Majoras
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The document describes the music used in the game The Legend of Zelda: Majora's Mask. It discusses how the music conveys different moods like anger, peace, and tension through its use of pace and instruments. The intense music fits the action-adventure genre and fast pace of the game. Traditional instruments and virtual instruments are used to create music that matches scenes like the moon falling and the giants stopping it. The music effectively conveys emotions during key moments of the narrative and changes to reflect the situation.
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Rodrick Hawkins enjoys playing several video games including Rock Band where he can rock out to songs even though he can't play instruments, Call of Duty to release anger by killing other teams, and Donkey Kong where the goal is to save the princess from barrels jumping over barrels. He also likes playing Pokémon to relax and catch digital pets, Final Fantasy for the storylines and characters like Cloud Strife, Super Mario Brothers about Mario and Luigi saving Princess Peach from Bowser, and Sonic the Hedgehog running at super speed to defeat Dr. Eggman. Additional favorites are Super Smash Brothers combining Nintendo characters in battles and The Legend of Zelda where Link goes on a quest to save Hyrule from
Ig1 task 2 analysis work sheet mk9
The ending scene of Mortal Kombat 9 features dramatic orchestral music when Raiden defeats Shao Kahn, heavenly and light music when the earth is restored, and sadder tones as Raiden reflects on losses. When Quan Chi and Shinnok reveal plans to overthrow Earth and Outworld, the music becomes sinister with dark, low tones. The mood shifts from tense during the battle to accomplishment after victory to serious when discussing next steps, and finally to dark and threatening with Quan Chi and Shinnok's revelation. The music effectively conveys these changing moods to conclude the story and set up the next installment.
Script
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Task 3B
Samuel Vimes is an adventurer from the village of Modon who comes across an injured dwarf in the forest. The dwarf sends Samuel on a mission to retrieve an old dwarven hammer stolen by the wizard Rufus Drumknott. Samuel must survive the dangerous enchanted forest, filled with creatures like minotaurs and dragons, to find Drumknott and complete his quest. The forest terrain includes lush green areas but also dark caves filled with enemies. Samuel will encounter non-playable characters like merchants and trapped adventurers, as well as bosses like a winged wolf and hydra dragon guarding the final boss Rufus Drumknott.
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Rodrick Hawkins enjoys playing several video games including Rock Band where he can rock out to songs even though he can't play instruments, Call of Duty to release anger by killing other teams, and Donkey Kong where the goal is to save the princess from barrels jumping over barrels. He also likes playing Pokémon to relax and catch digital pets, Final Fantasy for the storylines and characters like Cloud Strife, Super Mario Brothers about Mario and Luigi saving Princess Peach from Bowser, and Sonic the Hedgehog running at super speed to defeat Dr. Eggman. Additional favorites are Super Smash Brothers combining Nintendo characters in battles and The Legend of Zelda where Link goes on a quest to save Hyrule from
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The ending scene of Mortal Kombat 9 features dramatic orchestral music when Raiden defeats Shao Kahn, heavenly and light music when the earth is restored, and sadder tones as Raiden reflects on losses. When Quan Chi and Shinnok reveal plans to overthrow Earth and Outworld, the music becomes sinister with dark, low tones. The mood shifts from tense during the battle to accomplishment after victory to serious when discussing next steps, and finally to dark and threatening with Quan Chi and Shinnok's revelation. The music effectively conveys these changing moods to conclude the story and set up the next installment.
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Tiara Taylor is directing a production of A Midsummer Night's Dream. The play will utilize thrust stage staging and feature notable actors like Mark Wahlberg as Puck. Scenes include Oberon and Titania arguing over a boy, resulting in Oberon ordering Puck to use a magic flower on Titania. Meanwhile, a group of men rehearse a play for the wedding of Theseus and Hippolyta, but Puck transforms Bottom after irritating the fairy. Titania then falls in love with donkey-headed Bottom. Eventually the spells are broken and all relationships are resolved by the end.
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This document provides casting and design details for a production of As You Like It by William Shakespeare. It casts major roles and outlines the director's objectives to merge costume, setting, and lighting designs to shape the spine of the play. The spine revolves around a privileged woman disguising herself as a man and nurturing others in the forest. Key scenes including a fight in front of the palace and the forest wedding will feature specific designs for costumes, lighting, and sets. The director aims to show how human tendencies can flexibly change and wants an independent yet rhythmic acting style with a creative perspective.
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The game cover shows zombies hunting survivors on a gas station roof as they fight them off. Bright but gloomy colors are used to create tension and imply an apocalyptic setting where escaping zombies will be difficult. The bold black title text conveys that the game will be hardcore.
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The document provides an analysis of sound elements in a cut scene from the game Halo 4. It describes the rising and falling instruments that establish moods like excitement, mystery, and anticipation. It identifies the production techniques used, such as VST instruments, studio recording, and traditional instruments. The narrative describes a protagonist expressing their importance to allied forces but feeling shunned, before warning of a greater threat. The game genre is identified as an action game where the player protects the world as the protagonist.
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This document contains a lesson plan for a unit on folk tales. It includes sections on revision, vocabulary, grammar, and a project. For vocabulary, it provides words and pictures to label different characters commonly found in folk tales, like giants, witches, and knights. The grammar section focuses on using the past continuous tense to talk about actions happening at the same time. It provides examples of asking and answering questions using this tense. For the project, students are asked to imagine they are a character in the fairy tale Sleeping Beauty.
Ig1 task 2 analysis work sheet loz tp
This cutscene from The Legend of Zelda: Twilight Princess shows Link and Midna entering Hyrule Castle's throne room after defeating the final dungeon. They find the room in disarray and Zelda floating unconscious. Ganondorf then appears on the throne and taunts Midna before possessing Zelda. Dramatic and tense music using synthesizers plays during Ganondorf's dialogue and possession to build tension for the final boss battle. When a possessed Zelda threatens Link, unsettling music continues to weaken the player's defenses before the fight.
Destiny Sound Analysis
Destiny is an action-roleplaying, first-person shooter game set 700 years in the future in a post-apocalyptic world. The player takes on the role of a Guardian defending the last city of humanity against hostile alien races. Throughout key scenes in the game, there is a voiceover of a man telling a bedtime story to a child that relates to the narrative and sets a serious tone. Many of the sound effects like gunfire were likely created by recording the real sounds and editing them, while vehicle noises were made using fan or engine recordings combined with wind. The voiceover actor was probably recorded in a controlled studio environment speaking the scripted lines.
The Game Music Revolution
This document analyzes music from the video game Final Fantasy VII and argues that it deserves more recognition as an art form. It summarizes three songs: 1) The "Main Theme" captures the mood of the story and goes through different emotions. 2) "Tifa's Theme" adds to her character and personality through its simplicity. 3) "World Crisis" combines themes to tell the conclusion of the story. The analysis shows how the music enhances the story and characters, making it a creative work of art like film music.
Ig1 task 2 analysis work sheet
This document provides an analysis of the ending cutscene from the 2013 video game Beyond: Two Souls. It summarizes the key events and production techniques used in the cutscene. Specifically, it notes that the cutscene at 11:03 shows the main character Jodie choosing to walk into the light, represented by blue lights and water-like effects, after disabling the "black sun". Violins and piano are used to create a sad mood as she makes her choice. The aftermath shows explosions and debris, with sounds of the black sun imploding. Overall, the cutscene uses lighting, camera and sound effects to elicit emotion after the player makes a crucial narrative choice in this interactive drama game.
Sonic 06
This document provides an analysis of sound elements in the opening cutscene of the video game Sonic 06. It describes the different sounds heard at different times in the cutscene, including alarms, running, explosions, banging metal, and birdsong. It analyzes how the sounds help set the mood and narrative, changing from a lively and panicked mood to a peaceful one. The document suggests potential production techniques for some of the sounds, such as using recorded alarm bells and metal banging for the alarms and explosions. Overall, it examines how sound design creates atmosphere and tells the story in this game sequence.
Analysis #4 halo 4
The document provides an analysis of the sound design in the opening cutscene of the video game Halo 4. It summarizes that the cutscene takes place in outer space as Master Chief walks across a light bridge between two platforms. The mood is described as tense with a heroic feel as Master Chief risks his life to save everyone. The narrative is explained as Master Chief attempting to save the world again from the main villain but is overpowered until Cortana appears to help. Specific elements of the soundtrack are analyzed, including electric field-like sounds, heavy footsteps, mysterious voices, metal clunking, and worried/sad music building up tension.
Ig1 analysis (dragon's dogma)
The document provides a detailed analysis of the soundtrack elements and production techniques used in a cutscene from the game Dragon's Dogma. It describes the setting, mood, and narrative of two scenes - a beach area with a sense of urgency and a house with a calmer but uneasy mood. Specific sounds are analyzed, like the pronounced sounds of the dragon compared to the player character. The cutscene follows the player character being defeated by a dragon and waking up with a scar, with emotions conveyed through motions and facial expressions. The soundtrack uses styles associated with fantasy fiction and positions sounds relative to the events and characters.
Ig1 task 2 analysis work sheet (4)
The document provides details about the soundtrack for the video game Metal Gear Solid 4. It summarizes the setting as a graveyard outside a church in a fictional wooded terrain. The mood starts as normal but becomes more tense as the music intensifies, suggesting the character Snake may commit suicide. The game genre is described as a third-person action-adventure. The narrative context provided is that the game is set in 2014 and involves private military companies fighting wars for economic gain using nanomachines. Production techniques used in the soundtrack included using ambient sounds of the terrain at first with no music, and then foreign music as the character's dialogue continued, as well as likely recording the voice actor's lines in a small, enclosed space to
Uncharted drake's fortune cutscene analysis
This cutscene takes place in a prison and outside of it. Sounds establish the prison setting, like bars being tapped. The mood is tense during the prison part due to ominous music, and becomes more varied when the protagonist escapes. Voice acting was likely recorded in a studio and edited, while sound effects were produced using foley artistry by tapping metals and hitting objects.
Analysis #3 tomb raider
The document summarizes a cut scene from the video game Tomb Raider. It analyzes the sound and music used in the cut scene. The cut scene shows Lara sailing at sunset, reflecting on her journey. The music fits the mood of being scared but relaxed. Production techniques like voice over, music reacting to dialogue, and building music were used to fit the narrative and setting of the game genre, which is action/adventure.
Theory
The document provides examples and definitions for various concepts related to film analysis. It defines denotation and connotation for symbols like snakes, flags, and guns. It analyzes posters for films like Django Unchained and Grown Ups, examining genres, costumes, colors, and other visual elements. It also defines concepts like linear and non-linear narratives, and provides examples. The document analyzes film clips and trailers, describing how music, imagery and other techniques are used to convey meaning and emotion.
Sound thing
The document discusses the importance of sound in different media such as film, animation, and video games. It provides examples from specific works like the animated short "TIE Fighter", the horror short "Elf on the Shelf", the film "Kill Bill", and the video game "Battlefield V" to illustrate how sound design is used to set atmosphere, amplify action, and immerse the audience/player. Across these different examples, sound effects, music, and other audio are utilized to create distinctive audio environments and heighten the emotional impact of scenes.
The legend of zelda wind waker
The document provides an analysis of the soundtrack from the video game The Legend of Zelda: Wind Waker. It describes the setting of a boat scene, with music including xylophone, gong, sea waves, flute, drums, trumpets, and violins. The mood is adventurous to match the character setting sail on a journey.
IG1 task sheet cut scene analysis
1. This document discusses the sound design techniques used in a cut scene from the video game Metal Gear Solid 4: Guns of The Patriots. It analyzes the sounds that establish the setting, mood, and genre of the scene.
2. The setting is established through faint sounds of enemy machines in the background, the circling helicopter blades, and a minimalistic musical score. The mood shifts are created using subtle string music and electronic percussion sounds.
3. The action genre is conveyed through realistic sword fighting sound effects, skin piercing, and heavy impact sounds of machines crashing. Dialogue in the scene was recorded in a studio by the actors.
Ig1 task 2 analysis work sheet gears of war 2
The document provides an analysis of the soundtrack from the game Gears of War 2.
It summarizes that the setting of an underground cavern is conveyed through sad, depressing music. The mood shifts from sadness to intensity as the characters experience pain. The genre of action is supported by loud, dramatic music during gunfire and explosions.
The narrative of the scene shows Marcus and Dom finding Maria after a battle, but in poor condition. Vocals and shifting music convey the emotion of the characters and their struggle against the locust.
Ig1 task 2 analysis work sheet skyrim
The document summarizes the use of sound in the video game The Elder Scrolls V: Skyrim. It analyzes the setting, mood, game genre, and narrative of specific scenes and examples. For each, it clearly states what production techniques were likely used to create the soundtrack elements. This includes using a sound booth to record breathing, building music with trumpets to set a dramatic mood, realistic sound effects to portray weapons and fire, and a studio with good microphones to record loud, distant vocals for the battle music.
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Evaluation fmp
Ben White evaluated his section of a group game development project. He believes the technical quality of his section turned out well, especially the programming elements. He learned valuable programming skills like using states, movement, and gravity. Graphically, he achieved his simple and blocky art style goal despite needing to improve animation. He utilized various software like Game Maker, CamStudio and Reaper. Some minor glitches occurred but overall gameplay was good. He met most of the group's original intentions and managed time well, though underestimated some tasks. The target audience was male and female teenagers who would appreciate retro style elements.
Ben white final major project production diary template 2014_2015 2
This document contains 15 weekly progress updates from a student working on their final major project for a creative media production course. Each update summarizes the work completed in the prior week and outlines plans for the upcoming week. Over time, the student progresses from research and planning stages to implementing gameplay mechanics, designing levels, and finally completing their 2D platformer game. Contingency plans are mentioned in case of issues arising.
Ben white final major project production diary template 2014_2015 2
This document contains 15 weekly progress updates from a student working on their final major project for a creative media production course. It details their work developing a 2D platformer game over several months, including research, design, programming, level creation, and debugging. In each update, the student summarizes their progress that week and outlines their plan for the following week, making adjustments when needed. In the final week, they complete the game, evaluations, and other documentation to finish the project.
Q cards
The document discusses the development of a video game called "Contrast" that will explore multiple genres by having each level showcase a different genre through gameplay, music, and visuals. It will have a wide target demographic and will be challenging to develop due to its ambitious scope. The development team consists of 6 people with different roles and skills who will use various programs like Game Maker, Reaper, and Photoshop to create the game's code, sounds, sprites, and cutscenes.
Story boards and level recognisance
This document outlines the planned storyboard and level design for a game. It includes 5 levels that introduce different gameplay elements and enemies of increasing complexity, culminating in a final boss battle on the roof of a castle. The first level takes place in a forest and introduces jumping. The second level is a grassland that adds swimming. The third level in a cave includes lava and switches. The fourth level both inside and outside a castle has more enemy types and complex jumps.
Story boards and level recognisance
The document outlines a storyboard and level design for a game. It includes a title screen, two control tutorials, and 5 levels that introduce new gameplay elements and enemies of increasing difficulty. The first level is set in a forest with jumping. The second level is set in a grassland and introduces swimming. The third level is set in a cave with lava and doors. The fourth level is set in a castle with more enemies and complex jumps. The fifth and final level is set on the castle roof against the final boss.
Story boards and level recognisance
The document outlines a planned storyboard and level design for a game. It includes a title screen, two control tutorial screens, and 5 levels that introduce new gameplay elements and enemies of increasing difficulty, culminating in a final boss battle on the roof of a castle. The levels are set in a forest, grasslands, cave, inside and outside a castle, and on the castle roof. Accompanying the description are example level designs and keys identifying different gameplay elements.
Risk assessment
Sitting at a computer for long periods can strain the spine, wrists, and cause slouching. Taking breaks every hour and using ergonomic equipment can help prevent issues. Computer problems can also cause stress, but breaks will allow stress relief. Long periods of sitting increases obesity and body pain risks, so breaks and proper posture are important. Staring at screens can cause eyestrain headaches, so breaks and looking away are needed. Repeated arm motions increase risk of repetitive strain injuries, so stretching is important. Extended headphone use for work can risk hearing problems, so limiting listening time and keeping volumes low can help.
Enviromental art research
Ben White plans to design an environmental art piece with an apocalyptic theme for his final major project. He will research depictions of post-apocalyptic environments in games like Fallout 3 and Dying Light as well as real-life abandoned places like Chernobyl. Specifically, he will examine the ruined settlements, burnt landscapes, collapsed infrastructure and decaying buildings shown in these sources to inform the dark, grey and destroyed atmosphere of his own artwork.
Production diary
Over the course of 15 weeks, the student worked on their final major project, creating concept art pieces in charcoal and digital formats. They began with research and test drawings, created pieces based on existing works, then moved to original character and environment designs. The student completed 4 final concept art pieces set in rural and urban environments, and finished with an evaluation and blog finalization in the last week.
Evaluation art
Ben White completed an art project using only charcoal as the medium. He found that charcoal fit well with the apocalyptic theme and taught him useful skills like smudging for effect. White also benefited from gaining confidence presenting his ideas to others. He managed his time well, staying on schedule to meet all deadlines and completing his final work in the planned time. The total cost of £651 for the materials was a fair amount for the work produced and time spent. White learned about effectively using charcoal without making the image too dark. His planning ensured the time was used properly to complete the project as planned.
Enviromental art research
Ben White plans to design an environmental art piece with an apocalyptic theme for their FMP. To research the theme, they will look at post-apocalyptic games like Fallout 3 and Dying Light, as well as real-life abandoned places like Chernobyl and run-down areas of Manchester. Specifically, Ben White will examine the destroyed settlements, burnt landscapes, and rubble-filled environments depicted in Fallout 3, as well as the abandoned interiors and overgrown exteriors of Chernobyl.
Fmp pitch
This pitch presentation proposes a Fallout-inspired video game set in the Chernobyl Exclusion Zone. It introduces the characters of Ben White, Adam Adamowicz, and Kevin Duc who will develop the game. The presentation outlines considering what to include in the game, sources of inspiration, planning and mapping out the game world, addressing financial and time constraints with a target completion date of this coming Friday at 1:10pm.
Enviromental art research
Ben White plans to design an environmental art piece with an apocalyptic theme for their FMP. They will research post-apocalyptic games like Fallout 3 and Dying Light, as well as real-life abandoned places like Chernobyl and run-down areas of Manchester to inform their design. Specifically, Ben White will look at the destroyed settlements, burnt landscapes, and rubble-filled environments depicted in Fallout 3 for inspiration.
Fmp pitch script2
The document is a proposal form for a final major project creating a 2D video game called "Contrast" that will explore different genres within each level. A team of 6 students will work together on the project, each having different roles and skills related to game development, programming, art, sound design, and project management. They plan to use various software programs like Game Maker for design and coding, Reaper for sound editing, and Photoshop for additional sprite and cutscene artwork. The goal is to create an immersive game that appeals to both male and female teenage to young adult gamers by merging different gameplay styles, art, and music representative of different genres into one cohesive experience.
Work flow 4
The document provides summaries of 3D models created in a 3D modeling software, including a bottle, mug, small house, chair, table, cactuses, horse trough, barrel, windmill, rifles, chandelier, tracks, fence, wagon, gold bar, stairs, bench, fort walls and entrance, church, saloon, medium and large houses, barn, lantern, and extras like cards and posters. Each model is summarized in 1-2 sentences describing the key shapes and modeling techniques used to create the object.
Work flow 4
The document provides summaries of 3D models created by the author over several months using a 3D modeling software. Some of the models created include a bottle, mug, small house, chair, table, cactuses, horse trough, barrel, windmill, rifles, chandelier, tracks, fence, wagon, gold bar, stairs, bench, fort walls and entrance, church, saloon, medium and large houses, barn, and lantern. The author utilizes basic 3D primitives like boxes, cylinders, and discs, along with modeling techniques like Boolean operations and point manipulation to sculpt the shapes and assemble the components of each model.
Engine flow
The document describes the creation of a desert environment in Unity. It summarizes:
1) An orange sand texture was imported and applied to the terrain to create a basic desert landscape. A skybox and directional lighting were also added.
2) Additional sand and rock textures were included to enhance the terrain.
3) A small town was built by importing structures as FBX and OBJ files and adding textures. More terrain details like grass and cacti were added.
Uv flow
The document provides step-by-step instructions for creating UV maps and applying textures to 3D models. It describes:
1) Creating a surface in the modeler software and naming the UV map.
2) Making a basic UV map by creating a new map and changing the type to Atlas.
3) Using Photoshop to add textures to the UV map and save the textured UV.
4) Applying the texture in the surface editor by changing the projection and image settings.
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Ben white final major project production diary template 2014_2015 2
Ben white final major project production diary template 2014_2015 2
Ben white final major project production diary template 2014_2015 2
Ben white final major project production diary template 2014_2015 2
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- 1. Salford City College Eccles Sixth Form Centre BTEC Extended Diploma in GAMES DESIGN Unit 73: Sound For Computer Games Game Title The Legend of Zelda: Majoras Mask Provide detailed descriptions from chosen examples that establish… Setting Mood Game genre Narrative Clearly state what production technique(s) you think have been used to create specific soundtrack elements The setting here is in a small town named Clock Town. The main protagonist, Link, is at the top of the tower at the centre of the town and is trying to stop the Skull kid from destroying the world with the moon. The 4 giants are then called who stop the moon from falling, but the mask comes to life and causes the moon to continue descending. The music for the setting works well in this scene. It starts off eerie and creepy, which is the games main theme. After the scene where the skull kid screams, the music changed to become more intense and aggressive as the moon is falling. The next music that can be heard is peaceful and this is because the setting is showing the 4 protectors saving the planet, but then when the mask comes to life, the aggressive music from before intensifies as the mask has taken over the moon. The main moods here are anger, peace and tension. Anger can be felt when the skull kid tries to crash the moon into the town and when the Mask comes to life to carry on with its work. Peace and harmony can be felt when Link calls the giants and they stop the moon. Tension can be felt when the giants grab the moon, as they might not be able to hold it, and when the Masks talks to Link and then tries to take over the moon. I believe some of these music pieces have been recorded using traditional instruments and some are VST instruments and effects. This is because Nintendo mainly use traditional instruments in their games, but sometimes use VST to edit or make tracks. The games genre is action-adventure as Link needs to go to the 4 different temples and save each of the giants by defeating the monsters. The intense music fits in with the action genre as the music is heavy and powerful, so conveys action we know that people could be hurt and killed. The contrast between the peaceful music and the intense music works well for the adventure feel too. This contrast makes it feel like the player has had an adventure and it has had varying feelings and areas. Link has fallen into a strange new world. He was firstly tricked by the Skull kid and The creators thought very hard about the music here. It works really well at conveying these moods. I believe for the more powerful music, they chose a fast, strong pace as it shows tension since the player does not know what is going to happen. Also, the piano is used in the peaceful music and uses high pitched notes. This style conveys this mood very well and the piano notes are slow to show relaxation as Link believes his mission is finished. I think the creators used VST to create the intense music near the end and it works really well with the action genre. This is mainly due to its fast pace and loud notes. The music works sort of well here to convey the
- 2. Salford City College Eccles Sixth Form Centre BTEC Extended Diploma in GAMES DESIGN Unit 73: Sound For Computer Games now is trapped in a 3 day cycle in which he must visit each of the 4 temples surrounding clock town, Woodfall, Snowhead, Great bay and Ikana Canyon and save the a giant in each. These giants will then be able to stop the moon from destroying the town and Link can then defeat the Skull kid. On his travels, he comes across the Happy mask salesman who informs Link what he mask is and that he needs to get it back. He also comes across many strange masks and some of them transform him into various other races that exist in the game world. Firstly, the intense music fits with the plot as Link must put his life on the line to save the city. The fast pace represents his heartbeat. The peaceful music in the cut scene also fits with the narrative as Link has prevailed, but it also adds a sense of sadness as many people’s lives are at stake. narrative. It works particularly well in the scene where the giants are appearing to grab the moon as the music conveys a contrast of happiness and sadness. It is happy because Link has stopped the moon, but it is sad because the skull kid nearly killed a lot of people and his actions have changed the town forever.