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The document provides an analysis of the mise-en-scène, camerawork, editing, and sound design in a short thriller film about a man who attempts suicide in his car before witnessing a girl's kidnapping. The opening scene uses the protagonist's facial expressions and shaking to establish tension. Shots include a view from the back of the car and close-ups to clearly show emotions. Transitions between shots imply story progression without showing details. Minimal dialogue and an intensifying score build suspense until cutting off at the cliffhanger of the girl seeing the man in her kidnapper's house.
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El documento presenta una serie de obras de arte creadas por el autor entre 2009 y 2011, incluyendo autorretratos, pinturas y maquetas. Las obras están realizadas con una variedad de técnicas como óleo, acrílico, pastel, gises de colores y lápices sobre soportes como tela, papel y papel craft. Algunas obras representan temas como la esperanza, la bandera de México y la incongruencia entre los pensamientos y las apariencias.
Interpretation
The short film establishes two characters returning home late at night in its first shot. Their expressions suggest they are enjoying themselves but may be drunk, adding unpredictability. A later shot reveals three mysterious characters watching in the dark, creating tension about whether they are friends or foes. Close-ups of the initial characters show them expressing affection, identifying them as the protagonists. The film builds tension through threatening facial expressions and situations that develop between the characters.
Functional node.js
The document discusses making software simple through functional programming principles. It outlines advantages like terseness, clarity and fewer bugs. Disadvantages include difficulty designing programs and that it is harder for inexperienced programmers. The document also discusses JavaScript, Node.js and CoffeeScript in relation to functional programming concepts.
Christmas presentation
The document discusses various Christmas traditions and decorations including Christmas lights, Christmas trees, ornaments, presents, stockings, mistletoe, wreaths, sitting on Santa's lap, gingerbread houses, caroling, leaving cookies and milk for Santa, Santa's sleigh, and Santa climbing down the chimney on Christmas morning.
Lesson 6.5
Vilus dalam usus kecil menyerap nutrien yang dicerna, seperti glukosa, vitamin, asam amino yang diserap kapilari darah, dan gliserol serta asid lemak yang diserap lakteal. Nutrien ini kemudian dibawa oleh vena portal ke hati, dimana hati mengawal kuantiti nutrien yang masuk ke peredaran darah dan membersihkan darah dari bahan toksik.
Lesson 6.11
Dokumen ini membahas proses fotosintesis pada tumbuhan yang terdiri daripada dua peringkat utama, iaitu tindak balas cahaya dan tindak balas gelap. Tindak balas cahaya melibatkan penyerapan tenaga cahaya oleh klorofil untuk memecahkan molekul air menjadi gas oksigen dan ion hidrogen. Manakala tindak balas gelap berlaku di stroma kloroplas untuk menghasilkan glukosa daripada karbon dioksida menggunak
GOYA Y LUCIENTES, Francisco de, Featured Paintings in Detail(1)
The document discusses several paintings by Francisco de Goya. It provides details on The Nude Maja, including that it was one of Goya's most famous works painted for his patron Manuel Godoy in 1800. It discusses Charles IV and His Family, with Goya painting the royal family in 1800. It also mentions The Parasol, painted in 1776-78, depicting an elegant young woman. Biographical information is provided on Goya, describing him as an innovative Spanish Romanticism painter who was influential in the development of modern artistic sensibility.
Ppt devlpment
The document summarizes key aspects of ancient Egyptian civilization along the Nile River valley, including:
1) Egypt relied on the flooding of the Nile River for agriculture, which was the basis of its civilization.
2) The Pharaohs ruled as supreme authorities over Egypt and had administrative records of their achievements carved in hieroglyphics from right to left.
3) The Egyptians built pyramids to honor their kings, which were constructed during the seasonal flooding of the Nile and demonstrated knowledge of geometry and decimals.
Ppt of ict
Tides are long-period waves caused by the gravitational forces of the moon and sun that cause the periodic rise and fall of sea levels. As tides originate in the oceans and move towards coastlines, they help fishermen through low and high tides and allow large ships to enter harbors. Tides also aid in cleaning beaches, filling salt pans, and generating electricity through tidal energy technology.
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This document analyzes horror trailer conventions used in the filmmaker's own trailer "Off Campus" and compares them to conventions from trailers for horror films such as "Jason-X", "Jeepers Creepers", and "Freddy vs. Jason". The filmmaker discusses several conventions including using shadows and silhouettes to build tension, establishing settings like cars arriving in unknown locations, using newspaper clippings to provide context and mystery, point-of-view shots from the antagonist's perspective, and showing characters reacting in shock. In conclusion, the filmmaker reflects on using some conventions like deaths too frequently and considers paring back elements like newspaper clippings for a more effective trailer.
Mise En Scene Analysis Essay
The document analyzes the mise-en-scene of a key scene in the film Jurassic Park where two children are trapped in a kitchen with two raptors. It discusses elements of the setting, including how the confined space of the kitchen increases tension, as well as costumes worn by the characters and lighting used to create mood. Mise-en-scene, including setting, costumes, and lighting, are employed effectively in this scene to build suspense and drama.
Dom Boorman AS media evaluation
The document summarizes the conventions, codes, characters, and events analyzed in four slasher/horror films to help inform the creation of the student's own slasher film opening sequence media product. The films analyzed were Straightheads, Gone, Babysitter Wanted, and Psycho. Common conventions identified across the films included the use of weapons as props to inflict violence, costumes distinguishing villains from victims, isolated settings increasing suspense, and typical character archetypes like victims and villains. Film techniques like camera angles, lighting, titles, and shot types were also discussed.
Media opening scene analysis
The opening scene of The Silence of the Lambs establishes Clarice Starling as the main character through various shots. A high angle shot shows Clarice doing exercises, making her look small but determined. A two shot with an FBI agent establishes she works for the FBI. A low angle shot of her climbing a cargo net contrasts her strength and struggle. Close ups reveal her serious facial expressions, hinting at her personality and driving nature. These shots in the opening scene immediately characterize Clarice and set up her role in the FBI.
analysis of an opening sequence 3
The opening sequence of The Devil Wears Prada begins with credits against a black background with no music. It then shows a hand wiping steam off a mirror, revealing the protagonist Anne Hathaway brushing her teeth. As the song "Suddenly I See" plays, the sequence cuts between shots of New York City and elegant women getting dressed and applying makeup, contrasting with Anne who puts less effort into her routine. The opening ends with Anne entering an office building and taking an elevator, leaving the audience wondering what will happen next.
Hyperlinks
The document describes various scenes and shots used in a thriller film. It discusses how different camera angles, lighting, costumes, and sounds are used to create tension, unease, and foreshadow danger or conflict. Specific techniques include high angle shots to make the viewer feel inferior, close-ups of a child's eyes to build empathy, and non-diegetic music to set mood. Scenes show a mother and child, two women in a city, and a protagonist receiving a mysterious letter. Details are provided to subtly imply threats and an impending disruption through visual cues and juxtapositions.
Evaluation q1 part 2
The document discusses different editing techniques used in a trailer for a soap opera. Slow motion editing is used to convey mystery, sadness, and intrigue. Fast paced editing represents anger, worry, and panic. Natural lighting gives the trailer a gritty, realistic feel. Shots of intimacy between two characters show their relationship. Close-ups of phones receiving texts create mystery about who the sender is. Not showing a villain's face builds suspense. Both quick cuts and slow pans increase tension in violent scenes.
Trailer Analysis 2
The document analyzes several movie trailers and discusses conventions they use. It notes how the "Paper Towns" trailer uses slow motion shots of Margo to portray her as beautiful and establish intrigue. Transitions create mystery around her character. Relatable settings like suburbs and schools build verisimilitude. The "Hitman: Agent 47" trailer opens with a dramatic zoom on a barcode on the main character's neck, setting up intrigue. Costumes distinguish protagonists from antagonists. The "Maze Runner: Scorch Trials" trailer uses CGI to create a futuristic dystopia. Flashbacks transition with fades, and costumes distinguish the statuses of adults versus teenagers. Powerful voiceovers
Trainspotting (1996) ppt
This document provides a detailed analysis and summary of the 1996 film Trainspotting's movie trailer. It analyzes various shots and scenes from the trailer through the lens of several film theories. Key points analyzed include the introduction of the main characters, depictions of masculinity and violence, representations of social classes, and implications for the plot. The analysis finds that the trailer adheres closely to conventions of social realist films and depicts the characters engaging in drug use, crime, and violence, highlighting the disruptive lifestyles they live.
Hyperlinks
The document describes various production elements used in a film to convey meaning and create tension, including:
1) Talcum powder was used on a child actor to portray death as ghosts are in thrillers. Makeup was also used to match thriller conventions.
2) Various props like an apron and paint supplies were used to establish a mother character as an artist.
3) Camera angles like close-ups of a child's eyes build connection with the audience to increase tension.
4) Shots and music create an unsettled mood and foreshadow potential loss between a mother and child despite an initially portrayed strong bond.
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Denzel Washington stars in the 2004 action thriller "Man on Fire" about an ex-CIA operative who swears vengeance after a family he was hired to protect suffers an unspeakable act. The film uses dark lighting, chaotic editing between shots, and a gloomy atmosphere to set the tone and adhere to thriller conventions. It introduces the audience to the nature of the film through a gruesome kidnapping anecdote and establishes Mexico as the dark and dangerous setting plagued by crime, corruption, and gang violence.
Man on fire fininished
Denzel Washington stars in the 2004 action thriller "Man on Fire" about an ex-CIA operative who swears vengeance after a family he was hired to protect suffers an unspeakable act. The film uses dark lighting, chaotic editing between shots, and a gloomy atmosphere to set the tone and adhere to thriller conventions. It introduces the audience to the nature of the film through a gruesome kidnapping anecdote and establishes Mexico as the dark and dangerous setting plagued by crime, corruption, and gang violence.
Textual analysis Film trailers
The trailer begins by establishing the film as a slasher genre piece, showing a young screaming woman and the words "family massacre". It then introduces Michael Myers as a young boy in the back of a police car, hinting at exploring his traumatic background. Fast-paced editing and a heartbeat soundtrack build tension. Shots of Michael holding his mask, stalking a family home, and punishing scenes of sexuality imply he has escaped and is stalking victims. Through its establishing of genre tropes, nonlinear storytelling, and increasing tension, the trailer draws viewers in to learn more about the film's depiction of the iconic killer Michael Myers.
Textual analysis trailer
The trailer begins by establishing the film as a slasher genre piece, showing a young screaming woman and the words "family massacre". It then introduces Michael Myers as a young boy in the back of a police car, hinting at exploring his traumatic background. Fast-paced editing and a heartbeat soundtrack build tension. Shots of Michael holding his mask, stalking a family home, and engaging in violent acts establish him as the escaped killer. By juxtaposing happy family shots with Michael's looming figure and showing sexually suggestive/violent content, it sets up Michael as punishing transgressive teens in this remake of the classic slasher film.
Evaluation Question 1
The media product is a short psychological thriller film titled "Morning Ride" posted on YouTube. It follows conventions of the thriller genre by establishing a mystery around a man who is picked up by a taxi driver and drugged. However, it also leaves some ambiguity and questions unanswered at the end. In filming and editing, techniques were used like close-ups, lighting, and soundtrack to build tension and mystery while challenging conventions by leaving the narrative and protagonist's innocence somewhat ambiguous and open to interpretation. Overall, the film was deemed successful in following genre conventions while also developing them through its mystery and ambiguity.
Analysis of short film
Nash Edgerton is an Australian film director and stuntman known for his work on major films like The Matrix trilogy and the Star Wars prequels. He has also directed several music videos for Bob Dylan. Edgerton's feature directorial debut was The Square, and he later directed the 2018 film Gringo. The document provides biographical information about Nash Edgerton's career as a stuntman and film director.
Hand Drawn Storyboard Draft
The document provides details on the hand drawn storyboard for a horror film trailer. It describes 15 potential shots for the trailer, including establishing the production company, introducing the two main characters, revealing the film's title through necklaces, showing an oncoming car accident, shots of a graveyard and crying friend visiting a grave, introducing a new best friend, and shots of a character being haunted by her dead friend. Camera shots, music, and editing details are provided to explain how each scene would be brought to life to effectively convey the plot within the short trailer.
The Texas Chainsaw Massacre Trailer- Detailed Research into Similar Products
The document analyzes the camerawork, editing, mis-en-scene, and sound techniques used in the trailer for The Texas Chainsaw Massacre (2003). It discusses how various shots, including establishing shots, close-ups, and angles are used to set the scene and portray emotions. It also explores how techniques like fading, fast-paced cutting, lighting, costume, setting, and diegetic/non-diegetic sounds help build tension and engage the audience. The trailer uses these cinematic techniques to tell the story and draw viewers into the horror genre conventions of the film.
Pitch
This document provides a pitch and plot summary for a slasher film called "Black Mist". The plot involves a teenager who gets lost in the woods and is hunted by a killer. The opening sequence shows the teenager running from the killer through the woods from different camera angles, building tension. Due to a low budget, the filmmakers plan to rely on creative techniques like sound and editing to scare audiences. Distribution will likely be through direct-to-DVD or TV movie deals due to the small production scale.
In what ways does your media product use
The document discusses the opening sequence of a thriller film created by the author. The opening depicts a girl being attacked and raped, establishing the crime theme that continues throughout the film. The film challenges conventions by portraying the criminal, who seeks revenge, in a positive light and eliciting empathy from the audience. Low-key lighting, flashbacks, and aggressive music and titles are used to create tension and signify the protagonist's anger. The film was influenced by two other thrillers about female serial killers and revenge, but maintains enigma about the narrative through its opening sequence.
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Shooting Schedule
This shooting schedule outlines 5 scenes to be filmed between January and February for the production "Monotonous". Scene 1 will take place inside George's house on January 20th. Scene 2 on January 29th will involve George and Matt filming in Matt's car. Scene 3 on February 4th will be outside in a parking lot and streets. Scenes 4 and 5 on February 5th and 17th will both be at George's house and garden. The directors are Stephen Cook, Niall Palmer and Matt Liddle and the producer is StevoFilms.
Storyboard
The document describes 11 shots from a film that tell the story of a character named George. Shot 1 establishes the title scene with non-diegetic music playing. Shot 2 is a closeup of George's alarm clock going off, signifying the start of his daily routine. Further shots show George's daily activities being interrupted by a friend offering him cannabis. Later shots show George repeatedly smoking and struggling to walk home as a result of his drug use. The final shots show George waking up again to his alarm, realizing the negative effects of drugs, and deciding to throw his drugs away.
Script
George starts a daily routine of waking up, eating breakfast, and doing school work. His friend Matt calls and informs George that he has a contact, Joe, who can supply cannabis. Matt warns George that Joe is dangerous. George begins repeatedly calling Joe to arrange drug deals, and his addiction takes hold. George's daily routine changes to revolve around smoking cannabis. After an angry return home one day, George decides to throw out his drug paraphernalia, ending his addiction.
Hello my name is death short fillm review
The short film "Hello My Name is Death" follows a man who is told by Death that he was shot by one of two women and he must figure out which to save himself. The review summarizes that the film uses cryptic sequences and repetition to confuse the viewer and leave them questioning what they witnessed. It creates an unsettling atmosphere through close-up shots, dark undertones, and a minimal setting that makes the reviewer feel claustrophobic. While listing some positives, the review concludes that the film challenges viewers but leaves them contemplating its plot and message.
Last stand film poster analysis
The poster features a close-up shot of a demon staring directly at the viewer, breaking the fourth wall. The demon's face is mostly white with black patches, creating a static effect meant to resemble footage from a home video camera. The black and white color scheme implies the film is set in the past. The red text stands out and hints at death and murder, suggesting the film's genre is horror. The static background and text about the "last day" of someone's life indicate the film will have a found footage style and contain a murder. The portrait orientation allows the full demon face to be seen clearly and feel more realistic.
Suspicion Film Poster Analysis
The main image on the poster is a close-up shot of a drink on a tray that appears to be carried up a mysterious staircase in the background. The poster uses black, white, and red colors, with the black and white creating a vintage effect and the red symbolizing death and murder. Additionally, the low-key lighting depicts a dark and mysterious story. The title and text on the poster are in red to stand out from the black and white background. The drink on the tray suggests the storyline may involve a waiter as the protagonist or villain, and the stairs imply the protagonist needs to work their way up some hierarchy. The mysterious stairs and focus on the drink help establish the genre as a thriller by creating susp
Pitch
This document outlines a pitch for a short film exploring youth culture and the intersection with drugs. The genres will be thriller, drama, and social realism. The film focuses on a 17-year-old boy, George, whose daily routine revolves around sleep, drugs, and alcohol, taking a mental toll on him and causing anxiety. Camera work and editing will create a sense of paranoia to show the effects. The target audience is 15-25 year olds from middle-class backgrounds to show a raw portrayal of modern youth culture and stereotypes. The narrative purposefully does not follow Todorov's equilibrium theory.
Pitch Spider diagram
This document provides a summary of a proposed short film pitch in three genres: thriller, drama, and social realism. It establishes conventions like vulgar language, violence, and the use of a hero/villain dynamic. The narrative will explore the establishment of these characters and use techniques like voiceovers, props, and mise-en-scene. The film aims to both challenge and conform to stereotypes about youth culture. Specifically stereotypes that portray youth as "Violent! Asbos! Hoodies!" and "thieving, knife-carrying troublemakers." It is inspired by techniques from short films like continuous camera movements and unveiling new parts of the scene. The target audience would be 15-25 year old
Planning location spider diagram
The document discusses three potential filming locations for a movie: Harlington streets, which are a normal place people walk through every day; Harlington shops, a common place for people to buy food that would make the film feel realistic; and one of the filmmakers' homes, which could show character's personal lives and help audiences understand them better while being easily accessible.
Heavens secret
This document provides a summary and analysis of shots from a short film. It analyzes elements like camera angles, lighting, sound design and how they contribute to the story and create tension for the audience. Key plot points summarized include an establishing shot of a blue butterfly in a wheat field, a close-up of the protagonist claiming he was murdered, and a later shot of the protagonist with blood on his face as soldiers threaten to kill him. The document examines how technical elements in each shot enhance the narrative and emotional impact.
Seraphim
This document provides a summary of shots from a film. It analyzes various shots that establish elements of setting, characters, tension, and genre conventions. Specifically, it notes that shots are in black and white, implying a past setting, and show blood on a wall near a potential dead body to build tension. It also analyzes a character's bandaged arm as potentially indicating he was recently in a fight and may be the villain. Later shots show aliens shooting lasers through a first-person viewpoint to make the scene feel realistic, with diegetic screaming to startle the audience, in line with thriller conventions. A jump scare is also analyzed as adding a horror element to further tension.
Thriller Research Taken
This document analyzes and summarizes several shots from home video footage and films. It discusses how lighting, sound, camera work, and facial expressions are used to convey emotions like happiness, fear, confusion and build atmosphere and suspense. Specifically, it notes that bright lighting and diegetic laughter in a home video suggest happiness but also a sense of loss. Shots of a girl blowing out candles show excitement and imply the mother's protectiveness. A close-up of Liam Neeson waking from a nightmare shows his confusion and upset. Dim lighting on Neeson suggests both a glimmer of hope but also a dark side to the character. The film's title against a dim background ties back to the opening and conve
S c r i p t
This document provides a shot-by-shot summary of a film. It describes 14 shots, many of which show Eric Harris either walking to school or at school where he faces bullying. Various shots show Eric's home videos, news reports on school shootings, and Eric expressing his desire to harm and kill others in a voiceover. The soundtrack provides non-diegetic sound throughout the shots.
Pitch powerpoint
The document discusses genres that the author enjoys, including thriller, comedy, and action films. It focuses on why the author chose thriller for their coursework, noting that thrillers cover many subgenres while maintaining key conventions. The author then discusses three influential thriller films - The Woman in Black, Se7en, and Psycho - and how aspects of these films may be incorporated. The document goes on to provide background details on the Columbine High School shooting that will serve as the basis for the author's narrative, including biographies of the two perpetrators, Eric Harris and Dylan Klebold. An outline for the narrative is then presented.
Evaluation- Question 6
The document discusses the use of technology in creating and presenting coursework for a film research project. It describes setting up a blog on Blogger to host research, and using Microsoft PowerPoint, Word, and Publisher to creatively present different parts of the coursework. Mobile phones were used to film an opening scene with a date/time effect, and laptops at home and school along with Windows Movie Maker allowed quick editing of the video. Overall, technology enabled editing, improving, and presenting the coursework in an accessible and timely manner.
Evaluation- Question 4
This document discusses the target audience for a psychological thriller film about two teenage school shooters. The summary is as follows:
The intended audience is 16-18 year olds as the main characters are teenagers of that age. Younger viewers may find some of the psychological issues and violence disturbing. The audience will likely be majority male as women generally prefer romance films over thrillers. Rebels who don't obey rules may also be attracted to the film as it depicts the teenage characters rebelling through a school shooting. A questionnaire supported targeting 16-18 year olds as most appropriate for thrillers.
Evaluation- Question 2
The document summarizes how a piece of media represents the main characters Dylan and Eric as social outcasts through scenes where they are bullied. It aims to create an emotional connection with the intended 16-18 year old audience by portraying the characters as innocent and weak, before shocking viewers with revelations about a school massacre. The characters' and actors' ages of 16-18 target this demographic. Their heterosexual portrayals add realism since the real individuals were straight.
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Jet analysis
- 1. Jet Analysis Mise en Scène The filmstarts witha guyin the car dressedincasual clothes(poloshirt)anduseshisfacial expressionstoshowhisisextremelynervous.We soonfindouthe isaboutto kill himselfashe bringsout a gun andputs it againsthishead. Ashe doesthis,we can see he is shakingwhich emphasisesthathe isnervousandmayhave secondthoughtsonkillinghimself. Thistherefore links to the genre whichisa thrillerasthe shakingof the protagonistaddstensionwhichis commonin thrillers. Next,we see agirl walkingdownthe roadinfrontof the car whichconveysthe ideaof happinessasthe manpulledthe gunawayfrom hisface. Additionally,thisisaccentuatedbythe weatherandhighkeylighting inthe scene asitis brightand sunnywhichhasconnotationsof happiness.However,whenthe white van comesand kidnaps the girl,the low keylightingisused to representamore darkerand sinisteratmosphere. Camera Several differentcamerashotsare usedinthe film tocreate differenteffects.Moreover,the film starts withthe camera at the back of the car looking forward.Itthenswitchesthe close-upof the guy to showshisexpressionsmore clearlytothe audience.Thistherefore helpsshowsthe audience howthe characters are feelingandif theyare representedpositivelyornegativelyasthenthe audience canrelate themselvestothe charactermore andunderstandthe character more. Additionally,anestablishing-shotisusedlaterontosetthe scene. Thistherefore letsthe audience knowwhere the characteris and whathissurroundingsare.Inthisparticularscene,we see ahouse withthe white vanthat tookthe girl parkedthere.Furthermore,this tellsusthatthe girl must be in thishouse.
- 2. Editing The filmusesquicktransitionstomake the scenesflow betterandseemmore realisticsothe audience ismore attracted. Furthermore,the transitionsmostlyswitchtoadifferentview of the protagonistwhere itusesthe transitiontomake the audience presume whathashappened.For example,atthe startwe can see the back of the protagonistandthenwe switchto a close-upwhere we see he has pulledagunwhichwe presume wasfromhispocketor in hishandas we didn’tsee where itcame from. Sound There is little soundinthisshortfilmwithamix of diegeticandnon-diegeticmusic.The protagonist doesnotactuallyhave any dialogue whichmakesthe audience lookintohow he isfeelingrather thenwhathe issaying.The score gets more tense asthe filmprogresses.Asthe mangetsintothe house,the score getsto it’speakand we thensee the girl lookingatthe man inthe house andthen the score dropsleavingusat a cliff hangeraswe don’t know if theywill make itoutor whythe girl was kidnapped.