The document discusses the different types of sounds used in TV drama, including diegetic sounds that come from within the world of the story and non-diegetic sounds that are added later for mood or emotion. It explains that dialogue, sound effects, and music make up the sound track and help create balance between the realism of the story world and the drama. Proper use of these sounds through techniques like stings, incidental music, and ambient noise can manipulate audiences' emotions and signal upcoming events to enhance dramas.

1. AS Media Studies: TV Drama
Sound: Micro Elements

2. Sound in TV Drama
• Sound has the power to
create certain moods,
to create character and
can signal events that
are about to happen.
• The power of music to
manipulate audiences
emotions has always
been acknowledge in
television and film.

3. Sound in TV Drama
The entire sound track is comprised of three essential ingredients:
• the human voice /dialogue
• sound effects
• music
• In TV drama these create a balance between the realism of the
world of the text/programme and drama that is created by the
use of sound
(in the real world dialogue is less polished and music/ soundtracks
don’t appear!)

4. Types of Sound
The world of the TV programme we see on screen is called the
DIEGESIS.
• There are two main types of sound in TV drama…
1) DIEGETIC sound
1) NON-DIEGETIC sound
Both are used in TV drama to create VERISIMILITUDE – realism.
VERISIMILITUDE = the believable logic of the texts
world (which appears real)

5. Diegetic Sound
• DIEGETIC SOUND is any sound or music
that happens inside the world of the story
This sound is part of the programme’s
world (diegesis) and can be
dialogue/speech, footsteps and sound
effects with a source.
• For example if the drama portrays a
character playing the piano, the sounds of
the piano are projected.
• DIEGETIC sounds contribute to the
realism of the programme and also help
to create a particular atmosphere.

6. Diegetic Sound
• The “click” of a door being opened
may simply serve to convince the
audience that the image portrayed
is real, and the audience-may only
subconsciously note the expected
sound.
• However, if the “click” of an
opening door is part of an ominous
action such as a burglary, the
sound mixer may call attention to
the “click” with an increase in
volume; this helps to engage the
audience in a moment of
suspense.

7. Non-Diegetic Sound
• Non-diegetic sound is sound that which takes place outside
the world of the story.
• It is usually placed on later in the post-production process e.g.
music and soundtrack.
• Such sounds are included so as to provide an appropriate
emotion or mood and they may also add to the realism of the
drama.
• Foley is the reproduction of everyday sounds for use in filmmaking.
These reproduced sounds can be anything from the swishing of
clothing and footsteps to squeaky doors and breaking glass. The best
Foley art is so well integrated into a film that it goes unnoticed by the
audience. It helps to create a sense of reality within a scene. Without
these crucial background noise, movies feel unnaturally quiet and
uncomfortable. - http://www.youtube.com/watch?v=D5CK0HH6xBk

8. Diegetic and Non- Diegetic sounds
Task: In groups, watch the opening sequence of
Life on Mars (episode 5) and identify as many
examples of diegetic sound and non-diegetic
sound as you can.
• http://www.youtube.com/watch?
v=2Pwbw5grXVk

9. Dialogue - modes of address
Voice Over
• The use of voice over is generally
used in TV drama as a narrative
device
• This is first person narration.
• The voice over can also allow us
information about the central
character and build his/her
representation Narrative Devices =
• They can also allow privileged
information – so sometimes we will Elements that help explain
know more than the other characters the narrative (story/plot)
on screen- which creates drama! e.g. voice over, captions
and extended dialogue

10. Dialogue/Speech: Modes of Address
Direct Address
• Direct address = when the characters on
screen directly address the audience.
• It is an alternative to the voice over.
• This is rare in TV drama but when used
can create humour or can act as a
narrative device , giving us more
information about the narrative.
• It tends the break the verisimilitude of the
drama and stops the action taking place.
(Breaking the 4th wall.)
• http://www.youtube.com/watch?v=Oqps_-

11. Dialogue/Speech: Modes of
Address
• Can also refer to how the audience speak to
one another
• Are they speaking to them in a fatherly
figure way, are they having to refer to them
as ‘My lord..’, reflecting age/status…are
they being sexist…
• You can actually quote dialogue to support
your points

12. The Importance of Music in
TV Drama
• The soundtrack/score in TV drama is often used to
tell the audience how we should be feeling, whether
this is sad, happy, scared or amused.
• This use of music is a convention of TV drama.
Task: Watch the sequence from Jaws – what
emotions do you feel in this sequence and how
do the programme makers achieve it through the
use of music?
http://www.youtube.com/watch?v=f2K-YedETiI

13. Incidental music
• This Incidental music is used to add emotion and rhythm to a
drama. Usually not meant to be noticeable.
• it often provides a tone or an emotional attitude toward the
story and/or the characters depicted.
• In addition, background music often foreshadows a change
in mood. For example, dissonant music may be used in film to
indicate an approaching (but not yet visible) menace or disaster.
• Incidental music may aid viewer understanding by linking
scenes. For example, a particular musical theme or sound
motif associated with an individual character or situation may
be repeated at various points in a text in order to remind the
audience of ideas (think the Bond theme in Bond films or
Indiana Jones films.)

14. • sound is comprised of conventions and
innovations.
• We have come to expect an acceleration of
music during car chases and creaky doors in
horror dramas.
• Yet, it is important to note as well that sound
is often brilliantly conceived. The effects of
sound are often largely subtle and often are
noted by only our subconscious minds

15. Parallel and Contrapuntal Sound
• Sound can be used in one of two ways…
1) Parallel sound = when we watch a TV drama the
sound we hear usually compliments and follows
what we see on screen. For example fast paced,
loud music in chase scenes or action sequences.
2) Contrapuntal sound = is sound that does not fit the
images we see on screen. Usually done to create
an effect e.g. classical music over violent scenes
etc…

16. Stings
• A Sting = either a brief crescendo stab of music used to
enhance the drama of the current situation just before a
change of scene (called a "dramatic sting" when used this way)
• or a brief comical stab on music to enhance a punch line at the
end of a scene (most famously, the so-called "rimshot" -- ba-
dum-bum-ching).
• "Sting 'em and sling 'em" is a phrase used to describe this kind
of break.
• When used for a cheap shock, the sting becomes a scare
chord.
E.g the end of an episode of Eastenders
http://www.youtube.com/watch?v=F6YU1Bs35Tc

17. Ambient Sound
• Ambient sound, also known as natural
sound = The sound occurring in the
area where they shoot the drama. It is
often used or created in dramas to
create verisimilitude (realism)

18. Revision Test
• Next lesson on terms covered in todays
class