Krishna ppt.paper no 4 Indian Writing in English
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This Presentation is a part of my acedemic presentation.This presentation Indian Writing in English.M.A semester-1 Department of English ,MKBU and it is submitted to M.A.Department of English Pro Dr,Dlip Barad sir.
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Social Background in "Kanthapura".
This document provides a summary of the novel "Kanthapura" by Raja Rao. It discusses the social background of villages in South India during the time period, including the caste system that divided people into Brahmins, Pariahs, potters, and weavers. The villages were orthodox, superstitious, and women and Dalits faced poor treatment. Religion and mythology played a central role in village life, and people celebrated various festivals while holding strong beliefs in local deities. Raja Rao's novel effectively portrayed the traditional social and cultural aspects of Indian villages.
Kanthapura 1
This presentation i presented as task in sem .1 on social background in novel kanthapura....
Have a look at this presentation ... Thanking you ....
Social background of ‘Kanthapura'
This document provides background information on the novel "Kanthapura" by Raja Rao. It discusses the social background of villages in South India during the time period, including the caste system that divided people into Brahmins, Pariahs, potters, and weavers. The villages were typically orthodox and superstitious, with illiterate populations living in poverty. Women and Dalits faced difficult situations. Religion and celebration of festivals centered social life, while beliefs mingled past and present. The novel uses this setting to explore the social, political, and religious discourses occurring during the rise of Gandhism and nationalism in India.
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This powerpoint presentation about the Kanthapura.There are three aspects which i try to give information about from Kanthapura.
Hema's presentation on kanthapura
Raja Rao effectively uses narrative techniques in his novel Kanthapura. He employs a persona narrator, Achakka, an old woman in the village, to tell the story. This allows him to blend fact and myth from her perspective. As she narrates the events of the freedom movement, it takes on an epic, Puranic quality. Achakka's folksy, dramatic storytelling makes the readers feel like they are visualizing the events. Raja Rao varies the language, tone, and tempo based on the situation to keep the narrative engaging. He builds suspense and conveys large events through Achakka's vivid descriptions and use of imagery and epithets. Through Achakka's narr
Kanthapura
This document summarizes the key aspects of Kanthapura that make it a typical Indian village as depicted in the novel. It notes that the village is divided into quarters by caste, showing the socio-economic divisions that were prevalent. The villagers are described in realistic, rural terms and hold superstitious beliefs while being deeply religious. The village life depicts the poverty, illiteracy and tensions of typical Indian villages at the time. The narrator of the novel, Achakka, tells the story in a characteristically Indian style using local idioms, imagery and translations from the Kannada language.
kanthapura
This document provides biographical information about Indian author Raja Rao and analyzes the role of women in his famous novel Kanthapura. Some key points:
- Raja Rao (1908-2006) was a prominent Indian novelist born in a Brahmin family who is known for works like Kanthapura that explored Indian philosophy and consciousness.
- Kanthapura, set in a South Indian village, depicts women playing a significant role in the Indian independence movement through organizations like the Sevika Sangha. It portrayed women transitioning from ignorant and submissive roles to actively participating in political change.
- The goddess Kenchamma represents motherhood and protects the village, while other women
Mythology in Kanthapura
This document provides a summary of the novel Kanthapura by Raja Rao. It discusses the author Raja Rao and background on the novel. The summary then analyzes key themes in the novel including its use of Indian mythology to represent the independence movement, its portrayal of the Indian village of Kanthapura and struggle for independence, and important characters like Moorthy and Rangamma that drive the story and movement. The document concludes by discussing the temple's central role in the community and political activities.
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Social Background in "Kanthapura".
This document provides a summary of the novel "Kanthapura" by Raja Rao. It discusses the social background of villages in South India during the time period, including the caste system that divided people into Brahmins, Pariahs, potters, and weavers. The villages were orthodox, superstitious, and women and Dalits faced poor treatment. Religion and mythology played a central role in village life, and people celebrated various festivals while holding strong beliefs in local deities. Raja Rao's novel effectively portrayed the traditional social and cultural aspects of Indian villages.
Kanthapura 1
This presentation i presented as task in sem .1 on social background in novel kanthapura....
Have a look at this presentation ... Thanking you ....
Social background of ‘Kanthapura'
This document provides background information on the novel "Kanthapura" by Raja Rao. It discusses the social background of villages in South India during the time period, including the caste system that divided people into Brahmins, Pariahs, potters, and weavers. The villages were typically orthodox and superstitious, with illiterate populations living in poverty. Women and Dalits faced difficult situations. Religion and celebration of festivals centered social life, while beliefs mingled past and present. The novel uses this setting to explore the social, political, and religious discourses occurring during the rise of Gandhism and nationalism in India.
Kanthapura social,politic and religious,aspects
This powerpoint presentation about the Kanthapura.There are three aspects which i try to give information about from Kanthapura.
Hema's presentation on kanthapura
Raja Rao effectively uses narrative techniques in his novel Kanthapura. He employs a persona narrator, Achakka, an old woman in the village, to tell the story. This allows him to blend fact and myth from her perspective. As she narrates the events of the freedom movement, it takes on an epic, Puranic quality. Achakka's folksy, dramatic storytelling makes the readers feel like they are visualizing the events. Raja Rao varies the language, tone, and tempo based on the situation to keep the narrative engaging. He builds suspense and conveys large events through Achakka's vivid descriptions and use of imagery and epithets. Through Achakka's narr
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This document summarizes the key aspects of Kanthapura that make it a typical Indian village as depicted in the novel. It notes that the village is divided into quarters by caste, showing the socio-economic divisions that were prevalent. The villagers are described in realistic, rural terms and hold superstitious beliefs while being deeply religious. The village life depicts the poverty, illiteracy and tensions of typical Indian villages at the time. The narrator of the novel, Achakka, tells the story in a characteristically Indian style using local idioms, imagery and translations from the Kannada language.
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This document provides biographical information about Indian author Raja Rao and analyzes the role of women in his famous novel Kanthapura. Some key points:
- Raja Rao (1908-2006) was a prominent Indian novelist born in a Brahmin family who is known for works like Kanthapura that explored Indian philosophy and consciousness.
- Kanthapura, set in a South Indian village, depicts women playing a significant role in the Indian independence movement through organizations like the Sevika Sangha. It portrayed women transitioning from ignorant and submissive roles to actively participating in political change.
- The goddess Kenchamma represents motherhood and protects the village, while other women
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This document provides a summary of the novel Kanthapura by Raja Rao. It discusses the author Raja Rao and background on the novel. The summary then analyzes key themes in the novel including its use of Indian mythology to represent the independence movement, its portrayal of the Indian village of Kanthapura and struggle for independence, and important characters like Moorthy and Rangamma that drive the story and movement. The document concludes by discussing the temple's central role in the community and political activities.
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This document provides a summary of the novel "Kanthapura" by Raja Rao as a Gandhian epic. It discusses the main characters Moorthy and Ratna who were followers of Mahatma Gandhi and spread his ideas of truth, non-violence, satyagraha and peace in the village of Kanthapura. Moorthy is portrayed as the Gandhi of the village who reforms the social, religious and political background according to Gandhian principles. The use of the charkha and harikathas are also described as symbols that exalt Gandhi's ideas in the novel.
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This document summarizes and analyzes the roles and portrayals of women characters in the novel "Kanthapura" by Raja Rao. It discusses several main female characters including Rangamma, Ratna, Achakka, and Narsamma. It notes that Ratna was influenced by modern ideas and did not see womanhood as inferior. It also discusses how many women like Achakka responded to Gandhi's call for independence conveyed by Moorthy. Additionally, it contrasts the malicious character of Venkamma with how the women of Kanthapura are portrayed more fully as "Shakti" or power, rising during pivotal moments. The document ends by comparing elements of the novel to the Ram
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Kanthapura as a gandhian epic
Kanthapura as a Gandhian Epic
Raja Rao's 1938 novel Kanthapura documents the impact of Mahatma Gandhi's non-violent movement on a small South Indian village in the 1920s. The novel follows the village of Kanthapura as Gandhian ideas of satyagraha, non-violence, and khadi are spread by Moorthy, who represents Gandhi. Moorthy and other followers like Ratna and Shankar inspire the villagers to peacefully resist British rule. Through the narration of Acchakka and symbols like the charkha spinning wheel, the novel depicts how Gandhi's ideals of socio-economic and religious change took
Kanthapura with feministic perspective
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The document summarizes the themes of the novel Kanthapura by Raja Rao. The main themes are the struggle for Indian independence and the impact of Mahatma Gandhi's principles of nonviolence and equality. The novel depicts the influence of the Gandhian movement on a small village called Kanthapura in Mysore state, with the central character Murthy representing Gandhi by following his teachings.
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The document analyzes and describes three main female characters from the novel Kanthapura: Achakka, Rangamma, and the goddess Kenchamma. Achakka is an old narrator who inspires others to fight for freedom. Rangamma organizes a women's group and inspires revolutionary action through her speeches. The goddess Kenchamma represents a folklore figure that villagers pray to for help in times of difficulty.
Solankippt4 (2)
1) The document discusses a student's paper on the novel "Kanthapura" by Raja Rao, which depicts life in a South Indian village before Indian independence.
2) It summarizes that "Kanthapura" tells the story of a village that faces caste discrimination and is influenced by Gandhi's movement for independence.
3) The protagonist Moorthy, who is likened to Gandhi, helps guide the spiritual and philosophical awakening of the villagers as the novel progresses.
Significance of myth of Ramayana in Kanthapura
The document discusses the significance of the myth of the Ramayana in the novel Kanthapura by Raja Rao. It notes that the story of the Ramayana is told in the novel and characters from the epic like Rama and Sita are compared to figures in India's independence movement like Gandhi and Motilal Nehru. Specifically, Gandhi is likened to Rama, India is likened to Sita, the British are likened to Ravana, and Motilal Nehru is likened to Bharat. The epic tale of Rama's battle with Ravana is thus used as an allegory for India's independence struggle under Gandhi's non-violent
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Kanthapura as postcolonial text : Treatment of Indian sensibility in kanthapura
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- 1. Name :- Khamal Krishna R. Roll No:- 22 Enrollment No: 20170014 Class:- M.A-Part -1 Course:- The Indian Writing in English Presentation Topic:- Nuleeni as Subaltern women. Batch Year:- 2016-2018 Submitted to:- Department of English Maharaja krishnakumarsinhji Bhavnagar University.
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- 3. Meaning of the word 'Subaltern' ● A subaltern is a primarily British military term for a Junior Officer. ● Literally meaning ''Subordinat'',subaltern is used to describe commisioned officers below the rank of captain and generally comprises the various grades of lieutenant. ● Subaltern: In India women, dailts,rural,tribal,immigrant laborers are part of subaltern; within Punjab,India,the most oppressed are the rural folk,and illiterate women.
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- 7. Practice of ''Sati'' Nuleeni ● In this poem women sing song to convince Nuleeni become sati,the practice of sati is celebrated like festival. ● These women speak as subaltern. ● They are singing a songs of the festival of death.
- 8. The term ''Sati'' is a sanskrit words meaning ''Virtuous'' women''. However,it is often used to refer to women who are faithful wives, who self-immolate themselves on the funeral pyre of her husband'' . ●A woman oppressed by asphyxiating traditions. ●Rebel against society. ●Second time become widow,become victim of orthodox Indian society. ●Physically live mentally died.