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Textual Analysis
 Sound which comes from the world of the 
film (the diegesis). 
 Any event which occurs on or off screen 
which has a noise audible to the characters. 
Includes: 
 Dialogue 
 Ambient Sounds 
▪ Sound Effects
 Diegetic sound is a highly effective at 
creating a sense of place and the nature of 
events (environment).
 Scripted speech: 
 Moves the story forward 
▪ Emphasises events in the scene 
 Develops the audience’s sense of character 
▪ Creates relationships & tensions
 Scripted speech: 
 Accent 
 Delivery 
 Vocabulary
 Apply what you’ve learnt to this sequence
Sound which is not from any source within the diegesis (world of the film) 
but is added as an extra layer of sound in post production. Includes: 
Music 
Voiceovers
The feel of the film
 Interpret (emotionally) a feeling or sensation
 Create or enhance audiences’ understanding of 
and/or empathy with a key character.
 Echoes the nature of the place in which the 
film is set: 
 Scale 
 Culture 
 Mystery 
 Wonder
 Gives a sense of pace to the sequence, allows 
the audience to move follow the flow 
(climaxes / lulls) of the sequence and the 
overall film.
 Lyrics can be used in some cases to reflect the 
theme(s) of the film.
 Position the audience with a particular 
character 
 Understand their mental state 
 Give us narrative information 
 Trick us – The untrustworthy narrator
 Popular or classical music 
 Instrumentation 
 Rhythm 
 Tempo 
 Volume 
 Arrangement (Crescendos, Diminuendos, key 
changes)
 Parallel (matches emotions / events on 
screen). 
 Contrapuntal (contrasts / juxtaposes events / 
emotions on screen).
 Used to link two sequences together and is 
employed in conjunction with editing to 
move the action in time or place or both. 
 Can be diegetic or non diegetic sound.
 Character’s signature tune
 The quality of the sound changes depending 
on the audiences’ positioning in events. 
 Diegetic & Non-Diegetic can be made to fade into 
the background or fore grounded depending on 
the need / impact.

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Film Sound Techniques

  • 2.
  • 3.  Sound which comes from the world of the film (the diegesis).  Any event which occurs on or off screen which has a noise audible to the characters. Includes:  Dialogue  Ambient Sounds ▪ Sound Effects
  • 4.  Diegetic sound is a highly effective at creating a sense of place and the nature of events (environment).
  • 5.  Scripted speech:  Moves the story forward ▪ Emphasises events in the scene  Develops the audience’s sense of character ▪ Creates relationships & tensions
  • 6.  Scripted speech:  Accent  Delivery  Vocabulary
  • 7.  Apply what you’ve learnt to this sequence
  • 8. Sound which is not from any source within the diegesis (world of the film) but is added as an extra layer of sound in post production. Includes: Music Voiceovers
  • 9. The feel of the film
  • 10.  Interpret (emotionally) a feeling or sensation
  • 11.  Create or enhance audiences’ understanding of and/or empathy with a key character.
  • 12.  Echoes the nature of the place in which the film is set:  Scale  Culture  Mystery  Wonder
  • 13.  Gives a sense of pace to the sequence, allows the audience to move follow the flow (climaxes / lulls) of the sequence and the overall film.
  • 14.  Lyrics can be used in some cases to reflect the theme(s) of the film.
  • 15.  Position the audience with a particular character  Understand their mental state  Give us narrative information  Trick us – The untrustworthy narrator
  • 16.  Popular or classical music  Instrumentation  Rhythm  Tempo  Volume  Arrangement (Crescendos, Diminuendos, key changes)
  • 17.  Parallel (matches emotions / events on screen).  Contrapuntal (contrasts / juxtaposes events / emotions on screen).
  • 18.  Used to link two sequences together and is employed in conjunction with editing to move the action in time or place or both.  Can be diegetic or non diegetic sound.
  • 20.  The quality of the sound changes depending on the audiences’ positioning in events.  Diegetic & Non-Diegetic can be made to fade into the background or fore grounded depending on the need / impact.

Editor's Notes

  1. Star Wars – Intro Orchestration – What sort of movie is this going to be?
  2. The Incredibles - http://www.youtube.com/watch?v=t5v2qBBD-gE
  3. No Country for Old Men – Call it Frendo: http://www.youtube.com/watch?v=OLCL6OYbSTw
  4. Alien Ch 13 – The Dallas in the Duct / Air Vent – Listen to the diegetic sound and how they contribute to the atmosphere in the sequence
  5. The Ipcress File: http://www.youtube.com/watch?v=pBCqP7R42K0
  6. Chariots of Fire: http://www.youtube.com/watch?v=Sd7s6C6apUM or Vertigo: http://www.youtube.com/watch?v=kC5AzFc3coo
  7. The Piano – The Sacrifice - http://www.youtube.com/watch?v=0Su8LXNS16A
  8. Last of the Mohicans - http://www.youtube.com/watch?v=ah9XCamPyKA- Listen to music which captures both the mystery, wonder & scale of frontier American, and also uses instrumentation that reflect the cultural sense of the place – Scottish Folk Music Blade Runner http://www.youtube.com/watch?v=deA6FU1TwtY – Listen to how the feel of the music reflect the glittering beauty of the city
  9. Star Wars – In the Death Star – Ch 37 – Orchestration shifts us between different stories within the narrative happening simultaneously
  10. Apocalypse Now – Scene One – The Doors This is the End
  11. Forrest Gump Memento
  12. Contrapuntal Sound – Increasing the Horror Revervoir Dogs – Stuck in the Middle - http://www.youtube.com/watch?v=oeVhxSSPsac Millers Crossing (Ch10) – Danny Boy Contrapuntal Sound – Lulling the audience Full Metal Jacket - http://www.youtube.com/watch?v=VEWnJ5SC0rk
  13. Jaws – The Ultimate lietmotif - http://www.youtube.com/watch?v=rW23RsUTb2Y The Man with no Name – The Final Show Down in The Good the Bad & The Ugly – Morricone interweaves three distinct leitmotifs
  14. Spiderman – Uncle Ben dies – Listen for the shifting in and out of diegetic sound to give us narrative information ‘They’ve found the shooter’ or to heighten jeopardy – trucks / whizzing noise during chase. Rodrigo e Gabriela - http://www.youtube.com/watch?v=LpI2JSn2o0A – Great shift in sound perspective half way through from record player to speakers