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Lesson Seven
Monday 3rd
October 2016
Media Language –
Image Analysis
Preparing Minds
• Pitching your TV drama ideas
Image analysis
• We need to understand:
– How images are put together
– How audience decodes meaning
• The decisions creators make about:
– Distance
– Angle
– Setting
– Framing
– Lighting
– Colour
Extreme Close Up
• Similar to close up, but usually fits whole
frame
• Focus on certain features within frame
• Done to
create
tension
Close Up
• Focuses heavily on face or object, usually
blurring out background to set deeper focus
• Often used to
add emphasis to
scene or image
Medium Shot
• Camera focuses on figure from the waist
upwards object with little zoom
• Background has
little detail, very
minimal and usually
slightly out of focus
Long shot
• Shows realistic scale of object or character
• Fit subject within
frame without cutting
anything out
• Can include other
events/ objects/
people
in background
Extreme Long Shot
• Establishes scene/ mood
• Typically used to introduce location
• Environment is main focus
.
Birds eye view
• Overview of setting
• Taken high above ground level
• People/
objects
smaller than
actual size
• Creates
perspective
High angle shot
• Camera looks down on subject
• Places audience in privileged position
• Makes
subject
seem weak/
less
important
• Connotes
power
Low angle shot
• Camera looks up at subject
• Audience is placed in
inferior
position
• Connotes
weakness
Point of view
• Perspective of character
• Audience experiences everything the
character goes through
• Makes audience
feel part of action
• Used so that
audience can
engage with
characters
Task
• Complete the “shots” task
• Match the shots to the images
Other considerations
• Focus
• Colour
• Lighting
• Pose/ body language
• Composition
• Camera movement
• Editing (cropping/ transitions)
The Good, the Bad and the Ugly
• Clip from the end of the film (final shoot out)
Mission Impossible 2
• Opening sequence
Learning objectives
• Describe concept of ‘mise-en-scene’
• Use correct media terminology when
discussing mise-en-scene
• Apply the concept to a scene
Definition – mise en scene
• From theatre –”what is in the scene”
• Visual information in front of camera
• Communicates essential information to
audience
• Composed by director/ photographer
• Made up of 6 elements
Elements of Mise-en-Scene
1. Settings
2. Props
3. Costume, hair &
make up
4. Performance, facial expressions, body language
5. Positioning and movement of
characters/objects within the frame
6. Lighting & colour
Each aspect of mise-en-scene
has connotations and sends
signals about how audience
is supposed to feel at certain
points
1. Settings/ Locations
• Vital to mise-en-scene
• Not just ‘backgrounds’.
• Can manipulate
audience by
building certain
expectations
• Expectations
can then be
subverted
Typical settings?
• What settings might you find in:
– Science Fiction?
– Romantic Comedy?
– Horror?
– Western?
2. Props
• Build on setting to create believable ‘world’
• Establish character and place/ time
• Symbols connote additional meanings
• Can also be used in more complex ways to
suggest important characteristics of
particular individuals or key themes
Devdas (Samanta, 2002)
Strong flame = Strong character presence/full of life
Shaky flame = problems with character relationships/health
Dim flame/going out = Character leaving/dying
Famous props?
3. Costume, Hair, Make Up
• Instant signifier of personality, status & job
• Communicates where/ when set and society or
culture - context
• Certain costumes signify certain individuals (i.e.
Vampire’s cloak, Supersuit etc.)
• Costumes show difference/ similarity between
characters, changes in character/ mood, whether or
not they fit in with setting.
Heroes and villains
Historical Drama
…always?
4. Facial Expressions & Body Language
• Facial Expressions provide clear signifiers of feelings
• A smile signifies happiness
– May get a different feeling if accompanied by scary music
or grim lighting/ set
• Body Language may signify how a character feels
towards another character or may reflect the state
of their relationship
• What meanings/emotions do the
following images convey?
IMAGE 1
IMAGE 2
IMAGE 3
IMAGE 4
5. Positioning within a frame
• Positioning (composition) draws our attention
to important character/object
• Positioning indicates relationships between
people
• What does the positioning in the following
images suggest?
6. Lighting & Colour
• Lighting & Colour achieve variety of effects:
– Highlight important characters or objects
– Make characters look mysterious by shading
sections of face/ body
– Reflect character’s mental state/ hidden emotions
(i.e. bright = happy, dark = disturbed, strobe effect
= confused)
High Key Lighting
• More lights used
• Lighting natural and
realistic
• Produces brightly lit
sets or a sunny day
Low Key Lighting
• Expressive
• Created by using
only a few lights
• Produces sharp
contrasts
• Deep, distinct
shadows/silhouettes are
formed (chiaroscuro)
A C
E
Red hue
Mean Streets (Scorsese, 1973)
Homework
• Choose an image or scene from a TV programme/ film/ game
of your choice
• Write a detailed analysis of the mise-en-scene
• Make sure you mention:
– Settings
– Props
– Costume, Hair & Make Up
– Performance, Facial Expressions & Body Language
– Positioning and movement of characters/objects within the frame
• As an extension, you could also discuss the effect of the
soundtrack
• Deadline: Monday 10th
October 2016

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Lesson seven

  • 1. Lesson Seven Monday 3rd October 2016 Media Language – Image Analysis
  • 2. Preparing Minds • Pitching your TV drama ideas
  • 3. Image analysis • We need to understand: – How images are put together – How audience decodes meaning • The decisions creators make about: – Distance – Angle – Setting – Framing – Lighting – Colour
  • 4. Extreme Close Up • Similar to close up, but usually fits whole frame • Focus on certain features within frame • Done to create tension
  • 5. Close Up • Focuses heavily on face or object, usually blurring out background to set deeper focus • Often used to add emphasis to scene or image
  • 6. Medium Shot • Camera focuses on figure from the waist upwards object with little zoom • Background has little detail, very minimal and usually slightly out of focus
  • 7. Long shot • Shows realistic scale of object or character • Fit subject within frame without cutting anything out • Can include other events/ objects/ people in background
  • 8. Extreme Long Shot • Establishes scene/ mood • Typically used to introduce location • Environment is main focus
  • 9. . Birds eye view • Overview of setting • Taken high above ground level • People/ objects smaller than actual size • Creates perspective
  • 10. High angle shot • Camera looks down on subject • Places audience in privileged position • Makes subject seem weak/ less important • Connotes power
  • 11. Low angle shot • Camera looks up at subject • Audience is placed in inferior position • Connotes weakness
  • 12. Point of view • Perspective of character • Audience experiences everything the character goes through • Makes audience feel part of action • Used so that audience can engage with characters
  • 13. Task • Complete the “shots” task • Match the shots to the images
  • 14.
  • 15. Other considerations • Focus • Colour • Lighting • Pose/ body language • Composition • Camera movement • Editing (cropping/ transitions)
  • 16. The Good, the Bad and the Ugly • Clip from the end of the film (final shoot out)
  • 17. Mission Impossible 2 • Opening sequence
  • 18. Learning objectives • Describe concept of ‘mise-en-scene’ • Use correct media terminology when discussing mise-en-scene • Apply the concept to a scene
  • 19. Definition – mise en scene • From theatre –”what is in the scene” • Visual information in front of camera • Communicates essential information to audience • Composed by director/ photographer • Made up of 6 elements
  • 20. Elements of Mise-en-Scene 1. Settings 2. Props 3. Costume, hair & make up 4. Performance, facial expressions, body language 5. Positioning and movement of characters/objects within the frame 6. Lighting & colour Each aspect of mise-en-scene has connotations and sends signals about how audience is supposed to feel at certain points
  • 21. 1. Settings/ Locations • Vital to mise-en-scene • Not just ‘backgrounds’. • Can manipulate audience by building certain expectations • Expectations can then be subverted
  • 22. Typical settings? • What settings might you find in: – Science Fiction? – Romantic Comedy? – Horror? – Western?
  • 23. 2. Props • Build on setting to create believable ‘world’ • Establish character and place/ time • Symbols connote additional meanings • Can also be used in more complex ways to suggest important characteristics of particular individuals or key themes
  • 24. Devdas (Samanta, 2002) Strong flame = Strong character presence/full of life Shaky flame = problems with character relationships/health Dim flame/going out = Character leaving/dying
  • 26.
  • 27. 3. Costume, Hair, Make Up • Instant signifier of personality, status & job • Communicates where/ when set and society or culture - context • Certain costumes signify certain individuals (i.e. Vampire’s cloak, Supersuit etc.) • Costumes show difference/ similarity between characters, changes in character/ mood, whether or not they fit in with setting.
  • 31. 4. Facial Expressions & Body Language • Facial Expressions provide clear signifiers of feelings • A smile signifies happiness – May get a different feeling if accompanied by scary music or grim lighting/ set • Body Language may signify how a character feels towards another character or may reflect the state of their relationship • What meanings/emotions do the following images convey?
  • 36. 5. Positioning within a frame • Positioning (composition) draws our attention to important character/object • Positioning indicates relationships between people • What does the positioning in the following images suggest?
  • 37.
  • 38.
  • 39.
  • 40.
  • 41. 6. Lighting & Colour • Lighting & Colour achieve variety of effects: – Highlight important characters or objects – Make characters look mysterious by shading sections of face/ body – Reflect character’s mental state/ hidden emotions (i.e. bright = happy, dark = disturbed, strobe effect = confused)
  • 42. High Key Lighting • More lights used • Lighting natural and realistic • Produces brightly lit sets or a sunny day
  • 43. Low Key Lighting • Expressive • Created by using only a few lights • Produces sharp contrasts • Deep, distinct shadows/silhouettes are formed (chiaroscuro)
  • 44. A C E
  • 45. Red hue Mean Streets (Scorsese, 1973)
  • 46. Homework • Choose an image or scene from a TV programme/ film/ game of your choice • Write a detailed analysis of the mise-en-scene • Make sure you mention: – Settings – Props – Costume, Hair & Make Up – Performance, Facial Expressions & Body Language – Positioning and movement of characters/objects within the frame • As an extension, you could also discuss the effect of the soundtrack • Deadline: Monday 10th October 2016