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This document summarizes research on the thriller genre film market from 2012-2013. It includes information on the number of thriller films released and their total box office gross each year. In 2012, the top 3 most successful thrillers were The Hunger Games, Taken 2, and Safe House. While the thriller genre accounted for 11.94% of the total film market in 2013, down slightly from 2012. Gravity was the most successful thriller of 2013. The target audience for thriller films tends to be males aged 15-24 from social class C2.
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Institutional research
This document summarizes research on the thriller genre film market in 2012 and 2013. It includes: the number of thriller films released and their total box office gross each year; the top 3 most successful thriller films of 2012 and 2013; the market share of the thriller genre compared to other genres; and characteristics of the thriller audience such as their average age (15-24), social class (C2), and gender (mostly male).
Institutional Research AS Media
In 2012, 60 thriller films were released domestically grossing $1.5 billion total. The Hunger Games was the most successful, grossing over $400 million. Thrillers proved profitable in 2012, earning higher profits than budgets. Thrillers typically receive 12A or 15 ratings due to violence and themes unsuitable for younger audiences. They target teenagers and older, appealing mainly but not exclusively to males with action and violence.
Age Demographic
This document discusses analyzing the age demographic for a psychological thriller film marketing campaign. It first looks at previous survey data that showed the genre's audience ranged from 18-45, with key groups being 22-27, 28-35, and 36-45. However, this data had a small sample size. The document then analyzes data from 5 psychological thriller films on the YouGov website, finding that 4 of the 5 had over 30% of their audience aged 25-39. This leads to the conclusion that the target age demographic for the marketing campaign should be 25-39 years old.
UKFC Statistic Analysis
The document analyzes data on film genres and audiences to determine the target audience for a new thriller/horror hybrid film. It finds that while thrillers/suspense are more popular overall, horror appeals more to younger female audiences. Specifically, females under 35 represent the primary audience for horror, while thrillers attract an older female audience aged 35+. The document concludes that the main target audience for the new film should be females under 35, in order to appeal to horror fans, while also aiming to attract secondary male viewers.
Target Audience Research - UK Film Council
The document analyzes data on film genres and audiences to determine the target audience for a new thriller/horror hybrid film. It finds that while thrillers/suspense are more popular overall, horror appeals more to younger female audiences. Specifically, females under 35 represent the primary audience for horror, while thrillers attract an older female audience aged 35+. The document concludes that the main target audience for the new film should be females under 35, in order to appeal to the primary horror audience, while also aiming to attract more secondary male viewers.
Question 4
The document discusses the target audience for a crime thriller film. The intended audience is males ages 15-30, as research showed this demographic is most interested in crime thrillers and action films. Specifically, they enjoy films with male leads who serve as role models, and they find the tension and action in such films intriguing. To attract this demographic, the main character in the film will be similar in age and social class to appeal to their relatability. Research also indicated that middle-class audiences on the ABC scale are most likely to watch crime thrillers that portray middle-class roles resembling the characters. In conclusion, while the genre often attracts both males and females, the film is targeting males ages 15-30 as the primary
Research from BFI
The document analyzes box office data and genre popularity for films released in the UK in 2014. It finds that thriller films like Gone Girl and The Hunger Games: Mockingjay Part 1 were among the most popular that year. However, thrillers on average did not perform as well financially as other genres like action. The document also examines audience reception by age group, finding that thrillers are generally rated for older viewers and are less popular with teenagers. Gender data shows dramas appealing more to women while men prefer action and thriller genres. This information is used to inform the design of the author's thriller film opening to appeal to diverse audiences.
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Germans are worried about several potential problems with hosting the 2006 World Cup according to a new survey. The survey found that 77% of Germans think it's likely there will be riots by soccer hooligans in host cities. Nearly 90% are concerned about overcrowded public transportation and traffic jams around stadiums. Additionally, three-quarters of Germans think it's unlikely their national team will win the World Cup, despite high demand for tickets among German fans.
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Institutional research
This document summarizes research on the thriller genre film market in 2012 and 2013. It includes: the number of thriller films released and their total box office gross each year; the top 3 most successful thriller films of 2012 and 2013; the market share of the thriller genre compared to other genres; and characteristics of the thriller audience such as their average age (15-24), social class (C2), and gender (mostly male).
Institutional Research AS Media
In 2012, 60 thriller films were released domestically grossing $1.5 billion total. The Hunger Games was the most successful, grossing over $400 million. Thrillers proved profitable in 2012, earning higher profits than budgets. Thrillers typically receive 12A or 15 ratings due to violence and themes unsuitable for younger audiences. They target teenagers and older, appealing mainly but not exclusively to males with action and violence.
Age Demographic
This document discusses analyzing the age demographic for a psychological thriller film marketing campaign. It first looks at previous survey data that showed the genre's audience ranged from 18-45, with key groups being 22-27, 28-35, and 36-45. However, this data had a small sample size. The document then analyzes data from 5 psychological thriller films on the YouGov website, finding that 4 of the 5 had over 30% of their audience aged 25-39. This leads to the conclusion that the target age demographic for the marketing campaign should be 25-39 years old.
UKFC Statistic Analysis
The document analyzes data on film genres and audiences to determine the target audience for a new thriller/horror hybrid film. It finds that while thrillers/suspense are more popular overall, horror appeals more to younger female audiences. Specifically, females under 35 represent the primary audience for horror, while thrillers attract an older female audience aged 35+. The document concludes that the main target audience for the new film should be females under 35, in order to appeal to horror fans, while also aiming to attract secondary male viewers.
Target Audience Research - UK Film Council
The document analyzes data on film genres and audiences to determine the target audience for a new thriller/horror hybrid film. It finds that while thrillers/suspense are more popular overall, horror appeals more to younger female audiences. Specifically, females under 35 represent the primary audience for horror, while thrillers attract an older female audience aged 35+. The document concludes that the main target audience for the new film should be females under 35, in order to appeal to the primary horror audience, while also aiming to attract more secondary male viewers.
Question 4
The document discusses the target audience for a crime thriller film. The intended audience is males ages 15-30, as research showed this demographic is most interested in crime thrillers and action films. Specifically, they enjoy films with male leads who serve as role models, and they find the tension and action in such films intriguing. To attract this demographic, the main character in the film will be similar in age and social class to appeal to their relatability. Research also indicated that middle-class audiences on the ABC scale are most likely to watch crime thrillers that portray middle-class roles resembling the characters. In conclusion, while the genre often attracts both males and females, the film is targeting males ages 15-30 as the primary
Research from BFI
The document analyzes box office data and genre popularity for films released in the UK in 2014. It finds that thriller films like Gone Girl and The Hunger Games: Mockingjay Part 1 were among the most popular that year. However, thrillers on average did not perform as well financially as other genres like action. The document also examines audience reception by age group, finding that thrillers are generally rated for older viewers and are less popular with teenagers. Gender data shows dramas appealing more to women while men prefer action and thriller genres. This information is used to inform the design of the author's thriller film opening to appeal to diverse audiences.
World cup traffic and hooligans intermediate instant lesson
Germans are worried about several potential problems with hosting the 2006 World Cup according to a new survey. The survey found that 77% of Germans think it's likely there will be riots by soccer hooligans in host cities. Nearly 90% are concerned about overcrowded public transportation and traffic jams around stadiums. Additionally, three-quarters of Germans think it's unlikely their national team will win the World Cup, despite high demand for tickets among German fans.
Institutional research
There were 52 thriller films released in 2015, accounting for 6.9% of total films and 2.9% of total box office earnings that year. While thriller films are profitable, they are less popular than action films. Some of the most successful thriller films in 2015 were Taken 3, Mad Max: Fury Road, and Mission: Impossible - Rogue Nation. These films were highly successful due to their large budgets, franchise popularity from previous films, star power, and appeal to broad audiences as hybrid genres. Younger audiences, especially males ages 15-24, tend to be the primary viewers of thriller films.
Target audience research
The document discusses targeting an audience for a movie trailer. It will involve post-apocalyptic aspects but not be a horror or sci-fi genre. The cause of the main character's desertion is undecided. The trailer is branded as a drama for an older teenage to adult audience. It will still be relatable to adults and emphasize with an older teenager. The main character is played by an 18-year old actress, helping the target audience range from older teen to adult. The target audience should enjoy drama movies and the trailer incorporate some storytelling and mystery.
Identifying Target Audience 2
The document analyzes target audience data from the UK Film Council to identify the target demographic for a new film. The primary target audience is females under 35 (44%) and the secondary is males under 35, which is opposite of what was expected. Both audiences are middle class (C2 social group). Horror is in the top 10 favorite genres among the population, indicating the target audience is mainstream. DVD and cinema data show horror films, especially dark horrors, have mainstream audiences.
Audience moodboard
The document discusses the target audience and genre for a horror film opening sequence based on survey results. It aims to appeal to 15-22 year old females, the largest respondents, using supernatural horrors as 46% of respondents preferred that sub-genre. The best market is considered to be the blockbuster category since 59% of people in another survey indicated that preference, matching the document's own survey results. The antagonist should be a clown to exploit the fear factor and the fact that 40% of respondents cited clowns as their biggest fear.
Questionnaire analysis
The document summarizes data from a questionnaire about thriller film audiences. It finds that the target audience is primarily male (62.5%) and between ages 18-34 (87.5%). Most learn about new films through TV advertisements. Murder narratives are most popular plotlines. Successful thriller films like "Inception" and "Gone Girl" emphasize storyline, plot twists, and editing quality. Respondents expect props like guns and knives in psychological thrillers. Dark color schemes are preferred for posters to suit thriller themes. Cliffhangers are an effective device as they create mystery and intrigue audiences. The main image is the most impactful part of a film poster according to 81.25% of respondents.
Horror Film Poster Analysis
This poster summarizes the slasher horror film "The Purge" through its visual elements and taglines. The poster prominently features the antagonist wearing a disturbing mask, indicating this is a slasher film where the killer wears a mask. The tagline "All crime is legal for 12 hours" conveys the film's premise of an annual event where all laws are suspended. Additional text encourages viewers to "Survive the night" and use the hashtag to spread awareness on social media. Overall the poster follows horror conventions through its dark color scheme, masked antagonist, and promotion of violence, death, and danger to intrigue audiences.
International Relation Theory
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Survey analysis
The survey analyzed horror movie preferences of respondents. Supernatural and gore sub-genres were most popular, while gothic romance was least popular. Tension was found to be the scariest convention, while character deaths elicited little empathy. Blood and gore was a close second most/least frightening element. A male killer was deemed most likely by respondents, providing an opportunity for a surprising female killer twist.
Target Audience Data- UK Film Council
The document discusses genre data for thriller/suspense and horror films. It shows that thriller/suspense is enjoyed by 53% of people, more than horror at 32%. The primary audience for thriller/suspense is women aged 35+ and males 35+, while the primary horror audience is females under 35 and males under 35. The data also indicates that the C2 social class has the highest percentage of viewership across genres.
Horror questionnaire results analysis
The document summarizes the results of a 10 question survey about horror film preferences. Key findings include:
- 75% of respondents were female, showing a need to consider female audiences more
- Over 90% of respondents were aged 15-20, matching the target demographic
- Thriller and ghost genres were most popular, while slasher and parody genres were less so
- Most prefer watching with friends for reassurance rather than alone or with strangers
- Cinemas are the most popular way to watch, followed by television
- Plot twists and suspense are the most enjoyed elements of horror films
Phycholigcal thriller dmeogrpahic
The document discusses the demographics that psychological thrillers appeal to compared to general thrillers. It states that psychological thrillers tend to appeal more to women, as females seek the mental challenge of having to analyze the narrative. Younger audiences also tend to engage more with psychological thrillers, as those in university enjoy being mentally demanded. The BBFC rates psychological thrillers 15 or 18 generally due to their graphic content. In summary, psychological thrillers appeal more to women ages 18-30 who enjoy having to think deeply about the narrative.
Orange Productions - Audience Results
The document contains the results of several surveys about preferences for different aspects of a thriller movie and opening sequence. The majority of respondents were male, preferred the thriller genre, and wanted the opening to be set in a forest with creepy music and a theme of revenge. They also preferred a mystery plot focused on a mysterious character rather than narrative. This provides guidance for creating a successful opening sequence for a thriller movie.
Audience Research Survey Results
The document summarizes the results of a survey about horror movie preferences. It found that the target audience prefers the slasher subgenre and finds films scarier when the killer is human. Respondents also felt characters closer to their own age (18-24) were more relatable. Most said they were more likely to watch a film if they enjoyed the trailer. Regarding setting, rural locations like graveyards and woods were deemed scarier than urban settings. The document concludes this survey provided useful guidance for creating a successful horror film trailer targeted at this audience.
Target audience research results
The document summarizes research results from a questionnaire about viewers' preferences for thriller films. Key findings include:
- The majority of respondents were ages 15-18 and watched thrillers at least once a month.
- Respondents preferred complex narratives with mystery, suspense, and psychological elements over simple or cliche plots.
- Viewers want to relate to characters and understand their backstories to find them interesting.
- Murder/death and mystery were the most desirable themes, followed by psychological thrillers. The research provides guidance on the type of thriller film that would appeal most to the target audience.
Question 4
1) The target audience for thrillers is ages 15+ according to research, as thrillers appeal to both males and females through relatable characters and themes that interest different audiences.
2) A key appeal is the use of suspense and tension through constant plot twists that keep audiences on the edge of their seats, especially in psychological thrillers.
3) The document discusses how thrillers can relate to a wide range of audiences and considers 15-30 years old as the target demographic, encompassing crime, mystery, and psychological thriller elements.
Audience research
This document summarizes the key findings from a questionnaire about audience preferences for a psychological thriller film trailer. Some of the main points gathered are: the target audience is 17-21 years old, both male and female. Comedies and horror are popular genres but the audience wants something interesting and gripping. Plot twists and revealing who is driving the story are important. Music that builds tension and hints at blood/mystery without giving everything away are desired. Online advertisements on platforms like Snapchat and Instagram would be effective marketing strategies. The trailer should hook viewers and make them feel anxious without revealing the entire plot.
Audience
The document analyzes research into the target audience for the psychological thriller film "The Passenger". Data shows that thrillers appeal almost equally to both men and women, and are most popular with younger adults aged 18-34. A quick survey found similar results for gender, and that all age groups enjoy thrillers except the elderly and pre-teens. Therefore, the expected audience for "The Passenger" is both men and women from late teens to age 55, who like the suspense and mental challenges of typical thriller genre films.
Marketing and Demographic-Would You Rather
The document discusses the demographic and marketing of the film "Would You Rather". It was shown at a horror film festival, appealing to fans of both psychological horror and thriller genres, widening its potential audience. As a psychological thriller, it received a high age rating of 16+ due to graphic and disturbing content, which slightly lessened the audience. As an independent film, it had a limited theatrical release but its trailer on YouTube received over 4 million views. Actress Brittany Snow promoted it on social media, using cross-media convergence to draw a larger audience.
Screen grabs
Our film is a psychological thriller that uses common thriller conventions like murder, mysteries, and horror to attract its target audience of 18-30 year olds. The opening scene showing a murder during a magic performance is dark and meant to grab attention. Casting young, attractive women in the roles helps attract the interest of the male target audience as well as younger secondary audiences. A key shot of blood on the floor in the opening also works to attract audiences by connoting violence and action.
Research Into Similar Magazine Texts
This document analyzes magazine front covers for different soap opera television programs. It examines various design elements of the covers and how they are used to attract audiences and sell magazines, including use of bold text and headlines, prominent display of prices, inclusion of popular characters, eye-catching colors, and teasers about storylines. Key elements that sell the magazines are found to be exciting headlines and cover lines that create suspense, low prices clearly shown, and the use of multiple well-known stars from different shows.
Kerrang! fact file
Kerrang! is a weekly rock music magazine published in the UK by Bauer Media Group. It was founded in 1981 and has a circulation of 42,077 copies. The target audience is rock music fans aged 16-24, who are 60% male and 40% female, mostly from social classes D-C and of white British ethnicity. Kerrang! plays a prominent role in the UK music industry as the world's best-selling weekly rock magazine.
Kerrang contents page analysis.
The Kerrang magazine contents page uses a black and yellow color scheme to stand out and reference the rock genre. The main image features guitarist Slash dressed in typical rock attire. Subheadings like "This Week" list the issue's contents alongside the repeated Kerrang masthead logo written in distorted text for a rock-inspired theme. Smaller images and an article from the deputy editor aim to make the magazine more informal and personal. Columns, subheadings, and an advertisement for subscriptions help structure and organize the issue's content following music magazine conventions.
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Institutional research
There were 52 thriller films released in 2015, accounting for 6.9% of total films and 2.9% of total box office earnings that year. While thriller films are profitable, they are less popular than action films. Some of the most successful thriller films in 2015 were Taken 3, Mad Max: Fury Road, and Mission: Impossible - Rogue Nation. These films were highly successful due to their large budgets, franchise popularity from previous films, star power, and appeal to broad audiences as hybrid genres. Younger audiences, especially males ages 15-24, tend to be the primary viewers of thriller films.
Target audience research
The document discusses targeting an audience for a movie trailer. It will involve post-apocalyptic aspects but not be a horror or sci-fi genre. The cause of the main character's desertion is undecided. The trailer is branded as a drama for an older teenage to adult audience. It will still be relatable to adults and emphasize with an older teenager. The main character is played by an 18-year old actress, helping the target audience range from older teen to adult. The target audience should enjoy drama movies and the trailer incorporate some storytelling and mystery.
Identifying Target Audience 2
The document analyzes target audience data from the UK Film Council to identify the target demographic for a new film. The primary target audience is females under 35 (44%) and the secondary is males under 35, which is opposite of what was expected. Both audiences are middle class (C2 social group). Horror is in the top 10 favorite genres among the population, indicating the target audience is mainstream. DVD and cinema data show horror films, especially dark horrors, have mainstream audiences.
Audience moodboard
The document discusses the target audience and genre for a horror film opening sequence based on survey results. It aims to appeal to 15-22 year old females, the largest respondents, using supernatural horrors as 46% of respondents preferred that sub-genre. The best market is considered to be the blockbuster category since 59% of people in another survey indicated that preference, matching the document's own survey results. The antagonist should be a clown to exploit the fear factor and the fact that 40% of respondents cited clowns as their biggest fear.
Questionnaire analysis
The document summarizes data from a questionnaire about thriller film audiences. It finds that the target audience is primarily male (62.5%) and between ages 18-34 (87.5%). Most learn about new films through TV advertisements. Murder narratives are most popular plotlines. Successful thriller films like "Inception" and "Gone Girl" emphasize storyline, plot twists, and editing quality. Respondents expect props like guns and knives in psychological thrillers. Dark color schemes are preferred for posters to suit thriller themes. Cliffhangers are an effective device as they create mystery and intrigue audiences. The main image is the most impactful part of a film poster according to 81.25% of respondents.
Horror Film Poster Analysis
This poster summarizes the slasher horror film "The Purge" through its visual elements and taglines. The poster prominently features the antagonist wearing a disturbing mask, indicating this is a slasher film where the killer wears a mask. The tagline "All crime is legal for 12 hours" conveys the film's premise of an annual event where all laws are suspended. Additional text encourages viewers to "Survive the night" and use the hashtag to spread awareness on social media. Overall the poster follows horror conventions through its dark color scheme, masked antagonist, and promotion of violence, death, and danger to intrigue audiences.
International Relation Theory
Game theory is a theoretical approach used in international relations to model strategic decision-making between interdependent actors. It considers factors like cooperation, defection, and formation of coalitions. Examples include the prisoners' dilemma game modeling cooperation between countries, and bargaining games modeling territorial disputes. Game theory provides insights into strategic interactions throughout history and continues to inform international cooperation and conflict resolution today.
Survey analysis
The survey analyzed horror movie preferences of respondents. Supernatural and gore sub-genres were most popular, while gothic romance was least popular. Tension was found to be the scariest convention, while character deaths elicited little empathy. Blood and gore was a close second most/least frightening element. A male killer was deemed most likely by respondents, providing an opportunity for a surprising female killer twist.
Target Audience Data- UK Film Council
The document discusses genre data for thriller/suspense and horror films. It shows that thriller/suspense is enjoyed by 53% of people, more than horror at 32%. The primary audience for thriller/suspense is women aged 35+ and males 35+, while the primary horror audience is females under 35 and males under 35. The data also indicates that the C2 social class has the highest percentage of viewership across genres.
Horror questionnaire results analysis
The document summarizes the results of a 10 question survey about horror film preferences. Key findings include:
- 75% of respondents were female, showing a need to consider female audiences more
- Over 90% of respondents were aged 15-20, matching the target demographic
- Thriller and ghost genres were most popular, while slasher and parody genres were less so
- Most prefer watching with friends for reassurance rather than alone or with strangers
- Cinemas are the most popular way to watch, followed by television
- Plot twists and suspense are the most enjoyed elements of horror films
Phycholigcal thriller dmeogrpahic
The document discusses the demographics that psychological thrillers appeal to compared to general thrillers. It states that psychological thrillers tend to appeal more to women, as females seek the mental challenge of having to analyze the narrative. Younger audiences also tend to engage more with psychological thrillers, as those in university enjoy being mentally demanded. The BBFC rates psychological thrillers 15 or 18 generally due to their graphic content. In summary, psychological thrillers appeal more to women ages 18-30 who enjoy having to think deeply about the narrative.
Orange Productions - Audience Results
The document contains the results of several surveys about preferences for different aspects of a thriller movie and opening sequence. The majority of respondents were male, preferred the thriller genre, and wanted the opening to be set in a forest with creepy music and a theme of revenge. They also preferred a mystery plot focused on a mysterious character rather than narrative. This provides guidance for creating a successful opening sequence for a thriller movie.
Audience Research Survey Results
The document summarizes the results of a survey about horror movie preferences. It found that the target audience prefers the slasher subgenre and finds films scarier when the killer is human. Respondents also felt characters closer to their own age (18-24) were more relatable. Most said they were more likely to watch a film if they enjoyed the trailer. Regarding setting, rural locations like graveyards and woods were deemed scarier than urban settings. The document concludes this survey provided useful guidance for creating a successful horror film trailer targeted at this audience.
Target audience research results
The document summarizes research results from a questionnaire about viewers' preferences for thriller films. Key findings include:
- The majority of respondents were ages 15-18 and watched thrillers at least once a month.
- Respondents preferred complex narratives with mystery, suspense, and psychological elements over simple or cliche plots.
- Viewers want to relate to characters and understand their backstories to find them interesting.
- Murder/death and mystery were the most desirable themes, followed by psychological thrillers. The research provides guidance on the type of thriller film that would appeal most to the target audience.
Question 4
1) The target audience for thrillers is ages 15+ according to research, as thrillers appeal to both males and females through relatable characters and themes that interest different audiences.
2) A key appeal is the use of suspense and tension through constant plot twists that keep audiences on the edge of their seats, especially in psychological thrillers.
3) The document discusses how thrillers can relate to a wide range of audiences and considers 15-30 years old as the target demographic, encompassing crime, mystery, and psychological thriller elements.
Audience research
This document summarizes the key findings from a questionnaire about audience preferences for a psychological thriller film trailer. Some of the main points gathered are: the target audience is 17-21 years old, both male and female. Comedies and horror are popular genres but the audience wants something interesting and gripping. Plot twists and revealing who is driving the story are important. Music that builds tension and hints at blood/mystery without giving everything away are desired. Online advertisements on platforms like Snapchat and Instagram would be effective marketing strategies. The trailer should hook viewers and make them feel anxious without revealing the entire plot.
Audience
The document analyzes research into the target audience for the psychological thriller film "The Passenger". Data shows that thrillers appeal almost equally to both men and women, and are most popular with younger adults aged 18-34. A quick survey found similar results for gender, and that all age groups enjoy thrillers except the elderly and pre-teens. Therefore, the expected audience for "The Passenger" is both men and women from late teens to age 55, who like the suspense and mental challenges of typical thriller genre films.
Marketing and Demographic-Would You Rather
The document discusses the demographic and marketing of the film "Would You Rather". It was shown at a horror film festival, appealing to fans of both psychological horror and thriller genres, widening its potential audience. As a psychological thriller, it received a high age rating of 16+ due to graphic and disturbing content, which slightly lessened the audience. As an independent film, it had a limited theatrical release but its trailer on YouTube received over 4 million views. Actress Brittany Snow promoted it on social media, using cross-media convergence to draw a larger audience.
Screen grabs
Our film is a psychological thriller that uses common thriller conventions like murder, mysteries, and horror to attract its target audience of 18-30 year olds. The opening scene showing a murder during a magic performance is dark and meant to grab attention. Casting young, attractive women in the roles helps attract the interest of the male target audience as well as younger secondary audiences. A key shot of blood on the floor in the opening also works to attract audiences by connoting violence and action.
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Research Into Similar Magazine Texts
This document analyzes magazine front covers for different soap opera television programs. It examines various design elements of the covers and how they are used to attract audiences and sell magazines, including use of bold text and headlines, prominent display of prices, inclusion of popular characters, eye-catching colors, and teasers about storylines. Key elements that sell the magazines are found to be exciting headlines and cover lines that create suspense, low prices clearly shown, and the use of multiple well-known stars from different shows.
Kerrang! fact file
Kerrang! is a weekly rock music magazine published in the UK by Bauer Media Group. It was founded in 1981 and has a circulation of 42,077 copies. The target audience is rock music fans aged 16-24, who are 60% male and 40% female, mostly from social classes D-C and of white British ethnicity. Kerrang! plays a prominent role in the UK music industry as the world's best-selling weekly rock magazine.
Kerrang contents page analysis.
The Kerrang magazine contents page uses a black and yellow color scheme to stand out and reference the rock genre. The main image features guitarist Slash dressed in typical rock attire. Subheadings like "This Week" list the issue's contents alongside the repeated Kerrang masthead logo written in distorted text for a rock-inspired theme. Smaller images and an article from the deputy editor aim to make the magazine more informal and personal. Columns, subheadings, and an advertisement for subscriptions help structure and organize the issue's content following music magazine conventions.
Contents Page Analysis - Kerrang
The contents page is divided evenly between an article on My Chemical Romance and listings of other articles. Over half the page contains images, including a large one of My Chemical Romance to promote their article. Smaller images throughout entice readers to learn more. Columns of text clearly list page numbers for articles. Additional elements like the editor's note and logo/color scheme create coherence and appeal to the magazine's target audience. The layout and use of images effectively serves the same purpose as the front cover in promoting key articles.
Rock music magazine
This document summarizes key details about several rock music magazines, including Kerrang, Rock Sound, Classic Rock, NME, and Q. It provides information on price, frequency of publication, typical issue size, regular content sections, and how feature articles are structured for each magazine. The magazines vary in price from £2.20 to £5.50 and are published weekly or monthly, with issue sizes ranging from 70 to 200 pages. Regular content includes reviews, interviews, tour dates, and letters. Feature articles typically profile the artist or band featured on the cover.
Kerrang
The document analyzes the front cover of Kerrang magazine to understand its target audience. Kerrang targets predominantly male rock fans aged 17-24. The front cover uses conventions like a dominant image of a rock artist and headlines in line with the magazine's house style to attract this audience. The codes and conventions employed on the cover aim to appeal to the attitudes and lifestyle of the target readership.
Magazine Analysis - Kerrang
This document analyzes the cover of Kerrang! magazine issue 1296. The cover targets a niche audience interested in rock and metal music, as shown by the aggressive images and fonts used. The masthead is in a cracked font linking to the idea of the onomatopoeic sound of "kerrang." The main image spreads across the cover to promote the featured article inside. Cover lines use techniques like banners, pull quotes, and fonts on colored backgrounds to draw readers in and create anticipation. Smaller images on the lower half of the cover promote inside content without distracting from the main image.
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- The document discusses statistics about the thriller genre that will help the author produce their own thriller film. It analyzes how many thrillers were released in 2013 (67 films), how profitable the genre is (over $1 billion in revenue in both 2012 and 2013), and the characteristics of typical thriller audiences (males aged 15-24 from social class C2). Understanding these statistics increases the author's confidence in their ability to create a successful thriller.
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This document summarizes Danielle Duffy's market research into the thriller film genre. It analyzes the most successful thriller films of 2014, including The Hunger Games: Mockingjay Part 1, Gone Girl, and The Maze Runner. It finds that these films were successful due to having compelling narratives and relatable characters that audiences could engage with. Establishing fan bases from existing book franchises also contributed to their commercial success. The research concludes that crafting an interesting story and characters will be important for Danielle's thriller film project to attract audiences.
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The document analyzes the target audience for a horror film. A survey was conducted of males and females ages 12-24 in Hartlepool, England. The survey results showed that 87.5% of respondents were male and most were between ages 12-17 or 18-24. All respondents enjoyed watching films and their preferred genre was horror. Therefore, the target audience for the film is males ages 12-24, as they have spare time and money as students and showed interest in horror films based on the survey results. The film will need a well-written script and storylines to appeal to this audience.
Thriller genre market analysis
The document analyzes the thriller genre market in 2012. It discusses that 57% of thriller film viewers were male. The most successful thriller films that year were very dramatic, built suspense, and kept audiences engaged while still feeling original. The majority audience for thrillers falls into the C2 social class (skilled working class) and the 15-24 age range. The conclusion states that successful thrillers generally appeal more to males, the C2 class, and those aged 15-24.
Final major project research
The document provides a summary of research conducted for a major project on horror film audiences. According to secondary research, the primary audience for horror films is 15-24 year olds, with roughly equal percentages of male and female viewers. Research also found that horror film audiences come from lower social classes. Primary research conducted through surveys found that most respondents were female, aged 20-30, and preferred earned scares over jump scares. The document analyzes existing horror films Ringu and It Follows to understand effective techniques for camerawork, sound design, mise-en-scene, and storytelling.
Final major project research
The document provides a summary of research conducted for a major project on horror film audiences. According to secondary research, the primary audience for horror films is 15-24 years old, with roughly equal percentages of male and female viewers. Research also found that horror film viewers tend to come from lower social classes. Primary research in the form of a survey supported these findings, showing a majority of respondents were female and in the target 15-24 age range. The research also helped determine elements for the film, such as a preference for earned scares over jump scares. Existing horror films like Ringu and It Follows are analyzed for effective techniques in camerawork, sound design, mise-en-scene, and story that could influence
Final major project research
The document provides a summary of research conducted for a major project on horror film audiences. According to secondary research, the primary audience for horror films is 15-24 years old, with roughly equal percentages of male and female viewers. Research also found that horror film viewers tend to come from lower social classes. Primary research in the form of a survey supported these findings, showing a majority of respondents were female and in the target 15-24 age range. The research also helped determine elements for the film, such as a preference for earned scares over jump scares. Existing horror films like Ringu and It Follows are analyzed for effective camerawork, sound design, mise-en-scene, and storytelling that build tension and
Final major project research
The document provides a summary of research conducted for a major project on horror film audiences. According to secondary research, the primary audience for horror films is 15-24 year olds, with roughly equal percentages of male and female viewers. Research also found that horror film viewers tend to come from lower social classes. Primary research conducted through surveys found that most respondents were female, and preferred earned scares over jump scares and implied violence over graphic violence. The document analyzes existing horror films Ringu and It Follows to identify effective techniques for camerawork, sound design, mise-en-scene, and story.
Final Major Project Research
The document provides a summary of research conducted for a major project on horror film audiences. According to secondary research, the primary audience for horror films is 15-24 year olds, with roughly equal percentages of male and female viewers. Primary research conducted through surveys found most respondents were female, aged 20-30, and preferred earned scares over jump scares. The document analyzes the demographics and preferences of horror film audiences to inform the planning and targeting of a short horror film.
Quantitative Audience Research
The document provides quantitative audience research data collected through an online survey about preferences for horror films.
The survey results show that the target audience is primarily 17-19 year old males who prefer slasher films like Halloween and Friday the 13th. Popular slasher film villains like Freddy Krueger and settings like neighborhoods are favored. Most audience members access films through streaming and would prefer to see a slasher film in spring to avoid competition. Common weapons like knives are preferred to use in the film.
Primary Target Audience Research
The document analyzes target audience research data from various sources about the action genre film audience. It finds that the primary audience for action films is males aged 35 and under, especially those under 35, and the genre has widespread popularity across demographics. Action films are particularly mainstream and successful financially. The research establishes that an action film opening should be aimed mainly at younger males.
Secondary research into my target audience
The document discusses secondary research conducted on the target audience for a zombie apocalypse film opening. It analyzes demographic and psychographic data from sources like the UK Film Council to understand who enjoys different genres like horror, thriller, and disaster. These genres overlap with the zombie genre. The research found that thrillers and horrors appeal to a broad audience of both genders aged 16-35 from middle-class backgrounds. Box office data on successful zombie films like World War Z and Zombieland further indicate the commercial viability of the genre.
Unsung advertising final pwp
This document summarizes a found footage horror film that was released by authorities as a warning to teenagers. It follows two teenagers who set out to film a supposed criminal but discover something more dangerous. They disappear by sunrise and are never seen again. Authorities were unable to find the teenagers after discovering their camera and declared it a cold case.
Targetttt
Our target audience for the thriller trailer is younger people aged 16-25. Specifically, we aim to attract those categorized as C2, D, or E in socioeconomic class as they will identify with younger characters. According to ITV sales categories, our audience includes males aged 16-34 (AD, A3, ME, M3) and females in similar age groups and categories (WO, W3). Lifestyle categories like traditionalists, trendies, groupies, and egoists would be drawn to the thriller genre. We aim to promote on social media which this audience regularly uses.
Campaign planning final pwp
The marketing campaign will target teenagers aged 15-19 and young adults. Primary research found that this age group prefers to learn about new films on social media, YouTube, and through trailers. They are heavily influenced by their peers and enjoy genres like horror, action, and comedy. To attract this audience, the campaign will create social media profiles, trailers, and viral marketing stunts. It will also release products on YouTube since the target group spends 5-20 hours per week on the platform. The campaign aims to warn teenagers of the dangers of seeking out risk, so the dark and thrilling tone of the found footage horror film is well-suited to its message and audience.
Market research – who is the main consumer
The document summarizes market research conducted to identify the target audience for a horror/thriller film being produced. A questionnaire of 77 people found that those aged 15-25 widely approve of the genres and are most interested. Further research on other studies and a professional company's data found additional confirmation that 71% of audiences for similar films fall in the 15-24 age range. The conclusion is that horror films are predominantly enjoyed by younger audiences who have an innate craving for the adrenaline these genres provide.
Questionnaire results 2
This questionnaire provided results from a target audience of 16-18 year olds. It found that psychological and supernatural horror genres were most popular. Trailers and posters were seen to influence viewers' decisions to watch movies. Respondents typically watched horror films once a month, showing interest in the genre. Characters with unearthly, dark appearances were found scariest. The results highlighted preferences and consumption habits to inform the promotion of a horror film to this demographic.
Secondary research into my target audience
The document discusses secondary research conducted on the zombie apocalypse film genre to understand the target audience. The researcher analyzed data from the UK Film Council on the genres of thriller/suspense, horror, and disaster since zombie apocalypse was not included. Thriller/suspense had the highest popularity overall at 53% and was considered mainstream. Horror was less popular at 32% and more niche. Disaster had the lowest popularity at 28% and was niche. The data showed thriller appealed most to women over 35 in social class C2. This provided insight into the genres' audiences to help define the target market for the film opening.
Unsung advertising final pwp
This document provides details about a survey conducted to understand the target audience for horror film posters. The survey found that the target audience is 16-18 year olds, with an equal gender split, who enjoy discovering new films on social media and are influenced by the opinions of others. Most respondents said they enjoyed the horror genre, including found footage films similar to the one being advertised, showing there is potential for the hypothetical film's posters to be successful at reaching and appealing to this younger demographic.
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Future of the gaming industry
The document discusses potential future developments in the gaming industry. Physical game sales and retailers may decline as distribution moves fully digital, allowing easier consumer testing and feedback. Games will offer more immersive 3D experiences through advanced glasses and incorporate motion sensors to make gameplay more interactive and physical. More games will be developed online through prosumers and available globally, strengthening international relationships and access through connected play across borders.
Past present future games industry
In the past, video games were played mostly by teenage boys and men using physical copies on home PCs or consoles like Nintendo. Games were single-player only unless others were present. Today, the average gamer is 35 and half of gamers play multiplayer games weekly on various devices like smartphones. Popular games include League of Legends with 67 million monthly players. In the future, gaming audiences will become more diverse in both gender and age as games are increasingly accessed through mobile devices and multi-platform downloads. Most games will be available digitally across all devices and interactive multiplayer games will grow in popularity, providing new income sources for gaming companies.
MOA theories2
The document summarizes several theories related to the development of online media:
- Tim O'Reilly coined the term "Web 2.0" to describe websites that facilitate user interaction and collaboration through user-generated content.
- Chris Anderson's "Long Tail Theory" suggests that the internet has shifted consumption away from a few popular items towards a huge number of niche products.
- Don Tapscott and Anthony Williams' "Wikinomics" argues that the internet has "democratized" media through free sharing of information and user creativity.
- Clay Shirky notes that the internet has changed newspapers from a mass product to niche offerings, challenging their business models.
Screenshots of Finished Products Ancillary 2
- The document discusses drafts of a soap opera poster the author created for a school project.
- Feedback on the initial draft said the text sizes and spacing looked unprofessional and the white banner was too prominent.
- The next draft used the E4 logo and rearranged characters to look more interconnected.
- A further draft added a hashtag to attract a youthful audience on social media.
- The final draft changed the logo to black, white and yellow based on peer feedback that those colors appealed more to the target audience.
Post Production Plan
This document outlines the skills the author has developed in post-production over the past two years. They discuss using skills like speed duration, breaking the 180 degree rule, selection tools in Photoshop, and color correction in Premiere from their GCSE through their AS and A2 levels. The author concludes that they have become more confident using software to make their productions conventional to their intended genres or institutions while also effectively representing characters to audiences.
Audiences and tv
This document discusses how audiences interact with television shows and how both audiences and institutions benefit from that interactivity. It considers how audience interactivity with TV programs works currently and how it may develop further in the future.
Audiences and tv
This document discusses how audiences interact with television shows and how both audiences and institutions benefit from that interactivity. It also considers how interactivity between audiences and TV shows might develop further in the future.
Editing- photoshop
I have edited text in Photoshop by making key words bold for emphasis. I experimented with different text colors and glow effects. I also rearranged characters in an image using selection and layer tools to make it more conventional and create a darker atmosphere foreshadowing drama. Additionally, I adjusted brightness and contrast to make colors more vibrant and clear. Finally, I edited a signpost to fit my house style with white text on black for my soap titled "Memory Lane", appealing to my target British audience by mentioning London.
Image Manipulations
The document discusses editing two photos for a magazine cover using Photoshop. For the first photo of Becky, the editor increased brightness, contrast, and vibrance to make the colors more vibrant and eye-catching. Background blur was also added to focus attention on Becky. For the second photo of Emma, brightness and contrast were increased to enhance features and hair color. Background blur was again used to make the subject stand out against the backdrop. The editor believes the edited images now look more conventional and appealing for the magazine cover.
Audience Feedback
The document analyzes feedback from an audience survey about soap operas. Key findings include:
- The majority of respondents watch soap operas for entertainment when they have free time.
- EastEnders is the most popular existing soap opera among the target audience.
- Storylines involving drama, mystery, drugs, pregnancy and love are most interesting to the audience.
- The audience prefers fast-paced, action-packed trailers over slow, suspenseful ones.
Analysis of 3 Similar Texts
The document analyzes three soap opera trailers from different channels - Eastenders, Emmerdale, and Hollyoaks. For each trailer, the document examines the channel it airs on, its target audience in terms of age, gender, socioeconomic status and psychographic groups. It also analyzes the storylines, technical codes like camerawork, editing, lighting and sound, and how each trailer persuades its audience. The document concludes by reflecting on similarities across the trailers that could inspire the creation of a new soap opera trailer.
The Commissioning Process
The document discusses the commissioning process at Channel 4 and E4. It begins by explaining that the commissioning editor sets the budget and production is created. It then provides details on Channel 4's portfolio including E4 and their roles in commissioning content from independent producers. The rest of the document outlines the application process, funding sources, drawbacks for applicants, and alternative distribution options like social media.
The Commissioning Process
The commissioning process at Channel 4 and E4 begins with an idea that is developed into a text by a commissioning editor with an assigned budget. As publicly owned but commercially funded broadcasters, they do not receive public funding and rely on advertising revenue to finance new programming. The commissioning editor oversees the process of selecting ideas from producers through an application and interview system, with the goal of finding innovative content for their diverse audience. However, not all applicants are successful due to limited budgets and slots, and their ideas must fit the broadcaster's genres and ethos.
Why is it important to secure permissions
It is important to secure permissions for any copyrighted materials like audio, video, images, or logos used in a media project to avoid legal issues. Without proper permissions, the project could be removed from websites or result in lawsuits for copyright infringement. Filming in locations also requires permission to avoid upsetting property owners or issues with trespassing. The penalties for not securing permissions can be serious, like arrests, bans, or takedowns of online content.
Audience Profile
The document discusses the target audience for a new soap opera. It aims to target young females aged 16-25 who are likely still in education. They would fall in the D or C1 socioeconomic groups and have lifestyles involving education and spending free time with friends engaged in activities like sports, social media, music and Netflix. Incorporating these interests along with relatable storylines about education and relationships will appeal to and engage this target demographic.
Ofcom Regulations
The document discusses UK regulation of content on television by Ofcom. It describes the watershed at 9pm, before which content is restricted and not suitable for children under 15. Ofcom gathers public opinions to review and analyze broadcasting standards. Violence, sexual content, language, and imitative behaviors are debated, with most agreeing some restrictions should apply before 9pm to protect children. Reasons for regulation include not wanting children negatively influenced or exposed to inappropriate material. However, some content can also be educational for children.
Analysis of 2 similar texts
The document analyzes two soap opera trailers - one for EastEnders about the death of Lucy Beale, and one for Emmerdale about a storyline called "Judgement Day". It examines aspects like the channel, target audience, storyline/themes, and technical codes like camerawork, editing, lighting, and sound used in each trailer. The document finds that both soaps target a wide audience, use dramatic storylines and nighttime lighting to create suspense. Technical elements like close-ups, soundtrack, and voiceover help persuade viewers to watch.
Analysis of 2 similar texts
The document analyzes and compares two soap opera trailers - Eastenders' "Who Killed Lucy Beale?" and Emmerdale's "Judgement Day." Both trailers effectively use technical elements like lighting, editing and soundtrack to create tension and intrigue. They also include a range of characters to represent different demographics and storylines to appeal to target audiences. The analysis concludes the document was inspired by the trailers' use of characters, close-ups, soundtracks and artificial lighting to set mood in its own productions.
Analysis of 2 similar texts
The document analyzes and compares two soap opera trailers from EastEnders and Emmerdale. It discusses the channels they air on, their target audiences, storylines, and technical aspects like camerawork, editing, lighting, sound, and how they persuade viewers. Both target females aged 16-50 from socioeconomic classes C1 to E and use characters across age groups. Their storylines involve drama like murder and judgment. Technically, they use close-ups, slow motion, nighttime lighting, and tense soundtracks. These elements build suspense and intrigue audiences.
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Tom Cruise Daughter: An Insight into the Life of Suri Cruise
Tom Cruise is a name that resonates with global audiences for his iconic roles in blockbuster films and his dynamic presence in Hollywood. But, beyond his illustrious career, Tom Cruise's personal life. especially his relationship with his daughter has been a subject of public fascination and media scrutiny. This article delves deep into the life of Tom Cruise daughter, Suri Cruise. Exploring her upbringing, the influence of her parents, and her current life.
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Introduction: The Fame Surrounding Tom Cruise Daughter
Suri Cruise, the daughter of Tom Cruise and Katie Holmes, has been in the public eye since her birth on April 18, 2006. Thanks to the media's relentless coverage, the world watched her grow up. As the daughter of one of Hollywood's most renowned actors. Suri has had a unique upbringing marked by privilege and scrutiny. This article aims to provide a comprehensive overview of Suri Cruise's life. Her relationship with her parents, and her journey so far.
Early Life of Tom Cruise Daughter
Birth and Immediate Fame
Suri Cruise was born in Santa Monica, California. and from the moment she came into the world, she was thrust into the limelight. Her parents, Tom Cruise and Katie Holmes. Were one of Hollywood's most talked-about couples at the time. The birth of their daughter was a anticipated event. and Suri's first public appearance in Vanity Fair magazine set the tone for her life in the public eye.
The Impact of Celebrity Parents
Having celebrity parents like Tom Cruise and Katie Holmes comes with its own set of challenges and privileges. Suri Cruise's early life marked by a whirlwind of media attention. paparazzi, and public interest. Despite the constant spotlight. Her parents tried to provide her with an upbringing that was as normal as possible.
The Influence of Tom Cruise and Katie Holmes
Tom Cruise's Parenting Style
Tom Cruise known for his dedication and passion in both his professional and personal life. As a father, Cruise has described as loving and protective. His involvement in the Church of Scientology, but, has been a point of contention and has influenced his relationship with Suri. Cruise's commitment to Scientology has reported to be a significant factor in his and Holmes' divorce and his limited public interactions with Suri.
Katie Holmes' Role in Suri's Life
Katie Holmes has been Suri's primary caregiver since her separation from Tom Cruise in 2012. Holmes has provided a stable and grounded environment for her daughter. She moved to New York City with Suri to start a new chapter in their lives away from the intense scrutiny of Hollywood.
Suri Cruise: Growing Up in the Spotlight
Media Attention and Public Interest
From stylish outfits to everyday activities. Suri Cruise has been a favorite subject for tabloids and entertainment news. The constant media attention has shaped her childhood. Despite this, Suri has managed to maintain a level of normalcy, thanks to her mother's efforts.
The Evolution and Impact of Tom Cruise Long Hair
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Introduction
Tom Cruise long hair has often been more than a style choice. it has been a significant element of his persona both on and off the screen. From the tousled locks of the rebellious Maverick in "Top Gun" to the sleek, sophisticated mane in "Mission: Impossible II." Cruise's hair has played a pivotal role in shaping his image and the characters he portrays. This article explores the various stages of Tom Cruise long hair. Examining how this iconic look has evolved and influenced his career and broader fashion trends.
Early Days: The Emergence of a Style Icon
The 1980s: The Birth of a Star
In the early stages of his career during the 1980s, Tom Cruise sported a range of hairstyles. but in "Top Gun" (1986), his hair began to gain significant attention. Though not long by later standards, his hair in this film was longer than the military crew cuts associated with fighter pilots. adding a rebellious edge to his character, Pete "Maverick" Mitchell.
Risky Business: The Transition Begins
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The 1990s: Experimentation and Iconic Roles
Far and Away: Embracing Length
One of the first films in which Tom Cruise embraced long hair was "Far and Away" (1992). Playing the role of Joseph. an Irish immigrant in 1890s America, Cruise's long, hair added authenticity to his character's rugged and determined persona. This look was a stark departure from his earlier. more polished styles and marked the beginning of a more adventurous phase in his hairstyle choices.
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In "Interview with the Vampire" (1994). Tom Cruise long hair reached new lengths of sophistication and elegance. Portraying the vampire Lestat. Cruise's flowing blonde locks were integral to the character's ethereal and timeless allure. This hairstyle not only suited the gothic aesthetic of the film but also showcased Cruise's ability to transform his appearance for a role.
Mission: Impossible II: The Pinnacle of Long Hair
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一比一原版(UCSF毕业证)旧金山分校毕业证如何办理
原件一模一样【微信：95270640】【旧金山分校毕业证UCSF学位证成绩单】【微信：95270640】（留信学历认证永久存档查询）采用学校原版纸张、特殊工艺完全按照原版一比一制作（包括：隐形水印，阴影底纹，钢印LOGO烫金烫银，LOGO烫金烫银复合重叠，文字图案浮雕，激光镭射，紫外荧光，温感，复印防伪）行业标杆！精益求精，诚心合作，真诚制作！多年品质 ,按需精细制作，24小时接单,全套进口原装设备，十五年致力于帮助留学生解决难题，业务范围有加拿大、英国、澳洲、韩国、美国、新加坡，新西兰等学历材料，包您满意。
【业务选择办理准则】
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二、回国进私企、外企、自己做生意的情况，这些单位是不查询毕业证真伪的，而且国内没有渠道去查询国外文凭的真假，也不需要提供真实教育部认证。鉴于此，办理一份毕业证【微信：95270640】即可
三、进国企，银行，事业单位，考公务员等等，这些单位是必需要提供真实教育部认证的，办理教育部认证所需资料众多且烦琐，所有材料您都必须提供原件，我们凭借丰富的经验，快捷的绿色通道帮您快速整合材料，让您少走弯路。
留信网认证的作用:
1:该专业认证可证明留学生真实身份【微信：95270640】
2:同时对留学生所学专业登记给予评定
3:国家专业人才认证中心颁发入库证书
4:这个认证书并且可以归档倒地方
5:凡事获得留信网入网的信息将会逐步更新到个人身份内，将在公安局网内查询个人身份证信息后，同步读取人才网入库信息
6:个人职称评审加20分
7:个人信誉贷款加10分
8:在国家人才网主办的国家网络招聘大会中纳入资料，供国家高端企业选择人才
→ 【关于价格问题（保证一手价格）
我们所定的价格是非常合理的，而且我们现在做得单子大多数都是代理和回头客户介绍的所以一般现在有新的单子 我给客户的都是第一手的代理价格，因为我想坦诚对待大家 不想跟大家在价格方面浪费时间
对于老客户或者被老客户介绍过来的朋友，我们都会适当给一些优惠。
选择实体注册公司办理，更放心，更安全！我们的承诺：可来公司面谈，可签订合同，会陪同客户一起到教育部认证窗口递交认证材料，客户在教育部官方认证查询网站查询到认证通过结果后付款，不成功不收费！
办理旧金山分校毕业证毕业证offerUCSF学位证【微信：95270640 】外观非常精致，由特殊纸质材料制成，上面印有校徽、校名、毕业生姓名、专业等信息。
办理旧金山分校毕业证UCSF学位证毕业证offer【微信：95270640 】格式相对统一，各专业都有相应的模板。通常包括以下部分：
校徽：象征着学校的荣誉和传承。
校名:学校英文全称
授予学位：本部分将注明获得的具体学位名称。
毕业生姓名：这是最重要的信息之一，标志着该证书是由特定人员获得的。
颁发日期：这是毕业正式生效的时间，也代表着毕业生学业的结束。
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Morgan Freeman is Jimi Hendrix: Unveiling the Intriguing Hypothesis
In celebrity mysteries and urban legends. Few narratives capture the imagination as the hypothesis that Morgan Freeman is Jimi Hendrix. This fascinating theory posits that the iconic actor and the legendary guitarist are, in fact, the same person. While this might seem like a far-fetched notion at first glance. a deeper exploration reveals a rich tapestry of coincidences, speculative connections. and a surprising alignment of life events fueling this captivating hypothesis.
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Introduction to the Hypothesis: Morgan Freeman is Jimi Hendrix
The idea that Morgan Freeman is Jimi Hendrix stems from a mix of historical anomalies, physical resemblances. and a penchant for myth-making that surrounds celebrities. While Jimi Hendrix's official death in 1970 is well-documented. some theorists suggest that Hendrix did not die but instead reinvented himself as Morgan Freeman. a man who would become one of Hollywood's most revered actors. This article aims to delve into the various aspects of this hypothesis. examining its origins, the supporting arguments. and the cultural impact of such a theory.
The Genesis of the Theory
Early Life Parallels
The hypothesis that Morgan Freeman is Jimi Hendrix begins by comparing their early lives. Jimi Hendrix, born Johnny Allen Hendrix in Seattle, Washington, on November 27, 1942. and Morgan Freeman, born on June 1, 1937, in Memphis, Tennessee, have lived very different lives. But, proponents of the theory suggest that the five-year age difference is negligible and point to Freeman's late start in his acting career as evidence of a life lived before under a different identity.
The Disappearance and Reappearance
Jimi Hendrix's death in 1970 at the age of 27 is a well-documented event. But, theorists argue that Hendrix's death staged. and he reemerged as Morgan Freeman. They highlight Freeman's rise to prominence in the early 1970s. coinciding with Hendrix's supposed death. Freeman's first significant acting role came in 1971 on the children's television show "The Electric Company," a mere year after Hendrix's passing.
Physical Resemblances
Facial Structure and Features
One of the most compelling arguments for the hypothesis that Morgan Freeman is Jimi Hendrix lies in the physical resemblance between the two men. Analyzing photographs, proponents point out similarities in facial structure. particularly the cheekbones and jawline. Both men have a distinctive gap between their front teeth. which is rare and often highlighted as a critical point of similarity.
Voice and Mannerisms
Supporters of the theory also draw attention to the similarities in their voices. Jimi Hendrix known for his smooth, distinctive speaking voice. which, according to some, resembles Morgan Freeman's iconic, deep, and soothing voice. Additionally, both men share certain mannerisms. such as their calm demeanor and eloquent speech patterns.
Artistic Parallels
Musical and Acting Talents
Jimi Hendrix was regarded as one of t
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Institutional research
- 2. Introduction The purpose of this research task is to gather information on the thriller genre and to gain an exceptional knowledge of how much of the film industry the thriller genre has shares of. In this presentation I will include: 1) How many thriller films were released in this period 2) How profitable the genre is 3) Which films were most successful (and why) 4)What are the characteristics of the audience for this genre (age, gender, social class)
- 3. Market share statistics 2012 As ‘thriller’ is in the top 5 most successful genres I know that the public like this genre and are willing to spend money in order to see the newest thriller film. This research has allowed me to feel more confident with the production of my own thriller film coming up as I now know that thriller films are appreciated and will be well received by my target audience. From this chart I can also infer that this genre is very profitable as the gross for the year 2012 was $1,521,690,602. http://www.the-numbers.com/market/2012/summary
- 4. Most successful films of 2012 The chart on the left shows the 46 most successful titles of the year (out of 52). I can learn that the top 3 most successful thrillers of 2012 were ‘The Hunger Games’, ‘Taken 2’ and ‘Safe House’. I believe that The Hunger Games was the most successful as the film was a PG which allowed a wide audience of people to watch it. Additionally it may have been successful as it would have appealed to both adults and children through the advertisement of content in the trailers. The Hunger Games raised $408,010,692 which was nearly $300,000,000 more than Taken 2 did in 2nd place.
- 5. Market share of each genre- 2013 In 2013 thriller/suspense was recorded as the 5th most popular genre of film holding 11.94% of the market; this tells me that the popularity of the genre has neither risen or declined. However I can see that the positions of 1st, 2nd and 4th have changed dramatically, for example in 2012 adventure held the highest market share whereas in 2013 action had taken its place putting adventure in 3rd position. Additionally we can tell that drama’s market share decreased in 2013 as it slipped from 3rd to 4th. I can infer from the two market share charts that comedy has stayed equally as popular as it has remained in 2nd place. The profitability of this genre decreased from being $1,521,690,602 in 2012 to being $1,021,223,072 in 2013. This gives me the impression that less people are spending money on thriller films. http://www.the-numbers.com/market/2013/summary
- 6. Most successful thriller films of 2013 This is the list of the top 46 thriller films that have been released in 2013. For example I can see that the most successful thriller film was ‘Gravity’ producing a massive gross of $174,919,886. In total 64 thriller films will have been released this year with 3 of the 64 still to come. I believe that more thriller films were made in 2013 due to the hope that the thriller genre may expand and therefore grow their market shares resulting in more profit for the institutions. http://www.the-numbers.com/market/2013/genre/Thriller-or-Suspense
- 7. Characteristics of the target audience- age From my research I would suggest that the majority of people that watch thriller films are aged between 15 and 24. For example 54% of Taken 2 viewers were aged between 15-24, The Hunger Games = 47%, The Dark Knight Rises = 43% and The Woman In black = 42%. http://www.bfi.org.uk/statisticalyearbook2013
- 8. Characteristics of the target audiencesocial classes Additionally I noticed that the social class who prefer thrillers is demographic group C2, I think this is because going to the cinema or buying the DVD is classed as a luxury and is socially acceptable. The language used within thrillers may also appeal to the C2 audience as they will understand the dialogue used and therefore may be able to relate to the characters which is subsequently an audience pleasure. http://www.bfi.org.uk/statisticalyearbook2013
- 9. Characteristics of the target audiencegender Lastly statistics show that the majority of the thriller audience are male. For instance 55% of all viewers for Skyfall were men, and 64% for The Dark Knight Rises. However Woman In Black only had 44% being men and 56% being women. http://www.bfi.org.uk/statisticalyearbook2013