The document compares television idents for BBC1 and Movies 24. BBC1 idents feature groups of diverse people engaged in various activities to represent the channel's inclusive appeal to all audiences. Movies 24 idents depict intimate scenes of one or two people to set a relaxing tone for watching films at home. While BBC1 must consider stereotypes and appeal broadly, Movies 24's challenges involve making idents comforting on a small budget. Both opt for calm, slow-paced visuals and sound, though BBC1's logo is subtle while Movies 24 prominently displays its name. Overall, the BBC1 idents most successfully achieve their universal theme.
The document discusses the purposes and evolution of television idents (channel branding/identification segments) over time as more channels were introduced. It provides examples of idents from various UK channels like BBC1, BBC2, ITV, Channel 4, and Channel 5. The idents are meant to brand each channel, appeal to audiences, and distinguish one channel from others as competition for viewers increased. Their design and themes have had to adapt to represent the channel's personality and programming as the number of channels expanded.
The document discusses and analyzes television channel idents for several British channels including BBC1, BBC2, ITV, Channel 4, and Channel 5. It examines the design, purpose, opportunities, and limitations of each channel's idents. Key points made include that idents are used to promote a channel's brand and appeal to their target audience. Modern technology has allowed for more complex visuals in idents. BBC1, BBC2, and ITV idents show diversity and appeal to universal audiences. Channel 4 idents emphasize their universal and international content. Channel 5 idents utilize visual effects and motion graphics but lack distinguishing characteristics. Comparisons are drawn between idents aimed at different audiences.
The document discusses television idents, which are short video segments shown between programs to represent the broadcasting channel. It addresses several questions about the design and purpose of idents. Regarding purpose, idents are used to brand and identify the channel, convey its personality, retain viewers, and inform them. Developments in broadcasting that led to modern idents include the rise of cable/satellite channels which increased competition, requiring channels to distinguish their brands. The document then analyzes examples of idents from BBC1, BBC2, ITV and Channel 4, describing how their designs reflect the identities and target audiences of each channel.
The CITV idents are short, simple sequences using both live footage and animation to engage young children viewers. Bright colors and sounds are used to grab attention. One ident features a hand-drawn chameleon animation to represent the channel in a way children can understand and replicate. The style reflects the channel's mix of live and animated programming for kids. Developing idents for children's channels comes with restrictions to follow child audience and regulatory guidelines.
BBC One's idents feature a magical world with fairies and nature to appeal to families while reflecting the channel's high production values. Channel 4's ident shows an oriental cityscape to imply an adult tone. Channel 5's ident features a child's animation battle to seem young and cool. ITV's ident shows a concert crowd dancing to relate to younger audiences. Sky One's ident uses a dancing star to portray entertainment over factual shows. Overall, idents subtly convey channel brands through imagery and logos without explicit statements.
The document discusses television channel idents, including:
- The purpose of idents is to link to the next program, make viewers aware of the channel, promote the channel, stand out from competition, and keep up with the times.
- Interviews found the main purposes are to advertise the channel, anticipate viewers, and promote the channel.
- The design of idents usually includes colors representing the channel, catchy images, things related to upcoming shows, and elements to grab viewers' attention.
- Idents change over time due to technology advances and to keep the ident memorable through consistent motifs like BBC1's use of a circle shape.
TV idents have been used since the 1950s to identify television channels between programs. They promote the channel's identity and brand through short video or audio clips. Channels often create new idents when rebranding or changing their programming. Idents help attract audiences and reflect the target demographics and content of each channel. Several examples are provided of idents for channels like E4, BBC1, Sky Movies, Film4, and Animal Planet that showcase how idents represent each brand through design, audience interaction, and informative versus entertainment purposes.
This document discusses and analyzes television idents for different channels. It begins by outlining the core purposes of idents such as branding, identity, and informing viewers. Developments in broadcasting that led to modern channel branding are explained.
The document then analyzes specific channel idents in depth. It describes the current design of BBC1 idents and how it reflects the channel's brand identity. BBC2, ITV, Channel 4, and Channel 5 idents are also described and analyzed in terms of design, style, and how they reflect the respective channel's identity.
Opportunities and limitations of onscreen graphic representations are discussed. Two channels aimed at different audiences, CBeebies and BBC3, have
The document discusses the purposes and evolution of television idents (channel branding/identification segments) over time as more channels were introduced. It provides examples of idents from various UK channels like BBC1, BBC2, ITV, Channel 4, and Channel 5. The idents are meant to brand each channel, appeal to audiences, and distinguish one channel from others as competition for viewers increased. Their design and themes have had to adapt to represent the channel's personality and programming as the number of channels expanded.
The document discusses and analyzes television channel idents for several British channels including BBC1, BBC2, ITV, Channel 4, and Channel 5. It examines the design, purpose, opportunities, and limitations of each channel's idents. Key points made include that idents are used to promote a channel's brand and appeal to their target audience. Modern technology has allowed for more complex visuals in idents. BBC1, BBC2, and ITV idents show diversity and appeal to universal audiences. Channel 4 idents emphasize their universal and international content. Channel 5 idents utilize visual effects and motion graphics but lack distinguishing characteristics. Comparisons are drawn between idents aimed at different audiences.
The document discusses television idents, which are short video segments shown between programs to represent the broadcasting channel. It addresses several questions about the design and purpose of idents. Regarding purpose, idents are used to brand and identify the channel, convey its personality, retain viewers, and inform them. Developments in broadcasting that led to modern idents include the rise of cable/satellite channels which increased competition, requiring channels to distinguish their brands. The document then analyzes examples of idents from BBC1, BBC2, ITV and Channel 4, describing how their designs reflect the identities and target audiences of each channel.
The CITV idents are short, simple sequences using both live footage and animation to engage young children viewers. Bright colors and sounds are used to grab attention. One ident features a hand-drawn chameleon animation to represent the channel in a way children can understand and replicate. The style reflects the channel's mix of live and animated programming for kids. Developing idents for children's channels comes with restrictions to follow child audience and regulatory guidelines.
BBC One's idents feature a magical world with fairies and nature to appeal to families while reflecting the channel's high production values. Channel 4's ident shows an oriental cityscape to imply an adult tone. Channel 5's ident features a child's animation battle to seem young and cool. ITV's ident shows a concert crowd dancing to relate to younger audiences. Sky One's ident uses a dancing star to portray entertainment over factual shows. Overall, idents subtly convey channel brands through imagery and logos without explicit statements.
The document discusses television channel idents, including:
- The purpose of idents is to link to the next program, make viewers aware of the channel, promote the channel, stand out from competition, and keep up with the times.
- Interviews found the main purposes are to advertise the channel, anticipate viewers, and promote the channel.
- The design of idents usually includes colors representing the channel, catchy images, things related to upcoming shows, and elements to grab viewers' attention.
- Idents change over time due to technology advances and to keep the ident memorable through consistent motifs like BBC1's use of a circle shape.
TV idents have been used since the 1950s to identify television channels between programs. They promote the channel's identity and brand through short video or audio clips. Channels often create new idents when rebranding or changing their programming. Idents help attract audiences and reflect the target demographics and content of each channel. Several examples are provided of idents for channels like E4, BBC1, Sky Movies, Film4, and Animal Planet that showcase how idents represent each brand through design, audience interaction, and informative versus entertainment purposes.
This document discusses and analyzes television idents for different channels. It begins by outlining the core purposes of idents such as branding, identity, and informing viewers. Developments in broadcasting that led to modern channel branding are explained.
The document then analyzes specific channel idents in depth. It describes the current design of BBC1 idents and how it reflects the channel's brand identity. BBC2, ITV, Channel 4, and Channel 5 idents are also described and analyzed in terms of design, style, and how they reflect the respective channel's identity.
Opportunities and limitations of onscreen graphic representations are discussed. Two channels aimed at different audiences, CBeebies and BBC3, have
The document discusses television idents for different channels and their design and purpose. It analyzes idents for BBC1, BBC2, ITV, Channel 4, and Channel 5. For BBC1 and BBC2, it notes their simple, calm designs reflect their universal audiences. ITV idents link to shows or time of day. Channel 4 idents are abstract and engaging to match their diverse shows. Channel 5 idents lack a clear identity. It compares opportunities and challenges for BBC1, which must be inclusive, versus Channel 4 appealing to younger audiences. The document evaluates Channel 4 as having the better, more unique idents.
An ident is a short visual or video that television channels use to identify themselves. It represents the channel and is used during scheduling breaks to attract viewers and maintain brand identity. Channel idents are designed considering factors like setting, tempo, interactivity, and the balance of information and entertainment. The BBC first created idents in the 1950s and has evolved their designs over time, including using globes and computer graphics.
Idents have evolved from simple displays of a channel's name and logo to artistic expressions of a channel's brand and identity. Modern idents use motion graphics, animation, color, and other visual elements to both identify the channel and characterize its image. Famous idents like the BBC's "Paint" ident from the early 1990s demonstrated how idents could be creatively designed to distinguish channels beyond mere identification.
Channel idents are short logo sequences that play between programs to identify and brand a television channel. They are important because they instantly signal to viewers which channel they are watching. Effective idents connect with target audiences through distinctive visuals and sounds that reflect the tone of the channel. For example, the E4 ident uses surreal animated scenes and the Horror channel ident features dark corridors and suspenseful music. Good idents attract viewers to stay on the channel and watch more content. When creating idents for TV, designers must avoid things that could negatively impact young audiences like disturbing sounds or images.
Film4 is a production house and channel owned by Channel 4 Television Corporation that produces and broadcasts 6 alternative films per year with a £15 million annual budget. It is committed to enhancing the British film industry by funding and nurturing new talent to produce films that appeal to both mainstream and niche audiences. Film4 was originally launched as a subscription channel in 1998 but became free-to-air in 2006 to reach a wider audience of 18 million households. It has received critical acclaim for supporting British directors and winning major awards for the films it produces and broadcasts.
BBC Two was launched in 1964 as the second BBC channel meant to provide more ambitious and minority interest programming compared to BBC One. It has focused on arts, film, comedy, documentaries and current affairs. BBC Two is publicly owned and funded through television licensing fees. The channel aims to deliver more educational and niche content than BBC One.
This document discusses television channel idents and their purposes. It provides examples of idents from BBC One, BBC Three, Channel 4, and ITV. Channel idents are used to separate shows, promote the channel's brand and values, suggest upcoming programming genres, and market events or series. They usually feature the channel's logo and themes consistent with its brand. Creative idents can represent news topics or sports in abstract ways to promote particular shows without using direct footage.
Jacob Evison is researching idents for the BBC to design a new ident for the launch of the first female Doctor Who. His presentation defines what an ident is and analyzes existing idents from BBC channels. Idents are short sequences between programs that identify the channel and can be used for branding, marketing, and informing viewers. Evison examines idents from BBC Two, BBC Three, and BBC One to show how they represent the channels' identities, target audiences, and programming through conventions like logos, colors, and dramatic elements. He concludes that idents must be tailored to their intended viewers and change over time as technologies and audiences evolve.
Resubbmission of 32 designing idents for television lo1 & lo2%2 f researc...Matt Wolf
The document discusses idents used on television channels to create branding. It provides examples of idents from different channels like BBC, Channel 4, ITV and Dave. BBC idents aim to advertise shows while providing breaks, and previously created identity through a circle/world theme. Channel 4 idents focus on prominently featuring the number 4 to create a memorable brand. ITV idents provide entertainment over information. Dave idents have a witty, comical tone. Idents are advantageous for being easier to remember than ads. The BBC previously built identity through a globe theme but changing it caused backlash from viewers. Creating a new identity risks audiences not liking the new design and moving channels.
The document discusses several television channel idents and their design purposes. It describes how the BBC One ident for "Match of the Day" plays at a fast forward tempo but also slows down. It notes that the Channel 4 ident for "The Simpsons" is 39 seconds long and only airs before that show. Finally, it explains that idents are designed to brand the channel, advertise it, and promote it to viewers.
Television idents are short video clips used by television networks to provide themselves with an identity and represent the channel. They are designed with consistent themes, colors and objects to enhance visual quality and appeal to viewers. Idents help create a brand that encourages viewer loyalty and allows channels to be recognized by their logo. Networks sometimes change their idents to appeal to wider audiences or keep up with trends. BBC One idents feature people and animals in circular formations representing unity, while Channel 4 idents use computer graphics to intrigue viewers in unique ways. ITV idents represent everyday UK life to appeal to local audiences.
This document discusses various aspects of television channel idents, including their design, purpose, and how they are used. It examines examples from channels like BBC, MTV, Channel 4 and E4 to illustrate concepts like branding, interaction with viewers, information vs entertainment, and how idents are scheduled between programs. The document analyzes how idents represent a channel's identity, values and target audience while also entertaining and engaging viewers.
TV scheduling aims to gain the largest possible audience to demonstrate that public funds from the TV license are not being wasted. The BBC schedules fewer game shows with huge prizes compared to ITV, which funds programming through advertising. Programs are sometimes delayed a few minutes so viewers will catch the end of the previous show and be more likely to watch it again. Channel loyalty no longer exists due to audience fragmentation from digital television. Common scheduling techniques include pre-echo scheduling, where a new show airs before an established one to attract viewers, inheritance scheduling after popular shows, and hammocking between two established programs.
TV scheduling aims to gain the largest possible audience to demonstrate that public funds from the TV license are not being wasted. The BBC schedules fewer game shows with huge prizes compared to ITV, which funds programming through advertising. Programs are sometimes delayed a few minutes so viewers will catch the end of the previous show and be more likely to watch it again. Channel loyalty no longer exists due to audience fragmentation from digital television. Common scheduling techniques include pre-echo scheduling, inheritance scheduling, and hammocking, which aim to benefit new programs by placing them near popular existing programs.
Channel 4 is a public service television broadcaster in the United Kingdom that began broadcasting on November 2nd, 1982. It has since expanded to include several digital channels such as E4, Film4, 4Seven, and More4. Channel 4 focuses on programming for minority groups that were not served by the BBC or ITV at the time. Some of Channel 4's most popular and long-running shows include Big Brother, The Inbetweeners, Dispatches, and Big Fat Gypsy Weddings. The broadcaster has faced controversies over biased documentaries on topics like global warming but maintains its public service remit to air alternative perspectives.
The BBC is the oldest national broadcasting organization and largest broadcaster in the world by employees. It is a British public service broadcaster headquartered in London, employing over 20,950 staff. The BBC is publicly funded by television license fees paid by UK residents and uses this funding across its radio, television and online services covering the UK nations and regions.
The BBC is the oldest national broadcasting organization and largest broadcaster in the world by employees. It is a British public service broadcaster headquartered in London, employing over 20,950 staff. The BBC is publicly funded by television license fees paid by UK residents and uses this funding to provide radio, television and online services covering the UK and BBC World Service broadcasts in 28 languages globally.
The document discusses television idents and their design and purpose. It provides questions to consider regarding two different channels' ident designs, how they reflect the channels' audiences and branding. Specific channels discussed include Dave, a comedy channel, and BBC Four, an arts and culture channel. The idents of each channel are analyzed in terms of visual elements, target audiences, and how well they support their intended audiences.
The document discusses the BBC channel BBC Three and provides background information on its target audience of 16-34 year olds, programming, and some of its popular and award-winning comedy and drama shows from over the years such as Bad Education, Little Britain, Two Pints of Lager and a Packet of Crisps, Russell Howard's Good News, Gavin & Stacey, and Being Human. It notes that BBC Three faced competition from other channels for younger audiences and provides viewing statistics for the channel prior to its move to a online-only format in 2016.
- E4 idents have a comedic and relaxed style that appeals to their target 18-32 demographic. They use both live action footage and animation to depict humorous situations. The idents feature the E4 robot mascot branding the channel.
- BBC Two idents focus on visually representing the number two in abstract concepts. They have less visual elements than E4 but use color, motion, and composition to set the tone for each ident's theme. Their idents are also shorter than E4's. Both channels use their idents to engage audiences while reflecting their respective brands.
This document discusses the purpose and opportunities of television idents. It explains that idents help identify the channel and organize the schedule by signaling what type of program is coming next. Idents can also segment the schedule by airing more explicit programs after watershed hours. Creating a memorable corporate identity through unique visuals and colors helps audiences recognize the channel. Idents are a way to create brand loyalty and market particular programs to the target audience. Channels use idents to package series and events, like using holiday themes, and as a promotional marketing tool.
The document discusses idents, which are short branding advertisements used between television programs. It provides information on the purposes of idents, including giving viewers breaks and creating channel identity. It also discusses suites, which are themes that span multiple idents. The document then analyzes examples of idents from channels like the BBC, Channel 4, ITV, and Dave, focusing on their purposes, audiences, and tones. It also covers how idents can be used as marketing opportunities and how the BBC specifically has used idents to create a strong corporate identity over many years.
The document discusses television idents for different channels and their design and purpose. It analyzes idents for BBC1, BBC2, ITV, Channel 4, and Channel 5. For BBC1 and BBC2, it notes their simple, calm designs reflect their universal audiences. ITV idents link to shows or time of day. Channel 4 idents are abstract and engaging to match their diverse shows. Channel 5 idents lack a clear identity. It compares opportunities and challenges for BBC1, which must be inclusive, versus Channel 4 appealing to younger audiences. The document evaluates Channel 4 as having the better, more unique idents.
An ident is a short visual or video that television channels use to identify themselves. It represents the channel and is used during scheduling breaks to attract viewers and maintain brand identity. Channel idents are designed considering factors like setting, tempo, interactivity, and the balance of information and entertainment. The BBC first created idents in the 1950s and has evolved their designs over time, including using globes and computer graphics.
Idents have evolved from simple displays of a channel's name and logo to artistic expressions of a channel's brand and identity. Modern idents use motion graphics, animation, color, and other visual elements to both identify the channel and characterize its image. Famous idents like the BBC's "Paint" ident from the early 1990s demonstrated how idents could be creatively designed to distinguish channels beyond mere identification.
Channel idents are short logo sequences that play between programs to identify and brand a television channel. They are important because they instantly signal to viewers which channel they are watching. Effective idents connect with target audiences through distinctive visuals and sounds that reflect the tone of the channel. For example, the E4 ident uses surreal animated scenes and the Horror channel ident features dark corridors and suspenseful music. Good idents attract viewers to stay on the channel and watch more content. When creating idents for TV, designers must avoid things that could negatively impact young audiences like disturbing sounds or images.
Film4 is a production house and channel owned by Channel 4 Television Corporation that produces and broadcasts 6 alternative films per year with a £15 million annual budget. It is committed to enhancing the British film industry by funding and nurturing new talent to produce films that appeal to both mainstream and niche audiences. Film4 was originally launched as a subscription channel in 1998 but became free-to-air in 2006 to reach a wider audience of 18 million households. It has received critical acclaim for supporting British directors and winning major awards for the films it produces and broadcasts.
BBC Two was launched in 1964 as the second BBC channel meant to provide more ambitious and minority interest programming compared to BBC One. It has focused on arts, film, comedy, documentaries and current affairs. BBC Two is publicly owned and funded through television licensing fees. The channel aims to deliver more educational and niche content than BBC One.
This document discusses television channel idents and their purposes. It provides examples of idents from BBC One, BBC Three, Channel 4, and ITV. Channel idents are used to separate shows, promote the channel's brand and values, suggest upcoming programming genres, and market events or series. They usually feature the channel's logo and themes consistent with its brand. Creative idents can represent news topics or sports in abstract ways to promote particular shows without using direct footage.
Jacob Evison is researching idents for the BBC to design a new ident for the launch of the first female Doctor Who. His presentation defines what an ident is and analyzes existing idents from BBC channels. Idents are short sequences between programs that identify the channel and can be used for branding, marketing, and informing viewers. Evison examines idents from BBC Two, BBC Three, and BBC One to show how they represent the channels' identities, target audiences, and programming through conventions like logos, colors, and dramatic elements. He concludes that idents must be tailored to their intended viewers and change over time as technologies and audiences evolve.
Resubbmission of 32 designing idents for television lo1 & lo2%2 f researc...Matt Wolf
The document discusses idents used on television channels to create branding. It provides examples of idents from different channels like BBC, Channel 4, ITV and Dave. BBC idents aim to advertise shows while providing breaks, and previously created identity through a circle/world theme. Channel 4 idents focus on prominently featuring the number 4 to create a memorable brand. ITV idents provide entertainment over information. Dave idents have a witty, comical tone. Idents are advantageous for being easier to remember than ads. The BBC previously built identity through a globe theme but changing it caused backlash from viewers. Creating a new identity risks audiences not liking the new design and moving channels.
The document discusses several television channel idents and their design purposes. It describes how the BBC One ident for "Match of the Day" plays at a fast forward tempo but also slows down. It notes that the Channel 4 ident for "The Simpsons" is 39 seconds long and only airs before that show. Finally, it explains that idents are designed to brand the channel, advertise it, and promote it to viewers.
Television idents are short video clips used by television networks to provide themselves with an identity and represent the channel. They are designed with consistent themes, colors and objects to enhance visual quality and appeal to viewers. Idents help create a brand that encourages viewer loyalty and allows channels to be recognized by their logo. Networks sometimes change their idents to appeal to wider audiences or keep up with trends. BBC One idents feature people and animals in circular formations representing unity, while Channel 4 idents use computer graphics to intrigue viewers in unique ways. ITV idents represent everyday UK life to appeal to local audiences.
This document discusses various aspects of television channel idents, including their design, purpose, and how they are used. It examines examples from channels like BBC, MTV, Channel 4 and E4 to illustrate concepts like branding, interaction with viewers, information vs entertainment, and how idents are scheduled between programs. The document analyzes how idents represent a channel's identity, values and target audience while also entertaining and engaging viewers.
TV scheduling aims to gain the largest possible audience to demonstrate that public funds from the TV license are not being wasted. The BBC schedules fewer game shows with huge prizes compared to ITV, which funds programming through advertising. Programs are sometimes delayed a few minutes so viewers will catch the end of the previous show and be more likely to watch it again. Channel loyalty no longer exists due to audience fragmentation from digital television. Common scheduling techniques include pre-echo scheduling, where a new show airs before an established one to attract viewers, inheritance scheduling after popular shows, and hammocking between two established programs.
TV scheduling aims to gain the largest possible audience to demonstrate that public funds from the TV license are not being wasted. The BBC schedules fewer game shows with huge prizes compared to ITV, which funds programming through advertising. Programs are sometimes delayed a few minutes so viewers will catch the end of the previous show and be more likely to watch it again. Channel loyalty no longer exists due to audience fragmentation from digital television. Common scheduling techniques include pre-echo scheduling, inheritance scheduling, and hammocking, which aim to benefit new programs by placing them near popular existing programs.
Channel 4 is a public service television broadcaster in the United Kingdom that began broadcasting on November 2nd, 1982. It has since expanded to include several digital channels such as E4, Film4, 4Seven, and More4. Channel 4 focuses on programming for minority groups that were not served by the BBC or ITV at the time. Some of Channel 4's most popular and long-running shows include Big Brother, The Inbetweeners, Dispatches, and Big Fat Gypsy Weddings. The broadcaster has faced controversies over biased documentaries on topics like global warming but maintains its public service remit to air alternative perspectives.
The BBC is the oldest national broadcasting organization and largest broadcaster in the world by employees. It is a British public service broadcaster headquartered in London, employing over 20,950 staff. The BBC is publicly funded by television license fees paid by UK residents and uses this funding across its radio, television and online services covering the UK nations and regions.
The BBC is the oldest national broadcasting organization and largest broadcaster in the world by employees. It is a British public service broadcaster headquartered in London, employing over 20,950 staff. The BBC is publicly funded by television license fees paid by UK residents and uses this funding to provide radio, television and online services covering the UK and BBC World Service broadcasts in 28 languages globally.
The document discusses television idents and their design and purpose. It provides questions to consider regarding two different channels' ident designs, how they reflect the channels' audiences and branding. Specific channels discussed include Dave, a comedy channel, and BBC Four, an arts and culture channel. The idents of each channel are analyzed in terms of visual elements, target audiences, and how well they support their intended audiences.
The document discusses the BBC channel BBC Three and provides background information on its target audience of 16-34 year olds, programming, and some of its popular and award-winning comedy and drama shows from over the years such as Bad Education, Little Britain, Two Pints of Lager and a Packet of Crisps, Russell Howard's Good News, Gavin & Stacey, and Being Human. It notes that BBC Three faced competition from other channels for younger audiences and provides viewing statistics for the channel prior to its move to a online-only format in 2016.
- E4 idents have a comedic and relaxed style that appeals to their target 18-32 demographic. They use both live action footage and animation to depict humorous situations. The idents feature the E4 robot mascot branding the channel.
- BBC Two idents focus on visually representing the number two in abstract concepts. They have less visual elements than E4 but use color, motion, and composition to set the tone for each ident's theme. Their idents are also shorter than E4's. Both channels use their idents to engage audiences while reflecting their respective brands.
This document discusses the purpose and opportunities of television idents. It explains that idents help identify the channel and organize the schedule by signaling what type of program is coming next. Idents can also segment the schedule by airing more explicit programs after watershed hours. Creating a memorable corporate identity through unique visuals and colors helps audiences recognize the channel. Idents are a way to create brand loyalty and market particular programs to the target audience. Channels use idents to package series and events, like using holiday themes, and as a promotional marketing tool.
The document discusses idents, which are short branding advertisements used between television programs. It provides information on the purposes of idents, including giving viewers breaks and creating channel identity. It also discusses suites, which are themes that span multiple idents. The document then analyzes examples of idents from channels like the BBC, Channel 4, ITV, and Dave, focusing on their purposes, audiences, and tones. It also covers how idents can be used as marketing opportunities and how the BBC specifically has used idents to create a strong corporate identity over many years.
The group chose to air their documentary on BBC1. BBC1 is a popular channel throughout Britain that will attract a lot of public attention. Viewers can also catch up on missed programs using the iPlayer. BBC1 airs many similar documentaries about health and illness. The group feels the BBC targets the whole UK population, reaching a wide primary and secondary audience aged 19+. Airing on the BBC will maximize viewership and raise nationwide awareness about their documentary's topic.
Designing tv idents research existing productscharles-stick
The document provides research on the idents of BBC One, ITV, and Channel 4 television channels in the UK. BBC One targets all audiences and aims to provide content for everyone across the country. Its current idents feature groups of people engaging in everyday activities to show unity. ITV targets older audiences and categorizes its viewers into social, connected, busy, and traditional groups. Its idents relate to upcoming programs and represent weather and time of day. Channel 4 uniquely displays its logo in idents and half of its viewers are aged 16-24, showing it targets younger demographics.
This document discusses television idents and their design and purpose. It analyzes idents from several UK channels including BBC1, BBC2, ITV, Channel 4, and Channel 5. For each channel, it examines elements of the idents like visual style, color palette, target audience, and how well the idents achieve branding and identity. It finds that channels aimed at broader audiences like Channel 4 use more abstract, colorful idents while BBC1's simpler idents are well suited to its mature audience. The document also considers opportunities and limitations channels face in crafting idents, and issues around content appropriateness and continuity announcers.
This document discusses potential television channels and magazines to publish a documentary and promote related radio content. It reviews BBC One, ITV, Channel 4, CBBC, BBC Three, and television listing magazines including TV and Satellite Week, Radio Times, TV Times, and Total TV Guide. The decision is made to publish the documentary on Channel 4 due to its target audience channels, documentary focus, and online streaming platform. Radio Times is selected as the magazine due to its large circulation and inclusion of both television and radio listings.
Television idents are short video clips used by television networks to provide themselves with an identity and represent the channel. They are designed with consistent themes, colors and objects to enhance visual quality and appeal to viewers. Idents help create brands that encourage viewer loyalty and allow channels to be recognized by their logo. Networks sometimes change their idents to appeal to wider audiences or keep up with trends. BBC One idents feature people and animals in circular formations representing unity, while Channel 4 idents use computer graphics to intrigue viewers in unique ways. ITV idents represent everyday UK life to appeal to local audiences.
This document discusses television channel idents and their design and purpose. It examines how idents have evolved over time to take on more visual elements that showcase the channel's brand as competition for viewers has increased. Modern idents use techniques like CGI effects, conceptual designs, and memorable themes or motifs to engage audiences between programs. The document also analyzes the idents of several major UK channels like BBC1, BBC2, ITV, Channel 4, and Channel 5 and how their designs reflect each brand's identity and target audience.
This document discusses television idents and their design and purpose. It analyzes idents from several UK channels including BBC1, BBC2, ITV, Channel 4, and Channel 5. For each channel, it describes the current ident design, how it reflects the channel's brand identity, and how it compares to other channels. It also discusses how developments in broadcasting have led to increased use of branding through idents. The document considers the opportunities and limitations faced by channels in developing idents, and how idents aim to engage their intended audiences.
The document compares the scheduling of two television programmes on different channels. Citizen Khan airs on BBC1 on Fridays at 9:00pm, after the watershed. It is scheduled in prime time and uses strategies like inheritance, hammocking and zoning to attract and retain a mass audience. The Big Bang Theory airs on E4 daily in a stripped schedule at prime time. It uses zoning and pairing to target E4's niche audience with imported entertainment programming.
The document discusses several topics related to broadcasting in the UK, including:
- The six main broadcasting groups in the UK, which two are publicly funded, and which group operates terrestrial services.
- The principles of public service broadcasting, who they are attributed to, and how the BBC, ITV, Channel 4, and Channel 5 have their service requirements and licenses set.
- The differences between a publisher broadcaster and a producer broadcaster.
- How the BBC, ITV, Channel 4, and Channel 5 have contributed to the growth of multi-channel TV in the UK.
- The mixed schedule approach of public service channels like BBC1 and ITV in aiming for a general audience, versus Channel 4's
ITV is a commercial television network in the UK formed in 1954. It produces and distributes entertainment TV shows across its 5 channels, including soaps like Coronation Street and reality shows like The X-Factor. ITV is funded through advertisements and owned by multiple groups including ITV PLC. It aims to provide programming for wide audiences on ITV1 while its other channels like ITV2 and ITV3 target more specific demographics.
Television broadcasting was introduced in 1936 in the UK and has since developed significantly. It is no longer solely used for entertainment but also provides internet access and opportunities for gaming and music. There are now thousands of channels worldwide and television has become a common household item. Television broadcasting relies heavily on advertising revenue, with companies needing to attract large viewerships to earn money from advertisements and fund productions. National broadcasters in the UK include the BBC and ITV, which produce both local and nationwide content across various platforms like radio and online.
The document discusses different types of broadcasters in the UK including the BBC, Channel 4, and commercial stations. It explains that the BBC and Channel 4 have a public service broadcasting (PSB) remit where they aim to inform, educate, and entertain the public, while commercial stations solely aim to attract audiences to sell advertising. The BBC is publicly funded through television license fees, Channel 4 is publicly owned but commercially funded through advertising, and commercial stations are solely funded by advertising. There is ongoing controversy around funding models and whether the television license fee should continue.
The BBC ident is 39 seconds long and features a helicopter flying through the sky to represent the news program about to air. It uses realistic footage and slow rising music to subtly inform viewers of the serious news content. The ident is aimed at older audiences and its purpose is to interest and remind viewers about upcoming BBC programming.
The Channel 4 ident is set in Blackpool and lasts 32 seconds. It features everyday scenes of people walking to subtly form the Channel 4 logo and represent its creative style. The upbeat music and friendly narration aim to entertain and inform viewers young and old.
The Channel 5 ident is 21 seconds and features a glowing eye that transforms into the channel's logo number 5. It uses bright colors and catch
The document provides information about television idents, including:
- The purpose of idents is to announce the channel and upcoming programs in a visual way.
- Idents usually last 30 seconds and represent the brand and target audience of the channel through their design.
- Examples of idents described include BBC3, MTV, Channel 4, and analyses of their visual elements, music, and target audiences.
- The history of idents for BBC1, Toon Disney, Nickelodeon, Channel 4, and MTV are also summarized.
- Sammy is upset that Joe broke his promise to attend a family weekend and instead went with his friends. They argue over the phone.
- Joe calls Sammy late at night, injured and apologizing. He says vague things that concern Sammy.
- At Joe's funeral, Sammy leaves a voicemail wishing he had told her he was seriously injured, so she could have comforted him in his last moments. She is devastated that their last words were an argument.
1. Sammy gets upset with her boyfriend Joe after he breaks his promise to attend a family weekend with her. During a late night phone call, Joe apologizes but seems distressed.
2. In their next call, Joe continues to apologize while sounding injured. He hints that he shouldn't have gone away for the weekend.
3. In a voicemail left for Joe after his death, Sammy expresses her regret that Joe didn't tell her he was seriously injured, so she could have comforted him in his final moments. She finds solace that their last words were loving rather than angry.
The document proposes a new game show called "A Quiz Show to Cheat the System and Test Your Loyalties". It would feature teams of 3 friends competing through 3 rounds of gameplay that progressively encourage cheating and sabotage between teammates. The final round challenges the highest scoring team to either win together or for one teammate to take sole glory. The document outlines the proposed format, rounds, target audience, host and contestant archetypes, visual elements, and what makes the show's concept unique in pitting friendships against winning.
The document proposes a new quiz show called "Cheat Box" that would test the loyalties of teams of friends. It would air after 9PM on BB3 and target university students aged 18-24. Contestants would work together in early rounds to earn points for their team. However, in the final round one player could secretly sabotage their friends' answers in order to take the prize individually. Viewers would also be engaged by having influence over the questions asked.
Michael Lehmann is an American film director known for movies such as Heathers (1988), Meet the Applegates (1990), and Airheads (1994). Since the release of Heathers, school gun regulations and awareness of teen suicide have increased, so some plot points around guns and suicide in the movie would likely not happen today. Also, homosexuality is now more widely accepted, so aspects of characters Ram and Kurt being portrayed as gay would not be as notable. The movie costumes in the musical version of Heathers differ from the original film by having the main characters dressed head-to-toe in their signature colors of red, blue, and black rather than just one item of clothing in their color.
Isaac is a 21-year-old man who works part-time as a bar man. He feels resentful living with his mother and father still and jealous of his more successful brother. One day at work, he meets the waiter Lilith and starts to socialize more. He begins to accept that this is his current situation and plans to make the most of it by socializing and enjoying his existence.
Sydney Pooleman is planning a short film called "Family First". The target audience is 16-25 year olds, especially females, who are working class or middle class students or part-time workers. Primary research found the audience prefers mindless zombie hoards and values like family in characters. The budget allocates funds for equipment, props, actors, and travel. Locations include 29 Wicston Way for corridor, exterior, car, garden and kitchen scenes. A production schedule spans 9 weeks for research, planning, filming, editing, music, and completion. Contingency planning addresses issues like corrupted memory cards or drained batteries.
The document provides feedback from a client on a promotional video produced for a nursery. The client noted that there was a lack of narration from the children due to unusable sound files. They felt the footage was well edited but too organized and could benefit from some chaos to reflect the nursery atmosphere. The music was a positive aspect that flowed well. The titles could be smaller. Overall the client was happy with the final video and felt it met their goals despite the missing narration.
This document provides details for Sydney Pooleman's short film project titled "Family First". It includes research on the target audience and genre preferences, a proposed budget and scheduling for production over 9 weeks, location information for filming, and contingency planning. The target audience is 16-25 year olds across working class, middle class, students and part-time workers who prefer zombie films featuring mindless hoards revealed through clues rather than a sudden twist. A £60 budget is allocated across equipment, props, actors and travel. Production is scheduled in weekly blocks for research, planning, filming, editing and post-production work. Locations include the filmmaker's home for multiple scenes. Contingency planning addresses potential issues like equipment
The document provides details for producing a promotional video for Blue Sky Day Nursery. It includes a client profile, brief, required footage and interviews, permissions needed, deliverables, project schedule, roles and interviews to be filmed, contingencies, and a shot list of footage taken. The goal is to create a full length promotional video and repeating videos showcasing the nursery's activities, funding, locations, parties, and times through interviews and footage of the different rooms and activities.
The document discusses different types of briefs that creators may receive from clients including contractual, formal, informal, co-operative, negotiated, commission, tender, competition, and my brief. It outlines the definition, advantages, and disadvantages of each brief type. Key information provided includes that contractual briefs guarantee work and payment but may result in legal action for not following the agreement, while informal briefs give creators free reign but are risky with no documentation of agreements. The document emphasizes the importance of thoroughly reading and negotiating the brief to clarify expectations and avoid issues before production starts.
The document discusses the purposes and evolution of television idents (channel branding/identification segments) in the UK. It explains that idents were originally used to distinguish channels as the number of options increased, but now also aim to attract and retain audiences within a broadcaster's channels. The ident styles of BBC1, BBC2, ITV, Channel 4 and Channel 5 are analyzed in terms of how they reflect the personalities and programming of each channel.
The document provides details on the production of idents for a fictional youth TV channel called The Grid. It includes descriptions of three ident concepts that involve playing retro-style phone games. The selected ident for production involves a crane game where the player drops blocks to build a tower and reveal the logo. The ident sequence includes shots of gameplay, a zoom out to show it's on a phone, a high score screen, a reaction shot of the player, and finally the logo animation.
The client, York College, has requested a promotional video for potential students aimed at 15-16 year olds. The video must be filmed on site at the college and showcase the facilities, equipment, and coursework. It should include an interview highlighting the digital creative media course. Motion graphics and the college branding must also be included. Existing promotional videos from similar clients were reviewed for inspiration. An initial proposal was created, outlining the content, purpose, target audience, production roles, and schedule. Resources, a structural breakdown, and contingency plan were also created to prepare for the shoot.
This document provides a proposal for a set of idents for a fictional youth TV channel called "The GRID". It outlines the content, purpose, and target audience of 17-21 year olds. It discusses the planning, production methods, and management of the project. Key elements include designing 3 game-based idents involving dots, blocks, and falling boxes. Animation and motion graphics will be used to composite the game footage over live action shots of a player on their phone. A budget and schedule are included to complete the idents by a deadline of December 22nd.
The document provides details on the planning, production, and completion of a music video for the song "Her Name Is Alice" by Sydney Pooleman. It includes research and idea generation, looking into similar music videos for inspiration, a final decision on the artist and song, and hypothetical budgeting and planning work. Footage logs track the footage collected and whether it will be used in the final video.
The document discusses different types of camera lenses including zoom, prime, wide angle, standard, and telephoto lenses. It also covers camera processes such as aperture, shutter speed, and white balance which control aspects like depth of field, exposure time, and color rendition. The document concludes by discussing various post-processing techniques in Photoshop like dodging and burning, cropping, and filters that can be used to enhance photographs.
This document discusses designing TV idents for a new channel. It outlines researching ideas through mind mapping and considering production methods like motion tracking and animation. The target audience is described as mostly female, average age of 19, from middle-class backgrounds with left-wing political views. Other channels with similar audiences are noted, such as E4 and Comedy Central which both focus on comedy programming.
Walmart Business+ and Spark Good for Nonprofits.pdfTechSoup
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Strategies for Effective Upskilling is a presentation by Chinwendu Peace in a Your Skill Boost Masterclass organisation by the Excellence Foundation for South Sudan on 08th and 09th June 2024 from 1 PM to 3 PM on each day.
This slide is special for master students (MIBS & MIFB) in UUM. Also useful for readers who are interested in the topic of contemporary Islamic banking.
How to Make a Field Mandatory in Odoo 17Celine George
In Odoo, making a field required can be done through both Python code and XML views. When you set the required attribute to True in Python code, it makes the field required across all views where it's used. Conversely, when you set the required attribute in XML views, it makes the field required only in the context of that particular view.
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Exploiting Artificial Intelligence for Empowering Researchers and Faculty, In...Dr. Vinod Kumar Kanvaria
Exploiting Artificial Intelligence for Empowering Researchers and Faculty,
International FDP on Fundamentals of Research in Social Sciences
at Integral University, Lucknow, 06.06.2024
By Dr. Vinod Kumar Kanvaria
2. • In essence the most core purpose of a television Ident is
to show the viewing audience the channels name
between shows so that it becomes ingrained in their
brains that the shows they like are on that channel.
• The basic premise of an Ident is to brand a TV channel
and intergrade its personality into each one to showcase
the brilliance and the appeal of the channel.
• Another job of the Ident is to appeal to the audience
which should help to draw them in and entice the
viewers attention and trap them in the channels air
space.
• A less important job of the Ident is to waist time and
separate out the broadcasting shows so it appears that
they run less adverts when they are inserting the
channels advert in.
TV
Purposes Q1
Microwave Popcorn
Glass ident (Orange)
3. Purposes Q2
• At the start, in 1927 TV's only came with one
channel called BBC, this meant that there was no
need to brand as there was literally only one
channel; BBC decided to upgrade their name to BBC
1 even though they are still the only channel, this
was to differentiate between the company and the
product.
• The 2nd ever channel started in 1955 when ITV
showed up and gave the viewers choices on what to
watch; with the new competition the BBC had to
think fast, so they started splitting the programs up
with Brand advertisement and pushing the BBC 1
name into the face anyone who was watching.
• When the 60’s came so did BBC 2, because BBC was
becoming over crowded and needed more space to
show everything; now the BBC had a TV brand and
this meant the 2 channels had to work together to
advertise what was going on with the other.
When We Had To Have More Channels Than One P1
4. Purposes Q2
• Jump forward to 1981 and the Channel Four
Television Corporation joins the part and claims the
4th channel (duh) and naming it Channel 4 (so
inventive) from the start they were an alternative to
the old school channels of yester year and this
meant that we got shows like The Simpsons;
Branding was now more important than ever
because the company's want their views so Idents
became big, officially showing the attitude of the
channels.
• In the 1980’s naming channels creatively didn't’t
seem to matter because here come Channel 5, the
biggest collection of shows that no one else wanted;
when it came to branding a Personality Channel 5
seemed to be lost and this meant their Idents were
a mash up of the others with no soul or individuality.
When We Had To Have More Channels Than One P2
5. Purposes Q2
• After these the on slaughter came!
• With BBC3 and BBC4 getting on air, ITV wanted more
so we got ITV 2 through to ITV4.
• Kids needed their own channels for full day
entertainment so CBBC and CITV were started
however later on the BBC decided that CBBC wasn't
appropriate for younger children so Cbeebies was
formed for that taking all the baby aimed shows
with it.
• Then Channel 4 wanted in and made E4; and all the
companies decided that incase you missed the first
showing +1 and More 4 were needed.
• News had its own channels with the BBC and ITV so
that we could be frequently updated on what's been
going on without bothering those who don’t care or
just want to watch the entertaining show
When We Had To Have More Channels Than One P3
6. Purposes Q2
• Other channels were set up out side the companies
that made the main 5 with channels including:
o Alibi
o Dave
o Drama
o Eden
o GOLD
o Good Food
o Home
o Really
o W
o Yesterday
When We Had To Have More Channels Than One P4
7. • As the expansion of TV channels and their purposes
expanded this resulted in competition, mainly to keep
people inside the brands airwaves instead of wandering
off to the other channels available.
• With the 3 main competitors in this being: The British
Broadcasting Corporation, ITV Network Limited, and
Channel Four Television Corporation; each of whom own a
litter of offspring channels some of which are more well
known than others.
• As shown left Channel Four Television Corporation owns at
least 6 channels with different purposes and shows, i.e.
Film 4 showing the films they have the rights to, and this
meant each one needed to be branded with a personality
that summed up what the channel did.
• Enter the Idents which not only summed
Companies And Their Need To Brand
Everything Individually
Purposes Q2
8. • BBC’s Idents in particular have had to evolve with the
times to keep people on their channel, and as they add
more channels they need to sell the whole collection of
‘The BBC’ and not each one.
• In the 80’s the Idents were lower quality and mainly just
the space out between the shows, this meant they
consisted of just having clips of shows that were coming
up, the current time or a nights schedule for the current
one you were on.
• They did this back in 1981 however it only showed the
events coming up on the singular channel they were on,
this was because there were only 3 or 4 channels on all
of TV; where as now the announcer says what is on
several of the channels relation to the one you are
currently on, to alert you to what you could be watching
if you stay on this company's airwaves.
Because They Now Have To Deal The Brand
As A Whole
Purposes Q2
65 Year later
9. • The BBC1 design as of January 1st 2017 is all about the
‘ONEness’ of the channel this has given the design a
inclusive style and has the Indent feature a varied
collection of people doing the same activity. This is a
different approach to the companies other channels such
as BBC4 which has the screen divided into 4 which just
reflects the channel number.
• The use of the range of people makes you relate to the
channel and feel like you are part of this ‘ONEness’; each
Indent has a different group of people that have a
different characteristic, the “Sea Swimmers, Clevedon”
Indent includes a bunch of older people playing in the
sea and the “Skaters, Southwark” Indent has younger
people. Doing this variety reflects the channels universal
appreciation.
The First Channel, Meaning It Had To Deliver
BBC1
Sea Swimmers, Clevedon
Skaters, Southwark
10. • On BBC2’s Idents are very in your face with the
channel number being the main image in the
whole thing, this is a clear mark of territory for
the channel and reflects the purpose of the
channel. As BBC2 is a varied channel, with
many of the shows being plucked from other
channels shows get put here if he have success
on lesser channels or if they failed on BBC, the
wide range of themes for the channel makes
sense; with some being education related and
others being fun; such as the 2 Idents
‘Predator’ and ‘Toy Car’.
• BBC2 is a BBC channel and so part of a whole
corporation, the Idents for the channel
represent this with references to popular BBC
owned shows; even if it is from a different
channel such as BBC1 like the ‘Exterminate’
Ident which is a reference to Dr Who.
The BBC Version Of Channel 5
BBC2
Toy Car
Predator
Exterminate
11. • The ITV logo is subtle and comes in using color tones
that are on screen, this means it isn't in your face and
makes the over all felling less crowded than others
such as True crime, FOX and Really; this implies the
channel is inclusive but still stands out, like the log, and
there for it extends the audience to be more inclusive
like BBC1.
• Like BBC1 these Idents have a few where it is a group
of people doing an activity, such as ‘Night Cyclists’
which has people cycling away from the camera in a
group, however there are some more obscure that
relate to sections of broadcasting directly; some
examples are ‘Line Marker’ Indent which relates to
sport and ‘A seasonal’ Indent which relates to weather
specifically shown on a day following bad weather. This
gives a more personal feeling to the channel as it
relates to the programing and not just to a whole
channel.
The Other BBC 1
ITV
Night Cyclists
Line Marker
A seasonal
channel's main
Charlee is one of only 300
female fire fighters in the UK Man (2)
12. • Channel 4’s new Idents releases for 2017 have 3 themed sets;
one set is the 'Clock Indents', which are 3 indents shown at
specific times each day and has the separate shapes form the
logo moving round clockwise. The set of Idents makes a more
systematic feeling to the channel and subconsciously makes the
channel feel more grown up; especially when one of them, '9pm
Clock', is the watershed marker with more mature programs
coming on after it’s display.
• Another set of Indents is the mineral/metal some of which are:
‘Red Crystals’ and 3 others; each has a full length and 2-3
shortened versions that show. The shapes of the rocks are
resemblance of the Channel 4 logo. This gives more of an
explorative feel to the channel and give the channel an identity
that is far different of that of ITV and BBC1; it makes the
audience more refined than them as well.
• There are also specific Idents for shows; ‘The Simpsons’, which
has yellow bricks and character styled eyes which move around
the screen, and formula one which has a tone of little versions
of the bricks moving fast speed around the screen in random
directions.
A Channel With A Different Approach
Channel 4
12 Noon Clock
Red Crystals
The Simpsons
13. • Channel 5 is a channel with that over the years
has had an identity crisis, this is reflected in their
Idents which are generally appear random, the
only real connection between them is the
appearance of 5 of the same thing which shows
up in every Ident without fail. Each of the Idents
starts with a landscape and ends on 5 items, this
is representation of the choice to watch Channel
5, with the landscape meaning the whole choice
range and the 5 items the channel. ‘Dogs’ is one
of the Idents in witch this allegory can be applied,
in fact the only one it cant be applied to is
‘Skateboarders’ as there isn't a landscape shot.
• The channel is shown as standing out in the from
the rest in a weird way; this is reflected in the
‘Birds’ Indent which has a Urban setting in which
5 parrots show up, which they wouldn’t really.
This gives the channel personality as it appears to
be a fish out of water with no real sense of
belonging.
The Garbage Dump Of Channels
Channel 5
Skateboarders
Dogs
Birds
14. – The BBC1 ident is a more based around the
ideas of being active and united and has people
of all ages, races and abilities which pushes the
ideas of standing together; this contrasts to
Movies 24 which is designed to have a more
homely and relaxing vibe which encourages the
idea of snuggling up with a movie and snacks.
– BBC1 features groups of people that have come
together to do one activity and it is a wide shot
that incases everyone; this is a reflection of the
Channels purpose which is to reach and appeal
to many people regardless of there gender,
background or age. Movies 24 is a set of close
ups of one person or thing, with slow sluggish
movements, this is a reflection of the channel
which only plays movies and so it stands to
reason that the Idents would be designed to be
relaxing for the watcher.
Visual Elements and Style
Comparing Idents
Break bumpers
Break bumpers
Bhangra Dancers
Sea Swimmers
15. – The biggest viewers of BBC1, according to
YouGOV profiles, are elderly women in
Yorkshire. The Idents for BBC1 appeal to this
main audience by showing that this age
range and gender are not constrained by the
stereo-types; the wider audience would be
appeased by these Idents as well because
they are so wide in range of those it includes.
– The audience that views Movies 24 most is
older women between 40 and 55, this is why
the domesticated Idents appeal to this
audience; the idea of getting settled on the
sofa and watching a movie in privacy in
comfortable style would be appealing to
anyone however this audience would
appreciate it more for the idea of spending
time with loved ones.
Audience
Comparing Idents
Movies 24 Audience according
to YouGOV profiles
Popcorn
BBC1 Audience according to
YouGOV profiles
Exercise Class, Avonmouth
16. – Money wouldn't be an issue for the BBC when
making Idents especially for the more popular
channels in their brand, such as BBC1; however as
BBC1 is a universally viewed channel the Ident
makers would be issues such as avoiding stereo-types
of age, gender or class to make it appeal to the
masses and also to the majority viewer. The makers
must do this with out being to ludicrous or gaudy.
– Movies 24 would have the challenge of make the
channel comforting and inviting through one 30-45
second ident that doesn’t overpower the message
and is relaxing to watch. Other challenges for the
channel would be budget, since it isn't a huge TV
channel compared to channels like Film 4 or SKY
Movies and funded/ owned by NBCUniversal who
have many channels in their home base country and
have this one as a side channel here in the UK.
Challenges
Comparing Idents
Movies 24 Audience according to YouGOV
profiles
BBC1 Audience according to YouGOV
profiles
17. – Both channels opted for Slow-moving/ sounding Idents
that project calmness and don’t over power the audience
with their sounds and images. In one ident there is a feel of
being Inclusive while the other is rather selected; the BBC1
ident has lots of people in contrast to Movies 24 which only
has around two people at a time who are clearly engaged in
activities with each other.
– Logos and writing are also different depending on the
channel. In the case of the BBC1 ident the writing is small
and comes quite small on the bottom of the screen which is
rather subtle where as in the Idents for Movies 24 the logo
appears over the action in an obvious way as well as when
there is writing over the top. This difference is more
significant because it shows that the BBC is well known
enough that they don’t have to push the name forward
however Movies 24 is less recognized and therefor has the
need to show case the name.
Characteristics
Comparing Idents
Birdwatchers, Rainham Marshes
Coffees
18. – I believe that it is the BBC1 Idents that
are the most success full however I
believe that the suit for Movies 24 is
well executed.
– The BBC1 Idents have a universal
theme with a range of actives and ages,
it shows that anyone can do anything
and it perpetuates the channels theme;
that the channel is for everyone.
– All the Movie 24 Idents have the
desired effect of a tone of warmth and
domestication; with Idents showing
two people making them appear more
intimate, this draws conclusions to
what the that the channel is about.
Success
Comparing Idents
Night Kayakers, Killyleagh
Snap
Mummy
Rain
Allotment
Holders,
Smethwick
Bog Snorkellers,
Llanwrtyd Wells