Institutional regulations
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The document discusses the British Board of Film Classification (BBFC) which rates films, videos, DVDs, and Blu-rays in the UK. It then discusses how the documentary producers have rated their own documentary about the unsigned music scene as PG so that it can be viewed by a wide audience, including older children, to educate and potentially inspire them. They plan to show it on BBC 4 as the channel features documentaries and focuses on an audience more suited to their topic.
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Institutional regulations
The document discusses the British Board of Film Classification (BBFC) which classifies films, videos, DVDs, and Blu-rays in the UK. It assigns ratings like U, PG, 12/12A, 15, 18, and R18 based on guidelines developed through public consultation. The document then discusses a student documentary about the unsigned music scene that has been rated PG so that it can be viewed by both children and inspire younger audiences. It argues that the documentary fits with Channel 4's mission of promoting diversity, innovation, and social change through niche topics, as it brings awareness to the struggles of unsigned artists. The documentary will air on Channel 4 at 7pm to reach both younger and older audiences.
BBC 2
BBC Two provides more intellectually stimulating programming than BBC One, focusing on art, drama, comedy and documentaries. It aims to appeal to audiences not served by other mainstream channels through diverse and unique content. Key to its identity are ambitious factual programs and passionate presenters sharing their knowledge to educate and interest viewers, particularly those aged 35-54. Our documentary fits this remit by allowing our presenter to creatively communicate something of local interest he is passionate about.
Bbc 2
BBC Two provides more intellectually stimulating programming than BBC One, focusing on art, drama, comedy and documentaries. It aims to appeal to audiences not served by other mainstream channels through diverse and unique content. Key to its identity are ambitious factual programs and passionate presenters sharing their knowledge to educate and interest viewers, particularly those aged 35-54. Our documentary fits this remit by allowing our presenter to creatively communicate something of local interest he is passionate about.
BBC branding
BBC Introducing is a brand that showcases emerging musical talent on BBC radio stations, and has helped launch the careers of artists like Ed Sheeran and Florence and the Machine. The documentary uses two local artists that have been supported by BBC Introducing. It was filmed in natural locations in Leicester to represent the types of places BBC Introducing artists would be seen. The film will look to various distributors both within and outside the BBC to reach the widest possible audience for its niche subject matter.
Loom's group radio presentation
BBC Radio 1 is a British radio station operated by the BBC that specializes in popular music. It aims to entertain 15-29 year olds through its mix of music and speech content promoted across social media platforms. However, research found that most Radio 1 listeners feel it should have more distinctive content than commercial stations and better inform and educate the public. The document then provides background on the history and flagship breakfast show of Radio 1.
BBC editorial-guidelines-whole-document
This document provides an introduction and overview of the BBC's editorial standards and values. It discusses:
- The BBC's mission as outlined in its Royal Charter to serve all audiences through impartial, high-quality output.
- The BBC's public purposes and its independence from government.
- The BBC's core editorial values of freedom of expression, impartiality, accuracy, protecting the vulnerable, and serving the public interest.
- How the BBC balances its right to free expression with its responsibilities to audiences, and limits to that right imposed by law.
- The BBC's accountability to audiences and regulation by Ofcom to ensure its content meets required standards.
Media transition work
Bauer Media owns over 80 brand names across magazines, radio, and television. Two of their most popular magazine brands are Heat, a weekly celebrity and entertainment magazine launched in 1999, and Mojo, a monthly music magazine that has published 79,345 issues. BBC Worldwide commercially supports the BBC and British creatives abroad, having invested over £1 billion in the UK creative sector. They publish magazines like BBC Music and operate television channels like CBeebies, a channel for children aged 6 and under known for its awards.
Radio 1 breakfast show timeline lesson
Nick Grimshaw has returned from the Christmas holidays to host his daily BBC Radio 1 Breakfast Show. The three and a half hour show includes music, interviews with celebrity guests, phone-ins from listeners, and competitions. Well-known segments include "Call or Delete" where guests prank call contacts, and "Happy Hardcore FM" which allows listeners to scream over music. The show aims to lower the target age of the audience for the BBC while informing, educating, and entertaining through British music, news, quizzes and games. It differs from commercial stations by focusing on its public service remit through the license fee rather than advertisers.
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Institutional regulations
The document discusses the British Board of Film Classification (BBFC) which classifies films, videos, DVDs, and Blu-rays in the UK. It assigns ratings like U, PG, 12/12A, 15, 18, and R18 based on guidelines developed through public consultation. The document then discusses a student documentary about the unsigned music scene that has been rated PG so that it can be viewed by both children and inspire younger audiences. It argues that the documentary fits with Channel 4's mission of promoting diversity, innovation, and social change through niche topics, as it brings awareness to the struggles of unsigned artists. The documentary will air on Channel 4 at 7pm to reach both younger and older audiences.
BBC 2
BBC Two provides more intellectually stimulating programming than BBC One, focusing on art, drama, comedy and documentaries. It aims to appeal to audiences not served by other mainstream channels through diverse and unique content. Key to its identity are ambitious factual programs and passionate presenters sharing their knowledge to educate and interest viewers, particularly those aged 35-54. Our documentary fits this remit by allowing our presenter to creatively communicate something of local interest he is passionate about.
Bbc 2
BBC Two provides more intellectually stimulating programming than BBC One, focusing on art, drama, comedy and documentaries. It aims to appeal to audiences not served by other mainstream channels through diverse and unique content. Key to its identity are ambitious factual programs and passionate presenters sharing their knowledge to educate and interest viewers, particularly those aged 35-54. Our documentary fits this remit by allowing our presenter to creatively communicate something of local interest he is passionate about.
BBC branding
BBC Introducing is a brand that showcases emerging musical talent on BBC radio stations, and has helped launch the careers of artists like Ed Sheeran and Florence and the Machine. The documentary uses two local artists that have been supported by BBC Introducing. It was filmed in natural locations in Leicester to represent the types of places BBC Introducing artists would be seen. The film will look to various distributors both within and outside the BBC to reach the widest possible audience for its niche subject matter.
Loom's group radio presentation
BBC Radio 1 is a British radio station operated by the BBC that specializes in popular music. It aims to entertain 15-29 year olds through its mix of music and speech content promoted across social media platforms. However, research found that most Radio 1 listeners feel it should have more distinctive content than commercial stations and better inform and educate the public. The document then provides background on the history and flagship breakfast show of Radio 1.
BBC editorial-guidelines-whole-document
This document provides an introduction and overview of the BBC's editorial standards and values. It discusses:
- The BBC's mission as outlined in its Royal Charter to serve all audiences through impartial, high-quality output.
- The BBC's public purposes and its independence from government.
- The BBC's core editorial values of freedom of expression, impartiality, accuracy, protecting the vulnerable, and serving the public interest.
- How the BBC balances its right to free expression with its responsibilities to audiences, and limits to that right imposed by law.
- The BBC's accountability to audiences and regulation by Ofcom to ensure its content meets required standards.
Media transition work
Bauer Media owns over 80 brand names across magazines, radio, and television. Two of their most popular magazine brands are Heat, a weekly celebrity and entertainment magazine launched in 1999, and Mojo, a monthly music magazine that has published 79,345 issues. BBC Worldwide commercially supports the BBC and British creatives abroad, having invested over £1 billion in the UK creative sector. They publish magazines like BBC Music and operate television channels like CBeebies, a channel for children aged 6 and under known for its awards.
Radio 1 breakfast show timeline lesson
Nick Grimshaw has returned from the Christmas holidays to host his daily BBC Radio 1 Breakfast Show. The three and a half hour show includes music, interviews with celebrity guests, phone-ins from listeners, and competitions. Well-known segments include "Call or Delete" where guests prank call contacts, and "Happy Hardcore FM" which allows listeners to scream over music. The show aims to lower the target age of the audience for the BBC while informing, educating, and entertaining through British music, news, quizzes and games. It differs from commercial stations by focusing on its public service remit through the license fee rather than advertisers.
The music industry why music videos are important
Music videos began widely broadcasting on television in the early 1980s and became popular with the advent of MTV in 1981. They serve both as entertainment for viewers and promotion for songs and artists. Music videos provide more understanding of a song's meaning through narrative and allow artists to promote themselves, their music, and potentially other products through product placement in the video. They are an important marketing tool that can help increase awareness and sales of new songs.
Radio 1 breakfast show lesson 1
Here are some key points I noticed from examining the Radio 1 Breakfast Show website and social media:
- Much of the content on social media like Instagram stories is very casual, featuring behind-the-scenes glimpses of the presenters in an informal, chatty style. This seems aimed at creating a sense of intimacy and connection with younger audiences.
- Hashtags used prominently include references to pop culture like #TBT and #ThrowbackThursday that would appeal to teens and 20-somethings. Language and slang used is contemporary and youth-focused.
- Diversity is represented both in terms of presenters and guests, reflecting the target demographic. However, content could still be more inclusive of different backgrounds.
Broadcast choice.
BBC Three is chosen as the channel to broadcast the documentary because it targets teenagers aged 16-25, has previously aired similar documentaries, and focuses on new internet content from new creators like themselves. Although BBC Three is moving online-only, this could benefit their documentary about the internet's influence. The documentary can also be advertised across other BBC platforms like Radio 1 and listings magazines.
Media sector 1 final again
The document discusses different media industries including film, TV, radio, and print. It provides definitions of each industry and outlines some of the key roles within them such as director, producer, and station manager. Each industry section also describes the relevant governing body such as the BBFC for film and Ofcom for TV. Case studies of major companies are also presented for Disney in film, BBC in radio, and Adobe in print.
Media sector 1 final
The document discusses several entertainment industries including film, TV, radio, and print. It provides definitions and key roles for each industry. The film industry roles include director, producer, and cameraman. The governing body for film in the UK is the BBFC. Disney is presented as a case study for the film industry. Key roles in TV include actors, camera operators, directors, and executive producers. Ofcom governs TV in the UK. CCTV is presented as a case study. Radio roles covered are broadcast journalists, presenters, producers, and station managers. The BBC is given as a radio case study. Print industry roles mentioned are photographers and digital imaging specialists. BIPP supports photographers. Peking University is
Radio trailer initial research
BBC Radio 1 would be the most appropriate radio station to broadcast the radio trailer for the documentary. Radio 1 targets 15-29 year olds and specializes in popular music and genres appealing to younger audiences. As the documentary's target audience is also young people, Radio 1 allows the trailer to directly reach those most interested in the topic. While other BBC stations like Radio 2 and 4 have larger overall audiences, they skew older or focus on topics not as aligned with the documentary's subject matter.
Radio 1 Breakfast show - Revision ym jh
Public service broadcasting in the UK was established in the 1920s to inform, educate, and entertain the public. The BBC was formed in 1922 and was the main provider of radio until commercial "pirate" radio stations emerged in the 1960s playing pop music. In response, the BBC launched new radio stations like Radio 1 in 1967. Over subsequent decades, digital technologies and new media disrupted radio as internet stations and podcasts emerged. The document outlines the history and remit of BBC radio stations like Radio 1 and how the BBC is adapting to remain relevant to younger audiences that consume media differently.
APM Conference Manchester: Building the BBC in the North - Adrian Mills
APM Conference Manchester: Building the BBC in the North - Adrian MillsAssociation for Project Management
Presentation from the APM Project Management Conference Manchester on Thursday 8 December. Adrian Mills is the general manager for BBC North.Radio psb and regulation revised
The document discusses public service broadcasting (PSB) requirements for BBC Radio 1 and analyzes whether the BBC Radio 1 Breakfast Show adheres to these principles. It outlines the 6 key PSB points that were established in 1925, which include informing, educating, and entertaining audiences. The document then reviews an hour segment of the BBC Radio 1 Breakfast Show to determine if it meets the PSB goals of stimulating content, civic engagement, interactivity, regional representation, and use of emerging technology. Based on examples of songs played, listener interactions, and accessibility across platforms, the summary concludes that the radio show was generally successful in fulfilling its remit to engage 15-29 year old listeners.
Existing magazine research
The document discusses magazines that could publish an article about an upcoming BBC documentary. It analyzes magazines produced by IPC, Bauer, and the BBC. It determines that Radio Times would be the best choice because it is published by the BBC and targets the same 16-25 year old demographic as the documentary. The article should include large images from the documentary and descriptive text to generate interest in the program.
Don’t tell the bride group work
This document summarizes information about BBC Three, a British television channel targeted at 16-34 year olds. Some key points:
- BBC Three was established in 2003 to bring younger audiences to public service broadcasting through a mixed genre schedule of UK content and new UK talent.
- It is owned and vertically integrated by the BBC. Cross promotion between BBC properties is used to help audiences find content.
- The channel is regulated by Ofcom and represented online through BBC iPlayer. Plans are in place for it to become an online-only channel in 2015.
- Reality TV programming made for BBC Three, such as Bridezillas, is targeted towards women audiences and represents different cultures, relationships,
Evaluation Question 4
The target audience for a social realism media product would primarily be intellectual, serious film viewers seeking non-mainstream content. Venues that cater to this niche audience and regularly show social realism films include independent cinemas, streaming services like MUBI that focus on older and less popular genres, and BBC channels like BBC Four that target audiences interested in art, culture, and factual programs. Print media like the magazine Sight and Sound also attract knowledgeable, literate viewers interested in in-depth film reviews and discussions.
Radio 1 breakfast show case study
The document provides context and overview information about the BBC Radio 1 Breakfast Show, its presenter Greg James, and its target audience. It discusses the show's requirements as a public service broadcaster, including entertaining young listeners, offering new music with an emphasis on emerging UK artists, and providing news relevant to young adults. It also summarizes an episode from October 4th 2018, noting how it met many public service obligations through its music selection and content, while acknowledging some challenges in appealing to commercial competitors in certain timeslots. Finally, it provides context on guest Romesh Ranganathan and how he represents UK communities in line with the BBC's public purposes.
Case study bbc radio 1
BBC Radio 1 is a British radio station aimed at listeners aged 15-19. It is funded by TV licenses and operated by the BBC. The station broadcasts pop music as well as news, documentaries, and campaigns to entertain its young audience. Popular hosts include Nick Grimshaw, Clara Amfo, and Greg James. BBC Radio 1 has about 9 million listeners and can be accessed through radio, the BBC website, app, and iPlayer.
Media a2 work final questionnaire
The questionnaire given to the target audience for a documentary on streetwear fashion yielded the following main results:
- The majority were interested in or knew about streetwear already
- Over 70% said they were into streetwear
- They expected an urban aesthetic given the topic
- Responses were split on whether it should focus on the UK or have international appeal
- Most had watched a short documentary on fashion before
- They preferred to let the conclusion about the reselling industry unfold naturally in the footage rather than have a clear statement
- Responses were split on using long or short takes to inform viewers
- Slightly more wanted to see general customers than resellers featured
- They preferred the documentary
Lesson 2 - TV Comedy PSB
The document discusses different types of broadcasters in the UK including the BBC, Channel 4, and commercial stations. It explains that the BBC and Channel 4 have a public service broadcasting (PSB) remit where they aim to inform, educate, and entertain the public, while commercial stations solely aim to attract audiences to sell advertising. The BBC is publicly funded through television license fees, Channel 4 is publicly owned but commercially funded through advertising, and commercial stations are solely funded by advertising. There is ongoing controversy around funding models and whether the television license fee should continue.
Music video history
Music videos have existed since the 1920s when songs were first accompanied by moving images, but they became more popular promotional tools in the 1980s. As technology advanced, artists were able to create more sophisticated videos to promote their music on TV shows and increase their popularity. The emergence of MTV in 1981 launched the golden age of music videos by providing a dedicated outlet for broadcasting them.
EGM Presentation - 22nd February 2007
Presentation made by the Executive Committee of Rugby Borough Neighbourhood Watch at the Extra Ordinary General Meeting dated 22nd February 2007
Audio media product
This document summarizes different types of audio media products including various broadcast methods and forms of radio. It discusses terrestrial radio, digital audio broadcasting (DAB), live radio, recorded radio, commercial radio, music radio, radio drama, commentary radio, and podcasts. Recorded radio is pre-recorded so that no mistakes occur during broadcast, while live radio is broadcast in real-time. Podcasts are episodic series of audio files that can be streamed to devices.
Presentation1
The document discusses three locations - The Shed, The Maze, and Mark's House - where filming will take place for a performance and interviews. At The Shed and The Maze, two static camcorders and a handheld DSLR will film the stage area, with a Red D3300 also used for slow motion footage. Interviews at Mark's House will involve Mark sitting on his sofa with cameras from different angles, and his musical instruments will be in view.
Presentation1
Dokumen tersebut merupakan desain selempang dan tas ospek untuk Organisasi Mahasiswa Bimbingan Akademik (ORMABA) Angkatan XVII. Dokumen tersebut menjelaskan ukuran, letak, dan warna unsur-unsurnya seperti huruf, logo, foto, dan pita.
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The music industry why music videos are important
Music videos began widely broadcasting on television in the early 1980s and became popular with the advent of MTV in 1981. They serve both as entertainment for viewers and promotion for songs and artists. Music videos provide more understanding of a song's meaning through narrative and allow artists to promote themselves, their music, and potentially other products through product placement in the video. They are an important marketing tool that can help increase awareness and sales of new songs.
Radio 1 breakfast show lesson 1
Here are some key points I noticed from examining the Radio 1 Breakfast Show website and social media:
- Much of the content on social media like Instagram stories is very casual, featuring behind-the-scenes glimpses of the presenters in an informal, chatty style. This seems aimed at creating a sense of intimacy and connection with younger audiences.
- Hashtags used prominently include references to pop culture like #TBT and #ThrowbackThursday that would appeal to teens and 20-somethings. Language and slang used is contemporary and youth-focused.
- Diversity is represented both in terms of presenters and guests, reflecting the target demographic. However, content could still be more inclusive of different backgrounds.
Broadcast choice.
BBC Three is chosen as the channel to broadcast the documentary because it targets teenagers aged 16-25, has previously aired similar documentaries, and focuses on new internet content from new creators like themselves. Although BBC Three is moving online-only, this could benefit their documentary about the internet's influence. The documentary can also be advertised across other BBC platforms like Radio 1 and listings magazines.
Media sector 1 final again
The document discusses different media industries including film, TV, radio, and print. It provides definitions of each industry and outlines some of the key roles within them such as director, producer, and station manager. Each industry section also describes the relevant governing body such as the BBFC for film and Ofcom for TV. Case studies of major companies are also presented for Disney in film, BBC in radio, and Adobe in print.
Media sector 1 final
The document discusses several entertainment industries including film, TV, radio, and print. It provides definitions and key roles for each industry. The film industry roles include director, producer, and cameraman. The governing body for film in the UK is the BBFC. Disney is presented as a case study for the film industry. Key roles in TV include actors, camera operators, directors, and executive producers. Ofcom governs TV in the UK. CCTV is presented as a case study. Radio roles covered are broadcast journalists, presenters, producers, and station managers. The BBC is given as a radio case study. Print industry roles mentioned are photographers and digital imaging specialists. BIPP supports photographers. Peking University is
Radio trailer initial research
BBC Radio 1 would be the most appropriate radio station to broadcast the radio trailer for the documentary. Radio 1 targets 15-29 year olds and specializes in popular music and genres appealing to younger audiences. As the documentary's target audience is also young people, Radio 1 allows the trailer to directly reach those most interested in the topic. While other BBC stations like Radio 2 and 4 have larger overall audiences, they skew older or focus on topics not as aligned with the documentary's subject matter.
Radio 1 Breakfast show - Revision ym jh
Public service broadcasting in the UK was established in the 1920s to inform, educate, and entertain the public. The BBC was formed in 1922 and was the main provider of radio until commercial "pirate" radio stations emerged in the 1960s playing pop music. In response, the BBC launched new radio stations like Radio 1 in 1967. Over subsequent decades, digital technologies and new media disrupted radio as internet stations and podcasts emerged. The document outlines the history and remit of BBC radio stations like Radio 1 and how the BBC is adapting to remain relevant to younger audiences that consume media differently.
APM Conference Manchester: Building the BBC in the North - Adrian Mills
APM Conference Manchester: Building the BBC in the North - Adrian MillsAssociation for Project Management
Presentation from the APM Project Management Conference Manchester on Thursday 8 December. Adrian Mills is the general manager for BBC North.Radio psb and regulation revised
The document discusses public service broadcasting (PSB) requirements for BBC Radio 1 and analyzes whether the BBC Radio 1 Breakfast Show adheres to these principles. It outlines the 6 key PSB points that were established in 1925, which include informing, educating, and entertaining audiences. The document then reviews an hour segment of the BBC Radio 1 Breakfast Show to determine if it meets the PSB goals of stimulating content, civic engagement, interactivity, regional representation, and use of emerging technology. Based on examples of songs played, listener interactions, and accessibility across platforms, the summary concludes that the radio show was generally successful in fulfilling its remit to engage 15-29 year old listeners.
Existing magazine research
The document discusses magazines that could publish an article about an upcoming BBC documentary. It analyzes magazines produced by IPC, Bauer, and the BBC. It determines that Radio Times would be the best choice because it is published by the BBC and targets the same 16-25 year old demographic as the documentary. The article should include large images from the documentary and descriptive text to generate interest in the program.
Don’t tell the bride group work
This document summarizes information about BBC Three, a British television channel targeted at 16-34 year olds. Some key points:
- BBC Three was established in 2003 to bring younger audiences to public service broadcasting through a mixed genre schedule of UK content and new UK talent.
- It is owned and vertically integrated by the BBC. Cross promotion between BBC properties is used to help audiences find content.
- The channel is regulated by Ofcom and represented online through BBC iPlayer. Plans are in place for it to become an online-only channel in 2015.
- Reality TV programming made for BBC Three, such as Bridezillas, is targeted towards women audiences and represents different cultures, relationships,
Evaluation Question 4
The target audience for a social realism media product would primarily be intellectual, serious film viewers seeking non-mainstream content. Venues that cater to this niche audience and regularly show social realism films include independent cinemas, streaming services like MUBI that focus on older and less popular genres, and BBC channels like BBC Four that target audiences interested in art, culture, and factual programs. Print media like the magazine Sight and Sound also attract knowledgeable, literate viewers interested in in-depth film reviews and discussions.
Radio 1 breakfast show case study
The document provides context and overview information about the BBC Radio 1 Breakfast Show, its presenter Greg James, and its target audience. It discusses the show's requirements as a public service broadcaster, including entertaining young listeners, offering new music with an emphasis on emerging UK artists, and providing news relevant to young adults. It also summarizes an episode from October 4th 2018, noting how it met many public service obligations through its music selection and content, while acknowledging some challenges in appealing to commercial competitors in certain timeslots. Finally, it provides context on guest Romesh Ranganathan and how he represents UK communities in line with the BBC's public purposes.
Case study bbc radio 1
BBC Radio 1 is a British radio station aimed at listeners aged 15-19. It is funded by TV licenses and operated by the BBC. The station broadcasts pop music as well as news, documentaries, and campaigns to entertain its young audience. Popular hosts include Nick Grimshaw, Clara Amfo, and Greg James. BBC Radio 1 has about 9 million listeners and can be accessed through radio, the BBC website, app, and iPlayer.
Media a2 work final questionnaire
The questionnaire given to the target audience for a documentary on streetwear fashion yielded the following main results:
- The majority were interested in or knew about streetwear already
- Over 70% said they were into streetwear
- They expected an urban aesthetic given the topic
- Responses were split on whether it should focus on the UK or have international appeal
- Most had watched a short documentary on fashion before
- They preferred to let the conclusion about the reselling industry unfold naturally in the footage rather than have a clear statement
- Responses were split on using long or short takes to inform viewers
- Slightly more wanted to see general customers than resellers featured
- They preferred the documentary
Lesson 2 - TV Comedy PSB
The document discusses different types of broadcasters in the UK including the BBC, Channel 4, and commercial stations. It explains that the BBC and Channel 4 have a public service broadcasting (PSB) remit where they aim to inform, educate, and entertain the public, while commercial stations solely aim to attract audiences to sell advertising. The BBC is publicly funded through television license fees, Channel 4 is publicly owned but commercially funded through advertising, and commercial stations are solely funded by advertising. There is ongoing controversy around funding models and whether the television license fee should continue.
Music video history
Music videos have existed since the 1920s when songs were first accompanied by moving images, but they became more popular promotional tools in the 1980s. As technology advanced, artists were able to create more sophisticated videos to promote their music on TV shows and increase their popularity. The emergence of MTV in 1981 launched the golden age of music videos by providing a dedicated outlet for broadcasting them.
EGM Presentation - 22nd February 2007
Presentation made by the Executive Committee of Rugby Borough Neighbourhood Watch at the Extra Ordinary General Meeting dated 22nd February 2007
Audio media product
This document summarizes different types of audio media products including various broadcast methods and forms of radio. It discusses terrestrial radio, digital audio broadcasting (DAB), live radio, recorded radio, commercial radio, music radio, radio drama, commentary radio, and podcasts. Recorded radio is pre-recorded so that no mistakes occur during broadcast, while live radio is broadcast in real-time. Podcasts are episodic series of audio files that can be streamed to devices.
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APM Conference Manchester: Building the BBC in the North - Adrian Mills
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The document discusses three locations - The Shed, The Maze, and Mark's House - where filming will take place for a performance and interviews. At The Shed and The Maze, two static camcorders and a handheld DSLR will film the stage area, with a Red D3300 also used for slow motion footage. Interviews at Mark's House will involve Mark sitting on his sofa with cameras from different angles, and his musical instruments will be in view.
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Comparison of android and black berry forensic techniques
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Similar to Institutional regulations
Interpreting the brief bbc 3.pptx
The documentary aims to explore how digital technology and the internet have impacted modern culture, specifically for 16-24 year olds. The documentary will be 10-15 minutes long and air on BBC 3, a channel known for reality shows and light-hearted documentaries about current culture. BBC 3 targets the 16-24 demographic and airs in the evenings when this age group is most likely to be watching. The goal is to get young viewers thinking about how digital technology shapes society.
BBC Research.pptx
BBC Three is a television channel and online platform operated by the BBC aimed at young adults aged 16-34. It was originally launched as a TV channel in 2003 but became online-only in 2016 as part of BBC cost-cutting measures. However, in 2021 it was announced that BBC Three would return as both a TV channel and online platform in early 2022. BBC Three airs both original and acquired content from other broadcasters and has a strong social media presence.
How effective our campaign would be in the 2
The document discusses alternative methods for distributing a documentary film. It argues that producing and distributing the film through BBC Films for broadcast on BBC channels like BBC 4 would have been more appropriate than independent production and distribution. The BBC's target audience would be similar and its conventions would match those used in the film. Marketing the film on TV rather than at independent cinemas would reach a wider audience through a traditional AIDA marketing approach using BBC platforms.
BBC 2
BBC Two provides more intellectually stimulating programming than BBC One, focusing on art, drama, comedy and documentaries. It aims to appeal to audiences not served by other mainstream channels through diverse and unique content. Key to its identity are ambitious factual programs and passionate presenters sharing their knowledge to educate and interest viewers, particularly those aged 35-54. Our documentary fits this remit by allowing our presenter to creatively communicate something of local interest he is passionate about.
Bbc 2
BBC Two provides more intellectually stimulating programming than BBC One, focusing on art, drama, comedy and documentaries. It aims to appeal to audiences not served by other mainstream channels through diverse and unique content. Key to its identity are ambitious factual programs and passionate presenters sharing their knowledge to educate and interest viewers, particularly those aged 35-54. Our documentary fits this remit by allowing our presenter to creatively communicate something of local interest he is passionate about.
How effective our campaign would be in the
The document discusses alternative methods for producing and distributing a documentary film. It suggests that producing the film through BBC Films rather than independently would have been more appropriate, as it would have a less adventurous style suited for television. Distributing it on TV through BBC channels instead of independent cinemas could reach a wider audience and help advertise the film. The film was rated PG to appeal to its target 24-35 year old audience and allow young families to watch together.
Interpretating the Brief.pptx
The document outlines the requirements for a short documentary film project for BBC Three and BBC England. The project aims to showcase youth culture in the digital age through the lens of a 16-24 year old. The documentary must be around 10 minutes and explore how technology and social media have impacted music, social interactions, and careers. Potential topics include the effects of social media on music popularity and the pros and cons of social media. The document also lists some constraints of the project like time management of shoots, locations, and research needed. It must also align with the BBC's principles of informing, educating, and entertaining audiences.
Pi
The document discusses the modes and channel that will be used for a documentary. It was concluded that the poetic, expositional, and participatory modes will be used as they suit the documentary. It was also concluded that BBC Three would be the most suitable channel to broadcast the documentary. BBC Three's target audience and themes of prior documentaries align well with the aims of this documentary. Broadcasting at 7pm also places it in prime time viewing hours for its target 18-25 year old audience.
Research into different channels and target audience
This document discusses different UK television channels and their target audiences. Public service broadcasters like the BBC have a mandate to inform, educate and entertain across different genres. BBC One targets mainstream audiences while BBC Two focuses on more affluent, educated viewers. BBC Three targets 16-34 year olds with sensitive topics. ITV invests heavily in content and focuses on entertainment, reality, and soaps. Channel 4 commissions UK content and supports new talent while challenging views. It targets a range of audiences with documentaries after watershed. The document outlines the target audiences and programming of various other channels.
Mock interview.pptx
A mock interview is a practice interview that helps improve interview skills like communication and answering questions. To prepare for an interview, research the company, practice common questions, and bring identification documents. The BBC was founded 100 years ago and is publicly funded through TV licenses. It has different TV channels targeting various audiences, like BBC 1 for ages 35+ and BBC 3 for ages 16-34. When pitching a TV show idea to the BBC, research the company, summarize the show concept and ideal channel, discuss the target audience and air time, and compare it to similar shows.
BBC intro.pptx
The BBC is commissioning a documentary film from a production company about the impact of technology on today's young generation aged 16-24. The film will explore both the positive and negative effects of technology on their daily lives from their perspectives. It aims to allow the audience to see a different viewpoint on how much technology really influences them. The BBC, founded in 1922, is funded by television licenses and aims to inform, entertain and educate diverse audiences.
ASY1 Media C1SB Industry BBC and public service broadcasting
The document provides information about the BBC, including its history, funding, and role as a public service broadcaster in the UK. It discusses:
- The BBC's origins in the 1920s and key developments in its history.
- How it is primarily funded by the television licence fee, which most UK households paying £150.50 per year.
- The BBC's public purposes as outlined in its royal charter, including to inform, educate, entertain, support learning, reflect UK culture and communities.
- Current debates around the licence fee model and criticisms of the BBC having a monopoly, with some arguing it is an outdated system.
Pi
BBC Three was concluded to be the most suitable channel to broadcast the documentary for several reasons:
1) BBC Three regularly broadcasts documentaries that share the same theme of focusing on social problems affecting young people as the documentary aims to do.
2) BBC Three has the same target audience of 18-25 year olds from social classes B-D that the documentary aims to target.
3) BBC Three begins broadcasting at 7pm, targeting a mature audience able to understand the content, and placing the documentary in primetime viewing hours for higher ratings.
The grid proposal
The document proposes a new TV channel called The Grid, which will focus on arts and progressive content similar to Channels 4 and BBC2. It will target 16-34 year olds like Channel 4 but also appeal to older audiences like BBC2. The Grid aims to release thought-provoking and groundbreaking content to stimulate intellectual discussion. It will take inspiration from Channels 4 and BBC2 in its diverse programming and experimental idents to distinguish itself from other channels. The target audience is described as the "Punk Rock generation" who want challenging content over predictable programs.
The bbc
The BBC Trust is the governing body of the British Broadcasting Corporation (BBC). It sets the BBC's strategy, assesses performance of BBC management, and appoints the Director-General. The Trust's goal is to make decisions that are in the best interests of TV license fee payers. It challenges the BBC to produce creative, distinctive content and innovate online to create a more personalized experience, while serving all audiences and improving cost efficiency. The BBC is primarily funded by an annual television license fee paid by UK households, companies, and organizations that receive live TV broadcasts or recordings. While some feel the BBC is biased, others view it as one of the best sources for news, information, and documentary programming worldwide. Opinions
Pi
The document discusses why BBC One, BBC Two, ITV/Channel Four, and E4 were not chosen to broadcast their documentary. BBC One does not frequently air documentaries of their genre and their target audience does not watch BBC One. BBC Two's target audience is too mature and they rarely air documentaries. ITV only airs documentaries during scandals and their target audience prefers BBC Three. Channel Four focuses on entertainment over documentaries. E4 does not broadcast any documentaries. BBC Three was chosen as it airs relevant documentaries and was favored by their target audience in surveys.
Bbc
The document outlines the mission, values, and public purposes of the BBC. The BBC's mission is to inform, educate, and entertain audiences. Its core values include trust, putting audiences first, quality, creativity, respect, and collaboration. The six public purposes mandated by the Royal Charter are: sustaining citizenship, boosting education, encouraging creativity, representing UK communities, bringing the UK to the world and vice versa, and assisting with emerging technologies. The license fee is £145.50 per year or about 40p per day, and is required to watch or record live TV and BBC content on any device.
Pi
BBC Three was chosen as the best channel to broadcast the documentary for several reasons:
1) BBC Three regularly broadcasts documentaries with themes similar to the one focusing on the social problems facing young people due to the recession.
2) BBC Three has the same target audience of 18-25 year olds from social classes B through D as the documentary.
3) BBC Three begins broadcasting at 7pm, targeting a mature audience able to understand the content, and placing the documentary in primetime viewing hours.
Pi
The document discusses why BBC One, BBC Two, ITV/Channel Four, and E4 were not chosen to broadcast the documentary. BBC One does not frequently air documentaries of the same genre and target audience. BBC Two also seldom broadcasts documentaries, and when it does they are nature-focused rather than business-focused. ITV only airs documentaries during scandals and does not fit the genre. Channel Four focuses more on programs than documentaries. E4 does not broadcast any documentaries. BBC Three was chosen instead as it airs documentaries of the same genre and is favored by the target audience.
Research BBC.pptx
The document discusses the BBC (British Broadcasting Corporation), its history and founding philosophy of "Reithianism". It provides details on BBC channels and regulations set by OFCOM to ensure impartiality. BBC Three is highlighted as a channel directed at younger audiences aged 16-24, which switched to online-only in 2016. In 2020, BBC Three and BBC England launched the Northern Voices scheme to support young people in the media industry through documentaries relating to their experiences. Documentaries are then defined as non-fictional films documenting past events using techniques like interviews, voiceovers, and archive footage. Different documentary forms are listed, with poetic documentaries described as subjective and meant to evoke feelings rather than present facts.
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Research into different channels and target audience
Research into different channels and target audience
ASY1 Media C1SB Industry BBC and public service broadcasting
ASY1 Media C1SB Industry BBC and public service broadcasting
More from gmisso33
Theory
The document discusses several key points about documentaries and reality:
- Documentaries present representations of reality rather than reality itself, as filmmakers compose shots to portray their own vision rather than a completely objective reality.
- The camera acts as the lens of both the filmmaker and audience, showing the audience only what the filmmaker wants them to see. Reality cannot be fully replicated or recorded.
- Repeated representations shown in documentaries have shaped audiences' views over time, promoting common ideologies as audiences visualize topics through the same representations.
Documentary conventions
The document discusses documentary filmmaking conventions and styles. It outlines common techniques used in documentaries such as voiceovers, interviews, montages, archival footage, sound, camerawork, and editing. It also describes different documentary styles including expository, observational, reflexive, participatory, and performative styles. These styles vary in their level of impact on audiences, from swaying knowledge to celebrating subjectivity and evoking emotion.
Presentation
This document discusses influences from Casey Neistat including a YouTube video titled "Casey Neistat: Do More December 31st 2012" and a movie from June 7th 2011 called "Bike Lanes". It also mentions dreams, nightmares, modern times, and blind tourist photoshoots.
The logo detailed analysis
The document discusses redesigning a logo font for a video documentary because the original block font did not work well. A new handwritten font was created that would write itself across the screen, conveying the passion and personality behind the music. While the block font worked well for posters indicating achievement, the handwritten font better captured the progression from unsigned to signed music and negated concerns about maintaining a consistent brand identity with the title font.
Presentation1
The document outlines three filming locations - The Shed, The Maze, and Martin's House. At The Shed and The Maze, two static camcorders will film the stage area while a handheld DSLR captures additional footage. A Red D3300 will be used for slow motion shots. At Martin's House, Martin will be interviewed on his sofa with cameras from different angles, showing his instruments in the background.
Music documentary conventions
The document discusses conventions that are commonly used in documentaries, including voiceovers, realism, interviews, montages, archival footage, sound, camerawork, and editing. It also covers different documentary styles such as expository, observational, reflexive, participatory, and performative. The conclusion indicates that the music documentary being created will conform to common conventions and integrate elements of observational and participatory styles to avoid being classified as one specific style.
Media theoretical research
The document discusses several key points about documentaries and reality:
- Documentaries present representations of reality rather than reality itself, as filmmakers compose shots to portray their own vision rather than a completely objective reality.
- The camera acts as the lens through which the filmmaker shows the audience their chosen perspective rather than everything that was recorded.
- Audiences have come to see documentaries as shaped representations rather than reality, and the repeated use of certain representations has shaped collective views on topics.
Form and Genre
This document discusses several conventions related to opening sequences, genres, and narrative structure. It explains that opening sequences typically establish mood, characters, locations, and themes. It also notes that credits are usually superimposed on static images or action sequences and may include music. Regarding thrillers, it describes conventions like suspense, action, villains, and resourceful heroes. It discusses editing techniques commonly used in thrillers like quick cuts and flashbacks. Finally, it outlines narrative structures like linear and non-linear used in independent films to keep audiences engaged through mysteries and resolutions.
Gianluca & jake changes to planning
Gianluca and Jake made changes to the planning of their production. They decided to use the soundtrack from The Pretty Goodbyes as a continuous track rather than snippets for the interrogation and bus scenes. Some takes were shortened during filming to improve pacing. Additional credits were added to the opening sequence and different transitions and fonts were used to make it feel more extravagant and professional.
Costume & Props
This document discusses the costumes and props for an interrogation scene in a film. It describes that the terrorist will sit in an uncomfortable chair to appear uncomfortable during interrogation. It notes that the terrorist will wear a dirty white vest to emphasize his poor treatment, while the interrogator will wear an open white shirt and black trousers to seem important but unprofessional. It also mentions that the protagonist will wear normal clothes in an earlier bus scene.
costume & props
The document describes the set design and costumes for an interrogation scene in a film. It details that the interrogation seat will be plain and uncomfortable to convey the terrorist is in an unpleasant position. It also notes that the terrorist actor will wear a dirty white vest and baggy trousers to emphasize their poor treatment. The interrogator will wear an open white shirt and black trousers to seem important but unprofessional.
Textual analysis of the hurt locker
This document provides a summary and analysis of 15 shots from the film "The Hurt Locker". The shots establish the setting of a Middle Eastern country experiencing conflict and evacuation due to a bomb threat. Various camera techniques like shaky camera, zooms, and close-ups are used to convey a sense of urgency, chaos, and the point of view of soldiers searching cautiously for bombs amidst crowds of civilians. Elements like costumes, sounds of horns and shouting help set the scene and mood of danger and uncertainty during the evacuation process.
Textual analysis united 93
This document analyzes the shots and editing in the opening sequence of the film United 93. It discusses 15 shots that establish settings and characters. The shots connote normalcy through images of the city, people's daily routines, and interactions. They also connote fear, danger, violence and humanity through close-ups of characters. The editing and sound design reinforce the connotations of normalcy while also creating tension through dissonant music that hints something will disrupt the normal day. Overall, the sequence sets up the ordinary settings and people before the dramatic events unfold.
Media textual analysis of zero dark thirty
The document analyzes shots from the film Zero Dark Thirty. Shot 1 uses voiceovers of 911 calls to convey chaos and desperation during the 9/11 attacks. Shot 2 shows a beam of light through a hole, representing hope. Shot 3 shows a masked man to represent violence and fear of the unknown, while the unmasked "boss" has no fear of being identified. Later shots analyze close-ups and camera movements during an interrogation scene to depict the power dynamics, violence, and intensity of the experience.
Textual analysis of the hurt locker
The document provides a textual analysis of 15 shots from the film "The Hurt Locker". The shots establish the setting of a Middle Eastern country experiencing conflict and corruption. Various camera techniques like shaky camera, zooms, and close ups are used to convey a sense of chaos, urgency, and the point of view of soldiers tasked with bomb disposal. Elements like costumes, sounds of horns and shouting help set the scene and immerse the audience in the soldier's perspective.
Audience profiling
This document discusses the target audience for a thriller film with a controversial ideological message. The primary audience is male thriller fans aged 30-50 in income brackets A1-B who will appreciate the thrill and be open to the ideology. The secondary audience aims to attract those interested in stereotypes for more sales. The target audience is classified as "Thinkers" who value knowledge and responsibility and seek information to broaden their views. They will have achieved self-actualization in Maslow's hierarchy. Statistics show thrillers appeal most to males aged 19-45.
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一比一原版(Columbia文凭证书)哥伦比亚大学毕业证如何办理
一模一样【微信：176555708】【(Columbia文凭证书)哥伦比亚大学毕业证成绩单Offer】【微信：176555708】（留信学历认证永久存档查询）采用学校原版纸张、特殊工艺完全按照原版一比一制作（包括：隐形水印，阴影底纹，钢印LOGO烫金烫银，LOGO烫金烫银复合重叠，文字图案浮雕，激光镭射，紫外荧光，温感，复印防伪）行业标杆！精益求精，诚心合作，真诚制作！多年品质 ,按需精细制作，24小时接单,全套进口原装设备，十五年致力于帮助留学生解决难题，业务范围有加拿大、英国、澳洲、韩国、美国、新加坡，新西兰等学历材料，包您满意。
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留信网认证的作用:
1:该专业认证可证明留学生真实身份
2:同时对留学生所学专业登记给予评定
3:国家专业人才认证中心颁发入库证书
4:这个认证书并且可以归档倒地方
5:凡事获得留信网入网的信息将会逐步更新到个人身份内，将在公安局网内查询个人身份证信息后，同步读取人才网入库信息
6:个人职称评审加20分
7:个人信誉贷款加10分
8:在国家人才网主办的国家网络招聘大会中纳入资料，供国家高端企业选择人才
→ 【关于价格问题（保证一手价格）
我们所定的价格是非常合理的，而且我们现在做得单子大多数都是代理和回头客户介绍的所以一般现在有新的单子 我给客户的都是第一手的代理价格，因为我想坦诚对待大家 不想跟大家在价格方面浪费时间
对于老客户或者被老客户介绍过来的朋友，我们都会适当给一些优惠。
选择实体注册公司办理，更放心，更安全！我们的承诺：可来公司面谈，可签订合同，会陪同客户一起到教育部认证窗口递交认证材料，客户在教育部官方认证查询网站查询到认证通过结果后付款，不成功不收费！
Catalytic Converter theft prevention - NYC.pptx
Understanding Catalytic Converter Theft:
What is a Catalytic Converter?: Learn about the function of catalytic converters in vehicles and why they are targeted by thieves.
Why are They Stolen?: Discover the valuable metals inside catalytic converters (such as platinum, palladium, and rhodium) that make them attractive to criminals.
Steps to Prevent Catalytic Converter Theft:
Parking Strategies: Tips on where and how to park your vehicle to reduce the risk of theft, such as parking in well-lit areas or secure garages.
Protective Devices: Overview of various anti-theft devices available, including catalytic converter locks, shields, and alarms.
Etching and Marking: The benefits of etching your vehicle’s VIN on the catalytic converter or using a catalytic converter marking kit to make it traceable and less appealing to thieves.
Surveillance and Monitoring: Recommendations for using security cameras and motion-sensor lights to deter thieves.
Statistics and Insights:
Theft Rates by Borough: Analysis of data to determine which borough in NYC experiences the highest rate of catalytic converter thefts.
Recent Trends: Current trends and patterns in catalytic converter thefts to help you stay aware of emerging hotspots and tactics used by thieves.
Benefits of This Presentation:
Awareness: Increase your awareness about catalytic converter theft and its impact on vehicle owners.
Practical Tips: Gain actionable insights and tips to effectively prevent catalytic converter theft.
Local Insights: Understand the specific risks in different NYC boroughs, helping you take targeted preventive measures.
This presentation aims to equip you with the knowledge and tools needed to protect your vehicle from catalytic converter theft, ensuring you are prepared and proactive in safeguarding your property.
快速办理(napier毕业证书)英国龙比亚大学毕业证在读证明一模一样
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本公司拥有海外各大学样板无数，能完美还原。
1:1完美还原海外各大学毕业材料上的工艺：水印，阴影底纹，钢印LOGO烫金烫银，LOGO烫金烫银复合重叠。文字图案浮雕、激光镭射、紫外荧光、温感、复印防伪等防伪工艺。材料咨询办理、认证咨询办理请加学历顾问Q/微741003700
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如果您处于以下几种情况：
◇在校期间，因各种原因未能顺利毕业……拿不到官方毕业证【q/微741003700】
◇面对父母的压力，希望尽快拿到；
◇不清楚认证流程以及材料该如何准备；
◇回国时间很长，忘记办理；
◇回国马上就要找工作，办给用人单位看；
◇企事业单位必须要求办理的
◇需要报考公务员、购买免税车、落转户口
◇申请留学生创业基金
留信网认证的作用:
1:该专业认证可证明留学生真实身份
2:同时对留学生所学专业登记给予评定
3:国家专业人才认证中心颁发入库证书
4:这个认证书并且可以归档倒地方
5:凡事获得留信网入网的信息将会逐步更新到个人身份内，将在公安局网内查询个人身份证信息后，同步读取人才网入库信息
6:个人职称评审加20分
7:个人信誉贷款加10分
8:在国家人才网主办的国家网络招聘大会中纳入资料，供国家高端企业选择人才
EV Charging at MFH Properties by Whitaker Jamieson
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AadiShakti Projects ( Asp Cranes ) Raipur
Welcome to ASP Cranes, your trusted partner for crane solutions in Raipur, Chhattisgarh! With years of experience and a commitment to excellence, we offer a comprehensive range of crane services tailored to meet your lifting and material handling needs.
At ASP Cranes, we understand the importance of reliable and efficient crane operations in various industries, from construction and manufacturing to logistics and infrastructure development. That's why we strive to deliver top-notch solutions that enhance productivity, safety, and cost-effectiveness for our clients.
Our services include:
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Crane Sales: Looking to invest in a crane for your business? We offer a wide selection of new and used cranes from leading manufacturers, ensuring you find the perfect equipment to match your needs and budget.
Crane Maintenance and Repair: To ensure optimal performance and safety, regular maintenance and timely repairs are essential for cranes. Our team of skilled technicians provides comprehensive maintenance and repair services to keep your equipment running smoothly and minimize downtime.
Crane Operator Training: Proper training is crucial for safe and efficient crane operation. We offer specialized training programs conducted by certified instructors to equip operators with the skills and knowledge they need to handle cranes effectively.
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At ASP Cranes, customer satisfaction is our top priority. We are dedicated to delivering reliable, cost-effective, and innovative crane solutions that exceed expectations. Contact us today to learn more about our services and how we can support your project in Raipur, Chhattisgarh, and beyond. Let ASP Cranes be your trusted partner for all your crane needs!
What do the symbols on vehicle dashboard mean?
Ever been troubled by the blinking sign and didn’t know what to do?
Here’s a handy guide to dashboard symbols so that you’ll never be confused again!
Save them for later and save the trouble!
Here's Why Every Semi-Truck Should Have ELDs
Implementing ELDs or Electronic Logging Devices is slowly but surely becoming the norm in fleet management. Why? Well, integrating ELDs and associated connected vehicle solutions like fleet tracking devices lets businesses and their in-house fleet managers reap several benefits. Check out the post below to learn more.
EV Charging at Multifamily Properties by Kevin Donnelly
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What Could Be Behind Your Mercedes Sprinter's Power Loss on Uphill Roads
Unlock the secrets behind your Mercedes Sprinter's uphill power loss with our comprehensive presentation. From fuel filter blockages to turbocharger troubles, we uncover the culprits and empower you to reclaim your vehicle's peak performance. Conquer every ascent with confidence and ensure a thrilling journey every time.
一比一原版(WashU文凭证书)圣路易斯华盛顿大学毕业证如何办理
一模一样【微信：176555708】【(WashU文凭证书)圣路易斯华盛顿大学毕业证成绩单Offer】【微信：176555708】（留信学历认证永久存档查询）采用学校原版纸张、特殊工艺完全按照原版一比一制作（包括：隐形水印，阴影底纹，钢印LOGO烫金烫银，LOGO烫金烫银复合重叠，文字图案浮雕，激光镭射，紫外荧光，温感，复印防伪）行业标杆！精益求精，诚心合作，真诚制作！多年品质 ,按需精细制作，24小时接单,全套进口原装设备，十五年致力于帮助留学生解决难题，业务范围有加拿大、英国、澳洲、韩国、美国、新加坡，新西兰等学历材料，包您满意。
【业务选择办理准则】
一、工作未确定，回国需先给父母、亲戚朋友看下文凭的情况，办理一份就读学校的毕业证【微信：176555708】文凭即可
二、回国进私企、外企、自己做生意的情况，这些单位是不查询毕业证真伪的，而且国内没有渠道去查询国外文凭的真假，也不需要提供真实教育部认证。鉴于此，办理一份毕业证【微信：176555708】即可
三、进国企，银行，事业单位，考公务员等等，这些单位是必需要提供真实教育部认证的，办理教育部认证所需资料众多且烦琐，所有材料您都必须提供原件，我们凭借丰富的经验，快捷的绿色通道帮您快速整合材料，让您少走弯路。
留信网认证的作用:
1:该专业认证可证明留学生真实身份
2:同时对留学生所学专业登记给予评定
3:国家专业人才认证中心颁发入库证书
4:这个认证书并且可以归档倒地方
5:凡事获得留信网入网的信息将会逐步更新到个人身份内，将在公安局网内查询个人身份证信息后，同步读取人才网入库信息
6:个人职称评审加20分
7:个人信誉贷款加10分
8:在国家人才网主办的国家网络招聘大会中纳入资料，供国家高端企业选择人才
→ 【关于价格问题（保证一手价格）
我们所定的价格是非常合理的，而且我们现在做得单子大多数都是代理和回头客户介绍的所以一般现在有新的单子 我给客户的都是第一手的代理价格，因为我想坦诚对待大家 不想跟大家在价格方面浪费时间
对于老客户或者被老客户介绍过来的朋友，我们都会适当给一些优惠。
选择实体注册公司办理，更放心，更安全！我们的承诺：可来公司面谈，可签订合同，会陪同客户一起到教育部认证窗口递交认证材料，客户在教育部官方认证查询网站查询到认证通过结果后付款，不成功不收费！
Expanding Access to Affordable At-Home EV Charging by Vanessa Warheit
Vanessa Warheit, Co-Founder of EV Charging for All, gave this presentation at the Forth Addressing The Challenges of Charging at Multi-Family Housing webinar on June 11, 2024.
Hand Gesture Control Robotic Arm using image processing.pptx
Hand Gesture Control Robotic Arm using image processing
原版制作(Exeter毕业证书)埃克塞特大学毕业证完成信一模一样
学校原件一模一样【微信：741003700 】《(Exeter毕业证书)埃克塞特大学毕业证》【微信：741003700 】学位证，留信认证（真实可查，永久存档）原件一模一样纸张工艺/offer、雅思、外壳等材料/诚信可靠,可直接看成品样本，帮您解决无法毕业带来的各种难题！外壳，原版制作，诚信可靠，可直接看成品样本。行业标杆！精益求精，诚心合作，真诚制作！多年品质 ,按需精细制作，24小时接单,全套进口原装设备。十五年致力于帮助留学生解决难题，包您满意。
本公司拥有海外各大学样板无数，能完美还原。
1:1完美还原海外各大学毕业材料上的工艺：水印，阴影底纹，钢印LOGO烫金烫银，LOGO烫金烫银复合重叠。文字图案浮雕、激光镭射、紫外荧光、温感、复印防伪等防伪工艺。材料咨询办理、认证咨询办理请加学历顾问Q/微741003700
【主营项目】
一.毕业证【q微741003700】成绩单、使馆认证、教育部认证、雅思托福成绩单、学生卡等！
二.真实使馆公证(即留学回国人员证明,不成功不收费)
三.真实教育部学历学位认证（教育部存档！教育部留服网站永久可查）
四.办理各国各大学文凭(一对一专业服务,可全程监控跟踪进度)
如果您处于以下几种情况：
◇在校期间，因各种原因未能顺利毕业……拿不到官方毕业证【q/微741003700】
◇面对父母的压力，希望尽快拿到；
◇不清楚认证流程以及材料该如何准备；
◇回国时间很长，忘记办理；
◇回国马上就要找工作，办给用人单位看；
◇企事业单位必须要求办理的
◇需要报考公务员、购买免税车、落转户口
◇申请留学生创业基金
留信网认证的作用:
1:该专业认证可证明留学生真实身份
2:同时对留学生所学专业登记给予评定
3:国家专业人才认证中心颁发入库证书
4:这个认证书并且可以归档倒地方
5:凡事获得留信网入网的信息将会逐步更新到个人身份内，将在公安局网内查询个人身份证信息后，同步读取人才网入库信息
6:个人职称评审加20分
7:个人信誉贷款加10分
8:在国家人才网主办的国家网络招聘大会中纳入资料，供国家高端企业选择人才
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Institutional regulations
- 1. Institutional Regulations Gianluca, Olivia & Jake Institutional Regulations
- 2. BBFC •The British Board of Film Classification. An independent and non-governmental body that has classified cinema films since 1912, and videos, DVD’s and Blu-rays since the Video Recordings Act was passed in 1984. Institutional Regulations
- 3. Classifications When deciding the classification of a media product, the decision is decided through the BBFC’s published and regularly updated guidelines. These guidelines are carefully devised through extensive public consultation, research and many years of experience from the BBFC. The guidelines reflect the current views on British film, DVD, Blu-ray and video games. Institutional Regulations
- 4. Institutional Regulations Classification U and PG
- 5. 12/12A and 15 Institutional Regulations
- 6. Instituonal Regulations 18 and R18
- 7. Institutional Regulations Our Production… We have decided to rate our documentary a PG as it is an informative documentary that talks about the music scene. We want many people to watch the documentary, including some older children so that they are knowledgeable on the unsigned music scene. Giving our production a PG rating will give a younger audience the chance to view it and possibly be influenced and given inspiration to follow in the footsteps of our interviewed artists. We plan to show our documentary on the BBC channel at around 7pm. We will be showing it on BBC 4 as we will be talking about BBC introducing in our documentary and would fit well.
- 8. BBC Mission Statement •BBC’s mission statement – ‘To enrich people’s lives with programs and services that inform, educate and entertain. •BBC’s Vision – ‘To be the most creative organisation in the world’. They seek to be the most creative organisation. We want to be able to give them that status with our creative work and hopefully achieving this goal. Their mission statement is clear and gives us the opportunity to inform, educate and entertain. Institutional Regulations
- 9. Why BBC? •The branch BBC 4 would be perfect for the showing of our documentary as there is a slight change in audience type to what BBC intentionally caters for. This audience is more sophisticated and is the correct audience type for the viewing of our documentary. Institutional Regulations
- 10. Conventions of BBC Documentaries CONVENTIONS: •Academia – fits well as we want to educate our audience. •Documentary is shown on this channel. •Slightly Left wing •Historical content •Older audience •Friday night music documentary night. •BBC documentaries are usually shown on BBC 4. Due to the BBC being a public service broadcasting channel it is therefore aimed at a mass audience which wouldn't’t suit our target audience, and therefore would want our documentary to be shown on BBC 4. These documentaries are aimed at a slightly different and more sophisticated audience. Institutional Regulations
- 11. How does our production fit? • BBC - ‘Trust is the foundation of the BBC: we are independent, impartial and honest’. • ‘We respect each other and celebrate our diversity so that everyone can give their best’. • The troubles that some artists face when being unsigned is something that many people aren't aware of. We believe that it is a good way of making an audience aware of the struggles, and it may influence people as it will give an understanding on how to get started in the music scene. We want to show that it is possible for anyone with musical talents. • Our documentary is diverse as we show two sides of the music scene, which we go into great detail in a short space of time. Whilst being informative it is also gives the element of entertainment and an insight into the lives of our interviewed artists. Institutional Regulations