Media Language
G325 - Question 1b
Preface
This is an odd area in that it actually involves all of the others (narrative, genre,
audience and representation) and is in turn used in all of them as well.
This means that you can use the other theorists we have already studied as they
are all about how meaning is created.
You can also use the theorists discussed in this ppt with all those other sections
as well.
What is Media Language?
Media language effectively means, what are you doing to communicate a
specific thing with the audience.
Just like we use words in conversation to communicate, or images on signs, we
use specific media techniques to communicate meaning in our products.
Key media language theorists
Ferdinand de Saussure - The signifier and the signified
Roland Barthes - denotation and connotation
Stuart Hall - encoding and decoding (preferred reading)
Saussure
This is very similar to connotation and denotation. It discusses the idea there are
two levels of meaning in a text.
First there is the signifier - What is there in front of us, what we see/hear.
Then there is the signified - the idea that we associate with the signifier in our
ehads, the concept it represents.
A sign or symbol does not make sense without the actual object and the meaning
it creates, both must be present.
Example
If characters in a film are talking about a bank, the audience must determine which
bank they mean
A grassy slope or
a place to deposit money
3 types of signs
Signifiers can be broken down into 3 different types.
Iconic signs - signs that look like what they mean (eg a picture of a cowboy)
Indexical signs - signs that show a connection (eg smoke -> fire, sweating ->
heat/exertion)
Symbolic signs - where the sign is completely disconnects (visually) from the
meaning (eg a heart -> love, white dove ->peace)
Barthes - denotation and connotation
Again, very similar to Saussure’s theory.
It looks at how an audience will interpret meaning from a text.
The interpretation is influenced by society and audience member’s own
experience of the world.
Denotation - an object placed within a media text.
Connotation - the meaning the audience draws from their own cultural, social and
historical knowledge.
The main difference here to signier/signified is that a connotation may not always
be intentional.
A media producer intentionally tries to communicate meaning with their signs.
But sometimes they may unintentionally communicate something because an item
in their product has an alternate connotation.
example
Is this just a red flower (the denotation)?
It also has connotations of war, violence, death and remembrance.
But it also has connotations of drugs, heroin, the middle east, etc
Stuart Hall (him again)
This is a part of his reception theory that we have already looked at.
A text will always have a preferred reading that a producer intends.
This is done by encoding meaning into the text.
These meanings are then decoded by the audience so they can interpret it.
Often refers more to values and messages than literal signs and connotations.
Again, the audience can decode the meaning in three ways.
Fully accepting the producers intentions with a preferred reading.
Agreeing with some but not all of the intended meaning and therefore taking a
negotiated meaning.
They may understand the intended message but reject it in favour of their own
which is an oppositional reading.
example
This music video for Macklemore has very specific messages and values.

Media language - G325 Question 1B

  • 1.
  • 2.
    Preface This is anodd area in that it actually involves all of the others (narrative, genre, audience and representation) and is in turn used in all of them as well. This means that you can use the other theorists we have already studied as they are all about how meaning is created. You can also use the theorists discussed in this ppt with all those other sections as well.
  • 3.
    What is MediaLanguage? Media language effectively means, what are you doing to communicate a specific thing with the audience. Just like we use words in conversation to communicate, or images on signs, we use specific media techniques to communicate meaning in our products.
  • 4.
    Key media languagetheorists Ferdinand de Saussure - The signifier and the signified Roland Barthes - denotation and connotation Stuart Hall - encoding and decoding (preferred reading)
  • 5.
    Saussure This is verysimilar to connotation and denotation. It discusses the idea there are two levels of meaning in a text. First there is the signifier - What is there in front of us, what we see/hear. Then there is the signified - the idea that we associate with the signifier in our ehads, the concept it represents. A sign or symbol does not make sense without the actual object and the meaning it creates, both must be present.
  • 6.
    Example If characters ina film are talking about a bank, the audience must determine which bank they mean A grassy slope or a place to deposit money
  • 7.
    3 types ofsigns Signifiers can be broken down into 3 different types. Iconic signs - signs that look like what they mean (eg a picture of a cowboy) Indexical signs - signs that show a connection (eg smoke -> fire, sweating -> heat/exertion) Symbolic signs - where the sign is completely disconnects (visually) from the meaning (eg a heart -> love, white dove ->peace)
  • 8.
    Barthes - denotationand connotation Again, very similar to Saussure’s theory. It looks at how an audience will interpret meaning from a text. The interpretation is influenced by society and audience member’s own experience of the world. Denotation - an object placed within a media text. Connotation - the meaning the audience draws from their own cultural, social and historical knowledge.
  • 9.
    The main differencehere to signier/signified is that a connotation may not always be intentional. A media producer intentionally tries to communicate meaning with their signs. But sometimes they may unintentionally communicate something because an item in their product has an alternate connotation.
  • 10.
    example Is this justa red flower (the denotation)? It also has connotations of war, violence, death and remembrance. But it also has connotations of drugs, heroin, the middle east, etc
  • 11.
    Stuart Hall (himagain) This is a part of his reception theory that we have already looked at. A text will always have a preferred reading that a producer intends. This is done by encoding meaning into the text. These meanings are then decoded by the audience so they can interpret it. Often refers more to values and messages than literal signs and connotations.
  • 12.
    Again, the audiencecan decode the meaning in three ways. Fully accepting the producers intentions with a preferred reading. Agreeing with some but not all of the intended meaning and therefore taking a negotiated meaning. They may understand the intended message but reject it in favour of their own which is an oppositional reading.
  • 13.
    example This music videofor Macklemore has very specific messages and values.