The syllable is a constant feature in every spoken language in the world and most people have an intuitive sense of what a syllable is. Each language has its own rules about what kinds of syllables are allowed, and what kinds aren’t - but the general structure is the same everywhere.
Deed analysis of the novella's quest for absolute truth, knowledge and reality.
Analysis of of the construction of binaries and construction of the other.
Pragmatic and Semantic analysis of Imran Khan speech Xehra Batool
it is the most influential and motivational speech of Imran khan. we did the analysis not only from pragmatic aspect but also from semantic perspective. imran khan delivered his speech, "never give up on your dreams", at TEDx Karachi.
Tragic Plot-Its constituent parts, Importance of plot, Poet as a maker of plot not story, The construction of plot, the magnitude of plot, organic unity of plot, Fatal and fortunate plots, peripety and anagnorisis, complication and denouement, Freytag pyramid, Aristortle's concern, Dramatic unities
Taufiq Rafat as a poet,writing style ,themes and subjects of his poetry.pptxNajma Ejaz
Taufiq Rafat was a Pakistani poet who gained recognition for his distinct writing style and unique exploration of various themes in his poetry. He was born on June 8, 1927, in Dera Ghazi Khan, Pakistan, and passed away on August 2, 1998.
Writing Style:
Taufiq Rafat is known for his experimental and innovative approach to poetry. He broke away from traditional forms and structures and embraced a more modernist and surrealistic style. His poetry often featured vivid and imaginative imagery, intricate wordplay, and a blending of traditional and contemporary elements. Rafat's writing was marked by a deep sensitivity to the natural world and a keen observation of everyday life.
Themes:
Rafat's poetry touched upon a wide range of themes and subjects. Some of the recurring themes in his work include:
1. Nature: Rafat had a deep appreciation for nature and often drew inspiration from its beauty and transformative power. He portrayed the natural world as a source of solace, reflecting on its seasons, landscapes, and elements.
2. Identity and Culture: Rafat explored the complexities of identity and the cultural context of his homeland, Pakistan. He delved into the cultural heritage, traditions, and societal norms, questioning and reevaluating them through his poetry.
3. Love and Relationships: The themes of love, longing, and relationships featured prominently in Rafat's work. He explored the various dimensions of human emotions, including passion, desire, and heartbreak.
4. Social Issues: Rafat also touched upon social issues prevalent in Pakistani society, such as inequality, poverty, and political unrest. His poetry often offered critical commentary on these issues, urging for change and justice.
Biography:
Taufiq Rafat completed his education in Lahore, Pakistan, and went on to work as a lecturer in English literature at a college in Rawalpindi. He contributed to various literary journals and magazines and gained recognition for his unique poetic voice. Rafat's work was appreciated both within Pakistan and internationally, and he was regarded as a prominent figure in contemporary Urdu poetry. His poems have been translated into English and other languages, allowing a wider audience to appreciate his work.
Taufiq Rafat's writing style, with its experimental approach and vivid imagery, set him apart from his contemporaries. His exploration of diverse themes and subjects, from nature and culture to love and social issues, showcased his versatility as a poet. Despite his relatively short life, Rafat's poetry continues to be celebrated for its literary merit and contribution to Urdu literature.
The syllable is a constant feature in every spoken language in the world and most people have an intuitive sense of what a syllable is. Each language has its own rules about what kinds of syllables are allowed, and what kinds aren’t - but the general structure is the same everywhere.
Deed analysis of the novella's quest for absolute truth, knowledge and reality.
Analysis of of the construction of binaries and construction of the other.
Pragmatic and Semantic analysis of Imran Khan speech Xehra Batool
it is the most influential and motivational speech of Imran khan. we did the analysis not only from pragmatic aspect but also from semantic perspective. imran khan delivered his speech, "never give up on your dreams", at TEDx Karachi.
Works Cited Modern Language AssociationModern Lang.docxdunnramage
Works Cited
Modern Language Association
Modern Language Association Format
Heading
Name, prof, class, date
One inch margins
Double spaced
Last name and page number in top right corner of
every page except the first.
Include a “Works Cited” page
Indent all paragraphs one-half inch
Remove extra space after paragraphs
12 point font
Times New Roman
MLA Heading
Works Cited
Double spaced
Hanging indent
Alphabetical order by author’s last
name or title if there is no author.
Include last name and page number on
top right.
Do not number or “bullet” the list
Do not include another header
Works Cited Example
Information to keep track of
Author and/or editor names (if available) or translator
Article name in quotation marks.
Title of the website, project, journal, or book in italics.
Any version numbers available, including editions (ed.), revisions,
posting dates, volumes (vol.), or issue numbers (no.).
Publisher information, including the publisher name and
publishing date.
Take note of any page numbers (p. or pp.) or paragraph numbers
(par. or pars.) if already numbered.
URL (without the https://) DOI or permalink.
Date you accessed the material (Date Accessed)—While not
required, it is highly recommended, especially when dealing with
pages that change frequently or do not have a visible copyright
date.
Books and Chapters
Author’s last name, first name. Title of Book. Publishing company,
year.
Downey, Katherine Brown. Perverse Midrash: Oscar Wilde, Andre
Gide, and Censorship of Biblical Drama. Continuum, 2004.
Author’s last name, first name. “Chapter Title.” Title of Book.
Publishing company, year, pp. Page numbers.
Butler, Octavia E. “Bloodchild.” Bloodchild and Other Stories. Seven
Stories, 2005, pp. 1-24.
Editors/
translators
follow the
title if any,
followed by
volume or
edition.
Work in an Anthology
Last name, first name. “Title of Article.” year originally
published. Title of Book, edited by Name of Editor(s),
edition, Publisher, year published, pp. page numbers.
Codrescu, Andrei. “Notes of an Alien Son: Immigration
Paradoxes.” 2010. Engaging Questions: A Guide to Writing,
edited by Carolyn E. Channell and Timothy W. Crusius,
ed. 2, McGraw-Hill, 2016, pp. 17-19.
Scholarly Article in a Database
Author’s last name, first name. “Title of Article.” Title of Journal, vol.,
no., year, pp., Database, URL.
Lanphear, Bruce P., et al. “Association of Environmental Toxicants and
Conduct Disorder in U.S. Children: NHANES 2001-2004.”
Environmental Health Perspectives, vol. 116, no. 7, July 2008, pp.
956-962, Academic Search Complete,
dcccd.idm.oclc.org/login?url=http://search.ebscohost.com/log
in.asp?direct=true&db=a9h&AN=34356584&site=ehost-live
Volume
Issue number Pages Remove the http://
http://dcccd.idm.oclc.org/login?url=http://search.ebscohost.com/login.asp?direct=true&db=a9h&AN=34356584&site=ehost-live
Articles on a We.
Piri Thomas was born in Harlem, New York on September 30, 1928. He was the eldest of seven children. His mother is of Puerto Rican descent and his father is Cuban. Thomas' full name is John Peter Thomas. Some sources state that his parents named him Juan Pedro Tomas, but that his name was changed in the hospital to the English version of the latter. The nickname, Piri, was given to him by his mother, whom he had a very close bond with. It comes from the name of a bird called the "pirri", which is a small bird that has enough strength to wound its enemy bird by attacking its underwing.
Thomas grew up in Spanish Harlem (El Barrio) at a time when lynching was still very prevalent in the United States, so the threat of racism was very real for him and others like him. As a young boy he attended public school in East Harlem, where he was forbidden to speak Spanish. Because the assimilation towards English was greater in school, Thomas began to lose some of his ability to speak Spanish. Thomas was faced with racism at school and in his own neighborhood, where he was taunted by whites and frequently called a "nigger spic". Thomas later writes of his experiences with racism in his books and in his poetry.
Computer: Definition
A computer is a machine that can be programmed to manipulate symbols. Its principal characteristics are:
It responds to a specific set of instructions in a well-defined manner.
It can execute a prerecorded list of instructions (a program).
It can quickly store and retrieve large amounts of data.
Therefore computers can perform complex and repetitive procedures quickly, precisely and reliably. Modern computers are electronic and digital. The actual machinery (wires, transistors, and circuits) is called hardware; the instructions and data are called software. All general-purpose computers require the following hardware components:
Central processing unit (CPU): The heart of the computer, this is the component that actually executes instructions organized in programs ("software") which tell the computer what to do.
Memory (fast, expensive, short-term memory): Enables a computer to store, at least temporarily, data, programs, and intermediate results.
Mass storage device (slower, cheaper, long-term memory): Allows a computer to permanently retain large amounts of data and programs between jobs. Common mass storage devices include disk drives and tape drives.
Input device: Usually a keyboard and mouse, the input device is the conduit through which data and instructions enter a computer.
Output device: A display screen, printer, or other device that lets you see what the computer has accomplished.
In addition to these components, many others make it possible for the basic components to work together efficiently. For example, every computer requires a bus that transmits data from one part of the computer to another.
Originally it was a job title.
It was used to describe those personnel (chiefly women) whose job it was to perform the repetitive calculations required to compute such things as navigational tables, tide charts, and planetary positions for astronomical almanacs.
The MLA 8th Edition handbook, released in April 2016, includes major changes to the citation process. This page highlights a few of the differences between MLA 7 and MLA 8.
How to Cite a Film or Video in MLA 8
Films have become a strong medium for communicating stories, commentary, emotion, research, art, and many other subjects in a creative way. This medium has seen marked growth in both the number of titles offered and the number of distributors or service providers (e.g. Hulu, Netflix, HBO Go, etc.). In addition, technology has evolved to allow every individual to be their own “filmmaker” and record videos that can be shared online, whether it be via YouTube, Vine, Instagram, etc.
How to Cite a Book in Print in MLA 8
Structure of an MLA 8 citation for a book in print:
Author’s Last name, First name. “Title of chapter or section.” Title of the work, translated by or edited by First name Last name, vol. number, City of Publication*, Publisher, Year the book was published, page number(s).
Use only the interviewee's last name when citing personal interviews.
Personal interviews are interviews that you have conducted yourself. They have no page number because they have not been published in a book. When you cite a personal interview in the body of your paper, place only the author's last name in parentheses at the end of the sentence.Eliminate the parenthetical citation if you use the last name in the sentence.
MLA guidelines state that if you state the last name in the sentence, you do not need that same information in the parentheses. The parenthetical information complements, not repeats, the information provided in the sentence.[2]
Listing your sources in a Works Cited page is only one part of the citation process; the other part is making references to your sources in the body of your paper. The purpose of the in-text citation is to inform your audience when you are making a reference to someone else's ideas, words, works, or other information you used to support your writing.
According to the MLA Handbook: "References in the text must clearly point to specific sources in the list of works cited" (214). This means that for every reference you make in your paper there should be a corresponding citation in your Works Cited page, and vice versa.
MLA formatting uses the author-page style when producing in-text citations, meaning that you should have information about the author and the page number when making reference in your paper. Here are several examples of the author-page style, followed by the citation as it would appear in your Works Cited:
MLA (Modern Language Association) style is most commonly used to write papers and cite sources within the liberal arts and humanities. This resource, updated to reflect the MLA Handbook (8th ed.), offers examples for the general format of MLA research papers, in-text citations, endnotes/footnotes, and the Works Cited page.
A jump cut is a transition between two shots which appears to "jump" due to the way the shots are framed in relation to each other.
Jump cuts are usually caused by framing which is quite similar, such as these two:
Cut or sequencing,kuleshov effect, colour in film , eastmanANJU A
The jump cut is a technique which allows the editor to jump forward in time.
We see an early version of this technique in Eisenstein‘s Battleship Potemkin, where the battleship fires a mortar round and we watch the destruction as various angles jump cut from one to another.
In this very early version of the jump cut, contemporary audiences were introduced to a new way of time passage in film.
It obviously gained traction and is one of the most used types of cuts today next to the hard cut.The technique of the cross-cut, also known as parallel editing, is where you cut between two different scenes that are happening at the same time in different spaces.
When done effectively you can tell two simultaneous stories at once and the information being given to the audience will make complete sense.
Racking focus is the process of switching the focal point from one subject/object in a frame to another subject/object that is closer or farther from the camera, whereby one subject is sharp and clear while another part of the frame is blurry (out of focus).
The camera itself does not generally move during the focal change.
By keeping one subject in focus and the rest of the scene out of focus, the cinematographer can draw the audience’s attention to the subject in focus.
Racking focus is the process of switching the focal point from one subject/object in a frame to another subject/object that is closer or farther from the camera, whereby one subject is sharp and clear while another part of the frame is blurry (out of focus).
The camera itself does not generally move during the focal change.
By keeping one subject in focus and the rest of the scene out of focus, the cinematographer can draw the audience’s attention to the subject in focus.
Film language basic terminology of filmmakingANJU A
HIGH ANGLE SHOT:As mentioned in the high angle shot definition, high angle shots in film are used to make a character feel vulnerable or minuscule compared to the world around them.
•You can show someone who has no power in this situation and conveys insignificance.
•Lighting and cinematography drastically affect the mood presented by the high angleDobby in the Harry Potter series.
•We almost always frame Dobby with a high angle shot in dim light. Not only are we trying to show the size of the house elf, but we’re also trying to define how the world looks at and treats the house elf.
Film studies as an academic discipline emerged in the twentieth century, decades after the invention of motion pictures. Not to be confused with the technical aspects of film production, film studies exists only with the creation of film theory—which approaches film critically as an art—and the writing of film historiography. Because the modern film became an invention and industry only in the late nineteenth century, a generation of film producers and directors existed significantly before the academic analysis that followed in later generations.
Read| The latest issue of The Challenger is here! We are thrilled to announce that our school paper has qualified for the NATIONAL SCHOOLS PRESS CONFERENCE (NSPC) 2024. Thank you for your unwavering support and trust. Dive into the stories that made us stand out!
June 3, 2024 Anti-Semitism Letter Sent to MIT President Kornbluth and MIT Cor...Levi Shapiro
Letter from the Congress of the United States regarding Anti-Semitism sent June 3rd to MIT President Sally Kornbluth, MIT Corp Chair, Mark Gorenberg
Dear Dr. Kornbluth and Mr. Gorenberg,
The US House of Representatives is deeply concerned by ongoing and pervasive acts of antisemitic
harassment and intimidation at the Massachusetts Institute of Technology (MIT). Failing to act decisively to ensure a safe learning environment for all students would be a grave dereliction of your responsibilities as President of MIT and Chair of the MIT Corporation.
This Congress will not stand idly by and allow an environment hostile to Jewish students to persist. The House believes that your institution is in violation of Title VI of the Civil Rights Act, and the inability or
unwillingness to rectify this violation through action requires accountability.
Postsecondary education is a unique opportunity for students to learn and have their ideas and beliefs challenged. However, universities receiving hundreds of millions of federal funds annually have denied
students that opportunity and have been hijacked to become venues for the promotion of terrorism, antisemitic harassment and intimidation, unlawful encampments, and in some cases, assaults and riots.
The House of Representatives will not countenance the use of federal funds to indoctrinate students into hateful, antisemitic, anti-American supporters of terrorism. Investigations into campus antisemitism by the Committee on Education and the Workforce and the Committee on Ways and Means have been expanded into a Congress-wide probe across all relevant jurisdictions to address this national crisis. The undersigned Committees will conduct oversight into the use of federal funds at MIT and its learning environment under authorities granted to each Committee.
• The Committee on Education and the Workforce has been investigating your institution since December 7, 2023. The Committee has broad jurisdiction over postsecondary education, including its compliance with Title VI of the Civil Rights Act, campus safety concerns over disruptions to the learning environment, and the awarding of federal student aid under the Higher Education Act.
• The Committee on Oversight and Accountability is investigating the sources of funding and other support flowing to groups espousing pro-Hamas propaganda and engaged in antisemitic harassment and intimidation of students. The Committee on Oversight and Accountability is the principal oversight committee of the US House of Representatives and has broad authority to investigate “any matter” at “any time” under House Rule X.
• The Committee on Ways and Means has been investigating several universities since November 15, 2023, when the Committee held a hearing entitled From Ivory Towers to Dark Corners: Investigating the Nexus Between Antisemitism, Tax-Exempt Universities, and Terror Financing. The Committee followed the hearing with letters to those institutions on January 10, 202
Synthetic Fiber Construction in lab .pptxPavel ( NSTU)
Synthetic fiber production is a fascinating and complex field that blends chemistry, engineering, and environmental science. By understanding these aspects, students can gain a comprehensive view of synthetic fiber production, its impact on society and the environment, and the potential for future innovations. Synthetic fibers play a crucial role in modern society, impacting various aspects of daily life, industry, and the environment. ynthetic fibers are integral to modern life, offering a range of benefits from cost-effectiveness and versatility to innovative applications and performance characteristics. While they pose environmental challenges, ongoing research and development aim to create more sustainable and eco-friendly alternatives. Understanding the importance of synthetic fibers helps in appreciating their role in the economy, industry, and daily life, while also emphasizing the need for sustainable practices and innovation.
Unit 8 - Information and Communication Technology (Paper I).pdfThiyagu K
This slides describes the basic concepts of ICT, basics of Email, Emerging Technology and Digital Initiatives in Education. This presentations aligns with the UGC Paper I syllabus.
The French Revolution, which began in 1789, was a period of radical social and political upheaval in France. It marked the decline of absolute monarchies, the rise of secular and democratic republics, and the eventual rise of Napoleon Bonaparte. This revolutionary period is crucial in understanding the transition from feudalism to modernity in Europe.
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Introduction to AI for Nonprofits with Tapp NetworkTechSoup
Dive into the world of AI! Experts Jon Hill and Tareq Monaur will guide you through AI's role in enhancing nonprofit websites and basic marketing strategies, making it easy to understand and apply.
3. BACKGROUND
• In 1883 a small group of distinguished scholars came
together with a radical idea: that modern languages
deserved the same respect in higher education as classical
languages (Greek and Latin).
• They decided to form an organization that would advocate
language study, research, and the evolution of scholarship.
• The organization they founded is the Modern Language
Association.
4. SELECT: GATHERING INFORMATION ABOUT
YOUR SOURCES
• The source documentation in your finished project will be built from
information you collect as you discover and read useful works.
• As you evaluated your sources, you asked yourself the following
questions:
• Who is the author of the source?
• What is the title of the source?
• How was the source published?
• Where did you find the source?
• When was the source published?
5. • Each of these elements—author, title, publisher,
location, publication date— has a place in your
documentation, so keep track of them carefully.
• Be sure that you select the correct information about
your sources.
• Do not rely on a listing found elsewhere, whether on
the Web, in a library catalog, or in a reference book,
because it may be erroneous or incomplete.
6. Finding Facts about Publications
•Book
•First consult the title page, not
the cover or the top of a page.
7. •If the title page of a book lacks needed
information, such as the date of publication,
consult the book’s copyright page (usually
the reverse of the title page).
8. Story, Poem, or Article in a Book or in a
Periodical
• Consult the first page of the text for the author and
title of the work.
• The publication facts about an issue of a periodical
(journal, magazine, newspaper) are usually found on
the cover, on a title page, or near the table of
contents.
9. Work on the Web
• Web sources may require you to look in more than one place for the
information you need.
• The Web page on which you found the work will have some facts.
Along with other information there, copy the URL of the page into
your notes.
• If the page lacks needed information, such as the name of the site’s
publisher, look for a link that reads “About this site” or has similar
wording.
10. Work on the Web
• Some Web sites specify works-cited list entries for their
contents.
• Such examples might provide you with useful information
about the site but will not necessarily conform to the system
in this handbook, even if they are labelled “MLA style.”
11. Work in Film, Video, or Television
• A work in a medium like film, video, or television usually contains
credits that supply facts needed for documentation.
• If credits are lacking in the work and you viewed it on a DVD or other
disc, you may find the missing information on the disc’s packaging.
12. THE CORE ELEMENTS
• The core elements of any entry in the works-cited list are given below
in the order in which they should appear.
• An element should be omitted from the entry if it’s not relevant to
the work being documented.
• Each element is followed by the punctuation mark shown unless it is
the final element, which should end with a period.
13. AUTHOR
• The author’s name should be
presented last name first in the
works-cited list and be copied from
an authoritative location in your
source.
• The author’s name is usually
prominently displayed in a work,
often near the title.
• Give the author’s name as found in
the work. Reverse the name for
alphabetizing: “Kincaid, Jamaica.”
14. • When a source has three or more
authors, reverse the first of the
names as just described and follow
it with a comma and et al. (“and
others”).
• Burdick, Anne, et al.
Digital_Humanities. MIT P,2012.
• Reverse only the first author’s
name for alphabetizing: “Dorris,
Michael,and Louise Erdrich.”
15. • We use the term author loosely here: it refers to the person or group
primarily responsible for producing the work or the aspect of the work that
you focused on.
• If the role of that person or group was something other than creating the
work’s main content, follow the name with a label that describes the role.
• For example, if the source is an edited volume of essays that you need to
document as a whole, the “author” for your purposes is the person who
assembled the volume—its editor.
• Since the editor did not create the main content, the name is followed by a
descriptive label.
• Nunberg, Geoffrey, editor. The Future of the Book. U of California P, 1996.
16. A source with two or more editors
• A source with two or more editors requires combining the two
methods just described (and making the descriptive label plural).
• Baron, Sabrina Alcorn, et al., editors. Agent of Change: Print Culture
Studies after Elizabeth L. Eisenstein. U of Massachusetts P / Center
for the Book, Library of Congress, 2007.
• Holland, Merlin, and Rupert Hart-Davis, editors. The Complete
Letters of Oscar Wilde.Henry Holt, 2000.
17. Source translated from another language
• When you discuss a source that was translated from another
language and your focus is on the translation, treat the translator as
the author.
• Pevear, Richard, and Larissa Volokhonsky, translators. Crime and
Punishment. By Feodor Dostoevsky, Vintage eBooks,1993.
• Sullivan, Alan, and Timothy Murphy, translators.Beowulf. Edited by
Sarah Anderson,Pearson, 2004.
18. • If the name of the creator of the work’s main content does not
appear at the start of the entry (as in the example for Crime and
Punishment, above), give that name, preceded by By, in the position
of other contributors.
• Aside from an author whose name appears at the start of the entry,
other people may be credited in the source as contributors.
• If their participation is important to your research or to the
identification of the work, name the other contributors in the entry.
• Precede each name (or each group of names, if more than one person
performed the same function) with a description of the role.
19. Below are common descriptions.
• adapted by
• directed by
• edited by
• illustrated by
• introduction by
• narrated by
• performance by
• translated by
20. • A few other kinds of contributors (e.g., guest editors, general editors)
cannot be described with a phrase like those above. The role must
instead be expressed as a noun followed by a comma.
• general editor, Edwin H. Cady
• The editors of scholarly editions and of collections and the translators of
works originally published in another language are usually recorded in
documentation because they play key roles.
• Chartier, Roger. The Order of Books: Readers,Authors, and Libraries in
Europe between the Fourteenth and Eighteenth Centuries. Translated
by Lydia G. Cochrane, Stanford UP, 1994.
• Dewar, James A., and Peng Hwa Ang. “The Cultural Consequences of
Printing and the Internet.” Agent of Change: Print Culture Studies after
Elizabeth L. Eisenstein, edited by Sabrina Alcorn Baron et al., U of
Massachusetts P /Center for the Book, Library of Congress,2007, pp.
365-77.
21. • When three or more other
contributors perform the
same function, give the
name that is listed first in
the source and follow it with
et al.
• If a source such as a film,
television episode, or
performance has many
contributors, include the
ones most relevant to your
project.
• For example, if you are
writing about a television
episode and focus on a key
character, you might
mention the series creator
and the actor who portrays
the character.
• “Hush.” Buffy the Vampire
Slayer, created by Joss Whedon,
performance by Sarah Michelle
Gellar, season 4, episode
10,Mutant Enemy, 1999.
22. • A source contained in a
collection may have a
contributor who did not
play a role in the entire
collection.
• For instance, stories and
poems in an anthology are
often translated by various
hands.
• Identify such a contributor
after the title of the source
rather than after that of the
collection.
Fagih, Ahmed Ibrahim al-.
The Singing of the Stars.
Translated by Leila El Khalidi
and Christopher Tingley.
Short Arabic Plays: An
Anthology, edited by Salma
Khadra Jayyusi, Interlink
Books, 2003, pp. 140-57.
23. MULTIPLE WORKS BY ONE AUTHOR
• To document two or more works by the same author, give the
author’s name in the first entry only.
• Thereafter, in place of the name, type three hyphens. They stand for
exactly the same name as in the preceding entry.
• The three hyphens are usually followed by a period and then by the
source’s title.
• If the person named performed a role other than creating the work’s
main content, however, place a comma after the three hyphens and
enter a term describing the role (editor, translator, director, etc.)
before moving on to the title.
24. • If the same person performed such a role for two or more listed works, a
suitable label for that role must appear in each entry.
• Multiple sources by the same person are alphabetized by their titles;
terms describing the person’s roles are not considered in alphabetization.
Borroff, Marie. Language and the Poet: Verbal Artistry in Frost, Stevens,
and Moore. U of Chicago P, 1979.
---, translator. Pearl: A New Verse Translation. W. W. Norton, 1977.
---. “Sound Symbolism as Drama in the Poetry of Robert Frost.” PMLA,
vol. 107, no. 1, Jan. 1992, pp. 131-44. JSTOR,
www.jstor.org/stable/462806.
---, editor. Wallace Stevens: A Collection of Critical Essays. Prentice-Hall,
1963.
25. • If a single author cited in one entry is also the first of multiple authors in
the next entry, repeat the name in full; do not substitute three hyphens.
• Repeat the name in full whenever you cite the same person as part of a
different team of authors.
Tannen, Deborah. Talking Voices: Repetition, Dialogue, and Imagery in
Conversational Discourse. 2nd ed., Cambridge UP, 2007. Studies in
Interactional Sociolinguistics 26.
---. You’re Wearing That? Understanding Mothers and Daughters in
Conversation. Ballantine Books, 2006.
Tannen, Deborah, and Roy O. Freedle, editors.Linguistics in Context:
Connecting Observation and Understanding. Ablex Publishing, 1988.
26. MULTIPLE WORKS BY COAUTHORS
• If two or more entries citing co authors begin with the same name,
alphabetize them by the last names of the second authors listed.
27. TITLE OF SOURCE
• After the author, the next
element included in the entry in
the works-cited list is the title of
the source.
• The title is usually prominently
displayed in the work, often near
the author
28.
29.
30. • Use exact words
• Use them to support or illustrate your argument
• Avoid lengthy/frequent quotations
• Use the exact spelling and punctuation from the
source, even when it is wrong!
• Please Note: Quotes are not included in your
word count
Quotations
31. Quotations within a Quotation
Use of single quote marks inside the existing quote:
The reporter told me, “ When I interviewed the
Aussie cricketer, he said they simply ‘played a better
game’. ”
32. Author and date – Harvard, APA, MLA (later versions)
Numbering which links to footnotes or endnotes –
Oxford, Chicago
Numbering which links to the reference list –
Vancouver
33. What is APA style?
APA format is the official style of the
American Psychological Association (APA)
and is commonly used to cite sources in
psychology, education, and the social
sciences. The APA style originated in a 1929
article published in Psychological Bulletin that
laid out the basic guidelines
34. What is MLA?
MLA stands for the Modern Language Association,
which is an organization that focuses on language
and literature.
Depending on which subject area your class or
research focuses on, your professor may ask you to
cite your sources in MLA format. This is a specific
way to cite, following the Modern Language
Association’s guidelines.
35. The Oxford referencing style
The Oxford Referencing style is a note citation
system. It is also sometimes referred to as a
documentary-note style. It has two components:
i. Footnote Citation
ii. Reference List