Islamic
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The document summarizes key aspects of Islamic art and architecture. It notes that Islamic art developed intricate arabesque patterns and calligraphy due to restrictions on depicting figures. Arabesques consist of complex geometric and organic designs, while calligraphy features beautifully written Arabic script. The document also discusses Islamic architecture, noting that it encompasses both secular and religious styles across Muslim lands and time periods. Mosques, madrasahs, tombs, and palaces are some of the building types represented in Islamic architecture.
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Lecture 1 islamic art
Islamic art developed unique styles that avoided depicting living forms per religious teachings. Artists used geometric, vegetal, and calligraphic designs to transmit Islamic messages. These included the abstract arabesque style combining floral, calligraphic, and geometric elements into infinite patterns symbolizing God's infinite creation. Islamic art influenced later European styles like Rococo and Baroque through themes reproduced in different media or inspiring novel architectural fashions.
Islamic
Islamic art encompasses visual arts produced by Islamic populations from the 7th century onwards, including fields as diverse as calligraphy, painting, glass, ceramics, and textiles. It is difficult to define because it covers many lands over 1400 years and is not specific to a single religion, time period, place, or medium. Calligraphic design featuring religious and poetic inscriptions is ubiquitous in Islamic art. Notable achievements include ceramics and tilework, which were used to decorate the interiors of early grand Islamic buildings in the absence of wall paintings.
Islamic Art
The document provides an overview of Islamic art from 650 CE to the present. It discusses key ideas such as the importance of calligraphy and mosques facing Mecca. Major architectural works are summarized, including the Dome of the Rock featuring Byzantine influences, the Great Mosque of Cordoba with double arches, and the Alhambra's intricate muqarnas ceiling decorations. The Taj Mahal is highlighted as a masterpiece commemorating Shah Jahan's wife. Persian manuscripts are also summarized as illustrated books that married text and calligraphy. The document covers historical and religious context for Islamic art traditions.
Islamic art and stained glass
Islamic architecture focuses on interior beauty rather than exterior with domes, minarets, and geometric patterns representing the infinite nature of Allah. The Nasir Al-Mulk Mosque from 1876-1888 located in Shiraz, Iran exemplifies this with its ornate interior decorated with stained glass windows allowing light symbolizing divine enlightenment. Geometric designs like the Seal of Solomon correspond to religious meanings and circles/squares represent the physical world/elements with endless patterns symbolizing Allah.
Islamicartandstainedglass 141114121526-conversion-gate02
Islamic architecture focuses on interior beauty rather than exterior with domes, geometric shapes, and calligraphy decorating the inside of buildings. Mosques are decorated with elements like minarets, mihrabs, and arabesque patterns without images of people or animals according to Islamic teachings. The Nasir Al-Mulk Mosque in Iran, sometimes called the Pink Mosque, is an example of Islamic architecture from the late 19th century decorated inside with geometric tile designs representing Allah and the natural world.
Islamic Art and Culture
From the beginnings to the classical culture of Islam. architecture, art, medicine, war and society. everything you wanted to know.
Research, Assembly and Design by Alex Brown.
Blog: www.alexbrown.net
Islamic art and stained glass
This document provides information about Islamic architecture and its key features. It discusses how mosques are designed with elements like minarets, domes, and geometric shapes and patterns rather than images. The interior beauty is emphasized over exterior. It then highlights the 19th century Nasir Al-Mulk Mosque as an example, known for its pink color and intricate designs. Hypotheses are formed that its stained glass provides shade and represents divine light, while geometric designs cannot depict images as mandated and correspond to spiritual meanings like the circles representing the physical world. Overall, Islamic architecture is characterized by a focus on mathematics, symmetry, and abstract beauty through shapes and patterns instead of images.
Chapter 8 Islamic Art
Islamic art developed under the religion of Islam beginning in the 7th century. The most important building was the mosque, oriented towards Mecca, with a mihrab arch marking the direction of prayer. Due to religious prohibitions on images, calligraphy became the most prized art form. Islamic architecture featured mosques with minarets to call people to prayer, organized around central plans or hypostyle halls. Geometric patterns and designs predominated in architecture, textiles, and other arts due to the avoidance of figural imagery.
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Lecture 1 islamic art
Islamic art developed unique styles that avoided depicting living forms per religious teachings. Artists used geometric, vegetal, and calligraphic designs to transmit Islamic messages. These included the abstract arabesque style combining floral, calligraphic, and geometric elements into infinite patterns symbolizing God's infinite creation. Islamic art influenced later European styles like Rococo and Baroque through themes reproduced in different media or inspiring novel architectural fashions.
Islamic
Islamic art encompasses visual arts produced by Islamic populations from the 7th century onwards, including fields as diverse as calligraphy, painting, glass, ceramics, and textiles. It is difficult to define because it covers many lands over 1400 years and is not specific to a single religion, time period, place, or medium. Calligraphic design featuring religious and poetic inscriptions is ubiquitous in Islamic art. Notable achievements include ceramics and tilework, which were used to decorate the interiors of early grand Islamic buildings in the absence of wall paintings.
Islamic Art
The document provides an overview of Islamic art from 650 CE to the present. It discusses key ideas such as the importance of calligraphy and mosques facing Mecca. Major architectural works are summarized, including the Dome of the Rock featuring Byzantine influences, the Great Mosque of Cordoba with double arches, and the Alhambra's intricate muqarnas ceiling decorations. The Taj Mahal is highlighted as a masterpiece commemorating Shah Jahan's wife. Persian manuscripts are also summarized as illustrated books that married text and calligraphy. The document covers historical and religious context for Islamic art traditions.
Islamic art and stained glass
Islamic architecture focuses on interior beauty rather than exterior with domes, minarets, and geometric patterns representing the infinite nature of Allah. The Nasir Al-Mulk Mosque from 1876-1888 located in Shiraz, Iran exemplifies this with its ornate interior decorated with stained glass windows allowing light symbolizing divine enlightenment. Geometric designs like the Seal of Solomon correspond to religious meanings and circles/squares represent the physical world/elements with endless patterns symbolizing Allah.
Islamicartandstainedglass 141114121526-conversion-gate02
Islamic architecture focuses on interior beauty rather than exterior with domes, geometric shapes, and calligraphy decorating the inside of buildings. Mosques are decorated with elements like minarets, mihrabs, and arabesque patterns without images of people or animals according to Islamic teachings. The Nasir Al-Mulk Mosque in Iran, sometimes called the Pink Mosque, is an example of Islamic architecture from the late 19th century decorated inside with geometric tile designs representing Allah and the natural world.
Islamic Art and Culture
From the beginnings to the classical culture of Islam. architecture, art, medicine, war and society. everything you wanted to know.
Research, Assembly and Design by Alex Brown.
Blog: www.alexbrown.net
Islamic art and stained glass
This document provides information about Islamic architecture and its key features. It discusses how mosques are designed with elements like minarets, domes, and geometric shapes and patterns rather than images. The interior beauty is emphasized over exterior. It then highlights the 19th century Nasir Al-Mulk Mosque as an example, known for its pink color and intricate designs. Hypotheses are formed that its stained glass provides shade and represents divine light, while geometric designs cannot depict images as mandated and correspond to spiritual meanings like the circles representing the physical world. Overall, Islamic architecture is characterized by a focus on mathematics, symmetry, and abstract beauty through shapes and patterns instead of images.
Chapter 8 Islamic Art
Islamic art developed under the religion of Islam beginning in the 7th century. The most important building was the mosque, oriented towards Mecca, with a mihrab arch marking the direction of prayer. Due to religious prohibitions on images, calligraphy became the most prized art form. Islamic architecture featured mosques with minarets to call people to prayer, organized around central plans or hypostyle halls. Geometric patterns and designs predominated in architecture, textiles, and other arts due to the avoidance of figural imagery.
Islamic art and stained glass
The document provides information about Islamic art, architecture, and the Nasir Al-Mulk Mosque. It discusses key elements of Islamic architecture like domes and minarets. Geometric patterns and avoidance of images are hallmarks of Islamic art. The mosque in Shiraz, Iran is highlighted for its interior beauty achieved through stained glass windows and geometric designs inspired by Islamic traditions. Students are guided through an activity to design their own stained glass window incorporating sacred geometry concepts from Islamic art.
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5) Iqtisad (balance) - the mosque achieves a balanced integration of functional and spiritual elements
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Islamic art and stained glass
The document provides information about Islamic art, architecture, and the Nasir Al-Mulk Mosque. It discusses key elements of Islamic architecture like domes and minarets. Geometric patterns and avoidance of images are hallmarks of Islamic art. The mosque in Shiraz, Iran is highlighted for its interior beauty achieved through stained glass windows and geometric designs inspired by Islamic traditions. Students are guided through an activity to design their own stained glass window incorporating sacred geometry concepts from Islamic art.
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This document provides an overview of medieval art in Europe between 450-1400 CE. It discusses the major types of art that survived from this period, including sculpture, painting, stained glass, tapestry and other decorative arts. Many artworks were commissioned by the Catholic Church and other religious institutions for churches and monasteries. The document outlines some of the most important artistic periods and regions in medieval Europe, including Byzantine art, Carolingian art, Ottonian art, Romanesque art and Gothic art. It provides examples of key medieval artists from these periods and locations.
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Roman and medieval art (1)
Medieval art developed between 300-1400 CE, primarily sponsored by the Christian Church. Major art forms included architecture like cathedrals, sculpture, manuscript illumination, stained glass, and tapestries. Artists often remained anonymous, though some were identified like Gislebertus, a French sculptor from the 12th century. Stylistically, art progressed from early Christian to Carolingian, Romanesque, Byzantine, and Gothic styles as new architectural innovations influenced visual arts through the Middle Ages.
Islamic architecture [wallpapers]
Islamic architecture began by building mosques when Muslims occupied new settlements, and by transforming existing buildings for religious use. It encompasses both religious and secular buildings influenced by Islam. Key elements include large domes, minarets, courtyards, arabesque designs, calligraphy, symmetry, and an interior focus. Styles were also influenced by the Moorish, Timurid, Ottoman, and Mughal empires. Regional variations occurred where other cultures had strong pre-existing influences in Asia and Southeast Asia.
Golden ages of Florence
During the 15th century Renaissance in Florence, Italy, artists like Brunelleschi, Donatello, Masaccio, and Leonardo da Vinci made influential contributions that changed Western art. Brunelleschi measured ancient Roman buildings to understand classical proportions and designed Florence Cathedral's huge dome. Donatello carved some of the first large-scale freestanding statues since antiquity. Masaccio used light and shadow to give figures three-dimensionality in innovative frescoes. Leonardo was a genius in multiple fields but struggled to finish works, though the Mona Lisa and The Last Supper are masterpieces. Their works were inspired by reviving principles of beauty and ideal form from ancient Greece and Rome.
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1) Tawhid (unity of God) - the mosque's location strengthens unity among Muslims.
2) Ihtiram (respect) - Islamic architecture is simple, unadorned and pure to focus on worshipping God alone.
3) Ikhlas (sincerity) - the mosque's design emphasizes purity, light and directing all aspects toward God.
4) Pursuit of 'ilm (knowledge) - Islamic architecture integrates science and knowledge through geometric patterns.
5) Iqtisad (balance) - the mosque achieves a balanced integration of functional and spiritual elements
Islamic Art Online
The document provides historical background on Islamic art, including the origins of Islam and the life of the Prophet Muhammad. It then summarizes key aspects of Islamic architecture such as its emphasis on horizontality, use of arches and columns, avoidance of images, and focus on geometric patterns and calligraphy. Important examples of Islamic architecture are described, including the Dome of the Rock, the Alhambra, and the Taj Mahal.
Islamic art-TEST
The document provides an overview of Islamic art history from the 7th century to the early 20th century. It describes the early period following Muhammad which saw important architectural works like the Dome of the Rock. The medieval period saw rule by the Fatimids in North Africa and the Seljuqs in the east. The later period was marked by the rise of the Ottoman Empire which conquered a vast region including Constantinople.
Islamic Architecture Aesthetics
An introductory presentation about Islamic Art History, focusing on the Islamic architecture aesthetics throughout different eras and geographical locations.
This presentation has been presented as a part of Art History 1 course at Universiti Malaysia Sabah in Malaysia.
Early Italian Renaissance
The document provides background on the Early Italian Renaissance period from the 14th to 17th centuries. It began in Florence and later spread throughout Italy and Europe. Key developments included a resurgence of learning based on classical sources, the emergence of linear perspective in painting, and educational reform. Scholars' access to classical texts like those of Vitruvius was important, as was the establishment of humanism, which celebrated rationality and mankind's ability to understand the physical world. Vitruvius' work "On Architecture" was especially influential for Renaissance architects.
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This document outlines a 7th semester university course on Pakistani architecture. The course will cover 5,000 years of architectural history in Pakistan, from the Indus Valley civilization to modern and contemporary styles. It will examine the influences of Hindu, Buddhist, Mughal, British colonial, and other styles. The goals are to understand Pakistan's historical background, the origins and timeline of its architecture, and analyze prominent examples and architects. Assessment includes assignments, quizzes, and midterm and final exams. Recommended additional readings on specific periods are also listed.
Hoa
The evolution of Islamic architecture was inspired by the Sasanian and Byzantine periods. Domes, arches, and fire temples from the Sasanian period influenced early Islamic structures like the Great Mosque of Samarra. Elements like domes, the use of mosaics and tiles, and buildings like the Dome of Rock and Hagia Sophia provided inspiration from the Byzantine period for later Islamic buildings such as the Salem Mosque II.
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This document provides an overview of medieval art in Europe between 300-1400 CE. It discusses the major types and materials of medieval art, including illuminated manuscripts, sculpture, stained glass windows, tapestries and more. The document also outlines the history and development of medieval art during this period, from early Christian art to Romanesque and Gothic styles. Key medieval artists are mentioned, such as Gislebertus, Nicholas of Verdun, Master Mateo, Theophanes the Greek and Andrei Rublev.
Renaissance Art Movement
The Renaissance movement originated in Italy between the 14th and 17th centuries and emphasized rebirth of classical antiquity. Key artists included Giotto, Leonardo da Vinci, Botticelli, Raphael, and Michelangelo. The Italian Renaissance was notable for reviving classical Greek/Roman styles, embracing humanism, developing techniques like linear perspective, and making artwork more realistic.
Renaissance architecture
The Renaissance architecture began in Italy in the 15th century as a cultural revolution that substituted Gothic architecture and returned to designs of antiquity. Architects during the Renaissance became more intellectual and scientific in their designs, studying geometry, perspective, and architectural languages. Two influential Renaissance architects were Filippo Brunelleschi, who designed the dome of Florence Cathedral, and Leon Battista Alberti, who designed Tempio Malatestiano. Renaissance architecture then spread across Europe, influencing designs of castles, palaces, and cathedrals in other countries like France, Hungary, Belgium, and Germany.
The alcazar of seville and its mosaics
The Real Alcázar of Seville was originally built in the 14th century in the Mudejar style for a Christian king, incorporating Islamic architectural influences. It contains many beautiful examples of geometric mosaic tiles and patterns from this period that have been classified based on the symmetries they exhibit. Mosaics are formed using small colored pieces assembled into images, with repetitive friezes created through translations, rotations, and symmetries like axial symmetry around a line or central symmetry around a point, as well as glide symmetries combining a translation and reflection. An interactive exhibit shows how to generate different symmetries in mosaics using Geogebra.
Renaissance Architecture
The document discusses the history and styles of architecture from the Medieval and Renaissance periods. Medieval Gothic architecture featured tall spires, stained glass windows, and vertical lines to honor God. Renaissance architecture used old ideas in new ways with horizontal lines, domes, small round windows, arches, and vaults to show that man and his world are important. It then focuses on the Cathedral of Santa Maria in Florence, which took over 100 years to complete due to the difficulty of constructing a dome until Filippo Brunelleschi won a contest in 1419 and used Roman arch techniques to finally complete the dome between 1420-1436.
Symbolism in islamic architecture
The document discusses key aspects of Islamic architecture and its symbolism. It explains that mosques are sacred buildings used by Muslims for prayer and always include features like mihrabs, minbars, and minarets. The architecture aims to foster spirituality through simplicity of form, emphasis on interior spaces, and symbolic elements like domes. Islamic residential buildings also emphasize interior courtyards for privacy. The Taj Mahal's design symbolizes concepts from the Quran like the celestial pool and rivers of paradise. Green is a significant color in Islam as it symbolizes nature and paradise.
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Byzantine art and architecture achieved unprecedented levels in mosaic decoration by following an established hierarchy where the dome depicted Jesus as ruler of the universe and other figures occupied lower spaces based on importance. Icon painting usually used encaustic technique to preserve prototypes for religious images. Architecturally, Byzantine buildings were influenced by Roman achievements and included monumental structures like Hagia Sophia and the octagonal San Vitale church.
Contemporary art and design
Contemporary art refers to art created in the present period that develops from postmodern art and modern art. Gottfried Helnwein is a favorite contemporary artist who was born in 1948 in Austria. He is a painter, photographer, and installation artist who has won several prizes for his work in various media like painting, drawing, photography, murals, sculpture, and performance art. One of his notable artworks is an oil and acrylic painting from 2009-2013 called The Murmur of the Innocents.
19th century art
The document summarizes four major art movements in the 19th century: Romanticism, Realism, Impressionism, and Post-Impressionism. Romanticism featured individualistic and emotionally charged works by artists like Caspar David Friedrich. Realism depicted realistic scenes without idealization, exemplified by Jean-Francois Millet and the Barbizon School. Impressionism was a spontaneous style of painting landscapes in light colors, begun by artists including Claude Monet, Alfred Sisley, and Pierre-Auguste Renoir. Post-Impressionism encompassed various styles influenced by but diverging from Impressionism, including the emotionally charged works of Paul Gauguin, Paul Cezanne, Vincent
Renaissance
Renaissance art developed in Europe between the 14th and 16th centuries and was influenced by increased interest in nature, classical learning, and individualism. Renaissance art combined classical antiquity traditions with Northern European developments and contemporary scientific knowledge. Examples of Renaissance art include Michelangelo's David statue and Leonardo da Vinci's Mona Lisa and Last Supper paintings.
Prehistoric art
Prehistoric art was created by people without a written language and included paintings, drawings, and figurines made starting around 30,000 BC. The emergence of art marked an advancement in early humans' cognitive abilities and helped strengthen social bonds and organize primitive societies by meeting practical needs through activities like dances depicting hunting and work that developed into music.
Art nouveau
Art Nouveau was an elegant decorative art style from the late 19th to early 20th century characterized by intricate curved patterns. It originated from the British Arts and Crafts Movement and was popular across Europe and the United States, seen in works by artists like Alphonse Mucha, Aubrey Beardsley, and Gustav Klimt. Art Nouveau influenced painting, sculpture, jewelry, and other crafts until being replaced after World War I by the Art Deco style.
Art deco
Art Deco was a modernist style of art, design, and architecture that used angular geometric forms and emerged in reaction to Art Nouveau in the early 20th century. It is exemplified by iconic 1930s skyscrapers like the Chrysler Building in New York, known for its distinctive angular architecture and considered a prime example of Art Deco design. Well-known artists working in the Art Deco style included Tamara de Lempicka, Erte, Rene Lalique, and Cassandre.
Abstract expressionism& pop art
Abstract Expressionism was a post-World War II American art movement developed in New York in the 1940s that expressed the artist's inner feelings through non-representational use of form and color, divided into action painting typified by Pollock and color field painting practiced by Rothko. Pop Art emerged in the 1950s in Britain and United States as a style exploring everyday consumer culture imagery from advertisements, products, celebrities, and comics, with leading artists like Warhol, Rauschenberg, and Lichtenstein.
Industrial revolution
The Industrial Revolution had widespread effects as it transformed agriculture, manufacturing, mining, transport, and technology in the late 18th and 19th centuries. A key innovation was the development of the continuous paper making machine. The Fourdrinier machine, named after the British businessmen who financed its development, used a conveyor belt to form a continuous paper web. This improved upon earlier sheet-by-sheet paper making methods and was crucial to large-scale paper production. The Fourdrinier machine was first installed in England in 1803 and helped advance the mass production of paper, with the technology then spreading to the United States in the 1827.
Op art
Optical Art, also known as Op Art, uses repetition of simple forms and colors to create optical illusions and visual effects like moiré patterns, exaggerated depth, and foreground-background confusion. In the mid-20th century, artists like Victor Vasarely, Josef Albers, and M.C. Escher experimented with Optical Art techniques in their abstract works. Then in the 1960s, the term "Op Art" was coined to describe paintings by Vasarely, Bridget Riley, and other abstract artists that used optical illusions to manipulate visual perception.
Bauhaus
Bauhaus was an influential German art school founded in 1919 by Walter Gropius that combined crafts and fine arts in its teaching and design approach, featuring a signature modernist style blending Expressionism with architecture and design. The school closed under Nazi rule in 1933, forcing many artists to emigrate and spread the Bauhaus style worldwide, including to the United States.
Minimalism
Minimalism is an abstract art style that uses pared-down design elements and objects stripped down to their elemental, geometric forms presented in an impersonal manner. It began as a reaction against abstract expressionism in post-World War II Western art, strongly emerging in American visual arts in the 1960s-1970s as a form of installation or sculpture using reduced elements by artists like Donald Judd, Carl Andre, Dan Flavin and Sol LeWitt.
De stijl
De Stijl was an artistic movement founded in 1917 in the Netherlands by Piet Mondrian and Theo van Doesburg that promoted abstract and minimalistic geometric forms in art and architecture. The magazine De Stijl became a vehicle for Mondrian's ideas on abstract art, known as neoplasticism, which emphasized primary colors and straight horizontal and vertical lines. While other artists contributed to the movement, Mondrian withdrew in 1923 due to stylistic differences with Van Doesburg, though Van Doesburg continued publishing the magazine until 1931 and the movement influenced later abstract art and modern design.
Baroque&rococo
Baroque art developed in the early 1600s in Europe as a reaction against complex Mannerism, featuring more realistic and emotionally affecting styles. It was encouraged by the Catholic Church and developed by artists like Caravaggio, Bernini, and Carracci. In the 18th century, the more elegant and elaborate Rococo style succeeded Baroque, being most popular in France under King Louis XV and exemplified by artists like Fragonard, Boucher, Watteau, and Tiepolo. Rococo was later replaced by Neoclassicism.
Ancient greek
Ancient Greek art is best preserved through sculpture, architecture, and minor arts like pottery and coin design. Pottery was mostly utilitarian rather than decorative, though trophies from games were exceptions. Architecture did not exist in Greece from 1200 BC until the 7th century, when the Greeks developed three orders - Doric, Ionic, and Corinthian - with distinctive proportions and details. The Doric style was sturdy with a plain capital, used in mainland Greece and southern Italy. The Ionic style was thinner and more elegant with a scroll-like capital, found in eastern Greece and islands. The Corinthian style had an elaborate acanthus leaf capital and was seldom used in Greece but often in Rome.
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This document discusses color theory and properties. It defines color as a component of light and describes how humans see color through light receptors in the eye. It then covers the history of color theory including Newton's color wheel and Munsell's color system. The document also discusses color properties such as primary/secondary colors, color harmonies, color psychology and meanings, and cultural meanings of color.
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The Arts and Crafts Movement began in Britain in 1880 in response to concerns about the effects of industrialization, spreading across Europe and America. Inspired by social reformers like Walter Crane and John Ruskin and designer William Morris, it established new principles for design, traditional skills, and quality of life, advocating art reform across all levels of society and turning homes into works of art.
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Islamic Art (Group 1)
Islamic art developed under the Islamic caliphates between the 7th and 15th centuries. It incorporated elements of ancient Middle Eastern traditions with influences from other regions conquered by Muslim armies. Islamic art is characterized by calligraphy, geometric and floral motifs, and avoidance of images of animate beings in accordance with Islamic traditions. Architecture featured domes, arches, and intricate decorative elements like arabesques. Gardens were also designed with religious symbolism and to provide respite from harsh climates.
History of Architecture: Islamic Architecture
this PowerPoint presentation contains all you should know about Islamic architecture. this features the history, architectural character, examples of Islamic structures, and the contemporary Islamic architects. Best for architecture students studying History of Architecture 3.
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The document provides an overview of Islamic art and architecture from the 7th century onward. It discusses how Islamic visual arts are generally decorative and nonfigurative, with characteristic arabesque patterns. Between 750-1100 CE, ceramics, glasswork, and manuscript illumination flourished. Islamic architecture is best expressed in mosques, with key elements including courtyards, minarets, domes, and geometric patterns. Notable dynasties that influenced Islamic art include the Umayyads, Abbasids, Seljuks, and Ottomans, with iconic structures like the Dome of the Rock, Isfahan Mosque, and Hagia Sophia mentioned.
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This document provides an overview of different types of decorations found in Islamic art and architecture, with a focus on geometry. It discusses four main types: calligraphy, vegetal patterns, figural representations, and geometric patterns. Geometry is described as one of the most important elements, with intricate patterns constructed using simple shapes like circles, squares, and straight lines in a repetitive, non-framed manner. The document then examines the construction of basic 3-10 point geometric patterns and provides examples of how geometric concepts are applied in contemporary architecture, demonstrating the ongoing influence of Islamic design principles.
islamic art.pptx
Islamic art encompasses all art produced in Muslim lands and is not defined by religious imagery alone. Key art forms include architecture, calligraphy, manuscript illumination, metalwork, ceramics, textiles, and glasswork, which are decorated with calligraphy, arabesques, floral patterns, and geometry. Islamic architecture began by following the tradition of building mosques and transformed pre-existing structures. Elements include large domes, minarets, courtyards, and use of geometry, calligraphy, symmetry, and bright colors with an emphasis on interior space. Styles were influenced by location and incorporated regional influences, expressing concepts of infinity, education, and symbolic/scientific purposes through impressive forms and repetition without fig
Islamic Architecture.pptx20.pptx
The document discusses Islamic architecture and its influences. It describes how Islamic architecture was influenced by Roman, Byzantine, Persian and other styles. Key elements of Islamic architecture are then outlined, including minarets, domes, muqarnas vaulting, mihrabs and arches. Ornate decorative details are also discussed. As an example, the layout and design of the original Round City of Baghdad is described.
Islamic art
Islamic art developed from the 7th century onward and encompasses many lands and cultures. It includes various visual art forms, as well as architecture. Repeating geometric patterns and calligraphic designs are hallmarks of Islamic art. Some of the most significant art forms are carpets, ceramics like tiles and pottery, glasswork, metalworking, and illuminated manuscripts. Islamic artists made innovations in techniques like luster painting and tile work that influenced other regions.
Islamic art and byzantine art
The document provides information about Islamic art and Byzantine art. It discusses key characteristics of each style including calligraphy being a fundamental element of Islamic art, with over 100 styles of Arabic calligraphy. Byzantine art is described as having flattened, symbolic spaces with elongated proportions and emphasis on eyes. The document also provides details about iconic buildings representing each style, including the Blue Mosque as an example of Islamic architecture featuring six minarets, and Hagia Sophia in Istanbul as a prime example of Byzantine architecture.
Islamic architecture
Islamic architecture encompasses both secular and religious structures from the rise of Islam to present day. The main types are mosques, tombs, palaces, and forts, with characteristics including niches, columns, arches, minarets, and calligraphy. Islamic architectural styles developed based on the regions conquered, incorporating influences from Persia, Central Asia, China, and the Horn of Africa.
The Enduring Legacy of Islamic Calligraphy in Art and Architecture.docx
The history of Islam bears witness to the profound significance of calligraphy in both art and architecture, from the diverse styles of Arabic scripts since the inception of the Quran to the medieval walls of Andalusian Spain. This form of art is deeply intertwined with the Islamic faith, serving as a visual representation of spiritual significance.
Islamic Architecture
Islamic Architecture from early Medieval to Ottoman: It encompasses a wide range of both secular and religious styles from the foundation of Islam to the present day. What today is known as Islamic architecture was influenced by Roman, Byzantine and all other lands which the Muslims conquered in the 7th and 8th centuries.
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Islamic art began in the 7th century under the Umayyad Dynasty, influenced by Byzantine, Roman, Asian, early Christian and Sassanian art. As a hub for trade, Islamic regions exchanged knowledge, goods and art forms across Europe, northern Africa and Asia. Islamic art reflects these diverse influences and focuses on calligraphy, patterns and architecture over human forms due to prohibitions on idolatry. Calligraphy is prominently featured in decorative elements and architectural designs, while ceramics, metalworking and architecture also flourished as Islamic art forms. Iconic architectural works like the Dome of the Rock in Jerusalem showcase the integration of religion and culture central to Islamic art traditions.
Islamic
Islamic art encompasses visual arts from the 7th century in areas ruled by Islamic populations and includes diverse mediums such as calligraphy, painting, glass, ceramics, and textiles. Calligraphic design featuring religious texts is common across secular objects. Islamic art made significant achievements in ceramics including pottery and wall tiles, which served as wall decorations in the absence of paintings. Interior walls of early grand Islamic buildings were decorated with mosaics, while distinctive glazed and brightly colored tiling became the tradition for interior and exterior walls and domes from the 9th century onward.
Islamic
Islamic art encompasses visual arts from the 7th century in areas ruled by Islamic populations and includes diverse mediums such as calligraphy, painting, glass, ceramics, and textiles. Calligraphic design featuring religious texts is common across secular objects. Islamic art made significant achievements in ceramics including pottery and wall tiles, which served as wall decorations in the absence of paintings. Distinct Islamic architectural traditions also developed such as glazed tile work seen in mosques beginning in the 9th century.
Islamic Art
This document provides an overview of an assignment on Islamic art for students Usama Tariq and Umar Waqar. It discusses the history of Islamic art over different dynasties from the Umayyad to the Ottomans and Mughals. It also covers the main contents of Islamic art including calligraphy, painting, rugs, ceramics, glass, metalwork, and how art reflected Islamic beliefs in beauty.
Islamic Art
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Islamic Ornament
Islamic artists developed rich non-figural ornamental patterns due to religious bans on images. Geometric ornament uses simple shapes arranged in intricate patterns that symbolize order and god's law. Another form is stylized plant patterns similar to paradise gardens but without figures. Calligraphy, meaning beautiful writing, expresses god's message through cursive Arabic script. These three elements are often combined in works like ceramic tiles decorating the Dome of the Rock with geometric patterns, plants, and Koran quotes.
Pakistani architecture
Pakistani architecture has developed over various periods, starting from ancient Indus Valley civilizations to modern times. The Indus Valley civilization included well-planned cities with public buildings and drainage systems. Buddhist architecture later flourished with structures borrowing from Greek styles. Islamic architecture rose with the arrival of Islam, shown through early mosques oriented towards Arab styles. Under the Mughal Empire, architecture blended Persian and Indian influences. During British rule, a mixture of European and Islamic styles emerged. After independence, Pakistan strived to express its national identity through modern mosques, monuments, and buildings.
The golden age of islam2
The document provides an overview of the Golden Age of Islam, characterized by significant developments in the arts, sciences, and intellectual pursuits between the 8th-14th centuries. Key factors that supported this period included the translation of classical Greek and other works which combined with original Muslim contributions; the establishment of libraries, hospitals and observatories; tolerance of other faiths; and state patronage of scholarship. Major advances were made in fields such as philosophy, mathematics, astronomy, medicine, architecture, art, and literature. The universal emphasis on knowledge in the Quran encouraged scientific inquiry.
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