This document analyzes the use of symbolism and meaning in the films of director Nicholas Winding Refn. It discusses three scenes from Refn films to illustrate how every element, from dialogue to cinematography, is purposefully used to convey specific meanings. The first scene from Drive uses the positions of characters and dialogue to suggest the dark pasts and power dynamics between them. The second scene from Drive uses lighting and the main character's jacket to represent him as a "fallen angel" trying to redeem himself. The third scene from Only God Forgives depicts the civilians as obedient and mechanical to illustrate the severe and unforgiving universe of the film.